Religious and Architectural Frescoes

Captivating photographs of religious frescoes and altarpieces, documenting art history through intricate details and historical settings.

Abruzzo L'Aquila Assergi S. Maria Assunta7. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Teramo Sant'Angelo Madonna Bianca7. Hutzel, Max 1960-1990 Extensive coverage of the Romanesque facade and portico. Remaining coverage is mostly of the Madonna statue by Francesco Ferrucci, and the frescoes by Domenico da Leonessa. General Notes: Photographs of this church were previously filed under both Norcia and Ancarano. Negatives, now lost, were previously filed under Ancarano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo (Phoebus) asks Phaethon why he has come to god's palace. Leyniers, Jan (Flemish, 1630-1686) (workshop) weaver c. 1650-1675 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from J. P. Morgan, invoiced 11/25/1932 SS 17698. Inscriptions: City mark in lower guard, right not visible in photograph Inscriptions: Woven signature on guard: IAN.LEYNIERS not visible in photograph Inscriptions: Inscription in upper border, central cartouche illegible in photograph Related Works: Panels in set: GCPA 0238701-0238716

Tuscany Grosseto Seggiano S. Rocco. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata San Severino Marche S. Domenico. Hutzel, Max 1960-1990 All views are of altarpieces, paintings, and fresco fragments by Salimbeni. The main altarpiece depicts the Madonna and Child with Saints Severino, Ansano, Catherine of Siena, Dominic, and John the Baptist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vitorchiano Madonna di S. Nicola6. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Assergi S. Maria Assunta7. Hutzel, Max 1960-1990 Medieval: Architecture, views of restoration, crypt, silver urn, tomb Post-medieval: Architecture, frescos, views of restoration, sculpture, tabernacle German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) painter Mattens, Cornelis (Netherlandish (after 1600), act.1580-1640) (workshop) weaver Mattens, Hendrick (Netherlandish (before 1600) - Flanders, act.1629-1670) (workshop) weaver (Netherlandish (after 1600)) c. 1580-1600 Tapestry Dimensions: H 13'4" x W 15'5" Tapestry Materials/Techniques: wool & silk; metallic thread (gold) Culture: Flemish Weaving Center: Brussels Ownership History: Duke of Sesto coll., Madrid. Raoul Heilbronner coll., Paris, (c.1907-1913). French & Co. purchased from Galeries Heilbronner 2/8/1913; sold to Clarence Hungerford Mackay 6/12/1916 SS 5286. French & Co, purchased from Henry Symons, invoiced 6/9/1927; sold to William Randolph Hearst 7/14/1927 SS 15115. United States, Maryland, Baltimore, Peabody Conservatory of Music. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom Inscriptions: Inscription in left border: RESVRRECTION, SENECTVS, TEMPVS Inscript

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"18. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cyrus takes Astyages prisoner and reunites Media and Persia. unknown c. 1635 Tapestry Dimensions: H 336 x W 449 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III. Inventory of "Las Tapicerías de la Corona" (1880). Spain, Madrid, Embajada de España (Rome), accno. A.351-11816. Cyrus wears helmet, stands next to grandfather Astyages (L, foreground); 3 prisoners bound by wrists with rope, accompanied by 2 soldiers (R, foreground); battle between 2 armies (center, middle ground); mountainous landscape (center, background) (BRD) architectural moldings with acanthus motif, masks on every side & in corners Although this tapestry is owned by the Patrimonio Nacional, as of 1986 it was housed in the Spanish Embassy in Rome, Italy. Junquera de Vega, Catalogo de Tapices, Vol. 2 (1986), 174, no. 1 Related Works: Stylistically similar tapestry (same borders), GCPA 0240846

