Religious and Biblical Narratives

Artworks depicting biblical stories and saints, showcasing rich narratives and detailed religious themes from the Renaissance.

Camera degli Sposi: The Meeting Andrea Mantegna (1431-1506/Italian) Fresco Palazzo Ducale, Mantua

La Primavera / La Primavera (Spring). Date/Period: From 1482 until 1485. Tempera on panel. Height: 207 cm (81.4 in); Width: 319 cm (10.4 ft). Author: SANDRO BOTTICELLI.

DETALLE DE LA PREDELA IZQUIERDA - CRISTO RESUCITADO VISITA A SU MADRE EN COMPAÑIA DE LOS PATRIARCAS - 1505 - POLIPTICO - 96x98 cm. Author: FRANCISCO DE OSONA EL JOVEN (1465-1514). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPANIEN.

Two men at the column by Lorenzo Costa, tempera on panel, 1488, 1460-1535, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 47x17

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: King David (1868), Painting, Reproduction of the painting, Work of art, Historical, Saint with harp in classical garb, Angel kneeling in front of him

ARTE RENACIMIENTO. ESPAÑA. MATES, Pere (Girona, h.1500-1558). Pintor renacentista catalán activo entre 1526 y 1536. "RETABLO DE SANTA MARIA DE S'AGARO". Su estilo se caracteriza por una conjunción de las formas góticas y las renacentistas, propia de la escuela catalana del s.XVI. Museo Diocesano de Girona. Cataluña.

Christ and the adulteress. Veronese, Bonifacio (1487-1553), painter

Creation of Eve / Anonymous / Antwerp

Predella depicting the beheading of St Cosmas and St Damian, Annalena Altarpiece, ca 1430, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood, 108x202 cm.

Moses Striking the Rock Painting; oil on panel; overall: 44.6 x 66.7 cm (17 9/16 x 26 1/4 in.) framed: 58.7 x 80.7 cm (23 1/8 x 31 3/4 in.);

fine arts, Mantegna, Andrea, (1431 - 1506), painting, ""the agony in the garden"", circa 1460, tempera on panel, 62,9 cm x 80 cm, national gallery, London, Europe, Italy, 15th century, middle ages, religious art, religion, christianity, Jesus Christ, passion, praying, angels, instruments, disciples, sleeping, Judas, pursuers,

Middelburg Altar by Rogier van der Weyden, Oil on wood, circa 1450, circa1399-1464, Germany, Berlin, Staatliche Museen, 93, 5x175, 3

The Pieta, Botticelli, Sandro, 1490.

Baptism of Christ, by Piero della Francesca, circa 1450, National Gallery, London, England, UK, GB, Europe

Altarpiece of the Saints John. Date/Period: Ca. 1435-1445. Painting. Tempera, gold leaf and metal plate on wood. Height: 3,440 mm (11.28 ft); Width: 2,615 mm (102.95 in). Author: BERNAT MARTORELL.

'The Annunciation'. Italy, Middle of the 1490s. Dimensions: 35x50,5 cm. Museum: State Hermitage, St. Petersburg. Author: FILIPPINO LIPPI.

Return of Judith, Botticelli painting, 15th c. Italy.

Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo entire triptych. Dated: 1380s. Dimensions: overall: 56.9 × 116.4 × 3.4 cm (22 3/8 × 45 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.

Peace between the Romans and the Batavians. Painting. Oil on canvas. Author: Jacob Jordaens the elder.

predella depicting St Nicholas saving three men sentenced to be beheaded, Perugia Altarpiece, 1438, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood.

Bernardino Luini (1480/1485-1532). Italian painter. Ecce Homo, ca.1515-1516. Wallraf-Richartz Museum. Cologne. Germany.

Madonna in Glory, ca 1500-1501, by Pietro Perugino (ca 1450-1523), oil on wood, 330x265 cm.

The Recanati Annunciation, ca 1532, by Lorenzo Lotto (1480 ca- 1556), oil on canvas, 166x114 cm. Detail.

