Religious and Biblical Narratives

Artworks depicting biblical stories and saints, showcasing rich narratives and detailed religious themes from the Renaissance.

Camera degli Sposi: The Meeting Andrea Mantegna (1431-1506/Italian) Fresco Palazzo Ducale, Mantua

The Raising of Lazarus. Centre Panel of a Triptych with the Raising of Lazarus. Dating: c. 1530 - c. 1535. Place: Leiden. Measurements: support: h 75.7 cm × w 78.8 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Aertgen Claesz van Leyden (attributed to).

Martyrdom of St Barbara, detail from Christ-Vine and the Legend of Saint Barbara, 1524, by Lorenzo Lotto (ca 1480 - 1556), fresco. Detail. Villa Suardi, Capella Suardi, Trescore Balneario.

The Adoration of the Shepherds by Signorelli, Luca (ca 1441-1523)/ National Gallery, London/ c. 1496/ Italy, Florentine School/ Oil on wood/ Renaissance/ 215x170,2/ Bible

San Esteban protomártir (-34), diácono, primer mártir cristiano. Grabado de 1870.

Filippino Lippi (1457-1504). Italian painter. Annunciation with the Saints John the Baptist and Andrew, 1483. Detail. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

TAPIZ DE MANUFACTURA BELGA-S XVI-HISTORIA DE NOE. Location: PALACIO DEL PITO. Cudillero. ASTURIAS. SPAIN.

Camera degli Sposi: The Meeting Andrea Mantegna (1431-1506/Italian) Fresco Palazzo Ducale, Mantua

Giulio Calvi, called il Coronaro (1555-1591). Italian painter. Rest on the Flight into Egypt, 1580-1585. Oil on panel. Museo Civico Ala Ponzone. Cremona. Italy.

The Marriage of the Virgin ca. 1430 Michelino da Besozzo (Michelino de Mulinari) Italian Among the most celebrated painters of his day, Michelino da Besozzo worked for the ruler of Milan as well as in Venice. This is one of only two panel paintings certainly by him. The surface is damaged. The packed composition is laid out much like his work in illuminated manuscripts, and the comical reactions of the rejected suitors reveal the humorous vein of his art that captivated contemporaries.. The Marriage of the Virgin 437083

Vision of Saint Bernard, Bartolommeo, Fra, 1507.

Juan de Borgon_a (ca.1470-1530). Renaissance painter. Birth of Jesus, 1500-1504. Part of the Altarpiece of the Convent of Santa Cruz of Carboneras de Guadazaon, Spain. Diocesan Museum of Cuenca, Castile-La Mancha, Spain.

'Agony in the Garden'. Netherlands, Between 1527 and 1530. Dimensions: 83x56,5 cm. Museum: State Hermitage, St. Petersburg. Author: PIETER COECKE VAN AELST.

Artist, attributed to: Master of the Borghese Tondo, Italian, active ca. 1450-1500, Artist, follower of: Domenico Ghirlandaio, Italian, Florence, 1449-1494, Virgin and Child with Saint John theBaptist, ca.1500, Egg tempera on panel, 87.3 × 87.3 cm (34 3/8 × 34 3/8 in.), Not onview, Italian, 15thcentury, Paintings

Gerard David (c. 1460 Ð 1523). Early Netherlandish painter. Gothic style. Adoration of the Magi, 1512. Alte Pinakothek, Munich, Germany.

Giorgione, (Workshop) National Gallery, London Painting 59,7x48,9 Mythology, Allegory and Literature Homage to a Poet

Annunciation to Mary / Filippino Lippi

Mars and Venus Surprised by Vulcan. Joachim Anthonisz. Wtewael (Dutch, 1566 - 1638)

Massacre of the Innocents. 1490s. Work of Lorenzo Zaragoza's school (late 14th c.). It was a part of the Main Altarpiece. International gothic. Tempera on wood. SPAIN. ARAGON. Zaragoza. Zaragoza Province Museum. Proc: SPAIN. VALENCIAN COMMUNITY. Alpuente. Church of Saint Mary.

