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Religious and Biblical Narratives

Artworks depicting biblical stories and saints, showcasing rich narratives and detailed religious themes from the Renaissance.

Camera degli Sposi:  The Meeting  Andrea Mantegna (1431-1506/Italian)  Fresco  Palazzo Ducale, Mantua
Camera degli Sposi: The Meeting Andrea Mantegna (1431-1506/Italian) Fresco Palazzo Ducale, Mantua
212 assets in this story
4409-17506907
La Primavera / La Primavera (Spring). Date/Period: From 1482 until 1485. Tempera on panel. Height: 207 cm (81.4 in); Width: 319 cm (10.4 ft). Author: SANDRO BOTTICELLI.
4409-20919639
DETALLE DE LA PREDELA IZQUIERDA - CRISTO RESUCITADO VISITA A SU MADRE EN COMPAÑIA DE LOS PATRIARCAS - 1505 - POLIPTICO - 96x98 cm. Author: FRANCISCO DE OSONA EL JOVEN (1465-1514). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPANIEN.
4266-2354
Two men at the column by Lorenzo Costa, tempera on panel, 1488, 1460-1535, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 47x17
1848-76568283
Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: King David (1868), Painting, Reproduction of the painting, Work of art, Historical, Saint with harp in classical garb, Angel kneeling in front of him
4409-44433
ARTE RENACIMIENTO. ESPAÑA. MATES, Pere (Girona, h.1500-1558). Pintor renacentista catalán activo entre 1526 y 1536. "RETABLO DE SANTA MARIA DE S'AGARO". Su estilo se caracteriza por una conjunción de las formas góticas y las renacentistas, propia de la escuela catalana del s.XVI. Museo Diocesano de Girona. Cataluña.
6145-48521939
Christ and the adulteress. Veronese, Bonifacio (1487-1553), painter
463-282721
Creation of Eve / Anonymous / Antwerp
1788-45237
Predella depicting the beheading of St Cosmas and St Damian, Annalena Altarpiece, ca 1430, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood, 108x202 cm.
6145-29881822
Moses Striking the Rock Painting; oil on panel; overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.);
4430-2105
fine arts, Mantegna, Andrea, (1431 - 1506), painting, ""the agony in the garden"", circa 1460, tempera on panel, 62,9 cm x 80 cm, national gallery, London, Europe, Italy, 15th century, middle ages, religious art, religion, christianity, Jesus Christ, passion, praying, angels, instruments, disciples, sleeping, Judas, pursuers,
4266-8375
Middelburg Altar by Rogier van der Weyden, Oil on wood, circa 1450, circa1399-1464, Germany, Berlin, Staatliche Museen, 93, 5x175, 3
1899-18308648
The Pieta, Botticelli, Sandro, 1490.
4042-21242329
Baptism of Christ, by Piero della Francesca, circa 1450, National Gallery, London, England, UK, GB, Europe
4409-17506455
Altarpiece of the Saints John. Date/Period: Ca. 1435-1445. Painting. Tempera, gold leaf and metal plate on wood. Height: 3,440 mm (11.28 ft); Width: 2,615 mm (102.95 in). Author: BERNAT MARTORELL.
4409-17574059
'The Annunciation'. Italy, Middle of the 1490s. Dimensions: 35x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: FILIPPINO LIPPI.
7155-70380848
Return of Judith, Botticelli painting, 15th c. Italy.
4409-17441722
Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo entire triptych. Dated: 1380s. Dimensions: overall: 56.9 × 116.4 × 3.4 cm (22 3/8 × 45 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.
4409-17487335
Peace between the Romans and the Batavians. Painting. Oil on canvas. Author: Jacob Jordaens the elder.
1788-46183
predella depicting St Nicholas saving three men sentenced to be beheaded, Perugia Altarpiece, 1438, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood.
4409-17338673
Bernardino Luini (1480/1485-1532). Italian painter. Ecce Homo, ca.1515-1516. Wallraf-Richartz Museum. Cologne. Germany.
1788-46652
Madonna in Glory, ca 1500-1501, by Pietro Perugino (ca 1450-1523), oil on wood, 330x265 cm.
1788-46155
The Recanati Annunciation, ca 1532, by Lorenzo Lotto (1480 ca- 1556), oil on canvas, 166x114 cm. Detail.
4409-170475
ORACION EN EL HUERTO-S XIV-PINTURA GOTICA-ESCUELA CATALANA-PINTURA SOBRE TABLA. Author: MAESTRO DE RUBIO. Location: MUSEO EPISCOPAL, VIC, BARCELONA, SPAIN.
6145-58998450
Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: Saint John. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Chretian Christian, sketch, Notre-Dame-de-Bonne-Nouvelle, New Testament, Biblical character, Catholic religion, saint, oil on canvas
1850-17106
Italy, Tuscany, Pisa, Duomo.  Detail Of Mosaic On Exterior Facade.
4443-21179398
Tanzio da Varallo, Saint Sebastian, Italian, c. 1575-1633, c. 1620-1630, oil on canvas
1899-74914
The Annunciation, by Palmezzano Marco, 15th Century, 1494, board,
6137-28665311
Unterlinden Museum. The Incredulity of Saint Thomas. Detail. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.
4430-2594
Fine Arts, Bramantino (um 1470 - um 1535) , (Bartolommeo Suardi), Italian artist and architect, painting "" Jupiter and Mercury at Philemon and Baucis"" circa 1500, Wallraf-Richartz-Museum, Cologne, Greek mythology, Wallraf Richartz Museum,
6145-29780740
Cassetta frame ca. 1520 Italian, Venice. Cassetta frame 460389
6145-29198013
Helle on a Ram ca. 1509 Pinturicchio One of twenty-two panels (14.114.1-.22) forming the ceiling from the Palace of Pandolfo Petrucci, called Il Magnifico, Siena. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art- especially sarcophagi.. Helle on a Ram. Pinturicchio (Italian, Perugia 1454-1513 Siena). Italian, Umbria. ca. 1509. Fresco, transferred to canvas and attached to wood panels. Paintings-Decorative
1788-45333
Bathing couple, by Albrecht Altdorfer (1480-1538).
1788-42782
Return from the flight into Egypt, 1519, by Ortolano (active ca 1500-1527).
1788-26485
Savoy manufacture tapestry featuring Caesar and Amyclas, from the series dedicated to the History of Julius Caesar, 18th century.
6145-29723259
A Masked Ball in Bohemia ca. 1748 Attributed to Andreas Altomonte Austrian This is the only known study for the decoration of the ballroom at Ceský Krumlov, a castle in Bohemia that belonged to Prince Joseph Adam zu Schwarzenberg. The elaborate illusionism suggests that it may be by the prince's architect and designer, Andreas Altomonte. The wall paintings, which are less sophisticated, are signed by Josef Lederer and dated 1748.. A Masked Ball in Bohemia 436861
4443-21188132
Master of the Starck Triptych, German (active c. 1480-c. 1495), The Raising of the Cross center, left, and right panels, c. 1480-1490, oil on panel
1848-61244515
Frescoes in the Palazzo delle Ragione in Piazza Vecchia, Bergamo, Lombardy, Italy, Bergamo, Lombardy, Italy, Europe
6145-30192768
Diptych of Saints Achatius, Barbara, Apollonia, and Sebald 1480-1500 Germany. Distemper on linen, mounted on panel . German School
6145-30093634
Triptych with the Last Supper and Donors.This triptych is the earliest known and best-preserved verre églomisé painting (a type of reverse painting on glass) from the northern Netherlands. It is still in its original frame. The donors depicted on the wings are Adriana van Rhoon (c. 1450-1527) and Dirck Pietersz Spangert (c. 1465-1549); she was the abbess and he the chaplain and jurist of Leeuwenhorst Abbey in Noordwijkerhout.
4409-17492709
Pietà. Date/Period: 1436 - 1446. Painting (panel). Oak. Height: 325 mm (12.79 in); Width: 472 mm (18.58 in). Author: ROGIER VAN DER WEYDEN.
1788-43455
Triumph of Saint Thomas Aquinas Over the Heretics, 1489-1492, by Filippino Lippi (1457 ca- 1504), fresco. The Basilica of Saint Mary Above Minerva, Carafa Chapel, right wall, Rome.
1788-43682
The Saints Valerian and Cecilia, 1490-1500, the Master of Brunswick Diptych (active 1480-1510), oil on panel.
1788-43739
Joseph in Egypt, part of the Story of Joseph the Jew from Marriage bedchamber panels for Pier Francesco Borgherini, 1518, by Jacopo Carucci, known as Pontormo (1494-1557), oil on panel, 96.5 x 109.5 cm.
4266-19142
The Descent from the Cross by Weyden, Rogier, van der (ca. 1399-1464)/ Museo del Prado, Madrid/ ca 1435/ The Netherlands/ Oil on wood/ Early Netherlandish Art/ 220x262/ Bible
6145-45461302
Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Bellini, Giovanni (1430 1516)
4435-7129
VERONESE, Paolo Caliari, called Paolo (1528-1588). Supper in the House of Simon. 1560. Renaissance art. Cinquecento. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).
4409-30433122
Enric Monjo / Descendimiento de la Cruz, 1929. Museu de Vilassar de Mar.
1788-45115
David with Goliath's Head, ca 1495, artist from Andrea Mantegna's workshop (1431-ca 1506), grisaille, 48x36 cm.
1788-43553
The Boulbon Altarpiece, 1450-1460, artist from the Avignon School, the panel transferred onto canvas, 172x228 cm, France.
1848-49575524
Painting, Interior view, Doge's Palace, Palazzo Ducale, Venice, Veneto, Italy, Europe
4435-6909
GALLEGO, Fernando (1440-1507). Pietˆ with Two Donors. ca. 1470. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.
4409-38854
Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari_s.
1443-1149
The Carrying of the Cross (Detail of Veronica) Ca. 1415-1516 Hieronymus Bosch (ca.1450-1516 Netherlandish) Oil on wood Museum of Fine Arts, Ghent, Belgium
1899-18308715
Parnassus, Upper Left, with Homer, Raphael, Raffaello S., 1510.
4409-62729108
Benedetto Bembo (ca. 1423-1489). Italian painter. Torchiara Polyptych, 1462. In the centre, the Virgin with Child and angels. From left to right: St. Anthony abbot, St. Nicomedes, St. Catherine of Alexandria and St. Peter Martyr. In the predella, the Twelve Apostles. Tempera on wooden panel transferred to canvas, except the predella. Carved wood, gilded and painted frame (123 x 229 x 25 cm). Pinacoteca Castello Sforzesco, Milan, Italy.
4409-21513493
Colantonio, Italian painter active in Naples 1440-1470. Early Renaissance. Live of Saint of Vincent Ferrer. Polyptych, 1456-65. Museo di Capodimonte. Naples, Italy.
6145-30193909
Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso) 1480-1495 Germany. This Crucifixion woodcut was printed on precious vellum, and illuminated with textured gold leaf and opaque pigment to resemble an illuminated manuscript page. It boasts not one, but two donor portraits and the date, 1490, on its verso. Paul Volkmayr and Sebald Schreyer, whose presence also decorated another woodcut in 1501, may have commissioned them all as frontispieces or bookplates for ecclesiastical volumes they gave to the Church of Saint Sebald in Nuremberg. Two more impressions of this sheet survive (Bamberg, Germany; Metropolitan Museum of Art, New York), both including a variation on this opulent dedication miniature.. Woodcut illuminated on vellum, with miniature on verso . Unknown artist
1788-54269
St George being subjected to the wheel of torture, scene from Episodes from Life of St George, 1379-1384, by Altichiero (ca 1330-1393) and Jacopo Avanzi (died 1416), fresco, Oratory of St George, Padua, Veneto. Italy, 14th century.
4409-17519592
The Crucifixion. Francescuccio Ghissi; Italian, active 1359-1395. Date: 1365-1375. Dimensions: 72.7 x 50.3 cm (28 5/8 x 19 3/4 in.); With Frame: 81.9 x 61 cm (32 1/4 x 24 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.
4409-17506910
Pallade e il centauro / Pallas and the Centaur. Date/Period: 1482. Painting. Tempera on canvas. Height: 207 cm (81.4 in); Width: 148 cm (58.2 in). Author: SANDRO BOTTICELLI.