Abruzzo L'Aquila Luco dei Marsi S. Maria delle Grazie. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bettona Palazzo Podesta. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Caso S. Cristina2. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Architectural sculpture, sculpture, painting, fresco painting Object Notes: Negatives are missing that were previously accounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Brigida0. Hutzel, Max 1960-1990 Exterior views of 18th c. church on Piazza Farnese. Interior views of altar, celing frescoes, sculpture, sculptural relief, paintings, mosaics, stained glass. General Notes: Exterior views taken from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome SS. Domenico e Sisto4. Hutzel, Max 1960-1990 Several views of 17th c. church facade, with detail views of portal, niche statues, and tympanum. Interior views of altars, ceiling fresco, paintings in choir and elsewhere, sacristy door, and sculpture. General Notes: Eight views of Pontificio Ateneo Angelicum to right of church extracted and filed as separate monument. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Esther and Ahasuerus. unknown c. 1490-1510 Tapestry Dimensions: H 8'4" x W 6'8" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: French & Co. received from Dr. P. P. Preston Pope Satterwhite, 1/19/1944; returned, 10/20/1944. Museum bequest of Preston Pope Satterwhite (1949). United States, Kentucky, Louisville, J.B. Speed Art Museum, accno. 49.30.86. Esther kneeling before enthroned Ahasuerus, surrounded by courtiers (Esther 5:5-7:10) (BRD) undulating vine of foliage Possibly woven in Brussels (Cavallo). Tapestry in frame, though scanned photograph shows it without the frame (Dimitrova). French & Co. stock sheet in archive, 76859

Lazio Viterbo Tuscania S. Maria del Riposo9. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Scenes with Vespasian (Tiberius). unknown c. 1460-1470 Tapestry Dimensions: H 12' x W 10'2" Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Raoul Heilbronner coll., Paris. French & Co. purchased from Raoul Heilbronner, invoiced 7/11/1927. French & co. sold left side of tapestry to Cardinal Spellman. Belgium, Hainaut, Tournai, Musée d'histoire et d'archéologie. St. Veronica with her veil with image of Christ ('Sudarium') healing emperor Vespasian; right, Vespasian receiving permission to march against Jerusalem GCPA 0240077 shows 1 panel that was later cut into 2. The left 1/3 of the panel ("St. Veronica visiting Vespasian & curing him") does not belong with the right 2/3 (scene with Titus/Vespasian). GCPA 0245526 shows the left side of the panel & GCPA 0182021 shows the right side of the panel after it was cut. The present location is unknown for the left side of the tapestry. The right side is in the in Tournai (Cavallo). GCPA 0242961 is a p

Campania Napoli Naples S. Lorenzo Maggiore32. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Roma Rome S. Andrea della Valle9. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Umbria Perugia Foligno Monastery of S. Anna5. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Norcia S. Benedetto9. Hutzel, Max 1960-1990 Coverage is of the crypt and crypt paintings, the church exterior, and the nave and altars, but most of the views are of paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Carpineto Romano S. Pietro1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ among doctors and marriage-feast at Cana. unknown c. 1480-1500 Tapestry Dimensions: H 4'4" x W 11'4" (before cut down) Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Bayeux Cathedral. SS 10323. G. Hoentschel coll. SS 10323. J. Pierpont Morgan coll. SS 10323. French & Co. purchased from J. P. Morgan coll., n.d. c.1918. SS 10323. Clarence Hungerford Mackay coll. (before 1925) SS 10323. GCPA 0239533: bequest of Preston Pope Satterwhite 1949. GCPA 0239543: French & Co. purchased from P. P. Satterwhite; possibly sold to Countess Mathilde M. de Brinska 3/16/1968. United States, Kentucky, Louisville, J.B. Speed Art Museum, accno. 49.30.84 & 49.30.85. Christ's dispute with the doctors in temple, he counts his arguments on his fingers before group of elderly scribes (Luke 2:41-52); Virgin Mary, bride groom & several disciples sitting around table, as Christ orders 6 jars to be filled with water (John 2:1-11) This tapestry was cut down in 3 pan