Giulio Clovio, The Lamentation, c 1550 Giulio Clovio (Croatian, 1498 - 1578), The Lamentation, c. 1550, gouache heightened with gold on vellum, Patrons' Permanent Fund 2006.111.1

Pieta Jacopo Belli di Costantino Italian Civic Museum, Viterbo, Italy

LA HUIDA A EGIPTO - 1398 - TEMPERA/MADERA - GOTICO FLAMENCO. Author: Melchior Broederlam. Location: MUSEUM OF FINE ARTS. DIJON. France.

Martyrdom of Sts Nazarius and Celsus, by Procaccini Camillo, 17th Century, 1618, monochrome oil on canvas, cm 62 x 67

Petitions. Caron, Antoine (French, 1520/21-1599) (author of design) painter Maecht, Philipp de (Flemish, act. 1605-1652, d. bef.1655) (workshop) weaver c. 1610-1625 Tapestry Dimensions: H 14'10' x W 7'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: The Timken Art Gallery panels are from a set acquired by Duke Carlo Emanuele I of Savoy between 1615 & 1620. French & Co. purchased from Henry Symons, received 9/15/1927; sold to The Putman Foundation (Timken Art Gallery) 3/5/1965. United States, California, San Diego, Timken Art Gallery. Inscriptions: City mark on lower guard, left: P fleur-de-lys Inscriptions: weaver mark on right guard, bottom: ("F" resting within "M") Inscriptions: unidentified weaver mark on right guard, bottom: red carnation Young king listens as elderly man reads from scroll; the queen & others are present; petitions on slips of paper are scattered on ground near open, lidded box containing more petitions (UPR BRD) ca

The Lamentation. Netherlandish (Bruges). Date: 1401-1500. Dimensions: 44.6 × 30.1 cm (17 9/16 × 11 13/16 in.)Painted surface: 43 × 29.1 cm (16 15/16 × 11 7/16 in.). Oil on panel. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

The Awakening of the Young Man of Nain, 1565-1570, by Paolo Caliari known as Veronese (1528-1588), oil on canvas, 102x136 cm.

DESPOSORIOS MISTICOS DE SANTA CATALINA - S XV - 10x12,5 - PINTURA FLAMENCA. Author: HANS MEMLING. Location: HOSPITAL DE SAN JUAN / MUSEO MEMLING. BRUGES. Belgien. SAN JUAN EVANGELISTA Y APOSTOL. SANTA BARBARA. SAN JUAN BAUTISTA. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

EL SUEÑO DE JACOB - HACIA 1480 - PINTURA SOBRE TABLA - 117,5 x 75 cm - PINTURA HISPANOFLAMENCA. Author: CRUZ DIEGO DE LA CIRCULO. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. Jacob. DIOS PADRE. PADRE ETERNO.

Bartolomeo Suardi (ca. 1456-1530), called Bramantino. Italian artist, active mainly in Milan between 1480 and 1530. Noli me tangere, ca. 1490-1495. Detached fresco. Pinacoteca Castello Sforzesco, Milan, Italy. Author: called Bramantino. Italian artist. Bartolomeo Suardi (ca. 1456-1530).

Madonna del Ceppo, 1452-1453, by Filippo Lippi (1406-ca 1469), tempera on panel, 187x120 cm.

Gaspar Dias (). Portuguese painter, active ca. 1550-1591. The Martyrdom of St. Catherine, ca. 1560-1570. Oil on oak panel. National Museum of Ancient Art. Lisbon, Portugal.

Birth of the Virgin (Copy) Camillo Procaccini (ca.1555-1629 Italian) Oil on canvas Pinacoteca di Brera, Milan, Italy

Maestro de Sopetrán / 'Death of the Virgin', ca. 1470, Spanish School, Panel, 103 cm x 60 cm, P02578. Museum: MUSEO DEL PRADO, MADRID, SPAIN. VIRGIN MARY.

