Religious and Architectural Artworks

Documentation of religious art and architectural details from various historical periods in Italy, emphasizing intricate designs and significant iconography.

Abruzzo L'Aquila L'Aquila S. Giuseppe8. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, tomb of Camponeschi family (15th century). Post-medieval: Architecture, architectural sculpture, tomb of Camponeschi family One exterior view and four interior apse views. Views of Camponeschi monument. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Teramo Sant'Angelo Madonna Bianca9. Hutzel, Max 1960-1990 Extensive coverage of the Romanesque facade and portico. Remaining coverage is mostly of the Madonna statue by Francesco Ferrucci, and the frescoes by Domenico da Leonessa. General Notes: Photographs of this church were previously filed under both Norcia and Ancarano. Negatives, now lost, were previously filed under Ancarano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

scene. unknown c. 1620-1660 Tapestry Dimensions: H 11'2" x W 10'7" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Robert L. Gerry, invoiced 4/3/1936 SS 18594. 2 women with child & 3 attendants, greeted by soldier (BRD) acanthus scroll inhabited by various figures, lion & horse French & Co. stock sheet in archive, 18594-b also lists: 41436 Related Works: Panels in set: GCPA 0240973-0240975, 0240978-0240979

Umbria Perugia Norcia S. Agostino8. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Castelsantangelo sul Nera S. Martino4. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century); campanile with bifora windows; architectural sculpture: capitals, etc.; tabernacle carved with lion heads; gothic altar. Post-medieval: Frescos (15th and 16th centuries); sculpture in wood (16th century); terracotta bust of a bishop (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia8. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Galleria Nazionale dell'Umbria3. Hutzel, Max 1960-1990 Views of Umbrian painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Palazzo Venezia9. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila S. Giuseppe8. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, tomb of Camponeschi family (15th century). Post-medieval: Architecture, architectural sculpture, tomb of Camponeschi family One exterior view and four interior apse views. Views of Camponeschi monument. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Urbania Pinacoteca Comunale2. Hutzel, Max 1960-1990 Post-medieval: Paintings, including portraits; drawings; sculpture; globes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Giovanni in Zoccoli. Hutzel, Max 1960-1990 One exterior view of lunette fresco. Interior views of gothic tryptych, pentittico, baptismal. Negatives show exterior apse from Piazza Alighieri. General Notes: According to guide, there should be 45 prints with matching negs, most stored in Medieval collection, but those that should be in MED are missing, and the four negs do not match any prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Clemente4. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Sant'Angelo in Vado S. Maria dei Servi7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Scene with Queen enacting decree . unknown c. 1500-1525 Tapestry Dimensions: H 12'3" x W 12'3" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from the Morgan Collection 8/15/1916; assigned stock no. 39200 SS 7025. French & Co. sold to Rafael Ruiz Coban 6/23/1944 SS 39100. Queen seated on throne hands document to man; scribe seated at table with 2 women writes in document (lower R); woman passes documents to 2 men (middle R); courtly ladies & men observe (BRD) garland with grapes & flowers Possibly woven in Brussels. French & Co. stock sheet in archive, 7025 French & Co. stock sheet in archive, 39100 Related Works: Compositionally similar tapestry: GCPA 0238906

Lazio Roma Subiaco Sacro Speco7. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Piedmont Torino Novalesa Chapel of St. Eldradus1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Toilet of Psyche . unknown c. 1500-1525 Tapestry Dimensions: H 9'3" x W 6'3" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from the Detroit Institute of Art 2/21/1947; sold to Dr. Robert Guard 9/20/1966. Woman at her toilet beyond table set for meal (BRD) garland with grapes Possibly woven in Brussels. French & Co. stock sheet in archive, 45154

Scenes from life of David. unknown c. 1500 Tapestry Dimensions: H 7'6.5" x W 7'1.5" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. received from Spanish Art Gallery, invoiced 3/7/1932; returned 3/29/1932 SS 17807. French & Co. purchased from Spanish Art Gallery, invoiced 2/16/1933 SS 17543. Scene framed by columns; left, Nathan brings David message from God (2 Samuel 7); upper R, Bathsheba is told of Uriah's death & mourns (2 Samuel 11-12); scene within frame at lower R, David killing lion (1 Samuel 17) Photo caption on GCPA 0183928 says: A panel of tapestry depicting the study of a romance, in brilliant colourings. French & Co. stock sheet in archive, 17807 French & Co. stock sheet in archive, 17543 also lists: 39363

