Religious and Historical Artworks

A collection of detailed images depicting historical religious scenes, sculptures, and architectural elements from various eras in Italy, showcasing intricate designs and styles.

Triumph of Constantine. unknown c. 1690 Tapestry Dimensions: H 7'5" x W 11'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Miss Blanche Thebom, received 12/18/1961; sold to Charles Sternberg 8/28/1966. On chariot drawn by horses mounted by 2 men & playing the trumpet, crowned Constantine sits with scepter; Constantine waves at woman kneeling on road, next to child with dog in foreground(L); 2 bearded men with laurel leaves in their hair, one pointing at Constantine (L); classical buildings in background Borders missing; fragment. French & Co. stock sheet in archive, G-277-x

Valance with The Story of Moses ca. 1600 Adapted from a woodcut by Bernard Salomon French. Valance with The Story of Moses 227618

Lazio Frosinone Alatri S. Maria Maggiore. Hutzel, Max 1960-1990 Architectural views (medieval core collection) Views of portals with frescoed lunettes (deteriorated), rose window and turreted campanile with mullioned windows. Views of naves and chapels. Extensive coverage of the chapel of the "Madonna of Constantinople." TCI (1981), p. 598. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Convent S. Pietro6. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sarcophage de Naplous, Imperial Ottoman Museum, Constantinople , Antiquities, Sarcophagi. Nicholas Catsimpoolas Collection

Campania Napoli Naples S. Lorenzo Maggiore47. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Italy, Frisian with men, women and children, verso - stamped, Frisian with several men, women and children. At left a woman carries a child over her shoulder, while riding in a chariot drawn by winged serpents., print, prent, prints, prenten, height 72 mm, width 278 mm, print maker, prentmaker, 1500 - 1599, paper, papier, engraving, engraving (printing process)

Aurora in her chariot Italian 19th century

RVD / Royal House photo collection. Palace on Dam Square, Amsterdam. Interior shot. 1976. Amsterdam, Noord-Holland

Triumph of Constantine. unknown c. 1690 Tapestry Dimensions: H 7'5" x W 11'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Miss Blanche Thebom, received 12/18/1961; sold to Charles Sternberg 8/28/1966. On chariot drawn by horses mounted by 2 men & playing the trumpet, crowned Constantine sits with scepter; Constantine waves at woman kneeling on road, next to child with dog in foreground(L); 2 bearded men with laurel leaves in their hair, one pointing at Constantine (L); classical buildings in background Borders missing; fragment. French & Co. stock sheet in archive, G-277-x

Psyche, worshipped as goddess, incurs Venus's (Aphrodite) anger. Raphael (Italian, 1483-1520) (designed after, school) painter Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (author of design, attr.) painter c. 1640 Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. Worshippers (L), including 2 putti carying urn & woman carrying burning censer, approach Psyche (R); 2 attendants stand behind Psyche; monumental columns on base & portico behind Psyche, circular domed building behind worshippers; Venus & Cupid in sky (L) (UPR BRD) centered by caroutche with 4 putti in roundelay dance, flanked by reclining nude male (L) & female (R) figures, & festoons with fruit & bucrania draped with string of beads terminating in tasseled cartouches; (LWR BRD) centered by cartouche with mask head, pair of rams heads & basket weave base, flanked by putti & cornucopias filled with fruit; (L & R BRD) centered by framew

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church3. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago88. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco49. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pisitazione d'Maria a L. Elisabetta. Tagliapietra Chiesa L. Giovanni e Paolo. Venezia.. Carlo Naya (Italian, 1816 - 1882)

Orpheus and Eurydice / Roof of Europe; Paintings in Palazzo Farnese in Rome; Galeria Nel Palazzo Farnese in Roma. On the left a medallion with a representation of orpheus that overlooks Eurydice. Around the medallion sculptures of naked figures, putti and a mask. On the right a medallion with a representation of Europe that is abducted by Jupiter in the form of a bull. Around the medallion sculptures of naked figures, putti and a mask.

