Public Proclamations and Social Events

Prints illustrating public gatherings, announcements, and festive activities, capturing the vibrancy and social dynamics of historical communities.

The Counts Egmond and Horne, along with other nobles, are beheaded with the sword on the Grand Place in Brussels on the orders of the Duke of Alva. A crowd has gathered around the scaffold, Beheading of the Counts Egmond and Horne, 1567, print maker: Jan Luyken, Amsterdam, 1699, paper, etching, h 134 mm × w 85 mm

Public proclamation of the closed tracts in Nuremberg, 1650, Caspar Luyken (attributed to), 1701 print Frankfurt am Main paper etching announcement, proclamation of laws. street-fights, riots Nuremberg

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Ossenbeeck, Jan van, Rome, Prospetto e veduto a Cafarelle fuoro di porte S. Sebastiano, a Roma, Festivities at the ruins of the cave of the nymph Egeria, verso - manuscript, A festival is taking place in front of and in the ruins of the cave of the nymph Egeria. A canopy has been made with a cloth and a stick. People are making music, dancing, eating and drinking. Tables with chairs have been placed under the remaining barrel vault., print, prints, verso - stamped, height 150 mm, width 335 mm, Noord-Nederlands, 1624 - 1674-03-30, print maker, printmaker, 1647 - 1655, paper, papier, etching, etchings, Work conception, after own design by

Decapitation of Henri de Talleyrand-Périgord by an untrained executioner, 1626, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing violent death by beheading. executioner, hangman Nantes

Large village center. Doodle and music is made in a village street for a inn where drink is rich. Acrobaten exhibit their arts on a stage and pigs and chickens are looking for food between the partying villagers.

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The Counts Egmond and Horne, along with other nobles, are beheaded with the sword on the Grand Place in Brussels on the orders of the Duke of Alva. A crowd has gathered around the scaffold, Beheading of the Counts Egmond and Horne, 1567, print maker: Jan Luyken, Amsterdam, 1699, paper, etching, h 134 mm × w 85 mm

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Louis XIII (king of France), Paris, Henriet, Israel, Nancy, Callot, Jacques, The prodigal son, The prodigal son leaves his parental home, verso lower left - stamped, The prodigal son takes his place in front of his parental home farewell to his old father and other relatives. Packed mounts are already riding ahead. Below the image is a two-line French verse. This print is part of a series of prints around the parable of the prodigal son, consisting of a title print and ten narrative representations., print, prints, height 62 mm, width 81 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher, uitgever, 1601-09-27 - 1643-05-14, verlener van privilege

Theodor Galle after Jan van der Straet, The River God Tiber with the Urn and the Vestal Tuccia The River God Tiber with the Urn and the Vestal Tuccia

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Comments in Haarlem, 1573. Extractures of Haarlemmers by the Spaniards on the Grote Markt for the town hall in Haarlem after surrender of the city, July 13, 1573.

Luyken, Jan, Northern Netherlands, Jean vanden Wegen, pris au Marché aux poisons à Gand, et ensuite brulé, Ao. 1570, Hans on the road, with the fish marckt in Ghent, and the nachmahls spent, Hans van der Wege captured at the fish market in Ghent, 1570, The Mennonite Hans van der Wege captured at the fish market in Ghent and later burned at the stake, 1570., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 115 mm, width 143 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, prentmaker, 1683 - 1685, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception

Post, Pieter Jansz., Wouwerman, Philips, Noordelijke Nederlanden, Visscher, Jan de, Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665, Northern Netherlands, Thanksgiving by Count Johan Maurits after his rescue after the accident on the bridge of Franeker, January 6, 1665. The count kneels at the collapsed drawbridge., print, prent, prints, Frederik Muller Historieplaten, height 473 mm, width 384 mm, Noord-Nederlands, 1633 - 1692, print maker, prentmaker, 1665 - 1665, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen, Work conception, 1619-05-24 - 1668-05-19, after a design by, 1608 - 1669-05-02

