Religious and Historical Etchings

A range of etchings focused on biblical and historical themes, often featuring dramatic compositions and deep narrative elements.

Arts and Sciences expressed honor to Karel Theodoor, Duke van Bavaria, 1779 print Personifications of the arts are classified by Minerva, who holds the image of Fratrel's Benefener, Elector Carl Theodor van de Palts (1724-1799). They are accompanied by Putti who are busy with the attributes of the arts, with the symbols of the rule (bottom right) and with laurel wreaths. paper. ink etching / pen 'Liberal arts' versus 'vulgar arts'. Minerva As PatronS. Persons Historical

Arts and Sciences expressed honor to Karel Theodoor, Duke van Bavaria, 1779 print Personifications of the arts are classified by Minerva, who holds the image of Fratrel's Benefener, Elector Carl Theodor van de Palts (1724-1799). They are accompanied by Putti who are busy with the attributes of the arts, with the symbols of the rule (bottom right) and with laurel wreaths. paper. ink etching / pen 'Liberal arts' versus 'vulgar arts'. Minerva As PatronS. Persons Historical

Etching by Johann Gottlieb Prestel depicting Christ in a spring landscape. Created around 1775, illustrating religious themes in a natural setting.

RINALDO VOLDAAT ARMIDA, Francois Joullain, After Charles AntOBEL, 1737 - 1741 print print maker: Francepublisher: Paris paper etching / engraving Armida. Rinalo

Judit with the head of Holofernes, Gérard Audran, After Domenichino, 1650 - 1703 print print maker: RomeFrance paper etching / engraving Judith shows Holofernes' head to the people San Silvestro in Capite

Visitation, Claude Duflos, After Carlo Maratta, 1675 - 1727 print France paper engraving Mary's stay in the house of Elisabeth ~ Visitation. ass, donkey. other birds: dove

Three graces sitting in the foreground, with three more dancing graces in the background, Richard de Saint-Non, After Jean Honoré Fragonard, After Ludovico Carracci, 1772 print paper etching Graces (Charites), generally three in number; 'Gratie' (Ripa)

Elias fed by the Raven, Nicolas Pigné, After Bernard Picart, 1728 print paper etching / engraving Elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Copper engraving by Bernardino Passeri depicting the Holy Family with John the Child, produced in 1583.

Visiting the Imprisoned ca.1737-42 François Hutin This print is from a series depicting The Seven Mercies made by François Hutin presumably during his stay in Rome, from 1737 to 1742. His facility with the etching needle is evident in the expressive forms of the figures and the mastery of light effects. After his death, his son would claim them as his own work, altering the first initial in the signature from "F" to "C" when he published a collection of his etchings in Dresden in 1763.. Visiting the Imprisoned. François Hutin (French, 1686-1758). ca.1737-42. Etching. Prints

Kleine Arlequin is stripped of lice, Anonymous, After Gerardus Josephus Xavery, 1720 - 1728 print Arlequin listens the little Arlequin who has to cry. Colombine tells Arlequin that he should stop lice. Amsterdam paper etching / engraving 'motherly care', delousing. removing insects from body. types in 'commedia dell'arte': Harlequin

Allegory with Apollo, Muses and Artists in Amphitheater, Abraham Delfos, After Romeyn de Hooghe, 1764 print Allegory with Apollo and his muses sitting among artists in amphitheater where a performance is going on. paper etching Apollo and the Muses, Apollo Musagetes. the artist and his muse (in general)

Copper engraving by Federico Zuccari depicting the creation of Eve, created in the mid-16th to mid-17th century, illustrating the biblical narrative of Adam and Eve.

Meeting of David and Abigaïl, Reinier Vinkeles (I), After Jacobus Buys, 1797 print When a stingy farmer refuses to help David and his men, they threaten to punish him. Abigaïl, the farmer's wife, kneels for David and offers him and his soldiers eat and drink. With that she was satisfied with David. Amsterdam paper etching / engraving meeting of David and Abigail, who kneels before him

Allegory with Apollo, Muses and artists in amphitheater. Allegory with Apollo and his muses are seated between artists in amphitheater where a show is going on.

Mozes and Aaron at Pharaoh, Cornelis Huyberts, after Gerard Hoet (I), 1720 - 1728 print Moses and Aaron on the left in the foreground, seen one of them on their backs. Pharaoh is sitting on his throne under a canopy. The Staff of Aaron and the bars of Pharaoh's wizards have changed to dragons or snakes and the Staff of Aaron devours that from the wizards. At the back left a gate, including a crowd. Under a reference to ex. 7: 10-12 and the title of the print in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper engraving / etching all the magicians summoned by the king turn their rods into snakes, but Aaron's rod swallows them

David with Harp and other musicians, Gérard Audran, After Domenichino, 1650 - 1703 print France paper etching / engraving David as musician, usually playing the harp San Silvestro in Capite

Portret van Kardinal Giulio Alberoni, Anonymous, 1720 print Portrait of Cardinal Giulio Alberoni in an oval frame with edge script. A number of allegorical objects and figures around it. The mocking of this portrait refers to the fall and exile of the Cardinal from Spain in December 1719. In the background Mercury sat on a huge pile of paper. paper engraving / etching

The lost son receives his inheritance, Theodoor van Thulden, 1687 - 1749 print The lost son receives his part of the inheritance from his father. Bystanders in the departure watch. Paris paper etching / engraving the prodigal son asks for his inheritance; his father gives him (a bag of) money

Joab kills Abner and the death of UZA, Jacob Folkema, 1791 print Two Biblical performances from 2 Sam. 2 and 6. Joab kills Abner, and the death of UZA. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 56. publisher: Amsterdampublisher: Dordrecht paper etching when the oxen stumble before the cart with the ark, Uzzah tries to support the ark and falls down dead. Abner, fetched by Joab's messengers, is taken aside by Joab in the gate of Hebron, and is killed by him with a sword

Etching by Bernard Baron from 1724 depicting the mythological scene of Achilles defeating Hector, showing detailed figures, armor, and battle composition.

Telemachus and Odysseus reunited on Ithaka. Telemachus, kneeling on the ground, and Odysseus, seated on a stool, embracing each other. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. III.

Portrait of B. Bonfilius

Abdomen from Karel V, 1555, 1820 print Train distance by Keizer Karel V, October 25, 1555. Charles V distances himself from the throne, standing with an arm leaned on the shoulder of Willem van Oranje, Kneelt Filips for him. Netherlands paper etching voluntary abdication (of a ruler)

Judith shows the head of Holofernes to the people, Jakob Frey (I), After Domenichino, 1718 - 1719 print With caption in Latin. Rome paper engraving Judith shows Holofernes' head to the people

Allegorische Voorstelling puts Bust Van Peter Paul Rubens, Jean Antoine Pierron, After Charles de Lafosse, 1792 - 1794 print Around the bust of painter Peter Paul Rubens stand on a pedestal and are allegorical women's figures, including a whistling woman, a woman with a chicory of a column, a woman with four breasts, a woman with a painting palette and a woman with an armillarium. With them is a putto with bust and measuring instruments. At the top, an angel with caduceus and flame flies on the head that Lauwert's bust. A French text in the end margin. paper engraving portrait of a writer

Death of the Count of Hoogstraten, 1568 I led Hoogstraten's Count to flood the flood (title on object) Scenes from the life of Prince William I, 1568-1584 (series title), On 11 December 1568 Anthony van Lalaing, Count of Hoogstraten, dies among soldiers, while his hand is held by Prince William I. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration for the third song, dying, Anthonis van Lalaing (Count of Hoogstraten), William I (Prince of Orange) ), Theodoor Koning (mentioned on object), Amsterdam, 1779, paper, etching, h 275 mm × w 220 mm

Wedijver between Fortuin and De Liefde, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print Competition between Fortuin and Love, in the form of Amor. Love shows Semnon the beautiful woman Serine, who Semnon falls in love with. Amsterdam paper etching (story of) Cupid, Amor (Eros). Fortune and Misfortune. couple of lovers

Memorial for Willem III, 1702; Memorial, created by Hoogloffellyker Memorial of Wilhem The third, king of Great Britain etc .. Memorial for King Willem III, at his death on March 19, 1702. Allegorical performance with a bust of Willem III on a pedestal, in front of the English and Dutch virgins And the Dutch lion. Above the bust, the fame blows on her trumpet. Three verses of four rules in the caption.

A copper engraving by Michael Heylbroeck from 1713, showing a historical or allegorical scene titled 'to ben the Ninegos', depicting figures in a detailed composition.

King Canute commanding the sea to retire. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Simson fights with a lion. Simson fights with a lion near the vineyards of Timna (ri. 14: 5-6). In the background his parents, who don't notice anything. The print has a Hebrew, Latin, French, English, German and Dutch caption.

Cartoon on the poet Joan Pluimer, ca. 1685, Bernard Picart (attributed to), after Bernard Picart, 1716 - 1719 print A woman representing the Amsterdam Schouwburg with a banner on which is zeal, the personification of poetry approaches. In the foreground, the poet Pluimer, a woman with a pie and the naked Venus with Cupido over each other. In the background a harlequin with a sword and a group of dancing figures. Northern Netherlands paper etching symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). types in 'commedia dell'arte': Harlequin. symbolic representations, allegories and emblems ~ the theatre. parody on art Schouwburg Keizersgracht (1637-1772)

Copper engraving and etching by Edmé Jeaurat from 1719 depicting Thetis immersing Achilles in the River Styx, showing both figures in mythological action with surrounding symbolic elements.

The Governor of Schopfheim, plate eight from Zehn Blätter zu Hebels Alemannischen Gedichten. Sophie Reinhard (German, 1777-1843); published by Mohr und Winter. Date: 1820. Dimensions: 318 x 262 mm (plate); 461 x 379 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Lucius Quinctius GEVRAAGD ALS Dictator, Ludwig Gottlieb Portman, after James Buys, 1793 print The Roman general Lucius Quinctius Cincinnatus is appointed as a dictator. A soldier lets him choose between the sword and a team. Eventually he wins the war with the Aequi after sixteen days, to immediately plow his fields again. Utrecht paper etching Lucius Quinctius Cincinnatus is called from the plough to the dictatorship of Rome; a Roman embassy offers him a sword or a baton

Medoro and Angelica

Saint Celestine V Renouncing the Papacy, after Mattia Preti 1761 Jean Honoré Fragonard French In March 1761, just before returning to Paris from a five-year stint as a pensioner at the French Academy in Rome, Fragonard was sent to Naples by his friend and patron, Jean-Claude-Richard, the abbé de Saint-Non (1727-1791), to make copies after works of art. He made at least five copies after sections of Mattia Preti's ceiling in the Church of San Pietro a Maiella. One of Preti's major commissions, the ceiling depicted scenes from the lives of Saint Catherine and Saint Celestine V, set into various shaped stucco frames. This sheet is a counterproof, and therefore in reverse direction, of Fragonard's copy (Norton Simon Foundation, Pasadena), reworked by the artist in black chalk.. Saint Celestine V Renouncing the Papacy, after Mattia Preti 337100

Etching and copper engraving by Innocente Alessandri from 1761-1803 depicting the biblical escape to Egypt, showing figures, gestures, drapery, and detailed composition.

Friedrich Ludwig, Prince of England Publisher: Gerck, Johann Adolphalia: Prißler, Johann Danielstecher: Heumann, Georg Daniel

Allegory on the West Indian and East India Company. The personnifications of the Western Indian and East India Company, each with a flag of the Company in the hand, point to the coat of arms of Aegidius van den Molden and Jan Lieve Geelvinck, ministers of the commercial commodities and mayors of Amsterdam. Links the town hall of Amsterdam and the personnifications of faith, Mercury as well as God of trade and justice. Right trade ships at sea and people, representing the West and East Indian peoples. In the foreground merchandise.

Actaeon changed to a deer, Dominique Sornique, After Bon Boulogne, 1739 - 1756 print Paris paper etching / engraving Actaeon changed into a stag: as punishment for seeing her bathe, Diana changes Actaeon, the hunter, into a stag (Ovid, Metamorphoses III 193). Diana bathing. hoofed animals: deer. hunting dogs

Parable of the unfaithful vineyard servants and the guest without a wedding dress, Simon Fokke, 1791 print Two biblical performances from the book Mat. 21 and 22. Numbered below: 28. Amsterdam paper etching the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16). the unworthy guest is dragged out ~ parable of the royal wedding-feast

Galante scene with wife surrounded by Pierrot and two other men, Claude Duflos (attributed to), after Jean Antoine Watteau, 1694 - 1727 print print maker: Francepublisher: Paris paper etching / engraving Garden of Love, Court of Love, 'Galante Fan'

Aeneas kills Turnus, Jean Baptiste de Poilly, after Antoine Coypel, 1679 - 1728 print paper etching / engraving Turnus is killed by Aeneas

Burning the weeds and harvesting of the grain; Parable of the sower; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The landlord, with a scepter in hand, gives the command to get the harvest. The grain is harvested and the weeds are collected and burned. A boy holds the rug of the landlord. Under the show a reference in Latin to the Bible text in mat. 13.

Sara taken by officers of the Pharaoh, Jan Punt, 1743 print When Abraham and Sara arrive in Egypt, the people immediately see that Sara is a beautiful woman. Egypt's Pharaoh then lets her transfer her to his palace by his officers. Amsterdam paper etching / engraving Sarah attracts the attention of the Egyptians and is taken to Pharaoh's palace

History writes the history; Title page for: Jacobus Kok, Patriotic Dictionary, 1785.Allegorical Performance in Which The Personification of History Writes A Dictionary, Behind the Freedom, in The Air The Fame.

Straatscène, Popko van Groningen, After William Hogarth, 1832 - 1888 print A violinist in a window frame holds his ears firmly close to the noise that makes different figures in front of his house, including a singer with a crying baby, children with noisy instruments, a knife grinder with his sharpening stone, a postman with his horn, a barking dog And two fighting cats. Netherlands paper letterpress printing violin, fiddle. dog. female singer. infant, baby. postman. cat

Display of opening the earth, 1648; D'finished earth; Allegories on the Peace of Munster; The six shows that on the Schouburg (...) exhibits are the 1648 Iunij 1648. Display of opening the earth. Part of the impressions raised on June 23, 1648 at the Schouwburg in Amsterdam following the conclusion of the Munster peace. The fourth show shows how to restore the earth and the abundance after the war, the virtues returned from the gods sky (with Apollo) back to the earth. In the caption a verse of 8 lines in Dutch.

Pantainus, Heiliger.

Friedrich August I, King of Saxony.

Neptune Seated Blowing a Conch Shell 16th century Anonymous, 16th century. Neptune Seated Blowing a Conch Shell 367772

Twist between Herod and Mariamne, Theodoor Koning, After Jacobus Buys, 1783 print In a decorated departure, Herod, sitting on the edge of a bed, furiously raised his cloudy fists to his wife Mariamne because she does not comply with her marital obligations. Mariamne expresses her anger about the murder of her grandfather and turns Herod's back. In the background is a man who holds his index finger against his lips and wears a vase. This print is an illustration in the tenth chapter of the fifteenth book by 'All the works of Flavius Josephus'. Amsterdam paper engraving Herod (not in biblical context)

Board for the comic scarron novel: Ragotin declares to peasants believed that he serves after Pater Benoit Audran the Old (1661-1721). Board for the comic scarron novel: Ragotin decombs peasants believed that they do after Pater. Forte and Burin, 1730.

Arrival of the Batavians in the Netherlands, ca. 55-10 BC, 1725 - 1784 print Arrival of the Batavians in the Netherlands. Netherlands paper etching extinct, 'historical' peoples (with NAME) Netherlands

Allegory on painting; Gerard de Lairesse, the Groot Schilder-Boeck, 1707; 't Groot Schilder-Boeck. In the middle a blindfolded man in oriental clothing with a tablet for himself. The personification for design, with passer on the head, is behind him and sends his hand. Next to him is a woman in antique clothing with bowl in hand. Above his head, fame flies with a bazing garden on which the title of the book. In the background a draftsman in a library. In the middle, in a round vignette, painting is laughed. In addition to the vignette the attributes of painting.

Paris, Basan, Pierre François, Picart, Bernard, Chéreau, François (I), Rinaldo and Armida, verso - stamped, The lovers Rinaldo and Armida rest, surrounded by putti, in Armida's garden. They look into the mirror to see their own amorous appearance in the eyes of the other. The two knights who were looking for Rinaldo look on from the bushes on the right. Below the representation verses in French., print, prints, height 486 mm, width 445 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1724 - 1724, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1680-03-20 - 1729-04-15, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1723-10-23 - 1797-01-12, publisher

Johannes Tetzel is robbed near Leipzig and accused indulgence trade, Daniel Nikolaus Chodowiecki, 1798 print With caption in German. Berlin paper etching History. arrest (of criminal). monk(s), friar(s). Indulgence, Clemency; 'Clemenza', 'Clemenza & Moderatione', 'Indulgenza' (Ripa) Leipzig

The Holy Hieronymus

Jugend Beschäftigungen; Werff, Adriaen Van Der (1659-1722), Woelffle, Johann (1807-1893), Pilots UND Löhle (Munich; Publisher; Ca 1817-1890); 1850 (1837-00-00-1842-00-00);

Allegory on the recovery of the Dutch Union, 1815; Le Retablissement de l'Union Belgique / Repairing the Dutch Union. Allegory on the reunification of the northern and southern Netherlands, March 1815. Central King William I as Mars that binds the Arrows of the Union together and hand over to the Dutch Virgin. Behind it decorated a column with a portrait of Willem van Oranje and Wapentrofees. On the right in the foreground, the reports crawl, ownbaat, deception and envy for the Prussian eagle. In the background a temple with an impression of freedom, for this bother imaging of the parents of William I: Stadholder Willem V and his wife Wilhelmina van Prussen. On the left in the background Mercurius wakes a sleeping sailor.

Hunting topics Jean-Baptiste Oudry (1886-1755) (1686-1755). Hunting topics. Forte, 1725. Museum of Fine Arts in the city of Paris, small palace.

Civilis and Cerialis negotiate on the broken bridge, 70, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Civilis and cerialis negotiate and close peace on the broken bridge. Amsterdam paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations

Allegory with a woman and putto at a monument for virtue. .

Rebekka and Eliezer at the Bron, Reinier Vinkeles (I), After Jacobus Buys, 1797 print Rebekka gives Eliezer water from a jug. In the background a well and his camels. Amsterdam paper etching / engraving Rebekah draws water for the camels

Mentor and Telemachus arrive at Salento at Idomeneus, Jacques-Philippe Le Bas, 1755 print Paris paper etching (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus

The Judgment of Solomon, from Raphaels Loggia at the Vatican. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Visitatie, Gabriel Huquier, after Claude Gillot, 1705 - in or before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Etching by Giovanni Domenico Tiepolo depicting the saints of the Crotta family and Venice receiving Neptune's homage, created in the 18th century, illustrating religious and allegorical figures.

Arrival of the Batavieren. .

Paris, Duchange, Gaspard, Amsterdam, Picart, Bernard, Chéreau, François (I), Rinaldo and Armida, verso - stamped, The lovers Rinaldo and Armida rest, surrounded by putti, in Armida's garden. They look in the mirror to see their own amorous appearance in the eyes of the other. The two knights who were looking for Rinaldo look on from the bushes on the right. Below the representation verses in French., print, prints, height 486 mm, width 444 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1680-03-20 - 1729-04-15, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, 1662-04 - 1757-01-06

Suicide of Lucretia; Gross Giura di Vendicare La Morte di Lucrezia Discacciando La Famniglia dei Tarquini da Roma; History of the Roman Empire; Frontespizio della Iistantia Romana. Brutus and other men and women are around the dead body of Lucretia who just committed suicide. Brutus swears her death.

The Building of Solomons Temple in Jerusalem, from The Loggia Paintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Etching by Pietro del Pò depicting St. Hieronymus accompanied by an angel, created between 1630 and 1650.

Flemish drinkers, Maria Catharina Prestel, After Johann Albrecht Dietzsch, c. 1770 - C. 1785 print Four farming figures sitting and standing in the midst of tons with beer and/or wine and all kinds of drinking utensils and vascular work. paper. ink etching carousal, drinking-bout, orgy. inn, coffee-house, public house, etc.

Copper engraving and etching by Gilles Rousselet showing David playing the harp, created between 1627 and 1686, illustrating a biblical figure.

Antoine Jean Duclos after Jean Michel Moreau, Frontispiece Aidé de la sagesse, on se sauve de l'amour dans les bras de la raison, 1777 Frontispiece: Aidé de la sagesse, on se sauve de l'amour dans les bras de la raison

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Hermes and Muses, 1789. Engraving.

Gravin Ada sent by Willem I to England, 1204. Gravin Ada sent by her uncle Willem I from Texel to England, 1204.

Woman in Wanmoop by the body of a man in a prison, Reinier Vinkeles (I), After Jacobus Buys, 1751 - 1816 print Amsterdam paper etching / engraving death of human being. mourning the dead. prison, jail

Oppius saved by his son, Ludwig Gottlieb Portman, after Jacques Kuyper, 1801 print Marcus Oppius carries his father out of the city of Rome on his back. Amsterdam paper etching Marcus Oppius saves his aged father from the proscriptions of the Triumvirate by carrying him out of the city on his back

Flavus and Arminius mock each other from either side of the bank, Daniel Nikolaus Chodowiecki, 1800 print Different figures are etched in the margin in a sketchy way. Berlin paper etching History. river bank. mocking, insulting; teasing. brothers (second degree family relationships). necklace

Allegory of Botany, François van Bleyswijck, 1743 print In a classic room are men who study dried flowers, plants and shells. In the background men at work in a laboratory. paper engraving plants (in general). study; 'studiolo'; library. laboratory, research room

Dress nudes, Jan Luyken, 1700 print A performance in a cartouche of palm branches. In front of his house, a man hands out clothes to naked arms, one of the works of mercy. Under the cartouche the Bible reference mat. 25:36. Amsterdam paper etching ornament ~ cartouche. the poor. clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy

Etching by an unidentified contributor from the mid-17th to 18th century titled 'UFERENEN', showing figures and landscape elements with period clothing and compositional detail.

Title page For: Constitutions-Acte für Die Batavian Republik, Nebst other Dazu horrific Stücke who Selbige von Ihren Einwohnern am April 23, 1798 Angenommen Sind. Engraved title page for a German translation of the Constitution of the Batavian Republic. Justitia and Minerva place the column of the constitution of 1798 on the pedestal freedom, equality and brotherhood, with the Dutch virgin on the right with the freedom of life on a spear. In the background a temple on a hill.

After: Pier Francesco Mola, Italian, 1612-1666, Rest on the Flight intoEgypt, Etching, sheet: 24.5 × 19.7 cm (9 5/8 × 7 3/4in.), Italian, 17thcentury, Works on Paper -Prints

Muziek, Jacques-Antoine Friquet the vaurtoze, After Sevengas BourDon, 1663 - 1716 print Arion saved by a dolphin at sea. print maker: Franceafter design by: Paris paper engraving / etching 'Musica' (~ quadrivium); 'Musica' (Ripa). Arion rides on a dolphin, holding his lyre

Sitting man with a mummy in a sarcophagus, J.F. Borgnet, 1788 print Man sitting on a chair with a sarcophagus with a mummy in his hands. There are various Egyptian objects around him in the departure. print maker: FranceFrancepublisher: Paris paper etching (story of) queen Semiramis. mummy

The etching by Johann Elias Ridinger depicts William, Duke of Cumberland, showing his attire, posture, and status in a formal portrait. Created between 1718 and 1767.

Amsterdam, Picart, Bernard, Diomedes kills Rhesus, verso lower left - stamped, king of Thrace. Odysseus steals the horses from the tent camp. In the margin a caption in French., print, book illustration, prints, height 187 mm, width 125 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Landscape with a few in hug under a tree, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving (lovers) embracing each other, 'symplegma'. trees. landscapes

Alkoof with the death of Cleopatra, Jean Lepautre, After 1657 - Before 1716 print Alcove with Cleopatra lying on a bed under a canopy. Sunning women and soldiers surround her. 2 numbered. Third edition. The series consists of a title page and five sheets, numbered in the middle of 1-5 and bottom right 1-4, 6. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Psyche Enters the Underworld 1530-1540 Italy. Engraving in warm brown ink on cream laid paper . Master of the Die

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), A Plate from Orlando Furioso: Vede di mezzo il fiume un cavaliero / Insino al petto uscir, d'aspetto fiero, 1773. Engraving.

Maria van Burgundy falls from her horse, 1482, 1790 print Maria van Burgundy falls outside of Bruges from her horse, March 17, 1482. Netherlands paper etching dying from the effects of a fall Used

Moses is found by the daughter of the Pharaoh, Gilles Rousselet, After Nicolas Poussin, 1620 - 1686 print paper etching / engraving Moses is pulled out of the water by the servants. personification of river Nile; 'Nilo' (Ripa)

Alva claims the tenth medal, 1569, 1779 print The Duke of Alva claims the tenth medal in a meeting of the States, 1569. Fourth Singing. paper etching

Solomon by Sadoc to Koning Anointed, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching