Religious and Allegorical Prints

Artworks depicting religious figures and themes, focusing on allegorical representations of death, life, and morality in various artistic techniques.

a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmaker" Germany, Cranach, Lucas (I), Christ, Apostles and Paul, John the Evangelist with chalice, Germany, recto lower right - stamped, John the Evangelist standing with his attribute, the chalice, under an ornamental arch with a basket with roses and putti and a pot with oak branches. The saint makes a gesture of blessing above the chalice with a poisonous content that rises like smoke., print, prints, verso bottom center - stamped, height 307 mm, width 188 mm, German, 1472 - 1553-10-16, printmaker, 1510 - 1515, first quarter 16th century, woodcut

Liagno, Teodoro Filippo di, The Hague, Hondius, Hendrick, Skeletons of birds and mammals, Skeleton with banner, verso - stamped, Death in the form of a skeleton with a banner over his shoulder, walking to the left in a landscape. Print from a series of 23 prints with representations of skeletons by Hendrick Hondius I, Andries Jacobsz. Stock and Simon Frisius., print, prints, mo in frame: MORS Signum extollit Victrix canit ipsa, Triumphu cuidant submissas sceptra ligos manus., height 158 mm, width 102 mm, print maker, 1625 - 1652, second quarter 17th century, paper, etching, etchings, Work conception, Italian

James Ward, 1769-1859, British, A Human Skeleton, undated. Graphite and brown ink and brown and gray wash; verso: watercolor on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper.

Skeleton with banner, Hendrick Hondius, after Teodoro Filippo di Liagno, 1625 - 1652 print Death in the form of a skeleton with a banner on his shoulder, walking to the left in a landscape. Print from a series of 23 prints with performances of Skeletten by Hendrick Hondius I, Andries Jacobsz. Stock and Simon Frisius. paper etching Death as skeleton. standard-bearer, flag-bearer

a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmaker" Germany, Cranach, Lucas (I), Christ, Apostles and Paul, John the Evangelist with chalice, Germany, recto lower right - stamped, John the Evangelist standing with his attribute, the chalice, under an ornamental arch with a basket with roses and putti and a pot with oak branches. The saint makes a gesture of blessing above the chalice with a poisonous content that rises like smoke., print, prints, verso bottom center - stamped, height 307 mm, width 188 mm, German, 1472 - 1553-10-16, printmaker, 1510 - 1515, first quarter 16th century, woodcut

Victory on Death, Anonymous, After Hendrick Goltzius, 1601 - 1667 print Victory of faith, in the form of an angel with a Bible in hand, is with her foot on the skeleton of death. She leans on a cross on which a horse toom hangs. paper engraving Victoria as Roman personification. Death as skeleton

A skeleton encircled with a decorative band. Woodcut.

Anatomical study of head and shoulders of a man, dissected ..

Woman worry

This copper engraving and etching by Martino Rota depicts a scene of death, showing human figures, emotional expressions, and compositional elements in a dramatic setting.

Liagno, Teodoro Filippo di, The Hague, Hondius, Hendrick (I), Animal skeletons, Skeleton of an Indian cock, verso - stamped, The skeleton of an Indian cock. At the bottom a two-line text in Latin. Print from a series with representations of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, prent, prints, rb: Indiaensen haen, Coq d'Inde. mo in frame: Indice galle iaces...crista invat. lr: 4, height 155 mm, width 94 mm, Northern Dutch, 1573-06-09 - 1650-10-25, print maker, 1625 - 1626, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, Italian

Joseph Sattler (1867-1931). German painter and Art Nouveau illustrator. Modern Dance of Death. Engraving. "La Ilustracion Artistica", 1885.