Esther and Ahasuerus. unknown c. 1510-1520 Tapestry Dimensions: H 9'2" x W 6' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Estate of Stefan Mendel 10/7/1965 also lists: 3/11/1966; sold to Mr. Paul Botte 5/31/1966. Esther, accompanied by 3 female attendants, kneeling before enthroned Ahasuerus, who is surrounded by courtiers (Esther 5:5-7:10) (BRD) floral motif within compartmentalized rectangles & squares French & Co. stock sheet in archive, J-139-x

Umbria Perugia Foligno Palazzo Trinci. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio S. Francesco7. Hutzel, Max 1960-1990 Exterior views of this church include: the octagonal bell tower, polygonal apse, ogival windows, rose window and courtyard. The interior views focus on the apse chapel fresco cycles, one with scenes from the Life of the Virgin, and the other with scenes from the life of St. Francis of Assisi (14th and 15th centuries). Other fresco and painting subjects include: the Crucifixion, the Deposition, and Christ Pantokrator. Object Notes: Hutzel photo campaign date: November 11, 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in I

Lazio Roma Subiaco Sacro Speco0. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Samson's journey to Timnath. unknown c. 1570-1600 Tapestry Dimensions: H 9'2" x W 10'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. Oshinsky (A. A. Silverberg, atty.), invoiced 11/23/1928; sold to W. H. Alford 1/19/1929 SS 16447. French & Co. received from W. H. Alford, invoiced 11/15/1938; returned from consignment 7/31/1946 SS 19279. Inscriptions: Inscriptions in L & R borders: FIDES (Faith) Inscriptions: Inscriptions in L & R borders: PARCERE MAGNANIMI In landscape, Samson walking with his parents; background, in vineyards of Timnath, Samson meets roaring lion & kills lion with his bare hands (Judges 14:1-9) (BRD) segmented border with female allegorical figures, landscape scenes, garlands & bunches of flowers, inscriptions; (LWR BRD) seated female figures in chariots in corners This is the left side of the composition, for full view of composition see related works. French & Co. stock sheet in

Sibyl leads Aeneas into underworld. unknown c. 1580-1600 Tapestry Dimensions: H 12'9" x W 8'3" Tapestry Materials/Techniques: unknown Culture: Italian Weaving Center: unknown Ownership History: French & Co. Related Works: Panels in set: GCPA 0242766-0242769, 0184782

Scene with lady holding sword & man handing note to lady. unknown c. 1510-1520 Tapestry Dimensions: H 9'6" x W 5'6" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Mme. A. Annette Lefortier 2/9/1920; sold to Mr. S. Houghton 5/23/1923. Kneeling man hands note to lady as knight holding helmet & lady watch (below); 2 ladies, 1 holding sword, stand before 2 men as other observe (above) Fragment of tapestry; borders missing. Possibly woven in Brussels. French & Co. stock sheet in archive, 22098-b

Millefleurs ground with saints. unknown c. 1500-1535 Tapestry Dimensions: H 3' x W 6'7" Tapestry Materials/Techniques: wool Culture: Southern Netherlands Ownership History: French & Co. purchased from Barney Estate Co. 11/15/1916; sold 4/23/1917 to W. Hinckle Smith SS 7080. French & Co. purchased from W. Hinckle Smith, invoiced 11/9/1931; sold 10/29/1034 to P. P. Preston Pope Satterwhite SS 17399. United States, Kentucky, Louisville, J.B. Speed Art Museum, accno. 49.30.87. 3 standing female saints with attributes; L to R, St. Mary Magdalene holding jar of ointment, St. Elisabeth of Hungary with 3 crowns, St. Barbara, next to tower, holding book Tapestry in frame (Dimitrova) The top & bottom of the central field look added; may have been woven to restore rectangular shape to a fragment of millefleurs with figures (Cavallo). French & Co. stock sheet in archive, 7080 French & Co. stock sheet in archive, 17399 Asselberghs, Tapisseries flamandes (1974), 33, fig.21

