Religious and Historical Engravings

A collection of copper engravings and etchings featuring allegorical themes, biblical scenes, and classical motifs, showcasing intricate details and historical significance.

Copper engraving by Hendrick Snyers from 1648 depicting an allegorical proclamation of the gospel, showing figures, symbolic elements, and religious motifs.

Copper engraving by Hendrick Snyers from 1648 depicting an allegorical proclamation of the gospel, showing figures, symbolic elements, and religious motifs.

Etching by Franciscus van den Wyngaerde showing the biblical figure Samson striking a lion, created between 1630 and 1679.

Copper engraving and etching by Nicolas Ponce from 1781 depicting a book illustration with detailed figures, ornamentation, and text elements.

Copper engraving and etching by Robert De Launay from 1786 depicting a scene from the Iliad with Greek warriors and classical settings.

Etching by Wenzel Hollar from 1627-1677 depicting a title leaf with allegorical figures and symbolic elements.

Copper engraving by Theodor Matham depicting Amarillis playing the violin, produced around 1627, illustrating a musical performance scene.

Copper engraving and etching by Jean Baptiste Patas, created 1784-1786, depicting a book illustration from Tassos 'The Freed Jerusalem', showing detailed figures, architecture, and narrative composition.

Copper engraving and etching by Auguste de Saint Aubin depicting a headset. Created between 1755 and 1807, this artwork demonstrates 18th-century French engraving craftsmanship and detailed representation of objects.

A lithograph by Ferdinand Piloty the Elder from 1806-1844 depicting Susanna in the bath, showing figures, water, and interior architectural details.

Copper engraving print by Pierre Daret serving as the title page for Tertulliani Alphabeticum Rationale Tripartite, featuring text, decorative motifs, and framing elements, dated 1633-1668.

Ange Laurent de Lalive de Jully's etching (1740-1779) depicts earth, showing landscape, allegorical figures, and symbolic representation of the element.

Copper engraving and etching by Philipp Galle from 1550-1612 depicting the personification of the four seasons, showing figures, symbols, gestures, and seasonal activities.

Etching and copper engraving by Joseph Théodore Richomme from 1816 depicting the mythological island of Venus with classical figures in a natural setting.

Etching by Odoardo Fialetti from 1608 showing a title page illustrating methods for preparing and displaying human body parts and limbs for study.

Copper title page engraving by Jan Collaert the Younger depicting the Passion, death, and resurrection of Jesus, created between 1584 and 1587.

Etching by Jacques Gabriel Huquier produced between 1745 and 1805 depicting a woman with a child in front of a stone arch set in a landscape, executed in 18th-century European style.

Copper engraving and etching by Auguste de Saint Aubin, created 1784-1786, depicting a book illustration from Tassos 'The Freed Jerusalem', showing figures, architectural elements, and narrative composition.

Etched frontispiece by Johann Theodor de Bry, created in 1595, featuring ornamental framing and introductory design for a publication.

Etching by Jacques Callot around 1625 illustrating research on the holy antiquities of the Vosges, showing figures, artifacts, and architectural elements.

A vase depicted in an etching by Jean Le Pautre from 1625-1682, featuring detailed ornamental designs and classical motifs in symmetrical composition.

Aquatint attributed to an unknown engraver depicting Heracles and the Nemean Lion, created between 1750 and 1820, illustrating the mythological combat scene with figures.

Copper engraving and etching portrait of Charles II, King of England, by Pierre Drevet, created between 1680 and 1738.

Etching by Domenico Peruzzini from 1620-1673 depicting a crossing and the Holy Family accompanied by saints, including gestures, postures, and landscape elements.

Etching by Giovanni Luigi Valesio depicting a cardinal's coat of arms featuring eagles, executed between 1594 and 1650.

Copper engraving and etching by Jean-Baptiste Tilliard created between 1784 and 1786 depicting a scene from Tasso's The Freed Jerusalem, showing figures, architecture, and landscape for a book illustration.

Copper engraving and etching by Charles-Emmanuel Patas depicting figures in a scene illustrating fulfilled desires and human emotion.

Copper engraving and etching by Nicolas Ponce from 1784 created as a book illustration.

Copper engraving by Gerard Edelinck depicting Ferdinand von Fürstenberg, Bishop of Münster and Paderborn, created in 1683.

Copper engraving by Jacob de Gheyn II depicting the robber to the right of Christ and Paul, produced around 1595.

Etching by an unknown monogrammist depicting St. Matthew the Evangelist, created in the 17th century, illustrating the saint with traditional attributes in Baroque style.

Copper engraving by Philipp Galle depicting the three Parzen (Fates) from classical mythology, created between 1550 and 1612.