6145-29235127
The Adoration of the Shepherds ca. 1535-40 Girolamo da Carpi (Girolamo Sellari) An angel, not the moon, illuminates the nighttime sky of this enchanting depiction of shepherds arriving to worship the sleeping Christ Childshown remarkably robust and statue-like. Girolamo, who worked for the court at Ferrara, had visited Rome, where he studied the work of Raphael and drew from ancient sculpture. This experience shaped his ideas about ennobling poses and gesturesthough without losing an ingratiating charm, evident here in the exchanged expressions of the shepherds and the rocky landscape with its buildings and waterfall.. The Adoration of the Shepherds. Girolamo da Carpi (Girolamo Sellari) (Italian, Ferrara 1501-1556 Ferrara). ca. 1535-40. Oil on wood. Paintings
1899-68920733
National Museum of Ancient Art. St John the Baptist in jail. Detail.  Simao Rodrigues. 17th century. Oil on panel.
1899-65660916
Ambrogio da Fossano, called Bergognone (1453-1523). Italian Renaissance painter. Pieta of Christ between two angels, 1488-1490. Tempera on wooden panel transferred to canvas. Pinacoteca Castello Sforzesco, Milan, Italy.
4409-17507731
Saint Jerome in his Study. Painting. Oil on canvas. Height: 75.9 cm (29.8 in); Width: 98.4 cm (38.7 in). Author: VINCENZO CATENA.
1788-43513
Bladelin altarpiece, by Rogier van der Weyden (1399-1464). Detail.
4409-48042569
Museum of Navarra, Pamplona, Navarra,Spain.
1788-42447
Stories of Nastagio degli Onesti, ca 1483, by Sandro Botticelli (1445-1510), tempera on wood, 83x142cm. Detail.
4069-6507
The Miraculous Draft of Fishes, situated in Geneva landscape, from Cathedral of St Peter
1788-44688
Annunciation and Saints, ca 1485, by Filippino Lippi (1457-ca 1504), oil on canvas, 114x122 cm. Detail.
7079-69910886
Paintings at The Louvre, Paris, France. (Editorial Use Only)
6176-67058054
'The Martyrdom of St. Sebastian', 1475, (1909). Artist: Antonio del Pollaiuolo.
1848-49303227
Benedict leaves the Roman school to become a hermit, Come Benedetto abbandona la scuola di Roma, Fresco by Giovanni Antonio Bazzi called Sodoma, Fresco cycle on the life of Benedict of Nursia, Benedetto da Norcia, Cloister, Olivetans, Monastery of Monte Olivetro Maggiore, Abbazia di Monte Oliveto Maggiore, Crete Senesi, Tuscany, Italy, Europe
4409-17506228
The Pool of Bethesda. Date/Period: 1877. Painting. Oil on canvas. Height: 508 mm (20 in); Width: 737 mm (29.01 in). Author: Robert Bateman.
4409-17492505
Christ and the Adulteress. Date/Period: 1525 - 1528. Painting. Oil on canvas. Height: 785 mm (30.90 in); Width: 750 mm (29.52 in). Author: Palma Vecchio (Jacopo Nigretti).
1848-50851831
Mural, Doge's Palace, San Marco district, Venice, Veneto region, Italy, Europe
1788-48918
Madonna of the Girdle, 1450, by Benozzo Gozzoli (1420-about 1497), tempera on wood, 133x165 cm.
1788-111204064
The Last Supper, 1493-1496, fresco by Pietro Vannucci known as Perugino, Cenacle of Fuligno, Florence (UNESCO World Heritage List, 1982), Tuscany, Italy, 15th century. Detail.
1899-19923220
Schmerzensmann mit zwei Engeln, um 1490, Jesus Christus umgeben von zwei Engeln, Gemälde von Giovanni Santi, 1435 - 1494, ein italienischer Maler der umbrischen Schule und Vater Raffaels  /  Man of Sorrows with two angels, c. 1490, Jesus Christ surrounded by two angels, painting by Giovanni Santi, 1435 - 1494, an Italian painter of the Umbrian school and father of Raphael, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.
1899-28896593
Accademia carrara art gallery: polyptych by bartolomeo vivarini, 1488, bergamo, Italy
4409-17561440
The Trinity and Saints in Paradise, or La Cour Céleste from a volume of "La Cité de Dieu" by St Augustine. French (Paris); style of Maître François. Date: 1440-1470. Dimensions: 178 × 222 mm. Tempera and gold leaf on vellum, laid down on wood panel. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Egregius Pictor Franciscus.