ORACION EN EL HUERTO-S XIV-PINTURA GOTICA-ESCUELA CATALANA-PINTURA SOBRE TABLA. Author: MAESTRO DE RUBIO. Location: MUSEO EPISCOPAL, VIC, BARCELONA, SPAIN.

Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: Saint John. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Chretian Christian, sketch, Notre-Dame-de-Bonne-Nouvelle, New Testament, Biblical character, Catholic religion, saint, oil on canvas

Italy, Tuscany, Pisa, Duomo. Detail Of Mosaic On Exterior Facade.

Tanzio da Varallo, Saint Sebastian, Italian, c. 1575-1633, c. 1620-1630, oil on canvas

The Annunciation, by Palmezzano Marco, 15th Century, 1494, board,

Unterlinden Museum. The Incredulity of Saint Thomas. Detail. Oil on wood panel. Martin Schongauer. Late 15 th century. Colmar. France. Colmar. France.

Fine Arts, Bramantino (um 1470 - um 1535) , (Bartolommeo Suardi), Italian artist and architect, painting "" Jupiter and Mercury at Philemon and Baucis"" circa 1500, Wallraf-Richartz-Museum, Cologne, Greek mythology, Wallraf Richartz Museum,

Cassetta frame ca. 1520 Italian, Venice. Cassetta frame 460389

Helle on a Ram ca. 1509 Pinturicchio One of twenty-two panels (14.114.1-.22) forming the ceiling from the Palace of Pandolfo Petrucci, called Il Magnifico, Siena. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art- especially sarcophagi.. Helle on a Ram. Pinturicchio (Italian, Perugia 1454-1513 Siena). Italian, Umbria. ca. 1509. Fresco, transferred to canvas and attached to wood panels. Paintings-Decorative

Bathing couple, by Albrecht Altdorfer (1480-1538).

Return from the flight into Egypt, 1519, by Ortolano (active ca 1500-1527).

Savoy manufacture tapestry featuring Caesar and Amyclas, from the series dedicated to the History of Julius Caesar, 18th century.

A Masked Ball in Bohemia ca. 1748 Attributed to Andreas Altomonte Austrian This is the only known study for the decoration of the ballroom at Ceský Krumlov, a castle in Bohemia that belonged to Prince Joseph Adam zu Schwarzenberg. The elaborate illusionism suggests that it may be by the prince's architect and designer, Andreas Altomonte. The wall paintings, which are less sophisticated, are signed by Josef Lederer and dated 1748.. A Masked Ball in Bohemia 436861

Master of the Starck Triptych, German (active c. 1480-c. 1495), The Raising of the Cross center, left, and right panels, c. 1480-1490, oil on panel

Frescoes in the Palazzo delle Ragione in Piazza Vecchia, Bergamo, Lombardy, Italy, Bergamo, Lombardy, Italy, Europe

Diptych of Saints Achatius, Barbara, Apollonia, and Sebald 1480-1500 Germany. Distemper on linen, mounted on panel . German School

Triptych with the Last Supper and Donors.This triptych is the earliest known and best-preserved verre églomisé painting (a type of reverse painting on glass) from the northern Netherlands. It is still in its original frame. The donors depicted on the wings are Adriana van Rhoon (c. 1450-1527) and Dirck Pietersz Spangert (c. 1465-1549); she was the abbess and he the chaplain and jurist of Leeuwenhorst Abbey in Noordwijkerhout.

Pietà. Date/Period: 1436 - 1446. Painting (panel). Oak. Height: 325 mm (12.79 in); Width: 472 mm (18.58 in). Author: ROGIER VAN DER WEYDEN.

Triumph of Saint Thomas Aquinas Over the Heretics, 1489-1492, by Filippino Lippi (1457 ca- 1504), fresco. The Basilica of Saint Mary Above Minerva, Carafa Chapel, right wall, Rome.

The Saints Valerian and Cecilia, 1490-1500, the Master of Brunswick Diptych (active 1480-1510), oil on panel.