Copper engraving by Orazio de Santis depicting David holding the head of Goliath, created in 1573, illustrating the biblical story from the Old Testament.

A copper engraving by Jacob Matham created in 1592 titled The Return, depicting figures arriving or coming back, executed with detailed line work typical of late 16th-century engraving.

Etching by Salomon Savery depicting a man urinating, created between 1625 and 1683.

Pieter Maes created a copper engraving in 1577 depicting a cook and his wife in a domestic scene, showing figures in interior settings with period clothing.

Etching by Heinrich Friedrich Füger depicting a group of human figures, showing gestures, posture, and classical clothing, created between 1770 and 1900.

Etching by Joachim Jan Oortman, around 1817, depicting Vasco da Gama with the king of Malindi, showing figures, posture, and interaction in historical context.

Copper engraving and etching by Pieter de Jode II depicting John the Baptist, created between 1628 and 1670.

Woodcut by Hans Cranach depicting King Christian of Denmark, showing the monarch in regal attire with symbolic elements, created in 1523.

Copper engraving by Hendrick Goltzius showing Venus with Amor, created in 1630, illustrating classical mythological figures from Roman mythology.

Etching by Domenico Peruzzini from 1661 depicting the Holy Family including Mary, Joseph, and the infant Jesus in a domestic setting.

Copper engraving and etching by Jean-Charles Nicaise Perrin illustrating 18th-century depictions from the works of Montesquieu with figures and architectural details.

Lithograph by Victor Ratier from 1830 depicting artists seated at a table outdoors, showing figures, environment, and objects.

Etching by Andrea Meldolla showing Christ healing the sick, created between 1515 and 1563.

Etching by an unidentified monogrammist from 1547 depicting a man with a lyra seated on a stone bust, showing detailed composition and 16th-century etching technique.

Copper engraving and etching by Géraud Vidal depicting the King of Ethiopia exercising authority, created between 1760 and 1801.

Etching by Jean Dambrun, created between 1760 and 1814, depicting the judgment of Paris from classical mythology, accompanied by textual elements.

Copper engraving and etching by Georg Pencz depicting scenes from the Old Testament and the life of Jesus, created in the first half of the 16th century.

Copper engraving and etching by Sebald Beham from the early 16th century depicting various scenes, showing figures, settings, and narrative composition.

Etching by Andrea Meldolla depicting various scenes within a decorative framework, created between 1515 and 1563.

Copper engraving by Guillaume Vallet depicting a portrait of the Italian sculptor Alessandro Algardi, emphasizing facial features, attire, and classical artistic style.

Copper engraving by Johann Sadeler d. Ä. depicting a dispute over the sacrament, created between 1570 and 1600. The artwork shows religious figures, gestures, and a detailed composition.

Copper engraving by Theodor de Bry from 1593 showing a title cartridge with multiple allegorical figures and decorative elements.

Copper engraving and etching by Hans Holbein the Younger from 1642 depicting Solomon and the Queen of Sheba, highlighting figures, interaction, and architectural setting.

Duplicate entry: Copper engraving and etching by Jacob Houbraken illustrating artist portraits from Jacob Campo Weyerman's book on Dutch painters, created 1729-1780

An etching by Virgil Solis the Elder from 1557 depicting August of Saxony, showing the figure, clothing, and symbolic attributes of the ruler.

Etching after 1822 by Joseph Fischer showing French color engravings, with detailed figures, decorative elements, and compositional layout.

Jean-Baptiste Tilliard created a copper engraving and etching in 1763 depicting the restoration of peace in Europe, illustrating 18th-century European political and historical events.

Copper engraving by Christoffel van Sichem I depicting a portrait of Adam Pastor, created between 1560 and 1624.

Etching by Nicolaas van Haeften from 1743-1797 depicts a couple seen through a window, emphasizing figures, interior elements, and period attire.

Copper engraving by Willem Jacobsz. Delff depicting Maria Strick, created in 1618.

Woodcut by Lucas Cranach the Elder depicting polemical book graphics, showing figures, text, and symbolic elements, created between the late 15th and mid-16th century.

Etching by Raffaello Schiaminossi depicting Joseph and Potiphars wife, created between 1555 and 1622, showing the biblical story with detailed figures and interior setting.

Etching by Jan Gerard Waldorp depicting the biblical scene where Joseph interprets the dreams of two prisoners, produced in 1765.

Copper engraving print by Thomas De Leu illustrating the Sibyls, created between 1601 and 1612, representing 17th-century French classical and religious engraving.

Copper engraving by Bartolomeus Willemsz Dolendo from 1580-1629 depicting a scene with people and candles, showing figures, gestures, and interior setting.