San Ginesio (Italia, Marche, provincia di Macerata), Pinacoteca Comunale Gentili. Ridolfo del Ghirlandaio, Matromonio mistico di Santa Caterina d'Alessandria, olio su tavola, 1480 circa

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Madonna Enthroned with Child, St John the Baptist, St Louis of Toulouse and Donors, Veronese, Paolo (1528-1588)

Panel from Saint John Retable. Artist: Domingo Ram (Spanish, Aragon, active 1464-1507). Culture: Spanish. Dimensions: 59 1/2 x 28 5/8 in. (151.1 x 72.7 cm)Entire Retable: 139 x100 in. (353.1 x 254 cm). Date: 1464-1507. Museum: Metropolitan Museum of Art, New York, USA.

ADORACION DE LOS REYES. Author: BALTASAR VARGAS DE FIGUEROA ( / 1667). Location: MUSEO DE ARTE COLONIAL. BOGOTA. COLOMBIA.

The Persecution of St. George - ca.1435 - oil on panel. Author: Bernat Martorell. Location: LOUVRE MUSEUM-PAINTINGS. France.

Triptych with the Ascension of Mary, Paulus Constantijn la Fargue, after Anthonie Blocklandt, 1772, draughtsman: Paulus Constantijn la Fargue, after: Anthonie Blocklandt, 1772, cardboard, brush, h 643 mm × w 600 mm

Triumphal Procession (Fragment 2) unknown

The Agony in the Garden. Girolama da Santacroce (c.1480-1556). Oil on panel. 45.2 x 39.7cm.

Sant'Onofrio Altarpiece, by Signorelli Luca, 1484, 15th Century, panel. Italy: Umbria: Perugia: Museo dell'Opera del Duomo. All Sant'Onofrio altarpiece Madonna Child Saints canopy musician angel

The Adoration in the Forest. Date/Period: 1459. Painting. Oil on poplar wood. Height: 129.5 cm (50.9 in); Width: 118.5 cm (46.6 in). Author: Filippo Lippi.

Adam and Eve with Cain and Abel By 1512 Oil on panel Fra Bartolomeo Italian active Florence Born 1472; died 1517

Workshop or Circle of Quentin Matsys (1466-1530). Flemish painter. Triptych of the Descent from the Cross (central panel). Oil on oak panel. From the Convento da Madre de Deus (Lisbon). National Museum of Ancient Art. Lisbon, Portugal.

Andrea Mantegna, Tempera on panel, circa 1463-1464, 1431-1506, Italy, Florence, Galleria degli Uffizi,

Cupid crowning a woman, detail from The King of the Muses, 1504-1506, by Lorenzo di Ottavio Costa (ca 1460-1535), oil on canvas, 164x197 cm.

Master of Stratonike / Adoration

Death of Mary / Mantegna / c.1461/63

Bernard van Orley (Netherlandish, c. 1488-1541), The Marriage of the Virgin, c. 1513, oil on panel

Battle of Marciano in Val di Chiana. Date/Period: 1563 - 1565. Oil painting on wood. Height: 540 mm (21.25 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.

The Flight into Egypt 1480-1490 Italy. Tempera on panel (poplar) . Bernardino Jacobi Butinone

Frontino (Montefeltro - Marche, provincia di Pesaro Urbino, convento di Montefiorentino. Cappella dei Conti Oliva, periodo rinascimentale, su progetto di Francesco di Simone Ferruccio (seconda metà del XV secolo). Giovanni Santi, Madonna col Bambino e santi, opera firmata e datata 1489

Painting titled 'The Virgin and Child with an Angel, the Archangel Raphael with Tobias and the Archangel Michael' by Pietro Perugino (1446-1523) an Italian Renaissance painter of the Umbrian school. Dated 16th Century

The Lamentation over the Dead Christ. Date/Period: 1495 - 1500. Panel. Height: 106 mm (4.17 in); Width: 71 mm (2.79 in). Author: SANDRO BOTTICELLI.

Stories of St John, 1502 fresco by Filippino Lippi (1457-1504), detail. Strozzi Chapel, Church of Santa Maria Novella, Florence. Italy. 16th century.