4266-21626829
Five Dancing Angels, Giovanni di Paolo (1403-1482), oil and gold on panel
4409-18804212
Ecce Homo and Mater Dolorosa, ca.1500-1515. Diptych. Attributed to the Flemish painter Albrecht Boutss workshop (1451/1454-1549). Oil on oak. National Museum of Ancient Art. Lisbon, Portugal. Author: Workshop of Albrecht Bouts (1451/1454-1549). Flemish painter.
4409-17277902
PANEL IZQUIERDO DEL TRIPTICO DE SANTA CATALINA - ESCUELA HISPANO-FLAMENCA - SIGLO XV. Author: FERNANDO GALLEGO. Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.
1788-46950
Sulamite at King David's bath, artist from the Teodoro Pulaki school (active 1648-1675).
4266-16370
Lippi, Filippo, Fra (1406-1469) National Gallery, London Painting 26,5x40 Bible  Saint Jerome and the Lion (Predella Panel of the Pistoia Santa Trinitš Altarpiece)
1899-68917448
Fresco In Vicolo Del Fontanone. Brescia. Lombardy. Italy. Europe
6145-29778490
The Supper at Emmaus 1622-23 Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish This painting depicts the moment after the Resurrection when Jesus is recognized by two disciples as "he took bread, blessed and broke it, and handed it to them." The subject provided Velázquez the opportunity to explore contrasts in reactions through gesture, expression, and use of dramatic lighting. He may have painted it in Seville, where he first trained, or in Madrid, where he moved in 1623. Velázquez may been inspired by the work of Caravaggio, which he would have known through copies.. The Supper at Emmaus. Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). 1622-23. Oil on canvas. Paintings
4409-17458239
Saint Francis Receiving the Stigmata. Dated: c. 1445/1450. Dimensions: overall: 27.5 x 30.5 cm (10 13/16 x 12 in.) framed: 40.6 x 44.5 x 5.1 cm (16 x 17 1/2 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: DOMENICO VENEZIANO.
1788-43478
Pieta, 1474-1476, by Antonello da Messina (1430-about 1479), oil on canvas, 119x86 cm.
1788-26488
18th century French tapestry featuring King Louis XIV conducting the siege of Douai, from the series History of the King.
6176-66913255
Bernardino Pinturicchio - Saint Jerome in the Wilderness  circa 1480 St. Jerome (ca. 347-420), one of the four Latin Fathers of the Church
6145-48891154
The Temptation of Christ. Simon Bening (Flemish, about 1483 - 1561)
1746-29963935
Illustration celebrating the birth of Louis Joseph Xavier, Duke of Burgundy (13 September 1751 - 22 March 1761), was a French prince of the House of Bourbon. Although he was the first live-birth son, he died of extra-pulmonary tuberculosis
4430-1704
fine arts, Stuck, Franz von (1863 - 1928), painting, ""Saint Martin"", private collection,
1899-33779
Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy: Tuscany: Siena: Palazzo Pubblico. Cut off head detail of Justice beard face sword hilt
4069-4219
The mirror of Venus
4266-28792
The Seven Sorrows of the Virgin by Durer, Albrecht (1471-1528) / Dresden State Art Collections / 1495-1496 / Germany / Oil on wood / Bible /
4409-20987924
Hieronymus Bosch (c.1450-1516). Dutch painter. The Garden of Earthly Delights, 1500-1505, Triptych. Detail of a central panel. Prado Museum. Madrid. Spain.
4409-17399599
The Last Supper. Artist: Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died 1339/49). Dimensions: Overall, with engaged (modern) frame, 15 x 22 1/4 in. (38.1 x 56.5 cm); painted surface 13 1/2 x 20 3/4 in. (34.3 x 52.7 cm). Date: ca. 1325-30.Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence. This painting of the Last Supper formed part of the predella (the lowermost horizontal component) of the now dismembered altarpiece. A reconstruction of the altarpiece's original appearance is possible through an 18th-century drawing, which indicates that the "Last Supper" panel was the left-most of seven predella panels. The altarpiece's central panel, which depicted the Madonna and Child, is now lost. Ugolino's large workshop included his
263-403
Joseph's Dream - Detail #2 Giotto (ca.1266-1337 Italian) Fresco Capella Scrovegni, Padua, Italy
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