Umbria Perugia Spoleto S. Maria della Manna d'Oro5. Hutzel, Max 1960-1990 Exterior views of the octagonal church now used as a baptistery. Interior views of oil paintings by Conca (1735), the tomb statue of Bishop Bernardino Lauri, and the massive octangonal baptismal font (15th century), decorated with bas-reliefs depicting scenes from the Nativity to the Marriage at Cana. Object Notes: Hutzel photo campaign date: 1/31/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Paolo10. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago3. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Anzio Villa Spigarelli0. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Giovanni de 'Medici Florence gaat binnen; John was the agent of the hairs are here and all the cibves to pay their respects, inherited from her father's house: and of them he was addressed in the 18, one year after which he was before, was driven out; Scenes shipped het leven van Paus Leo X.Giovanni De Medici goes inside with his army Florence and is welcomed by a group of Florentines. On the right a landscape of river god. In undermarge title. Numbered in the middle of 11.

Umbria Perugia Spello S. Lorenzo1. Hutzel, Max 1960-1990 S. Lorenzo (1120) stands on the site of the former S. Ercolano. Exterior views of the portal (13th century) and facade (remodelled in 1540). Interior views focus on the painting and sculpture (15th-18th centuries): marble intarsia baptismal font (1607); main altar baldachin (an imitation of the one in St. Peter's, Rome); wood intarsia choirstalls; wooden wardrobe and chest in the Sacristy with the intarsiaed figured of Moses, Noah and Zaccariah; wooden pulpit with bas-reliefs of the Martyrdom of S. Lorenzo; frescoes in the neoclassical Cappella dell'Incoronata; marble tabernacle in the Cappella del Sacramento; baroque altar of St. Catherine; frescoes of the Madonna and Child (by Gozzoli), S. Lorenzo, and S. Bernardino da Siena; altar painting of the Glorification of Souls in Purgatory; gilt statue of S. Nicola; and various other paintings, frescoes and statues. Antiquities: Roman spolia: funerary inscriptions and plutei around th

Roman triumph. unknown c. 1630-1650 Tapestry Dimensions: H 13'2" x W 21' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Procession with man wearing laurel wreath, mounted on horseback, trumpeters & soldiers, soldier carries banner with inscription (L BRD) female statue-column adorned with flowers & fruit; (UPR & LWR BRD) garlands of flowers tied with ribbons, empty cartouches in center Right border missing. No French & Co. stock sheet in archive, no stock number

Lazio Roma Grottaferrata Museo47. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jozef for Pharaoh, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print The pharaoh is sitting on a throne and looks at Joseph who is kneeling in front of him. Left and right groups of men watching. Title and reference to Bible text in Submarga. print maker: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving story of Joseph (part I)

Lazio Viterbo Caprarola Palazzo Farnese075. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Carl Gustav Jacob Madjera created a musical work rendered in coal medium, focusing on composition and musical expression.

Umbria Terni Amelia Palazzo Comunale08. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this pro

Calling of Moses: burning bush. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 417 x W 495 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/1. Inscriptions: Unidentified weaver mark on right guard, top Inscriptions: Inscription in upper border cartouche: APPARVIT DOMINVS MOYSI.. In landscape, Moses, kneeling before bush, as miracle of rod changing into snake is performed; God standing on other side of tree (=bush); in R middle ground Moses taking off his sandals; in R background, while tending Jethro's flock, Moses comes to Horeb (Exodus 3-4) (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & vases terminating in figures Photographs in Photo Study C

Lazio Roma Rome S. Paolo36. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Emilia-Romagna Ferrara Ferrara Museo del Duomo. Hutzel, Max 1960-1990 Medieval: 12th and 13th century sculpture, including carved sarcophagus, equestrian statue (possibly representing Guglielmo III degli Adelardi, and images of saints German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Poseidon and Amphitrites Wedding M.Tritones, Nereider, Erotes and Havuhyres, Domitius Altred

Lazio Roma Rome S. Paolo26. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pergamon Altar. Yadegar Asisi (born 1955). Artistic attempt to restore the North Frieze using the part of the frieze not shown in the panorama in order to complete the figures and scenes. A winged goddess nailed a spear in the chest of his opponent, probably Hemera, and an armored God fight with a giant with armor and spear, probably Eter. Pergamon Museum. Berlin. Germany.