Etching by Johannes Groensveld depicting a rustic interior scene with two farmers, created between 1675 and 1728.

Jean Baptiste Wicars engraving and etching, around 1800, shows a series of classical cameo images rendered with precision and typical of early neoclassical printmaking.

Etching by Benoist from the 18th century depicting Pierre Paul Rubens, showing portrait, facial features, hair, and composition.

This etching by Franz Edmund Weirotter, produced between 1766 and 1771, depicts a title leaf featuring a stone slab in a landscape, emphasizing natural terrain and the engraved stone.

'Genoveva of Paris' is a copper engraving and etching by Jean Mariette (1680-1742) depicting the story of Genoveva with detailed figures and composition.

Copper engraving by Jan Pietersz. Saenredam created in 1597 depicting a fall, showing human figures in motion, architectural elements, and detailed composition.

An etching by Johann Adam Klein depicting a Spanish pilgrim on horseback, created between 1807 and 1875, showing equestrian attire and posture.

The 1773 etching by Bernhard Rode illustrates various representations, depicting figures, animals, and scenes with detailed composition and artistic technique.

Etching by Richard van Orley showing mythological scenes, executed between 1663 and 1732.

Print

An etching by Johann Adam von Bartsch from 1783 depicting the Holy Family with Elisabeth, showing detailed figures, gestures, facial expressions, and clothing.

Etching by Comte Anne Claude Philippe de Caylus from 1731 depicting the decorative top of a harpsichord, showing ornamental and compositional details.

Bliżej Kultury unknown

This copper engraving by Johann Sadeler d. Ä. portrays scenes from Germania during the 17th century. The print reflects Sadeler's expertise in capturing historical subjects with precision and detail.

Copper engraving by Hans Collaert the Elder depicting the four evangelists, created between 1579 and 1585.

An etching by Wenzel Hollar from 1645 depicting a coat of arms with figures of Hercules and Minerva incorporated into the design.

Copper engraving by Cornelis Cort depicting the flight into Egypt, created in 1571. The artwork shows Mary, Joseph, and infant Jesus traveling with detailed landscape and figures.

Copper engraving by Marten de Vos depicting the Adoration of the Shepherds, produced from mid-16th to mid-17th century.

Print, Diane; Designed by Claude Gillot (French, 1673 - 1722); Published by Gabriel Huquier (French, 1695-1772); France; etching and engraving on laid paper

Copper engraving by Hendrick Goltzius around 1600 depicting an allegory on transience, illustrating figures, symbols, and elements representing the impermanence of life.

Etching showing a group of peasants being discharged or leaving, capturing gestures, clothing, and 17th-century rural Dutch social interactions.

Copper engraving by Edmond Charpy depicting angels with passion tools as emblems, created between 1586 and 1615.

Etching by Balthasar Jenichen between 1563 and 1621 depicting a messenger, personifications of virtues, and predatory wolves.

Copper engraving and etching by Benoit Audran from 1698 depicting the biblical story of Samson, showing figures, gestures, action, and detailed composition.

Etching by Christian Forssell depicting Vasco da Gama, created around 1817. The artwork illustrates the Portuguese explorer known for his voyages to India, emphasizing historical and maritime context.

Copper engraving and etching by Nicolas Lastmann depicting an Italian landscape at sunset, produced between 1605 and 1625, showing natural scenery and architectural elements.

Copper engraving and etching by Isaak Major depicting Janus on a globe, supported by allegorical figures Justitia and Religio, created between 1615 and 1642.

This copper engraving and etching by Charles Etienne Gaucher, 1774, depicts Georges-Louis Leclerc, count of Buffon, emphasizing facial features, posture, and attire in European 18th-century portraiture.

Sitting woman with a child on shot; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 58. The print is part of an album.

A colored woodcut by Erhard Schön after 1491 depicting a seven-part altar panel including the Man of Sorrows, with religious iconography.

A 1709 copper engraving and etching by Bernard Picart depicting a relief known as the 'Michelangelo seal' with a bacchanalian scene of classical figures.

Profeet Jeremia, Adam Sculptors, After Michelangelo, c. 1585 The prophet Jeremiah sitting. Left and right of the prophet are small figures. One of the prophets of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 32. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The prophet Jeremiah sitting. Left and right of the prophet are small figures. One of the prophets of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 32. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Copper engraving by an anonymous artist depicting the seven classical planets with symbolic figures, astronomical attributes, and planetary arrangement, produced between 1597 and 1635.

Joseph Fischer created an etching after 1822 depicting Burgundian artists including L. de la Hyre, Zach. Heince, Fr. Bignon, L. Testelin, J. Courtois, and Nic. Loir with detailed portrait and compositional elements.

of 3