Joseph in Egypt, part of the Story of Joseph the Jew from Marriage bedchamber panels for Pier Francesco Borgherini, 1518, by Jacopo Carucci, known as Pontormo (1494-1557), oil on panel, 96.5 x 109.5 cm.

The Descent from the Cross by Weyden, Rogier, van der (ca. 1399-1464)/ Museo del Prado, Madrid/ ca 1435/ The Netherlands/ Oil on wood/ Early Netherlandish Art/ 220x262/ Bible

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Bellini, Giovanni (1430 1516)

VERONESE, Paolo Caliari, called Paolo (1528-1588). Supper in the House of Simon. 1560. Renaissance art. Cinquecento. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

Enric Monjo / Descendimiento de la Cruz, 1929. Museu de Vilassar de Mar.

David with Goliath's Head, ca 1495, artist from Andrea Mantegna's workshop (1431-ca 1506), grisaille, 48x36 cm.

The Boulbon Altarpiece, 1450-1460, artist from the Avignon School, the panel transferred onto canvas, 172x228 cm, France.

Painting, Interior view, Doge's Palace, Palazzo Ducale, Venice, Veneto, Italy, Europe

GALLEGO, Fernando (1440-1507). Pietˆ with Two Donors. ca. 1470. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari_s.

The Carrying of the Cross (Detail of Veronica) Ca. 1415-1516 Hieronymus Bosch (ca.1450-1516 Netherlandish) Oil on wood Museum of Fine Arts, Ghent, Belgium

Parnassus, Upper Left, with Homer, Raphael, Raffaello S., 1510.

Benedetto Bembo (ca. 1423-1489). Italian painter. Torchiara Polyptych, 1462. In the centre, the Virgin with Child and angels. From left to right: St. Anthony abbot, St. Nicomedes, St. Catherine of Alexandria and St. Peter Martyr. In the predella, the Twelve Apostles. Tempera on wooden panel transferred to canvas, except the predella. Carved wood, gilded and painted frame (123 x 229 x 25 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

Colantonio, Italian painter active in Naples 1440-1470. Early Renaissance. Live of Saint of Vincent Ferrer. Polyptych, 1456-65. Museo di Capodimonte. Naples, Italy.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso) 1480-1495 Germany. This Crucifixion woodcut was printed on precious vellum, and illuminated with textured gold leaf and opaque pigment to resemble an illuminated manuscript page. It boasts not one, but two donor portraits and the date, 1490, on its verso. Paul Volkmayr and Sebald Schreyer, whose presence also decorated another woodcut in 1501, may have commissioned them all as frontispieces or bookplates for ecclesiastical volumes they gave to the Church of Saint Sebald in Nuremberg. Two more impressions of this sheet survive (Bamberg, Germany; Metropolitan Museum of Art, New York), both including a variation on this opulent dedication miniature.. Woodcut illuminated on vellum, with miniature on verso . Unknown artist

St George being subjected to the wheel of torture, scene from Episodes from Life of St George, 1379-1384, by Altichiero (ca 1330-1393) and Jacopo Avanzi (died 1416), fresco, Oratory of St George, Padua, Veneto. Italy, 14th century.

The Crucifixion. Francescuccio Ghissi; Italian, active 1359-1395. Date: 1365-1375. Dimensions: 72.7 x 50.3 cm (28 5/8 x 19 3/4 in.); With Frame: 81.9 x 61 cm (32 1/4 x 24 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Pallade e il centauro / Pallas and the Centaur. Date/Period: 1482. Painting. Tempera on canvas. Height: 207 cm (81.4 in); Width: 148 cm (58.2 in). Author: SANDRO BOTTICELLI.