Fete de Bacchus a frieze by Navlet; French; about 1890; Albumen silver print

Drawing, Project for a Ceiling Frieze; Italy; pen and brown ink, brush and brown wash, white heightening on off-white laid paper

Panel second half 15th century Northern Italian This panel depicting the Crucifixion was originally the top of a casket or box made in northern Italy in the second half of the fifteenth century. The composition appears to have been copied from a lost wall painting by Altichiero (active ca. 1369-ca. 1384) or his school in Padua or Verona. It is one of very few examples where a large religious composition has been copied onto the lid of a casket. The technique of pen on wood with a cut-away, punched background was continued well into the sixteenth century on a variety of boxes and cassoni that have been attributed to workshops in the Adige Valley (notable examples in the Museo d'Arte Antica, Milan, and the Victoria and Albert Museum, London).. Panel 206869

Bacchanaal met dronken Bacchus en saters en maenaden.Bacchanaal with drunken Bacchus supported by bacchants and served by MaenEaden. Female and male Saters participate in the party.

Eagle and a woman, 1640 print A Frisian with a Saterkop in the middle, on the left an eagle behind a fruit guilland and on the right a woman with the horn of abundance. On the right half a rectangular panel. London paper etching satyr(s) (in general). predatory birds: eagle. sitting figure - AA - female human figure. 'Cornucopia', Horn of Plenty

Plaque. A rectangular plaque featuring a scene of a Bacchanalian sacrifice in relief. Several figures stand near a fire, one plays a pipe and one holds a goat as two others place offerings into the fire.. (Recto, mount) upper right, printed in black ink: "PLATE CLXII." Lower center, printed in black ink: "WEDGWOOD. / 312. LARGE BLUE JASPER PLAQUE. BACCHANALIAN SACRIFICE, / Mr. John J. Bagshawe. italicized"

Lazio Viterbo Gradoli Palazzo Farnese9. Hutzel, Max 1960-1990 Exterior views of the palazzo and surrounding area. Extensive photo coverage of the restored interior and its poorly preserved frescoes. Details of wall frescoes, including a mythological frieze and an ornamental frieze. An extensively decorated wooden, coffered ceiling. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia51. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fight between Greeks and Trojans during Trojan War; Krichen Droioner ..

Lazio Roma Rome Palazzo Corsetti1. Hutzel, Max 1960-1990 Views of 17th c. simple facade and courtyard withdetail views of mounted architectural and sculptural fragments. Interior views of coffers, painting, fresco painting, silver icon. Antiquities: Sculptural fragments General Notes: Views 111-152 are extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anderson, Domenico, 2362 - ROMA, Relief Priam before Achilles in the Tomba degli Anicii, Via Latina, Rome, photograph, photo, photos, Bottom right: Anderson, 2362 - ROMA - Priamo innanzi ad Achille - Tomba degli Anicii - Via Latina - Anderson, height mm, width mm, Italian, 1854 - 1939, photographer, 1890 - 1925, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, photographic paper, photo paper, cardboard, gelatin silver print, developing gelatin silver print

Lazio Roma Rome S. Paolo01. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for ceiling decoration. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Fireplace, time Louis XIV, Hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, chimney plate, Louis XIV period, 10 rue Aubriot, Paris (IVEM ARR.). Anonymous photography. Draw on albuminum, 1890.

Umbria Terni Amelia Palazzo Petrignani0. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stove panel 16th century Workshop of Vest. Stove panel. Southern German. 16th century. Lead-glazed earthenware. Ceramics-Pottery

Abruzzo L'Aquila L'Aquila Madonna del Soccorso3. Hutzel, Max 1960-1990 Views of exterior, cloister, and extensive coverage of interior. Objects from church stored in the Museo Nazionale are catalogued under that location. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of a tablecloth of Linnendamast with a performance: History of Susanna; Edge with musicians and women. On panel.

Marches Macerata Camerino Museo Diocesano4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria degli Angeli25. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Last. Knight, Death and Devil Last. The knight, death and the devil. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz.