April: gathering flowers. Bramantino (Italian, ca.1465-1530) (author of design, attr.) painter Benedetto da Milano (Italian, act. ca.1503) (workshop) weaver c. 1501-1507 Tapestry Dimensions: H 4.85-5.20 x W 4.55-485 m Tapestry Materials/Techniques: unknown Culture: Italian Weaving Center: , LombardyVigevano Ownership History: Commissioned by Gian Giacomo Trivulzio (1436-1518). Italy, Lombardy, Milano, Milan, Castello sforzesco, Civiche raccolte d'arte antica. Inscriptions: Inscription in lower central field, on pedestal: SOLVM VIRERE DAT NOVO / FLOREMOS FLORI SVFFICIT / CIT GAVDIA APPARAT IOCOS / APRILIS VNDIQVE ET NITET Inscriptions: Inscription in medallion: NETES MAI / IO. IA. TRIVS. MAR. VIGL. FRANCIE MARES Gian Giacomo Trivulzio, Count of Vigevano, Marshall of France Figures in landscape around portico engaged in activities of the month including transporting bowls of flowers, making floral wreaths & trimming human-form topiaries; central figure =personification of April wearing w

Umbria Perugia Rocca S. Angelo S. Maria in Arce, Convent church5. Hutzel, Max 1960-1990 Exterior views of facade, apse and cloister. Interior views of altar, paintings and votive frescoes (14th-16th c.) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Sermoneta S. Francesco1. Hutzel, Max 1960-1990 Medieval: Architecture (13-16th century); fresco (13th century). Post-medieval: Altar, wood (late Baroque), wall painting (15th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bevagna SS. Domenico e Giacomo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Todi Pinacoteca0. Hutzel, Max 1960-1990 Views are mainly of Renaissance paintings and frescoes, and also medieval statues. Among the paintings: a copy of Guido Reni's Susanna and the Elders; a Madonna and Child with Saints by Polinori; St. Bernardino Tomitano da Feltre bu lo Spagna. Antiquities: Roman bust and architectural fragments from the Etruscan and Roman periods excavated in the territory of Todi. Object Notes: Photos were taken in 1960. General Notes: The Pinacoteca civica, the Museo etrusco-romano and the Archivio comunale are all housed in the Palazzo del Capitano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque m

Marches Macerata Tolentino S. Nicola da Tolentino6. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Umbria Terni Lugnano in Teverina S. Francesco6. Hutzel, Max 1960-1990 Exterior views of this 13th-century church and cloister that was the site of a miracle by St. Francis (1212) include a bell tower, details of the medieval architecture and a well in the courtyard. The lunettes of the cloister are decorated with a cycle of frescoes that portray the miracles of St. Francis (1616) by an unknown master from Foligno. Interior views of the restored church interior focus on the altar paintings and marble intarsia altars, some of which also show scenes from the life of St. Francis. Object Notes: Hutzel photo campaign date: September 9, 1985 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Lazio Roma Rome S. Gregorio Magno73. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

Romulus giving laws. Vermeyen, Jan Cornelis (Barbalonga) (Netherlandish (before 1600) - North Netherlands, ca.1500-1559) (designed after) weaver Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop, attr.) c. 1550 Tapestry Dimensions: H 212 x W 232 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Fernando VII (1834). Inventory of "Las Tapicerías de la Corona" (1880). Spain, Madrid, Palacio Real de Madrid, accno. A.360-12150. Within forest, under tent, Romulus sits & dictates letter (center, foreground); man kneels & writes out laws, assisted by another man who reaches out (L, foreground); surrounded by men & women who listen (R, foreground) (UPR & LWR BRD) abstract Greek floral motif terminating in part of bracket (at right) Junquera de Vega, Catalogo de Tapices, Vol. I (1986), 140-143, series 20, no. 2 Mahl JbKhistWien 61 (1965),

Lazio Roma Carpineto Romano S. Pietro1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Triumph of Augustus and Livia. unknown c. 1640 Tapestry Dimensions: H 11' x W 18'8" Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: French & Co. purchased from J. P. Morgan 8/15/1916; sold to William Randolph Hearst. United States, California, San Simeon, Hearst San Simeon Historical Monument. Inscriptions: Inscription in left border, at top: PAX AVG =PAX AUGUSTA Inscriptions: Inscription in right border, at top: VIC AVG =VICTORIA AUGUSTA Group of soldiers & men stand & kneel before Octavian Augustus & Livia () (L & R BRD) grotesques & military trophies with twisting garlands of flowers interspersed with vases & winged figures, inscriptions at top; (UPR & LWR BRD) empty cartouche in center flanked birds & garlands of flowers & fruit French & Co. stock sheet in archive, 7026 also lists: 7027, 7028 Ricci, Twenty Renaissance Tapestries (1913), 40, no.XVII Related Works: Panels in set: GCPA 0241878-0241880, 0184603