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock, William Hogarth, 1697-1764, British, ca. 1750, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm), boots, breeches (trousers), deaths, epitaphs, religious and mythological subject, skeleton, stockings

Death tramples on three female allegorical figures representing sensual pleasures. Pen and ink drawing, ca. 1700.

anatomical study by Bernardino Genga 'Anatomia per uso et intelligenza del disegno ricercata non solo su gl'ossi, e muscoli del corpo humano'. (Rome, 1691). Bernardino Genga (1620ñ1690) was a scholar of Classical medical texts, editing several works of Hippocrates

Stefano della Bella illustrated Death as a figure with quiver and bow, carrying a shoulder banner to the right, using reddish feather around 1633/34.

King Death's Distribution of Prizes. Dated: 1870. Dimensions: sheet: 40.01 × 28.26 cm (15 3/4 × 11 1/8 in.). Medium: wood engraving in black on newsprint. Museum: National Gallery of Art, Washington DC. Author: Thomas Nast.

Print from Drawing Book. Dated: c. 1610/1620. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Luca Ciamberlano.

Jan Wandelaar (Dutch, 1690 - 1759), Musculorum Tabula IV, 1742, engraving on laid paper with accompanying leaf of descriptive text from the later English edition

Noord-Nederland, Wandelaar, Jan, Skeleton at a tomb, verso lower left - stamped, Landscape with a skeleton, seen from behind, in front of a tomb., print, engraving, height 565 mm, width 417 mm, Northern Netherlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1747 - 1747, paper, etching, etchings, engraving (printing process)

Dance of death (left half) ..

Den Haag, Hondius, Hendrick (I), Liagno, Teodoro Filippo di, Hendrick, Animal skeletons, Skeleton with bow and arrow, The Hague, verso - stamped, Death in the guise of a skeleton with a quiver on his back and a bow in his hand. In front of a landscape with a tree on the right. Print from a series with representations of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, frontispiece, prints, in banderole rb: Haegae-Comitis Ex off. Henr. Hondij1626, ro: No 1; boevanaan in frame: Heu quam MORS Vibras non evitabile telum Quo perunt Homines quo Pecudesque cadunt, height 157 mm, width 100 mm, print maker, printmaker, 1625 - 1625, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, Italian, after a design by, Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

Study of Three Skulls (recto); Architectural Study (verso). Unknown maker, Southern German

Anatomical figures on a cliff by the sea, their heads illuminated by light. Line engraving and etching by B. Probst, 1735.

Satan Sowing Seeds (from Les Sataniques), Rops, Félicien (1833-1898)

A winged skeleton holding a drawing of a seated model, with human bones and skulls on the table and floor beside him. Etching by or after J. Gamelin, 1778/9.

Personification of Death, Anonymous, After Marcantonio Raimondi, 1500 - 1549 print Death as a winged skeleton with a scythe in hand. Italy paper engraving Death as skeleton

Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III). Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Plate: 11 5/8 x 7 15/16 in. (29.5 x 20.2 cm)Sheet: 23 5/8 x 17 5/16 in. (60 x 44 cm). Printer: Printed by Wilhelm Felsing. Publisher: Published by Max Klinger (German, Leipzig 1857-1920 Großjena). Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.

Pen drawing of Death as a skeleton wearing a feathered hat and carrying a banner, executed around 1633-1634.

Muscleman, in a landscape, seen from the front. Photolithograph, 1940, after a woodcut, 1543.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo72. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III) 1898 Max Klinger German. Dritte Zukunft from Eva und die Zukunft (Rad.-Werk III) 412191

Amor and death, as frame with spear.

Bernard, Emile (n.1868-04-28-D.1941-04-16), frontispiece-"Lilith and the Angel Liberté. (Main title), 1935, etching and aquatint on Japan paper. Houses of Victor Hugo Paris - Guernsey.

Personification of death. The death as a winged skeleton with a scythe in hand.

Roem overcomes death, Dirck Volckertsz. Coornhert (Possible), After Maarten van Heemskerck, 1532 - 1590 print In the clouds the personification of fame. She blows on a horn. Below her on the ground is the corpse of death, his scythe is broken. Fame is stronger than death. The print is part of a six -part series about the triumphs of Petrarca. Haarlem (possibly) paper etching Death as Skeleton (+ death with Scythe). 'Trionfo della report' 'Triumph "; "Carrel della report" (bank). Hunger; 'Report' '' Fame buon '' 'Fame Chiara' (Ripa)

Giovanni Battista Bracelli (Italian, active c. 1624-1649), From "Bizzarie di varie Figure", 1624, etching

A head of a man with a skin disease on his face. Coloured stipple engraving by S. Tresca after Moreau-Valvile, c. 1806.