Master AD, French (active c. 1600), Les divers pourtraicts et figures XIII, c. 1600, engraving

Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne. Artist: John Flaxman (British, York 1755-1826 London). Dimensions: 9-13/16 x 25-3/8 in. (24.9 x 64.4 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Contest between Spartans and centaurs ? , Antiquities, Centaurs, Campaigns & battles. Nicholas Catsimpoolas Collection

'Two Friezes'. France. Dimensions: 9,2x37,6 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Marches Macerata Aliforni Parish church. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Frascati Villa Mondragone20. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche19. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Attributed to Martial Ydeux. "Plaque - Neptune soothing the storm or quos ego", mid -16th century. Metal, enameled copper, paint in greyness on a black background, modern golden brass frame. Museum of Fine Arts of the City of Paris, Petit Palais. Salle, Copper emaille, Roman divinity, Dore, painted email, black, greyness, modern, modern, metal frame, mythological character, quos ego, renaissance, tempest, mythology, plaque

Copper engraving by Marcantonio Raimondi depicting a bacchanal scene, created around 1510-1515.

Bacchanal with drunk Bacchus and Saters and Maenaden, Marcantonio Raimondi, After Anonymous, 1510 - 1527 print Bacchanal with drunk Bacchus supported by bacchants and operated by Maeneaden. Female and male saters participate in the party. paper engraving bacchanal: Bacchus with his wine-flushed train (thiasos)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)0. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Main picture of the Ficoronian Cist, the largest, most perfect and also the only signed example among the younger Praenestine Cists, digitally restore...

Last. Melancholy Last. Melancholy. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz.

Fronton of the Pavillon Richelieu in the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 1. Paris paper. photographic support salted paper print permanent exhibition, museum. façade (of house or building). other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Bacchanal with a Wine Vat, 1470-1480, by Andrea Mantegna (1431-1506). Engraving and drypoint, 29.7x43.7 cm.

Marc-Antoine Raimondi. The carcass Marc-Antoine Raimondi (1480 - around 1534). The carcass. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

Napoli - Museo Nazionale. Ercole e Onfale. (Borgia.) , Antiquities, Bas-reliefs, Queens, Heroes, Omphale Greek mythology, Hercules Roman mythological character, Heracles Greek mythological character. Nicholas Catsimpoolas Collection

The sale of Hercules to Omphale, Queen of Lydia. Hercules, in Nemean lion-skin and holding club, touches Omphales knee at right. The winged genius represents Hercules victim Iphitus. A Lydian woman with short hair sits at Omphales feet, and a servant holds a fan symbolizing Venus. Copperplate engraving by Thomas Kirk (1765-1797) from Sir William Hamiltons Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases of the Late Sir Hamilton, T. MLean, London, 1834.

The introduction of Hercules and the Dioscuri, Castor and Pollux, in Eleusinian mysteries. still image. Prints. 1844 - 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Serpents , Mythology, Ceres (Roman deity), Hercules (Roman mythology), Persephone (Greek deity), Diana (Roman deity), Hairstyles , Greece , To 499, Torches , To 499, Triptolemus (Greek mythology), Greeks , Clothing & dress , To 499, Dioscuri (Greek mythology), Eleusinian mysteries, Hecate (Greek deity)

st, Michaelerplatz - small Michaelerhaus - Michaeler passage - Ölbergrelief, Josef Wlha -, photographer

Design by Jean le Pautre; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 16.5 x 23.8 cm (6 1,2 x 9 3,8 in.)

Diptych. Culture: French. Dimensions: Open: 7 × 5 in. (17.8 × 12.7 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

The story of Cupid and Psyche: Venus consulting Juno and Ceres. Engraving by N. Dorigny after Raphael.