The Adoration of the Shepherds ca. 1535-40 Girolamo da Carpi (Girolamo Sellari) An angel, not the moon, illuminates the nighttime sky of this enchanting depiction of shepherds arriving to worship the sleeping Christ Childshown remarkably robust and statue-like. Girolamo, who worked for the court at Ferrara, had visited Rome, where he studied the work of Raphael and drew from ancient sculpture. This experience shaped his ideas about ennobling poses and gesturesthough without losing an ingratiating charm, evident here in the exchanged expressions of the shepherds and the rocky landscape with its buildings and waterfall.. The Adoration of the Shepherds. Girolamo da Carpi (Girolamo Sellari) (Italian, Ferrara 1501-1556 Ferrara). ca. 1535-40. Oil on wood. Paintings

National Museum of Ancient Art. St John the Baptist in jail. Detail. Simao Rodrigues. 17th century. Oil on panel.

Ambrogio da Fossano, called Bergognone (1453-1523). Italian Renaissance painter. Pieta of Christ between two angels, 1488-1490. Tempera on wooden panel transferred to canvas. Pinacoteca Castello Sforzesco, Milan, Italy.

Saint Jerome in his Study. Painting. Oil on canvas. Height: 75.9 cm (29.8 in); Width: 98.4 cm (38.7 in). Author: VINCENZO CATENA.

Bladelin altarpiece, by Rogier van der Weyden (1399-1464). Detail.

Museum of Navarra, Pamplona, Navarra,Spain.

Stories of Nastagio degli Onesti, ca 1483, by Sandro Botticelli (1445-1510), tempera on wood, 83x142cm. Detail.

The Miraculous Draft of Fishes, situated in Geneva landscape, from Cathedral of St Peter

Annunciation and Saints, ca 1485, by Filippino Lippi (1457-ca 1504), oil on canvas, 114x122 cm. Detail.

Paintings at The Louvre, Paris, France. (Editorial Use Only)

'The Martyrdom of St. Sebastian', 1475, (1909). Artist: Antonio del Pollaiuolo.

Benedict leaves the Roman school to become a hermit, Come Benedetto abbandona la scuola di Roma, Fresco by Giovanni Antonio Bazzi called Sodoma, Fresco cycle on the life of Benedict of Nursia, Benedetto da Norcia, Cloister, Olivetans, Monastery of Monte Olivetro Maggiore, Abbazia di Monte Oliveto Maggiore, Crete Senesi, Tuscany, Italy, Europe

The Pool of Bethesda. Date/Period: 1877. Painting. Oil on canvas. Height: 508 mm (20 in); Width: 737 mm (29.01 in). Author: Robert Bateman.

Christ and the Adulteress. Date/Period: 1525 - 1528. Painting. Oil on canvas. Height: 785 mm (30.90 in); Width: 750 mm (29.52 in). Author: Palma Vecchio (Jacopo Nigretti).

Mural, Doge's Palace, San Marco district, Venice, Veneto region, Italy, Europe

Madonna of the Girdle, 1450, by Benozzo Gozzoli (1420-about 1497), tempera on wood, 133x165 cm.

The Last Supper, 1493-1496, fresco by Pietro Vannucci known as Perugino, Cenacle of Fuligno, Florence (UNESCO World Heritage List, 1982), Tuscany, Italy, 15th century. Detail.

Schmerzensmann mit zwei Engeln, um 1490, Jesus Christus umgeben von zwei Engeln, Gemälde von Giovanni Santi, 1435 - 1494, ein italienischer Maler der umbrischen Schule und Vater Raffaels / Man of Sorrows with two angels, c. 1490, Jesus Christ surrounded by two angels, painting by Giovanni Santi, 1435 - 1494, an Italian painter of the Umbrian school and father of Raphael, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt.

Accademia carrara art gallery: polyptych by bartolomeo vivarini, 1488, bergamo, Italy

The Trinity and Saints in Paradise, or La Cour Céleste from a volume of "La Cité de Dieu" by St Augustine. French (Paris); style of Maître François. Date: 1440-1470. Dimensions: 178 × 222 mm. Tempera and gold leaf on vellum, laid down on wood panel. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Egregius Pictor Franciscus.