Umbria Perugia Caso S. Cristina2. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architectural sculpture, sculpture, painting, fresco painting Object Notes: Negatives are missing that were previously accounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Built in 1245, added to in 2nd half 13th century, radically restored 1636. Interior: frescoes restored 1980, 1st half 13th century and 14th century; paintings; Baroque organ/choir loft. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Chiaravalle Abbey of S. Maria di Chiaravalle di Fiastra5. Hutzel, Max 1960-1990 Exterior views of this Cistercian abbey include views of the asymmetrical abbey church facade, the porch, the portal and also views of the arcaded cloister. Views of the Romanesque interior include details of medieval capitals and main altar frescoes from the 14th and 15th centuries. Object Notes: Hutzel photo campaign date: April 1, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory22. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Fragment with Last Judgement. unknown c. 1500-1525 Tapestry Dimensions: H 3'9" x W 3'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mrs. Louis Tripp 9/22/1941, to be retained on consignent until 6/15/1942 SS 75586. Inscriptions: Inscriptions on garments of 2 figures Related Works: Panels in set: GCPA 0237125-0237126, 0184381

Lazio Viterbo Vitorchiano Madonna di S. Nicola7. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Annunciation, Visitation, and Nativity (Schr. 2865) 15th century Anonymous, German, 15th century German. The Annunciation, Visitation, and Nativity (Schr. 2865) 382466 Artist: Anonymous, German, 15th century, The Annunciation, Visitation, and Nativity (Schr. 2865), 15th century, Metalcut, sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm). The Metropolitan Museum of Art, New York. Gift of Felix M. Warburg and his family, 1941 (41.1.177)

Umbria Perugia Piedipaterno sul Nera Romitorio1. Hutzel, Max 1960-1990 Post-medieval: Architecture; fragments of votive frescoes by Umbria School artist (15th century, 17th century); pascal candle; pulpit German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli S. Maria Salome. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Umbria Perugia Bettona Palazzo Podesta0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica S. Francesco6. Hutzel, Max 1960-1990 Exterior views of the Baroque architecture of the church; interior views of the 15th-century painted altarpieces (ie. Madonna and Child with Saints, the Last Supper, the Crucifixion and the Deposition from the Cross), sculpture and decorative arts. Object Notes: Hutzel photo campaign date: March 19, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral9. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)67. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lord of the castle receives Bonne Compagnie and her retinue. unknown c 1500-1530 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscriptions identifying figures: bonne compagnie (& others) Related Works: Panels in set: GCPA 0237128-0237131

Isaac's blessing of Jacob and Esau. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (author of design) painter Kempener, Willem I (Netherlandish (before 1600) - Flanders, act.1534-1548) (workshop) weaver c. 1530-1535 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Believed to have been delivered to merchant in Antwerp (1534). Cardinal Lorenzo Campeggi coll. (before 1539). Malvezzi-Campeggi coll. (until 1898/1900). Count Tiele-Weichler, Germany (then Switzerland). French & Co. Purchased by government of Belgium (1950). Belgium, Brabant, Brussels, Musées royaux d'art et d'histoire, accno. 8584B. Inscriptions: City mark on lower guard location unknown; not visible in photograph; weaver mark location unknown; not visible in photograph Inscriptions: Inscription in upper border cartouche: GLORIA VISA DEI.. Pilaster divides scene in half; left, within architectural setting, Esau seeks his father's blessing; Isaac re

Sacrifice of Iphigenia. unknown c. 1510-1520 Tapestry Dimensions: H 420 x W 670 cm Tapestry Materials/Techniques: wool (warp, 6-7/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: City mark on lower guard, left of center Agamemnon offers stag of Diana (Artemis), that he killed as sacrifice in place of daughter Iphigenia; accompanied by Iphigenia, Hecuba, Menelaus & Paris (lower center); Diana & Minerva (Athena) arrive at altar of Jupiter (Zeus) (who is reflected on back of Diana's throne); Paris, Helen, & Achilles on L (upper center); Helen presented to Priam, with Hecuba & Paris present (lower L); Achilles killed by Paris in temple of Apollo (upper L); Paris, winner of games organized by Priam, is recognized by Priam when Cassandra reveals his identity (lower R); Helen (or Thetis) mourning Achilles (upper R) (BRD) garland with leaves & grapes Possibly woven in Brussels Campbell. The city mark wa