Lazio Roma Rome S. Maria degli Angeli0. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia S. Giorgio Parish church4. Hutzel, Max 1960-1990 These photographs were formerly filed under Norcia. Prints of the two exterior views are lost or missing. Remaining coverage is of the church interior, mostly of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marriage of Aeneas and Lavinia. unknown c. 1520-1530 Tapestry Dimensions: H 11'2" x W 13'2" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription in central field on Baldachin: REX LATINUS A Inscriptions: Inscription in central field on Turnus' hem: VSTVRNUS Inscriptions: Inscription in central field on hem of lower left figure not legible in photograph In front of baldachin, Aeneas & Lavinia married by King Latinus, surrounded by group of wedding guests (foreground); with sword, Aeneas kills kneeling Turnus, King of Rutulians (L background); Aeneas gesticulating towards unidentified figure (R background) (BRN) ribbon-tied garland with lilies, other flowers & fruit No French & Co. stock sheet in archive, no stock number

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

God commands Noah to build ark. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after) painter c. 1575-1650 Tapestry Dimensions: H 8'4" x W 5'4" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. In landscape, God announces flood & commands Noah to build ark (Genesis 6-7:4); woman with child in background Fragment of tapestry; borders missing (Cavallo). Although this composition has been taken from the Coxie tapestry design, it has been reworked to fit a different subject. The depiction of the figure on the left (with shoes & turban) does not match the standard iconography of God. It appears to me to be a representation of the Story of Elisha & the Shunammite woman's son. That explains the detail of the child on his mother's lap, etc. See: 2 Kings 4:8-37 (Kraak). No French & Co. stock sheet in archive, no stock number

Umbria Perugia Vallo di Nera S. Maria73. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Benozzo Gozzoli. H. Sebastiaan

allegorical scene. unknown c. 1520 Tapestry Dimensions: H 8'9" x W 6'1" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. In landscape, male figure carrying staff faces towards 3 ladies, chalice is in front of central figure, pig in middle ground, Mars (Ares), Juno (Hera), Jupiter (Zeus) are seated above clouds in sky No French & Co. stock sheet in archive, no stock number

Lazio Viterbo Viterbo Museo Civico57. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Umbria Perugia Bevagna S. Agostino8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Eligio dei Ferrari3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, religious reliquaries (17-18th centuries), sculptural relief, stucco Object Notes: Constructed in first half of 16th century by confraternity of the blacksmiths. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Sacro Speco33. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organiz

Lazio Roma Grottaferrata S. Maria44. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno Palazzo Trinci2. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica Museo Piersanti0. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Celebration of first Passover. unknown c. 1600-1700 Tapestry Dimensions: H 9'9" x W 13'5" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 10/8/1926 SS 14454. French & Co. purchased from Mrs. Richard W. Hawley 12/13/1952; sold Marquis de Deleitosa 10/11/1963 SS 81477. Within architectural setting, Israelites eat Passover lamb standing & seated about table with their loins girt, their shoes on their feet & with staves in their hands, ready to depart (Exodus 7:14-11:10, 12:21-30); small child standing before table Borders missing. GCPA 0237194 shows the panel cut down (by French & Co.) on all 4 sides. French & Co. stock sheet in archive, 14454 also lists: 34588) French & Co. stock sheet in archive, 81477 Related Works: Panels in set: GCPA 0237193-0237194, 0184663-0184664, 0239131