Anonymous / 'El Calvario', ca. 1500, Spanish-Flemish School, Oil on panel, 168 cm x 127 cm, P07689. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Madonna of the Pergola, c. 1489

'Entry into Jerusalem'. France, Second half of the 15th century. Dimensions: 116,5x51,5 cm. Museum: State Hermitage, St. Petersburg. Author: Maître de l'autel de Thuizon, Amiens school.

Samson and Delilah, Lucas Cranach the Elder, circa 1528-1530, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Altarpiece with The Martyrdom of St. Sebastian - 1507 - 121,4x78,7 cm - oil on panel. Author: HANS BALDUNG (1484-1545) GRIEN. Location: Germanisches Nationalmuseum. Nuremberg. DEUTSCHLAND. SAN SEBASTIAN. HANS BALDUNG. INFANT JESUS. SAINT CHRISTOPHER.

Christ's whipping; Holbein, Sigmund (ca. 1470-1540); around 1498-1500 (1498-00-00-1500-00-00);Silesian Museum of Fine Arts (Wrocław - 1880-1945) - Kolekcja

Italy, Venice, San Mark's, Mosaic

Artist: Giovanni dal Ponte, Italian, Florence, ca. 1385-1437, Saint James Major and Resurrection, Saint John the Baptist andCrucifixion, Egg tempera on panel, 149.9 × 86.4 × 8.3 cm (59 × 34 × 3 1/4in.), Made in Florence, Italy, Italian,Florence, 15thcentury, Paintings

Capture of Vicopisano. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 540 mm (21.25 in). Author: Giorgio Vasari.

The Sacrifice of Isaac, Painter Mariotto Albertinelli, Historic, digitally restored reproduction from a 19th century original

Die Verkündigung, the annunciation (1489), Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

'La imposición de la casulla a San Ildefonso', ca. 1490, Tempera on panel, 165 x 91 cm, P01294. Author: MAESTRO DE LAS ONCE MIL VIRGENES (S. XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Jacques Daret (Tournai, ca. 1400/5- ca. 1468). The Nativity (ca. 1434-35). Oil on panel. 59.5 x 53 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Pieta between Saints Mark, Ambrose, John the Evangelist and Antonio Abate, ca 1519, by Amico Aspertini (1474 or 1475-1552), tempera on canvas, 181x266 cm, San Petronio (St Petronius) Basilica, Bologna, Emilia-Romagna. Italy, 16th century.

Gothic Art. Spain.16th century. Master of Sigena. The Annunciation. Panel painting from the Monastery of Sigena. Diocesan Museum of Barbastro. Aragon.

Raising of Lazarus. Dating: 1600 - 1800. Measurements: h 120 cm × w 92 cm. Museum: Rijksmuseum, Amsterdam. Author: Peter Paul Rubens (copy after).

The Judgment of Solomon. Date/Period: 1638/1642. Painting. Oil on canvas. Height: 152.5 cm (60 in); Width: 204.9 cm (80.6 in) (without frame). Author: Matthias Stom.

Full Page Miniature: The Agony in the Garden, 1490-1500. Probably by Timoteo Viti (Italian, 1469-1523). Tempera on vellum; sheet: 27 x 22 cm (10 5/8 x 8 11/16 in.).

Adoration of Magi by Sandro Botticelli, oil on canvas, circa 1473-1475, 1445-1510, Florentine School, Italy, Florence, Galleria degli Uffizi, 111x134

Polyptych with Saint James Major, Madonna and Child, and Saints; Bartolomeo Vivarini (Italian (Venetian), about 1432 - 1499); 1490; Tempera and gold leaf on panel; Framed outer dim: 280 × 214.9 cm (110 1,4 × 84 5,8 in.)

Tura, Cosimo (before 1431-1495) National Gallery, London Painting 101x57,2 Bible Saint Jerome

People in forest by Sandro Botticelli, Tempera on panel, circa 1480, 1445-1510, Italy, Florence, Galleria degli Uffizi, 203x314

Lamentation of Christ. Artist: Giulio Borgiani (possibly). Draughtsman: anonymous. Draughtsman: Luca Giordano. Dating: 1600 - 1699. Measurements: h 235 mm × w 350 mm. Museum: Rijksmuseum, Amsterdam.