The Lost Son leaves his parental home, Jacques Callot, 1635 print For his parental home, the lost son says goodbye to his old father and other family members. Cut -off riding animals are already driving ahead. Under the show a two -way French -speaking verse. This print is part of a series of prints around the parable of the lost son, consisting of a title print and ten narrative performances. print maker: Nancypublisher: Paris paper etching leave-taking and departure of the prodigal son

Visit to an African king, 1598. Visit by the Weerdt and men to an African king in Guinea, November 25, 1598. The Dutch blowing on trumpets, the king and sebald de Weert sit on stools. Copies to the original illustrations in the trip of the journey through the street of Magalhaes to East India by Sebald de Weert under Mahu and the Cordes in 1598-1600. No 3.

The Village Festival Made 1685 Holland. Etching on paper . Cornelis Dusart

Weigel, Christoph, Amsterdam, Luyken, Jan, Parable of the lost sheep, verso - stamped, print, prints, height 256 mm, width 200 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Entry of the Prince in Salisbury, 1688, 1688 - 1689 print Prince William III and his troops are welcomed by the inhabitants of Salisbury, December 13, 1688. Northern Netherlands paper etching being welcomed ~ travelling Salisbury

Event on 8 July 1647 during the Neapolitan uprising, verso - stamped, Rebels in Naples on the second day of the uprising in 1647. In the background smoke comes from the windows of a round building., print, book illustration, prints, height 67 mm, width 63 mm, height 122 mm, width 70 mm, print maker, printmaker, 1652 - 1664, paper, papier, etching, engraving, engraving (printing process), letterpress printing

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Print at the top right labeled: Pag: 99.

Visit to an African king, 1598, 1617 - 1619 print Visit the Weerdt and men to an African king in Guinea, November 25, 1598. The Dutch blow on trumpets, the king and Sebald de Weert are sitting on stools. Copies to the original illustrations in the report of the journey through the street from Magalhaes to the East Indies by Sebald de Weert under Mahu and the Cordes in 1598-1600. No. 3. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Guinea

Seianus, prefect under the emperor Tiberius, is abused and strangled, 31 BC, prefect onder keizer Tiberius

Relief of Leiden, 1574, 1614 - 1699 print Relief of Leiden, 3 October 1574. Joy among Leiden residents in the city, soldiers in boats divide out to the inhabitants who kneel along the quay of the Vliet. At the top in Banderol a verse of 6 lines in Dutch. In sculpted frame with Hermen on either side. Northern Netherlands paper etching / engraving To lead. Vliet, the

The misery and misfortunes of the war - the hospital Jacques Callot (1592-1635). "The miseries and misfortunes of the war, 1633 - the hospital". Etching.

Chairing the Member, Print made by T. E. Nicholson, active early 19th century, British, after William Hogarth, 1697-1764, British, Published by Jones & Co., active 1822-1850, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper

Decapitation of the Counts Egmond and Horne, 1567, Jan Luyken, 1699 print Together with other nobles on the Grote Markt in Brussels, the Counts Egmond and Horne are beheaded with the sword by order of the Duke of Alva. A crowd has gathered around the scaffold. Amsterdam paper etching Large market

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Jurisders on the scaffold on Dam Square, 1535, 1662 - 1665 print Torture and execution of the re -buyers on the scaffold for the old town hall on Dam Square in Amsterdam, July 28, 1535. From the windows of the town hall, judges watch a large crowd on Dam Square. No text on Verso. Northern Netherlands paper engraving on the scaffold or place of execution City Hall of Amsterdam (14th century-1652). Dam

Beer Street, William Hogarth, 1697-1764, British, undated, Engraving, beer, caricature, cityscape, genre subject

Skaters on the ice at a farm, Esaias van de Velde, print maker: Anonymous, Johannes Pietersz. Berendrecht, 1610 - 1617

At Madrid the heads of Don Pedro de Silva and Don Carlo di Padiglia are cut off, 1648, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 109 mm × w 157 mm

Spring, Nicolaes de Bruyn, Francoys van Beusekom, 1581 - 1656

Charlatan, Gabriel Jacques de Saint -Aubin, 1734 - 1780 print A quacks standing on his car. He is surrounded by many spectators on the Pont-Neuf, next to the equestrian statue of Henri IV. Under the show a four -line text in French. Paris paper etching quack, charlatan, mountebank, 'saltimbanco' New Bridge

Types of Torture in Asia. Etching, c. 1700. Left, Constantinople, with the Emperor and the Grand Vizier. On the right, China and Japan. In the foreground, about nine different types of torture, including a scene of Spanish punishment and a scene of victims being ground up with huge pestles in a mortar, Historical, digitally restored reproduction from a 19th century original.