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory1. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Psyche's parents with suitors for her sisters . unknown c. 1675-1700 Tapestry Dimensions: H 9'6" X W 13'1 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. received from Mr. Murray Hoffman, invoiced 8/9/1929; returned from consignment 6/16/1930. Related Works: Similar border: GCPA 0243402

Friuli-Venezia Giulia La Carnia Mione S. Antonio9. Hutzel, Max 1960-1990 Exterior views of the 15th century architecture of the church; interior shots show details of a 19th century fresco cycle with many 20th century alterations. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Corionalus' mother, Veturia (Volumnia) entreats him not to fight any more. Lerambert, Henri (French, act.1568/70-d.1609) (author of design) painter Guyot, Laurent (French, b. ca.1575-d. after 1644) (designed after) painter Caron, Antoine (French, 1520/21-1599) (designed after) painter La Planche, François de (French, act. ca.1573-d.1627) (workshop) weaver c. 1620 Tapestry Dimensions: H 11'10" x W 5'1" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Mrs. Richard Hawley, received 12/13/1952 SS 81479. French & Co. purchased from Mrs. Richard Hawley, received 12/13/1952; sold to Mrs. H. J. Tasca 11/12/1968 SS H-180. Inscriptions: Weaver mark on right guard, bottom Coriolanus wears his helmet with dragon wings, 2 soldiers behing Coriolanus on R, column of Trajan in background (UPR & LWR BRD) wave band enclosing opposing leaves in compartments, each border centered by classical figure on horseback in cartouche Entref

Umbria Perugia Foligno Monastery of S. Anna08. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Civita S. Donato0. Hutzel, Max 1960-1990 General Notes: These print numbers correspond to the Hutzel guide, which includes all monuments in Civita in a single numerical sequence. Duplicates of five prints are stored in Medieval core collection; three views are stored only in Medieval. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Sassoferrato Pinacoteca0. Hutzel, Max 1960-1990 Two coats-of-arms (of Sassoferrato and the Bishop Aldobrandini; a polyptych of saints Anthony, Sebastian, Roch and Martin; the Madonna of Sassoferrato; a portrait of Sentinensi; ceramic fragments (15th-16th centuries); a renaissance ciborium, a mosaic of St. Demetrius in a wood and silver frame (10th-11th centuries); an Umbrian processional cross (15th century); a wooden statue of the Madonna di Loreto; reliquaries; a saint's wooden shoe; an ivory diptych; silver medallions (13th century) and various paintings. Antiquities: A Roman altar, gravestone, urn and torso. (1st-3rd centuries). Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includi

Satyrs, nymphs and Silenus. Giulio Romano (Italian, 1492/99-1546) (designed after) painter c. 1650-1700 Tapestry Dimensions: H 8' x W 10'10" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. (). Figures grouped in narrow foreground with 2 columns, entablature behind them & bit of coffered ceiling visible above them; landscape in distance (L & R BRD) foliate ornament with lozenge-shaped cartouche at mid-point; (LWR BRD) stylized leaf band This photographs is so faded & out of focus, it is not possible to determine the quality & drawing, or whether the border is original (Cavallo). Apparently this French series was copied from a 16th century Brussels set based on a Giulio Romano design (or School of), formerly in the French Royal collection (Campbell). French & Co. stock sheet missing from archive (), J-69 () Fénaille, Gobelins 1 (1903-1923), 295-300

Campania Napoli Naples S. Lorenzo Maggiore75. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Umbria Perugia Spoleto S. Maria Assunta, Cathedral01. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Marches Macerata Tolentino S. Nicola da Tolentino5. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo79. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Marches Pesaro Fossombrone S. Aldebrando. Hutzel, Max 1960-1990 Post-medieval: 17th century Baroque architecture and frescos from the first half of the 15th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gniezno. The door is angry in the Basilica of the Primate's ascenda of the most of the Mary of the Virgin Mary - accommodation: birth. Wojciech (fragment: mother of Wojciech, the shooting, he was sitting on the middle of the teddy bear); Jesio Not after 12.07.1930 (1929-00-00-1930-00-00);

Pulpit of the Church of San Bartolomeo, Pistoia. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle 1871. Le Tour du Monde 1879

Umbria Perugia Foligno S. Maria in Campis0. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture (begun 1452) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Sacro Speco4. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Lazio Rieti Rieti Museo Civico1. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ea