Five Dancing Angels, Giovanni di Paolo (1403-1482), oil and gold on panel

Ecce Homo and Mater Dolorosa, ca.1500-1515. Diptych. Attributed to the Flemish painter Albrecht Boutss workshop (1451/1454-1549). Oil on oak. National Museum of Ancient Art. Lisbon, Portugal. Author: Workshop of Albrecht Bouts (1451/1454-1549). Flemish painter.

PANEL IZQUIERDO DEL TRIPTICO DE SANTA CATALINA - ESCUELA HISPANO-FLAMENCA - SIGLO XV. Author: FERNANDO GALLEGO. Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

Sulamite at King David's bath, artist from the Teodoro Pulaki school (active 1648-1675).

Lippi, Filippo, Fra (1406-1469) National Gallery, London Painting 26,5x40 Bible Saint Jerome and the Lion (Predella Panel of the Pistoia Santa Trinitš Altarpiece)

Fresco In Vicolo Del Fontanone. Brescia. Lombardy. Italy. Europe

The Supper at Emmaus 1622-23 Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish This painting depicts the moment after the Resurrection when Jesus is recognized by two disciples as "he took bread, blessed and broke it, and handed it to them." The subject provided Velázquez the opportunity to explore contrasts in reactions through gesture, expression, and use of dramatic lighting. He may have painted it in Seville, where he first trained, or in Madrid, where he moved in 1623. Velázquez may been inspired by the work of Caravaggio, which he would have known through copies.. The Supper at Emmaus. Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). 1622-23. Oil on canvas. Paintings

Saint Francis Receiving the Stigmata. Dated: c. 1445/1450. Dimensions: overall: 27.5 x 30.5 cm (10 13/16 x 12 in.) framed: 40.6 x 44.5 x 5.1 cm (16 x 17 1/2 x 2 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: DOMENICO VENEZIANO.

Pieta, 1474-1476, by Antonello da Messina (1430-about 1479), oil on canvas, 119x86 cm.

18th century French tapestry featuring King Louis XIV conducting the siege of Douai, from the series History of the King.

Bernardino Pinturicchio - Saint Jerome in the Wilderness circa 1480 St. Jerome (ca. 347-420), one of the four Latin Fathers of the Church

The Temptation of Christ. Simon Bening (Flemish, about 1483 - 1561)

Illustration celebrating the birth of Louis Joseph Xavier, Duke of Burgundy (13 September 1751 - 22 March 1761), was a French prince of the House of Bourbon. Although he was the first live-birth son, he died of extra-pulmonary tuberculosis

fine arts, Stuck, Franz von (1863 - 1928), painting, ""Saint Martin"", private collection,

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy: Tuscany: Siena: Palazzo Pubblico. Cut off head detail of Justice beard face sword hilt

The mirror of Venus

The Seven Sorrows of the Virgin by Durer, Albrecht (1471-1528) / Dresden State Art Collections / 1495-1496 / Germany / Oil on wood / Bible /

Hieronymus Bosch (c.1450-1516). Dutch painter. The Garden of Earthly Delights, 1500-1505, Triptych. Detail of a central panel. Prado Museum. Madrid. Spain.

The Last Supper. Artist: Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died 1339/49). Dimensions: Overall, with engaged (modern) frame, 15 x 22 1/4 in. (38.1 x 56.5 cm); painted surface 13 1/2 x 20 3/4 in. (34.3 x 52.7 cm). Date: ca. 1325-30.Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence. This painting of the Last Supper formed part of the predella (the lowermost horizontal component) of the now dismembered altarpiece. A reconstruction of the altarpiece's original appearance is possible through an 18th-century drawing, which indicates that the "Last Supper" panel was the left-most of seven predella panels. The altarpiece's central panel, which depicted the Madonna and Child, is now lost. Ugolino's large workshop included his

Joseph's Dream - Detail #2 Giotto (ca.1266-1337 Italian) Fresco Capella Scrovegni, Padua, Italy

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