Striding Man. Dimensions: plate: 43.5 x 30.8 cm (17 1/8 x 12 1/8 in.). Medium: engraving with stipple. Museum: National Gallery of Art, Washington DC. Author: Nicolaus Beatrizet after Michelangelo.

Death and the Lansquenet 1510 Albrecht Dürer German. Death and the Lansquenet 388480

Hanging sex bovine. Draughtsman: Jordanus Hoorn. Dating: 1763 - 1833. Measurements: h 151 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Skeleton with arrow and bow; Animal skeletons. Death in the form of a skeleton with an arrow sleeve on his back and bow in hand. For a landscape with a tree on the right. Print from a series of representations of skeletons by the Printmakers Hendrick Hondius I (Newholst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius.

Skeleton at a tomb, Jan Wandelaar, 1747 print Landscape with a skeleton, seen from behind, for a tomb. North Netherlands paper etching / engraving (human) skeleton (+ back view). grave, tomb

Standing skeleton with arrow and arch, anonymous, 1600 - 1699 drawing Netherlands paper. ink pen / brush

The dance of death at Basel: death and the King. Lithograph by Danzer after H. Hess.

Study of a skull. Draughtsman: Jacob de Gheyn (II). Dating: 1575 - 1625. Measurements: h 69 mm × w 71 mm. Museum: Rijksmuseum, Amsterdam.

Sculpture of one of the daughters of Niobe, Anonymous, 1600 - 1699 print The image misses the head, an arm and fingers. Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Niobe

A Masked Man with Bowed Legs. Jacques Callot (France, Nancy, 1592-1635). France, 1616. Prints; engravings. Etching with engraving

Du Jardin, Karel, Vuorenhuiput, 1659, line etching, graphics, image width 17.6 cm, image height 13.8 cm

In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7 Made 1887 France. Lithograph in black on cream Japanese paper . Odilon Redon

Reclining skeleton with crown and sceptre, draughtsman: Richard Nicolaüs Roland Holst, 1878 - 1938, cardboard, pen, h 101 mm × w 235 mm

Drawing, Skeleton; Italy; pen and brown ink on paper; 21.2 × 14.6 cm (8 3/8 × 5 3/4 in.)

The dance of death: death and the mother. Etching by D.-N. Chodowiecki, 1791, after himself.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Study of a skull, Jacob de Gheyn (II), 1575 - 1625, draughtsman: Jacob de Gheyn (II), 1575 - 1625,

Two heads of lions. Draughtsman: Jan van Essen. Dating: 1864 - 1936. Measurements: h 173 mm × w 95 mm. Museum: Rijksmuseum, Amsterdam.

A skeleton with her back turned wearing a coat and hat, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo. ca. 1880-1910 José Guadalupe Posada. A skeleton with her back turned wearing a coat and hat, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

Bismarck, Blue spots, A patriotic wish of the German people, Caricature from Kikeriki, Unknown

The rich man and death. Vanitas performance: allegory on the transience of human life. A rich man sits in a departure, surrounded by his possessions, recessed. His right foot is based on a coffin. Song behind him loves death in the form of a skeleton, with winged hourglass in hand, through a window inside. A skull on the ground. A clock on the wall. Bible texts in two cartouches that relate to the arrival of death and relativity of all earthly. Bible quotes that refer to death. Above the show a quote from Luke 12:20 that refers to the parable of the rich man, which is warned against the pursuit of earthly wealth. Print is printed of two blocks on two sheets of paper, attached to each other.

Liagno, Teodoro Filippo di, The Hague, Hondius, Hendrick, Animal skeletons, Skeleton of a bird, verso - stamped, standing in front of a landscape, to the left. Below the image two lines in Latin. Print from a series with images of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, prints, lr in landscape: Hh, mo in frame: Parva Avis ignoto...imago tamen. lr: 8, height 157 mm, width 94 mm, print maker, printmaker, 1626 - 1626, second quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian

Corpse

Stone cist tomb from the Bronze Age, Spain, skull with bronze diadem, digitally restored reproduction of a 19th century original, original date unknown, Europe

The Noblewoman, from The Dance of Death ca. 1526, published 1538 Designed by Hans Holbein the Younger German. The Noblewoman, from The Dance of Death. Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). ca. 1526, published 1538. Woodcut. Prints

Male Nude.

Skeleton dancing next to an open grave, on the right you can see very lightly the figure of a girl, under the skeleton variants in position of the figure, Skeleton dancing next to an open grave., draughtsman: Gesina ter Borch, Zwolle, c. 1656, paper, h 155 mm × w 202 mm

Flute player, Fr. Van Groeningen, 1882 print paper etching / drypoint one person playing wind instrument

Kobolds, Francisco de Goya, 1797 - 1799 print Three small people with very large hands and grotesque faces, each with a cup in hand. Forty -ninth print from the Los Caprichos series. Spain paper etching goblins, hobgoblins

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Sleeping Child with Four Skulls, Barthel Beham, 1502 - 1540, Engraving on laid paper, Germany, 1529, Print, Print

Anatomy Sketchbook Eastman Johnson (American, 1824-1906). Anatomy Sketchbook, 1849. Graphite on beige, medium weight, slightly textured laid paper, Sketchbook: 17 1/8 x 11 1/16 x 3/8 in. (43.5 x 28.1 x 1 cm). Eastman Johnson used this sketchbook while enrolled in an anatomy class at the Düsseldorf Royal Academy in Germany. The meticulous, almost scientific precision of his skeleton studies reveals the schools emphasis on draftsmanship and anatomical knowledge as fundamental tools for the artist. Many of the drawings include grids and other geometric guidelines, as well as notations about ideal proportions of the human body. Johnson parlayed his academic training into a successful career as a painter of American genre subjects. American Art 1849

Dans le dédale des branches la blême figure apparaissait... from the series Le juré. Dimensions: 44.3 cm x 31.2 cm, 15.7 cm x 9.8 cm, 15.7 cm x 9.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

Male term with flower garlands, anonymous, after hugues sambin, 1572 print Nummered at the top left: 22. According to the explanation on page 22, this is the Doric Order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments)

Human skulls: four figures. Line engraving, 1780/1800

The dance of death at Basel: death and the queen. Lithograph by G. Danzer after H. Hess.

Child with three skulls. Sleeping child with the head resting on three skulls, an hourglass makes this vanitas complete.

Amor and Death, as a skeleton with Speer, Henricus Wilhelmus Couwenberg, after Lodewijk Anthony Vintcent, 1830 - 1845 print Amsterdam paper etching Death as skeleton. (story of) Cupid, Amor (Eros)

Parijs, Franse kroon, Huquier, Gabriel, Frankrijk, Bouchardon, Edme, Aubert, Jean, Still life with vanitas symbols, Paris, France, verso - stamped, print, prints, height 266 mm, width 335 mm, - 1741-10-13, print maker, printmaker, 1708 - 1741, paper, papier, etching, etchings, engraving, engraving (printing process), Frans, 1698-05-29 - 1762-07-27, intermediary draughtsman, after drawing by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, uitgever van privilege

Study of a Skull, Facing Left, draughtsman: Cornelis Visscher (II), c. 1654 - c. 1658, paper, h 93 mm × w 113 mm

Print made by John Smith, 1652-1743, British, Disce Mori Mundo Vivere Disce Deo / /Learn to Die to the World, Learn to Live With God, undated. Mezzotint on medium, slightly textured, cream, laid paper.