Marches Macerata Mevale Pieve6. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Esther makes her toilet. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Audran, Jean-Joseph (French, act. 1771-d.1795) (workshop) weaver Jacques, Maurice (French, 1712-1784) (author of design, border) painter c. 1782-1786 Tapestry Dimensions: H 13'10" x W 13' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Offered by Louis XVI to Albert & Marie-Christine (sister of Queen Marie-Antoinette), Duke & Duchess of Saxe-Teschen & Joint Governors of the Austrian Netherlands on their visit to Paris on 8/20/1786 SS 54311. French & Co. stock sheet: purchased by the Vichy government, France, 1943 SS 54311. Shah of Iran coll., 1974 (). Inscriptions: Woven signature in central field, lower right corner: AUDRAN.1785. Inscriptions: Woven signature in central field, on basin in lower center: DE TROY.1738. Inscriptions: Inscription on lower border, center: CIRCUMDATA EST GLORIA SUA ch.V. In interior of Ahasuerus'classical palace with r

Lazio Viterbo Vitorchiano Madonna di S. Nicola0. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Farfa (environs) Abbey of S. Martino5. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Alexander in care of physician, Philip, removing arrow that he received from Darius. unknown c. 1725 Tapestry Dimensions: H 9' x W 11'7" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. On battlefield with soldiers & horsemen, a groom holds Alexander's horse; physician inspecting Alexander's leg, an arrow is about to be pulled out; cherub above Alexander & man holding tray with pitcher next to the latter; castle assailed by soldiers in background (BRD) pole with floral garland & acanthus leaves framing flower head in corners French & Co. stock sheet missing from archive (), 55051 French & Co. stock sheet missing from archive (), 77566 Related Works: Compositionally similar tapestry (with differences): GCPA 0243260

Tuscany Grosseto Montemerano S. Giorgio8. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)77. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dido receiving Aeneas, with Venus (Aphrodite) presiding above cloud. unknown c. 1515-1520 Tapestry Dimensions: H 12'10" x W 16'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: French & Co. purchased from Morgan Coll. of Tapestries (from Knole Coll.) 8/15/1916; sold to W. H. Smith 1/1/1920 SS 7031. French & Co. received from W. Hickle Smith, invoiced 2/20/1932; "B" returned 9/16/1940 SS 17528. United States, New York, New York, Pierpont Morgan Library. Central column divides scene in half; Aeneas disembarks from small ship, he hold scepter (L, top); Aeneas holding scepter approaches group of seated women (L, foreground); Venus or Diana hovers in sky on clouds, holding bow (center, top); group of courtiers before enthroned Queen Dido (R, top); Aeneas before group of courtiers who holds out vessel to him (R, foreground) (BRD) scrolling garland of fruit & blooming flowers Panel possibly woven in Brussels. French & Co. stock sheet in archive, 703 Fr

Meissen. Albrechtsburg - Consulting ü. d. Leipziger Interim

Emperor's Audience. Boucher, François (French, 1703-1770) (designed after) painter Dumons, Jean-Joseph (French, 1687-1779) (author of design, after Boucher) painter c. 1750-1780 Tapestry Dimensions: H 9'11" x W 4'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. Emperor sitting under canopy in background, his hand laid on globe as 2 men prostrate themselves before him; 2 standing figures stand over seated, bearded man, all witnessing the scene as another holds parasol (R); tea service laid on tray in foreground (UPR & LWR BRD) floral border with acanthus leaves & C-scrolled scallops Borders partially missing; fragment of tapestry (Soustelle). This composition is a simplified version of the right half of The Emperor's Audience, & is probably based on a sketch by François Boucher now held at the Musée des Beaux Arts et d'Archéologie, Besançon, France (Cavallo). Jean-Joseph Dumons had painted in 1742 & 1743 the cartoons of t

Lazio Viterbo Caprarola Palazzo Farnese96. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Argenta S. Domenico05. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province

Lazio Frosinone Pofi S. Antonio6. Hutzel, Max 1960-1990 Exterior and interior views, including coverage of Last Judgement fresco on W wall, ciborium and crypt. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Queen and man embracing in a courtyard. unknown c. 1500-1525 Tapestry Dimensions: H 10'10" x W 13'4" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. "Return to Mackay" written on back of photograph; probably refers to the tapestry collection of Clarence Hungerford Mackay. Queen & man embrace in courtyard, surrounded by observing courtiers (BRD) garland with flowers & grapes Most of the border looks modern or heavily restored; the left border is patched below the middle. Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number