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco2. Hutzel, Max 1960-1990 Interior and exterior views of the church architecture. Large fresco cycle (late 14th-early 15th centuries) of the life of S. Francis. Other photos depict the interior church decoration: the 17th century wood altar and nave sculptures as well as numerous 15th-16th century paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio S. Domenico1. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Abruzzo Teramo Atri S. Maria Assunta, Cathedral1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11-15th century); sculpture; wall paintings (15th century), terracotta Roman grave relief Post-medieval: Frescos, architecture, sculpture, metalwork (reliquary and tabernacle) Exterior and interior views; extensive, detailed coverage of choir frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Life of the Virgin Beham, recto Aliqua opuscula magistri... Christ on the Mount of Olives Sigmeier after Cranach, verso. Cranach, Lucas, 1472-1553. 1531. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) painter Mattens, Cornelis (Netherlandish (after 1600), act.1580-1640) (workshop) weaver Mattens, Hendrick (Netherlandish (before 1600) - Flanders, act.1629-1670) (workshop) weaver (Netherlandish (after 1600)) c. 1580-1600 Tapestry Dimensions: H 13'4" x W 15'5" Tapestry Materials/Techniques: wool & silk; metallic thread (gold) Culture: Flemish Weaving Center: Brussels Ownership History: Duke of Sesto coll., Madrid. Raoul Heilbronner coll., Paris, (c.1907-1913). French & Co. purchased from Galeries Heilbronner 2/8/1913; sold to Clarence Hungerford Mackay 6/12/1916 SS 5286. French & Co, purchased from Henry Symons, invoiced 6/9/1927; sold to William Randolph Hearst 7/14/1927 SS 15115. United States, Maryland, Baltimore, Peabody Conservatory of Music. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in left border: RESVRRECTION, SENECTVS, TEMPVS Inscript

Lazio Roma Frascati Villa Mondragone8. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori S. Oliva14. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu9. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Terni S. Maria del Monumento. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Meissen. Albrechtsburg, resettlement of the University of Leipzig to Meissen

Umbria Perugia Todi Pinacoteca3. Hutzel, Max 1960-1990 Views are mainly of Renaissance paintings and frescoes, and also medieval statues. Among the paintings: a copy of Guido Reni's Susanna and the Elders; a Madonna and Child with Saints by Polinori; St. Bernardino Tomitano da Feltre bu lo Spagna. Antiquities: Roman bust and architectural fragments from the Etruscan and Roman periods excavated in the territory of Todi. Object Notes: Photos were taken in 1960. General Notes: The Pinacoteca civica, the Museo etrusco-romano and the Archivio comunale are all housed in the Palazzo del Capitano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Lazio Viterbo Bagnaia Villa Lante52. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior scene ca. 1520-25 Netherlandish, probably Brussels In an intriguing conceit, a portrait, as if painted on a framed panel, is displayed within this woven scene, actually represented in the silks and woolen threads of tapestry. Despite its considerable size, this is a fragment cut from an even larger narrative tapestry of monumental scale. As such, the subject matter remains frustratingly opaque. Given the rich interior and courtly, contemporary fashions worn by the protagonists, past scholars have been tempted to identify this as a record of an actual historical event. It has been suggested, for example, as recording Margaret of Austria showing a portrait of her fiancé, Philibert II, Duke of Savoy, to her father, Emperor Maximilian I, before their 1501 marriage. Given the sixteenth-century convention to portray the protagonists of ancient, classical and Biblical histories- all popular in tapestry- in embellished versions of contemporary dress, however, this could more likely be

Umbria Perugia Foligno Monastery of S. Anna36. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Asciano Museo di Arte Sacra2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche46. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Nocera Inferiore S. Antonio7. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Philosophers. Caron, Antoine (French, 1520/21-1599) (author of design) painter Maecht, Philipp de (Flemish, act. 1605-1652, d. bef.1655) (workshop) weaver Welde, Adrian de (Flemish, act. ca.1610-1625) (workshop) weaver c. 1610-1625 Tapestry Dimensions: H 13' x W 10'4" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Barberini coll. (Rome). Charles Mather Ffoulke coll. (Washington, D.C.). French & Co. John R. McLean coll. United States, Minnesota, Minneapolis, The Minneapolis Institute of Arts. Inscriptions: City mark on lower guard, left: P fleur-de-lys Inscriptions: weaver mark on right guard, bottom: ("F" resting within "M") Inscriptions: weaver mark on right guard, bottom: W Three philosophers wearing laurel wreaths stand in front of portal entrance to formal garden (UPR BRD) centered by coat of arms of France & Navarre in strapwork cartouche flanked by rinceau; (LWR BRD) centered by monogram of Louis XIII, the letter "L" over 2 crossed