A man, possibly Louis XVI enters the staircase to the guillotine, Man enters the staircase to the guillotine, print maker: Reinier Vinkeles (I), (mentioned on object), print maker: Daniël Vrijdag, (mentioned on object), after: anonymous, (mentioned on object), Amsterdam, 1793 - 1795, paper, etching, engraving, h 225 mm × w 275 mm

Le triomphe de la coquetterie. Artist: Anonymous, French, 18th century. Dimensions: sheet: 14 3/4 x 19 in. (37.5 x 48.3 cm). Former Attribution: Anonymous, British, 18th century. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Picart, Bernard, The Great Tableau of Folly, Monument consecrated to the posterity and memory of the incomprehensible film of the XX. année du 18. siecle, In eternal remembrance of the folly of the XX. year of the 18th century, Monument in memory of the folly of the year 1720, verso lower left - stamped, Monument in memory of the folly of the year 1720. On a large cart driven by a jester, Fortuin van de Actien scatters shares around. The cart is pulled by personifications of the companies of the South Seas and Mississippi (a disabled Indian) and others. The cart is led by Faam in the direction of a poorhouse and madhouse. Around the cart are traders and victims. On the right in the background the Coffee House Quincampoix. At the bottom the emblem with the motto Appearance Deceives in Latin. In the caption the explanation of the representation in French and Dutch. Print 27 (late edition of no. 18) in the series Het Groote Tafereel der Dwaasheid with cartoons on the Windhandel

Decapitation of the engraver Cornelis de Hooghe, 1583. Decapitation of the Leiden engraver Cornelis de Hooghe, in The Hague on March 29, 1583. The man kneels with bare upper body for the executioner on the scaffold. De Hooghe was convicted of land prair and beheaded and considerable. He claimed to be a bastard son of Emperor Charles V. Design for a print.

Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665, 1665 print Thanksgiving by Count Johan Maurits after his salvation after the accident on the bridge of Franeker, 1665, January 6, 1665. De Graaf kneels at the collapsed drawbridge. Northern Netherlands paper etching accident with horse (or kindred animal). collapsing building. bridge. one person praying Franeker

View of a square where a black man with firepit is running, Jan Luyken, 1681

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, book illustration, prints, engravings, Willem Jansz. climbs the stake in Amsterdam, 1569, verso - stamped, 84, Willem Jansz Ao 1570, height 114 mm, width 143 mm, North Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, publisher, - 1693-06-26

This woodcut by Jost Amman from 1560-1591 depicts the wedding with the sea procession on the Piazza of San Marco in Venice using 14 blocks.

The triumphal harlequin and the promoters, 1720; The expired promotionists, restored by the Triumphs Arlequin; The great scene of foolishness. The triumphal harlequin and the promoters. Harlekijn scams worth shares between the traders in the wind trade from a car. In the background vianen on the leak. In the caption a verse in 4 columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Deliberation between Aeneas and his followers interrupted, Gerard de Lairesse, 1668 print The deliberation that Aeneas carries with his followers is interrupted by Dido and her sister Anna. In the margin there is a two -way caption in Dutch. This illustration was made at the second company of the Treurpel "Didoos Doot" (1668), written by Andries Pels. The print is part of a four -part series with scenes from this mourning game. paper etching (story of) Dido

Leonello Spada's drawing depicts a club of martyrs, showing one kneeling under the hangman, two beheaded figures lying on the ground, and a fourth entering from the left, executed with gray lavated feather on brownish paper with white highlights.

Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665. Thanksgiving by count Johan Maurits after his salvation after the accident on the bridge of Franeker, 1665, January 6, 1665. The count kneels at the collapsed bridge.

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Sébastien Bourdon, Vestine nudos, probably 1658 Vestine nudos

The Tooth Puller, plate nine from Selection of Pictures from Venetian Collections 1765 Italy. Giovanni Domenico Tiepolo made several small paintings to gratify the 18th-century predilection for images of contemporary Venetian life. His depictions of common people, Carnival, and the improvisational commedia dellíarte theater grew in popularity when translated into print by Jacopo Leonardis. The Tooth Puller shows a festival scene in which a quack dentist operates on a helpless victim writhing in pain; meanwhile his colleague waves an extracted tooth and rants at the largely indifferent revelers. The text below, added by Leonardis, further lampoons the pranksterís conduct Now with his voice, now with his hand Now money, now teeth extracts the Charlatan.. Etching and engraving in black on ivory laid paper . Jacopo Leonardis

Antiochus Epifanes robes the temple of Jerusalem, Johannes Wierix, after Gerard van Groeningen, 1579 print After his victory over Egypt, Antiochus moves to Jerusalem with a large army. There he robes the temple and turns on a massacre among the inhabitants. Under the show a reference in Latin to the Bible text in 1 bubble. 1. Antwerp paper engraving Antiochus IV Epiphanes robbing the temple of its treasures (1 Maccabees 1:21-23)

Looting the house of a French fish seller in Deventer, 1747.A French fish seller in Deventer abused and his house plundered by uprootraakers, September 20, 1747. Design for a print.

The Times, Plate 1 September 7, 1762 William Hogarth British. The Times, Plate 1 399155

A brown ink drawing by Jan van de Velde II showing a fish market with vendors, fish stalls, buyers, and market activity, lavated in brown and gray over black chalk on light brown primed paper.

Antiochus Epifanes roam the temple of Jerusalem; History of the Maccabeans; Thesaurus Sacrarum historiarum Veteris Testamenti (...). After his victory over Egypt, Antiochus attracts Jerusalem with a large army. He raises the temple and he points to a bloodbath among residents. Under the show a reference in Latin to the Bible text in 1 MAKK. 1.

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Six men construct a section of the Tower of Babel. Etching by Cowley after S. Wale.

Cardinal Mazarin with a carriage on the way to Pheasant Island, 1659, Caspar Luyken, 1699 print In the foreground a equestrian column with a few carriages. In the column of Cardinal Mazarin on the way to Fazant Island, where the Pyrenneën Treaty is closed. Leiden paper etching baring the head, lifting one's hat. 'en route', traveller under way

Amsterdam, Lamsveld, Samuel, Scherm, Laurens, Looting of the house of mayor Boreel during the Speakers' Riot, 1696, verso lower right - stamped, A large crowd of angry citizens plunders the house of mayor Jacob Boreel during the Aansprekersoproer., print, engraving, book illustration, prints, engravings, A crowd of angry citizens plunders the house of mayor Jacob Boreel on the Herengracht, during the Aansprekersoproer, 31 January-1 February 1696., height 135 mm, width 83 mm, Noord-Nederlands, 1671 - 1702-11-13, print maker, printmaker, 1702 - 1702, paper, papier, etching, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, Dutch, publisher

Amsterdam, Luyken, Jan, Josia eradicates idolatry, verso - manuscript in brown ink, print, prints, verso - stamped, 158, height 112 mm, width 149 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Bellinde de Corzora on the stake, Jan Luyken, 1699 print Bellinde de Corzora, daughter of the Portuguese nobleman Emanuel de Corzora, is burned alive at the stake. While the executioner lights the stake with a torch, Bellinde makes a cross sign. In the background the city of Estremoz. Amsterdam paper etching violent death by burning at the stake; pyre. on the scaffold or place of execution. making the sign of the cross Star

Haven with merchants at Vuur, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Harbor with merchants around a kettle hanging above the fire. On the left in the background a palace with four statues on the cornice. And a man on the right on the quay, waving to a departing sailing ship. Twelfth print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport). cooking food - CC - in the open air

Vestine nudos. Dated: probably 1658. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebastien Bourdon.