The Adoration of the Magi 1505-1515 Netherlands. The half-length format of this jewel-like painting makes the subject of the adoration of the Christ Child accessible, while the departure of the magi and their exotic followers enlivens the rocky landscape of the background. This picture was probably made for the market of discriminating private collectors just developing in the Low Countries in the early 16th century. Cornelis Engebrechtsz. worked in the northern city of Leiden but apparently made this small painting for export and sale in the more cosmopolitan southern provinces of the Low Countries, then the center of the emerging art market. Its design was copied in several paintings and illuminations made in Bruges.. Oil on panel . Cornelis Engelbrechtsz.

The Pietà. Master of Guillaume Lambert (French, active about 1475 - 1485)

Pegasus atop Mount Helicon

Birth of Achilles, by Anonymous artist, 16th Century, fresco. Italy: Lazio: Rome: Palazzo Spada: Stanza di Achille. Detail. Women maid servants garments/clothes draperies young girl floor squares perspective

Pieta by Carlo Crivelli; Tempera on wood; Gold ground; 1476

Saint Cecilia and Valerian converting Tiburcio, detail from the altarpiece depicting the Legend of Saint Cecilia, ca 1304, by the Master of Saint Cecilia (active early 14th century), tempera on panel and gold leaf stamped, 85x181 cm.

Parable of the Rich Man and Poor Lazarus. Dating: c. 1550 - c. 1575. Place: Nederlanden. Measurements: h 208 cm × w 122 cm; h 224.8 cm × w 135.5 cm × d 7.8 cm. Museum: Rijksmuseum, Amsterdam.

fine arts, Schaffner, Martin, (circa 1478 - circa 1548), painting, ""Saint Elizabeth"", Ulm, Muenster,

Dormitio Virginis, or The Death of the Virgin Mary, by Andrea Mantegna (1431-1506).

Winter.

Pietro Befulco (active in Naples 1471-1503). Italian painter. Virgin with the Child and saints. In the lunette, martyrdom of Saint Stephen, around 1495. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Beheading of St Catherine, panel of the St Catherine Triptych, by Fernando Gallego (active 1468-1507), panel.

The creation of Eve, ca 1530, by an unknown Flemish artist artist.

The Burial of Saint Zenobius. Artist: Davide Ghirlandaio (David Bigordi) (Italian, Florence 1452-1525 Florence). Dimensions: 6 1/4 x 16 1/4 in. (15.9 x 41.3 cm). Date: ca. 1479.Davide Ghirlandaio painted these three enchanting scenes about 1479 for the base (predella) of an important altarpiece commissioned from his brother, Domenico, for the church of San Giusto alle Mura outside Florence. Two further scenes are known; the main panel is in the Uffizi in Florence.According to legend, at the burial of Saint Zenobius a dead tree sprang to life when it was touched by the saint's bier. The baptistery and campanile of the cathedral of Florence provide the setting. Florence appears in the background of the scene where Tobias catches a fish whose innards will heal his father's blindness. Museum: Metropolitan Museum of Art, New York, USA.

The Adoration of the Shepherds, by Jacopo Bassano (ca 1510-1592).

Angelico, Fra Giovanni, da Fiesole (ca. 1400-1455) Museo del Prado, Madrid Painting 154x194 Bible The Annunciation

Madonna & Child with St. Jerome and St. Sebastian Carlo Crivelli (ca.1430-1495 Italian)

The Rest on the Flight to Egypt, Massys, Quentin, 1520.

Hercules and Anteus; Baldung, Hans (1484 cars 1485-1545); 1530 (1530-00-00-1530-00-00);

Single initial D cut from a 16-century antiphonal : in Latin ,. Medieval and Early Renaissance Manuscripts (Collection of Distinction)

Garden Of Earthly Delights - Detail #7 C.1505 Hieronymus Bosch (ca.1450-1516 Netherlandish) Museo del Prado, Madrid, Spain

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