Skull, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 336 mm × w 242 mm

Young Man with Death, anonymous, after Master of the Amsterdam Cabinet, 1475 - 1499, Signed copy after a print. Young Man and Death., draughtsman: anonymous, Meester van het Amsterdamse Kabinet, 1475 - 1499, paper, pen, h 124 mm × w 76 mm

Running skeleton.

SKELETON. MOSAIC FROM POMPEII. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

Barthel Beham, Child with Three Skulls, 1529 Barthel Beham (German, 1502 - 1540 ), Child with Three Skulls, 1529, engraving, Rosenwald Collection

Liagno, Teodoro Filippo di, The Hague, Hondius, Hendrick, Animal skeletons, Skeleton of a bat, verso - stamped, above a landscape with water. Below the image two lines in Latin. Print from a series with images of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, prints, lr: Hh, lb: Bat, Chauve-fouri; mo in frame: Sum Mussum Volucris...cauda mifi. r: 9, height 156 mm, width 94 mm, print maker, 1626 - 1626, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, Italian

Child with three skulls. Copy in mirror image to a print of Barthel Beham

Skeleton Head & Torso Manuel Manilla (Mexican, 1830-1895). Skeleton Head & Torso, printed and published 1971. Relief engraving on paper, 14 7/8 x 11 in. (37.8 x 27.9 cm). European Art printed and published 1971

Jacques de Gheyn II, Saint Mark, 1588, engraving on paper.

Caricature of a flute player. Draughtsman: anonymous. Draughtsman: Pier Leone Ghezzi (rejected attribution). Dating: c. 1700 - c. 1800. Measurements: h 243 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

Carlo Khan's Triumphal entry into Leadenhall Street, James Sayer, 1748-1823, British, 1783, Etching, Sheet: 11 3/4 x 8 7/8in. (29.8 x 22.5cm)

Skeleton sitting on a chair and reading a newspaper, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo. ca. 1889-1895 José Guadalupe Posada. Skeleton sitting on a chair and reading a newspaper, from a broaside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.. José Guadalupe Posada (Mexican, 1851-1913). ca. 1889-1895. Etching on zinc. Prints

Liagno, Teodoro Filippo di, Hondius, Hendrick (I), The Hague, Stock, Andries Jacobsz., Animal skeletons, Skeleton of a pig, verso - stamped, The skeleton of a pig in a landscape. At the bottom a two-line text in Latin. Print from a series with representations of skeletons by the printmakers Hendrick Hondius I (NewHollst.243-258), Andries Jacobsz. Stock (Hollst.4-10) and Simon Frisius., print, prints, ro: AS, lb: Vercken, Porceau. mo in frame: I fera SUS...timet ro 15, height 96 mm, width 155 mm, Noord-Nederlands, 1582 - 1648, print maker, prentmaker, 1625 - 1626, second quarter 17th century, tweede kwart 17e eeuw, 1573-06-09 - 1650-10-25, intermediary draughtsman, after a drawing by, Work conception, Italian

Study of a skeleton. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Death head. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 336 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

The First Book of Urizen, Plate 12, 'Los Smitten with Astonishment....' (Bentley 8), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 x 4 inches (15.2 x 10.2 cm), and Spine: 10 1/4 inches (26 cm), bones (material), dead, death, kneeling, literary theme, religious and mythological subject, skeleton, text

Old woman and child at candlelight, Willem Panneels, after Peter Paul Rubens, 1631 print An old woman holds a basket and a candlestick. A child tries to light a candle. In the background the figure of death, represented as a frame. In the margin a caption in Latin. Antwerp paper etching / engraving Death as skeleton. old woman. candle (+ kindling a light; lit, burning light, lamp, candle)

'Crouched Burial in Round Tumulus on Dunstable Downs', 1887, (1946). Artist: Worthington G Smith.

Print made by William Faithorne, 1656-ca. 1701, British, What's Humane Life, Where Nothing Long Can Stand Time Flyes, Our Glory Fades, and Death's at Hand, undated. Mezzotint and etching on moderately thick, slightly textured, beige laid paper.

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