PAINTED WINDOW PRESENTED TO THE KING OF DENMARK, BY MR. PETO, M.P., 1854

Court scene with lovers and wedding. unknown c. 1500-1525 Tapestry Dimensions: H 10'8" x W 13'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from The Cleveland Museum of Art, received 1/24/1961; sold to V. Vigo Sternberg 6/17/1963. Inscriptions: Inscription in upper border: NE / FACERET / VINDICTAM / DEPRECAVERUNT m() / FRATRES QUOD / JOSEPH / UMVEN DIDERUNT

Lazio Roma Rome S. Clemente9. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woman riding horse. unknown c. 1530-1550 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. In landscape of oversize floral ground, woman mounted on horseback is accompanied by steward; cityscape in background Fragment of tapestry; borders missing. No French & Co. stock sheet in archive, no stock number Related Works: Panels in set: GCPA 0241815-0241819

Umbria Perugia Gubbio Palazzo dei Consoli9. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Supplication of Mestra. unknown c. 1515-1520 Tapestry Dimensions: H 359 x W 562 cm Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Somzée coll. Sold to the Musées Royaux des Beaux-Arts de Belgique in 1904. Housed at the Palais Royal de Bruxelles since 1935. Belgium, Brabant, Brussels, Musées royaux des beaux-arts de belgique, accno. 5049. Inscriptions: Inscription in central field, top: HIERESITON.NEPTUNI.MESTRA Mestra, kneeling with hands joined & surrounded by spectators, entreats her father, Erysichthon (R) not to sell her; or entreats Neptune (Poseidon) (R), who appears in the guise of an old man, to assist her; Mestra & Autolycus descend stair case (upper right) (BRD) foliate ornament Possibly woven in Brussels. Story from Ovid's Metamorphoses. Göbel, Wandteppiche I:1 (1923), 411 Brussels (Musées Royaux), Tapisseries (1976), 122-125, no. 29 Souchal, Masterpieces of Tapestry (1974), 196-198, no. 87 Souchal, Chefs-d'oeuvre de la tapisserie (19

Bliżej Kultury unknown

Bliżej Kultury unknown

Lazio Viterbo Viterbo S. Maria Nuova6. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bathsheba enters the court of Solomon. unknown c. 1510-1525 Tapestry Dimensions: H 12'6" x 16' Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Bathsheba, accompanied by the prophet Nathan & large retinue of ladies, enters the court of Solomon; in gallery above, lords & ladies watch tournament (BRD) flowers in alternating square & rectangular units Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number Torra, Tapices de la Seo de Zaragoza (1985), 202-205

Lazio Roma Rome Palazzo Venezia, Museo0. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Angers Apocalypse. Bondol, Jean (Netherlandish (before 1600), act.1368-1381) (author of design) painter c. 1375-1382 Tapestry Dimensions: H 4.5 x W 103 m Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Ordered by Louis I, duc d'Anjou. France, Maine-et-Loire, Angers, Château d'Angers. Collection des Tapisseries.

Lazio Sermoneta S. Francesco2. Hutzel, Max 1960-1990 Medieval: Architecture (13-16th century); fresco (13th century). Post-medieval: Altar, wood (late Baroque), wall painting (15th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

There were not Found Women as Fair as the Daughters of Job in All the Land...(etc,), from Illustrations of the Book of Job William Blake (British, 1757-1827). , 1825. Engraving, 8 5/16 x 6 7/16 in. (21.1 x 16.3 cm). European Art 1825

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche7. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino S. Agostino1. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

King with courtiers. unknown c. 1510-1520 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Leon Schinasi, invoiced 12/31/1926; sold to David Warfield 1/25/1927. Courtiers in large hall with ornate columns; in center, king with scepter stands in open doorway; landscape visible beyond scene Fragment of tapestry; borders missing. Possibly woven in Brussels. French & Co. stock sheet in archive, 29445

Abruzzo L'Aquila Luco dei Marsi S. Maria delle Grazie. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Manessian Relief Handwrite, Faksimile Edition

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