Decapitation of Johan van Oldenbarnevelt, 1619, 1756 - 1758 print The beheading of Johan van Oldenbarnevelt on the Binnenhof in The Hague on May 13, 1619. View of the scaffold with the executioner with raised sword behind the kneeling country lawyer. Northern Netherlands paper etching violent death by beheading. death penalty, execution Courtyard

The First Stage of Cruelty. Dated: 1751. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Luyken, Jan, Northern Netherlands, Jacob van Campen with miter on head on the scaffold in Amsterdam, 1535, The Anabaptist Jacob van Campen has a mitre placed on his head, on the scaffold in front of the town hall in Amsterdam, 10 July 1535. His tongue is torn out. Below on the Dam a bonfire and a large crowd., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 113 mm, width 146 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1692 - 1692, fourth quarter 17th century, paper, etching, etchings, Work conception

February, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print On the left in the foreground, for a tavern, a carnival celebration: people eat, drunk and enforce. In the middle of a carriage. On the right a stage with masked figures. In the background a fight with a bull and face in a village. In the middle of the constellation fishing. The print has a Latin caption. print maker: Praagpublisher: Venice paper engraving February and its 'labours' (+ with zodiacal signs). Shrove Tuesday, 'Mardi gras' ~ non-liturgical celebrations of carnival. mask. group of actors, troupe; actors on the stage

Amsterdam, Kok-van Kolm, widow C., Kermis-Wensch by the joint Street Sweepers under the first and general direction of Mr. E. Bresser 1850, Kermisprent van de Amsterdamse straatvegers, 1850, verso - stamped, 9 september 1850. View of an Amsterdam street where several male and female street sweepers are at work, in the foreground a man is collecting money from a house. With a verse in two columns., print, kermisprent, prints, Frederik Muller Historieplaten, height 334 mm, width 207 mm, print maker, printmaker, 1850 - 1850, paper, papier, letterpress printing, letterpress, woodcut, Dutch, printer, drukker

Antiochus Epiphanes tries to persuade a mother and seven sons to eat boar meat / death of seven sons, Jan Luyken, 1698 print Two performances of a plate. Numbered at the top right: 667 and 675. Amsterdam paper etching the martyrdom of the seven Maccabean brothers and their mother under Antiochus IV Epiphanes (2 Maccabees 7)

Plundering of the house of a French-minded fishmonger at Deventer, 1747, Jacobus Buys, 1788, A French-minded fishmonger at Deventer mistreated and his house plundered by rioters, September 20, 1747. Design for a print., draughtsman: Jacobus Buys, Northern Netherlands, 1788, paper, h 149 mm × w 89 mm

The Invasion, Plate II, England, after William Hogarth, 1697-1764, British, 1768, Etching and line engraving on medium, slightly textured, cream laid paper

Tortorel, Jacques, Keulen, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Murder of the Protestants at Cahors, 1561, 19 November 1561. The house in which a meeting is taking place is set on fire and the fleeing Protestants are killed. With an 8-line caption in German. Numbered lower left: 24. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller Historieplaten, height 209 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1567 - 1571, paper, papier, etching, etchings, Work conception

. Print at the top right labeled: MEMOR: FOL: 88.

Grignion, Charles, inventor: William Hogarth, work, Canvassing for Members, Plate II, 1757, copper engraving, graphics, plate width 55, 6 cm, leaf width 58.5 cm, leaf height 43.7 cm, image width 53.8 cm, image height 40.5 cm

The Times (plate 1). 1762. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A Rake's Progress, Plate 8 ca. 1800 Dent British. A Rake's Progress, Plate 8 417890

Fokke, Simon, Netherlands, Margaretha van Parma wordt landvoogdes, 1559, 1559. Interior in which the duchess is led to the empty chair., print, prints, Frederik Muller History plates, height 83 mm, width 107 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1782 - 1784, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by

The lock of IJsselstein conquered and burned, 1417, 1719 - 1728 print The lock of IJsselstein is conquered and burned on the lords of Egmond and IJsselstein, 1417. Two gentlemen are trapped by soldiers between the burning ruins. Text on the back. Northern Netherlands paper etching IJsselstein

William Hogarth, 1697-1764, British, The First Stage of Cruelty: First, Children Torturing Animals, 1751. Engraving.