The Last Supper. Artist: Related to a 1523 print of the Last Supper by Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); Related to an engraving of the Last Supper by Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); Related to paintings by Pieter Coecke van Aelst (Netherlandish, Aelst 1502-1550 Brussels) and his pupil, Willem Key; Related to an embroidered orphrey by Barthélemy van den Kerckhove (Judas, Christ, vessel on floor). Culture: Flemish, Brussels. Designer: Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499-1592 Mechelen) , probably. Dimensions: H. 123 x W. 115 inches (312.4 x 292.1 cm). Maker: Woven by Unknown. Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome S. Stefano Rotondo4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, fresco painting, sculpture, architectural fragments, sculptural fragments. Post-medieval: Sculpture, fresco painting, painting, architectural sculpture Antiquities: Sculpture Object Notes: Called the "second Pantheon of Rome", this church dates from the 5th century A.D. Alberti worked on the restoration in the 15th century. These photographs date from March, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Orvieto S. Giovenale4. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Giuseppe dei Falegnami8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)41. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Sermoneta Castello Caetani9. Hutzel, Max 1960-1990 Post-medieval: Views of other architectural structures in proximity; architecture, architectural sculpture (17th century) interiors include furniture, wall paintings (16th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A drawing by Johann Wolfgang Baumgartner depicting Esther before Ahasver, executed with brown feather and gray brush, laved, with white highlights on gray-blue paper and lanes, emphasizing figure and composition.

Lazio Roma Rome S. Vitale. Hutzel, Max 1960-1990 Medieval: 5th century architecture (b. 402). Post-medieval: interior decoration (design) c. 1475, 16th century fresco cycle (story of saints and martyrs), detail of wooden door German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo29. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Marches Macerata Tolentino S. Catervo, Duomo9. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as we

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo81. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hippolyte Malègue, Tapestry from the Chaise-Dieu (Via Crucis), 1857, salt print from paper negative.

Banquet of Psyche. Raphael (Italian, 1483-1520) (designed after, school) painter Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (author of design, attr.) painter unknown Tapestry Dimensions: H 9'5" x W 13'3" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Brought from the Corsini Palace (Rome) by Lord Somers. In garden portico, Psyche, on rich dais & seated in front of small table, is served bowl of fruit by winged nymph on L; on R attendant fills her goblet; singers on L & musicians on R (UPR BRD) putti & rinceau; (LWR BRD) centered by classical bust flanked by reclining figures blowing trumpets & putti; (L & R BRD) putti supporting ornament & putti holding torches This series was copied after a series initially created in Brussels for Francis I after Raphaelesque models traditionally attributed to Michiel Coxie. This series was very popular during the first half of the 17th century & was woven in many Par

Lazio Roma Poli S. Pietro, Parish church2. Hutzel, Max 1960-1990 Two exterior views of 17th c. church bell tower. Views of baroque interior nave, side altars, and altar paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari9. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi Palazzo Communale, Pinacoteca7. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Relief and the tomb andrassy-denkmalBudapest. Relief and the tomb-andrassy-denkmal (1906)

Umbria Perugia Montefalco S. Illuminata. Hutzel, Max 1960-1990 Exterior views of the 15th century architecture of the church; interior views of the 16th century fresco decoration. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Scene with Queen enacting decree . unknown c. 1500-1520 Tapestry Dimensions: H 10'8" x W 10'6" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 3/26/1927; sold to Mrs. D. A. Schulte 3/27/1928. Queen seated on throne hands document to man; scribe seated at table with 2 women writes on document (lower R); woman passes documents to 2 men (middle R); courtly ladies & men observe (BRD) garland with grapes & flowers French & Co. stock sheet in archive, 14965 also lists: 32168 Related Works: Compositionally similar tapestry: GCPA 0242620; other related tapestries: panel in the Royal Spanish Collection, & panel in the Morgan Collection.