Constantine destroying the idols. Pietro da Cortona (Italian, 1596-1669) (author of design) painter Riviera, Giacomo della (Italian, act. ca.1625-d.1639) (workshop) weaver 1637 Tapestry Dimensions: H 16'4.5" x W 12'2.76" Tapestry Materials/Techniques: linen (warp: 18/in.); wool, silk & metallic thread (silver & gold) Culture: Italian Weaving Center: , LazioRome Ownership History: Barberini coll. (Rome). Charles Mather Ffoulke (Washington, D.C.) 1889. French & Co. purchased from Parke-Bernet Galleries (Ffoulke slae 979), received 6/8/1948; sold to Kress Foundation 6/10/1956. United States, Pennsylvania, Philadelphia, Philadelphia Museum of Art, accno. 59.78.8. Inscriptions: Woven monogram on lower guard, right: IAC.D.L.RIV. Constantine (L) directing the removal of pagan statue which lies broken on floor; behind emperor 2 bearded men & young man carrying large cross; on R 2 bearded men place statue of Christ on pedestal; in background fluted columns, hanging lamps & archway to L (BRD) in

After Peter Paul Rubens, Lion Hunt, 1590-1914, oil on panel.

Paris, Errard, Charles II, Vignettes, Frieze with two putti drawing a portrait bust, Vignette., print, ornamental print, prints, ornamental prints, height 55 mm, width 173 mm, Work conception, 1607 - 1689-05-25, after a design by, 1616 - 1689, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Lazio Roma Rome Palazzo Corsetti6. Hutzel, Max 1960-1990 Views of 17th c. simple facade and courtyard withdetail views of mounted architectural and sculptural fragments. Interior views of coffers, painting, fresco painting, silver icon. Antiquities: Sculptural fragments General Notes: Views 111-152 are extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

British Museum, Column was the temple of Ephesus, vintage engraved illustration. Magasin Pittoresque 1878.

Martyrium des heiligen Petrus von Verona, Relief auf Fassade der Santasia Kirche in Verona, Italien

Athena receiving Erechthonius , Antiquities, Sculpture, Goddesses, Kings, Erichthonius Greek mythology, Athena Greek deity. Nicholas Catsimpoolas Collection

People attacked by Death, Anonymous, Hans Schäufelein (Possible), 1490 - 1538 print paper the ages of man

Lenos sarcophagus with representation of the Dionysiac procession , Antiquities, Bas-reliefs, Sarcophagi. Nicholas Catsimpoolas Collection

The youthful Bacchus carried by two companions. Artist: Style of Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). Culture: French. Dimensions: Overall: 30 3/4 × 30 3/4 in. (78.1 × 78.1 cm). Date: 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Sebald Beham (German, 1500 - 1550), Combat of Greeks and Trojans, engraving

Pan et Selene Spitzer, Frédéric, 1815-1890. still image. 1890 - 1893. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Terra-cotta sculpture, Classical, Satyrs (Greek mythology), Goddesses , Greek, Pan (Greek deity), Gods , Greek, Selene (Greek deity), Bas-reliefs

Two Groups of Three Putti 1535 or 1536 Anonymous, French, School of Fontainebleau, 16th century French. Two Groups of Three Putti. Anonymous, French, School of Fontainebleau, 16th century. 1535 or 1536. Engraving. Prints

Sebald Beham, Triumphal Procession Triumphal Procession

Part of Parnassus Frisian at the foot of the Albert Memorial in London: Painters; Painters. Part of travel album European cities, presumably Swedish.

Image of a brake shoe (brake lock) of the N.S.

Game park with rhinoceros and elephant facing off, camel, and stag hunt in middle ground. unknown c. 1575-1625 Tapestry Dimensions: H 11'4" x W 17'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Enghien Ownership History: French & Co. received from E. Rothschild, 3/31/1921; returned 4/27/1922. Inscriptions: City mark on lower guard, right

Marble Column raised be Arcadius, at Constantinople, in honor of his Father, Theodosis the Great, Illustration from John Cassell's Illustrated History of England, Vol. I from the earliest period to the reign of Edward the Fourth, Cassell, Petter and Galpi

Studies of a sitting naked man and two women, Halves Lijve, Cornelis Cornelisz. van Haarlem, After Anonymous, 1620 - 1625 drawing paper. oil paint (paint) sitting figure. sitting figure - AA - female human figure

Nuremberg, Solis, Virgil, Allegories of the Seasons, Triumphal Procession of Spring, verso - handwritten in brown ink, Numbered top right: 1., print, prints, verso - stamped, 22, height 53 mm, width 245 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

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