Mademoiselle at the Bastille (1652). (IT)

The martyrdom of Saturninus, Bishop of Toulouse: Saturninus is stripped to the waist, fastened with his feet to the tail of a bull and dragged down the stairs of a temple. Etching.

Figures at a vegetable stand in a market in a town. Title print of part two of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Figures at a vegetable stand in a market Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), (mentioned on object), Jan van de Velde (II), publisher: Claes Jansz. Visscher (II), (mentioned on object), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Triumph of Mordecai. .

Good thing is threatened, 1597 print There are good and bad judges on a city square, good and bad lawyers, good and bad witnesses opposite each other with skewers in the attack. Good thing (Bona Causa) tries to run unharmed in between to victory (Victoria), who is waiting for her in the middle of the square. Extensive caption in Dutch, German and Latin. This print is part of a series of eight prints about greed, deception and litigation. paper engraving Victoria as Roman personification

Jean Baptiste Marie Pierre, Mascarade Chinoise faite a Rome (Chinese Masquerade), 1735 Mascarade Chinoise faite a Rome (Chinese Masquerade)

Uprising to the funeral of Daniël Raap on Dam Dam in Amsterdam in 1754. Uprising to the funeral of Daniël Raap on Dam in Amsterdam in 1754. Opponents of the goalists destroy the actual.

O the Roast Beef of Old England--The Gate of Caiais March 6, 1749 William Hogarth British. O the Roast Beef of Old England--The Gate of Caiais 404778

A wealthy family arriving at a hotel and being greeted by the proprietor. Engraving.

William Hogarth, Southwark Fair, 1733 1734 Southwark Fair

Men of Sodom beaten with blindness, 1613 The men who are collected at the house of Lot are blinded by God. In the doorway Lot and the two angels he had invited for the meal and an overnight stay at his home (Gen. 19:11). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching The men who are collected at the house of Lot are blinded by God. In the doorway Lot and the two angels he had invited for the meal and an overnight stay at his home (Gen. 19:11). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Varkensmarkt, Anonymous, After Jan van de Velde (II), 1603 - 1691 drawing paper brush butcher, slaughterman. pig. market. pig (+ slaughtered animal). square, place, circus, etc.

A Rake's Progress, Plate VIII: In Bedlam, William Hogarth, 1697-1764, British, 1735, Line engraving, Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)

Fabul of the farmer and his donkey; The son of the farmer is sitting on the donkey while the farmer is running; Aesopian Fabul of the farmer and his donkey. .

. The H. Telemachus of Rome, a Christian hermit, tries to interrupt a gladiator fight by stopping the two fighting gladiators.

France, Perrissin, Jean, Tortorel, Jacques, Le Massacre fait a Cahors en Querci le xix. Novembre 1561, Murder of the Protestants in Cahors, 1561, 19 November 1561. The house where a meeting is taking place is set on fire and the fleeing Protestants are killed. In the caption the legend AF in French. Unnumbered., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 366 mm, width 490 mm, French, print maker, printmaker, 1570 - 1570, third quarter 16th century, paper, woodcut, letterpress printing, 1538 - 1611

Spectators around a fire on the street. Draughtsman: Adam Louisz Colonia. Dating: 1584 - 1651. Measurements: h 148 mm × w 192 mm. Museum: Rijksmuseum, Amsterdam.

Raphael, Italy, Veneziano, Agostino, Hadrian meets Androclus, verso - stamped, The Roman emperor Hadrian, on horseback, meets Androclus who stands on the left among Roman soldiers. Next to Androclus the lion from whose paw he has removed a thorn., print, prent, prints, engravings, height 369 mm, width 268 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

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