Tuscany Siena Asciano Museo di Arte Sacra6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Death of Sapphira. Raphael (Italian, 1483-1520) (designed after) painter May, Stephen de (English, act. 1690-1710) (workshop, attr.) weaver c. 1690-1700 Tapestry Dimensions: H 12'5" x W 19' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: Made for Earls of Winchilsea & Nottingham, Burley-on-the-Hill, Rutland. Inherited by Major James Hanbury, Burley-on-the-Hill, Rutland. Captain Bertram Currie coll., Dingley Hall, Market Hanborough. Sold at Christie, Manson & Woods (London), 3/26/1953, lot 86. Perez, London (1953). French & Co., New York (1953). Mr. & Mrs. Louis Brugman coll., New York (1953), bequeathed to Cathedral of St. John the Divine, New York, 1954 (stolen). Inscriptions: Inscription in upper border banderole around coat of arms: NIL / CONSCIR / SIBI St. Peter questions Sapphira with hand raised; apostles stand next to Peter; Sapphira dies (Acts 2:42-47, 4:32 - 5:11); figures look on in horror (L & R BRD) columns with twisted vine

LA PAZ DE NIMEGA-1678-ESPAÑA FRANCIA PAISES BAJOS Y GRECIA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

A Blacksmith's Shop August 25, 1771 Richard Earlom British. A Blacksmith's Shop 376105

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo24. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Tuscany Siena Poggibonsi S. Lucchese24. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Castel Fusano Castello Chigi2. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

David and Abigail: meeting of David and Abigail. Rubens, Peter Paul (Flemish, 1577-1640) (designed after) painter c. 1640-1670 Tapestry Dimensions: H 11'6" x W 16'2" Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from P. A. Valentine 5/25/1911; sold to Dr. N. C. Partos 4/28/1927 SS 2175. French & Co. purchased from American Art Association, Anderson Galleries (New York), (Miscellaneous sale), invoiced 10/21/1930; sold to Ms. Fanny Holtzman 4/21/1961 SS 37320. In landscape, David kneeling before Abigail as soldiers & 2 children standing behind David & 4 swooning female attendants wait behind Abigail (1 Samuel 25) (BRD) border elements impinging on central field; (L & R BRD) male & female herms supporting baskets on their heads; (UPR BRD) headed by empty cartouche flanked by festoons & cherubim This photo suggests that Abigail's face may have been retouched in modern times (not certain). French & Co. stock sh

Lazio Viterbo Bolsena S. Cristina8. Hutzel, Max 1960-1990 Medieval: 11th century nave (consecrated 1077), 9th century ciborium in crypt with Roman spolia, 13th century campanile. Post-medieval: Renaissance tripartite facade of 1492-94 built under Leo X, terracotta tympana, frescoes, painting on panel, painting on canvas, polychrome terracotta sculptures, stucco. Coverage is of the exterior and interior of S. Cristina, including the Chapel of the Miracle of Bolsena, the Grotto of S. Cristina, and the Chapel of S. Michael the Archangel. Antiquities: Roman sarcophagus and architectural fragments displayed in the lapidarium. The grotto of S. Cristina is housed within a supposed temple to Apollo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Lazio Viterbo Tuscania Cathedral1. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino S. Agostino41. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Vallo di Nera S. Maria53. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Mevale Pieve3. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Tuscany Grosseto Montemerano S. Giorgio4. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Abruzzo Civitaretenga S. Egidio8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (ruins), frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Church. S. Bernardino, Cloister)4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, paintings, frescoes. Views of the cloister from several vantage points and detailed views of the columns and capitals. Views of exterior and interior, with extensive coverage of mausoleum by Silvestro dell'Aquila. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Triumph of David. unknown c. 1530 Tapestry Dimensions: H 13'9" x W 22'1" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from C. M. F. Charles M. Ffoulke n.d.; sold to Wm. William C. Van Antwerp 5/12/1921. Inscriptions: City mark on lower guard, left In landscape, David mounted on horseback, preceded by youth carrying oversize head of Goliath on sword, is welcomed by women of Israel singing, dancing & playing tambourines & lyres; L background, head of Goliath carried on tip of sword (1 Samuel 18) (BRD) bunches of flowers & oversize fruit with fronds; (UPR BRD) 2 coats of arms; wreaths in corners French & Co. stock sheet in archive, 1063

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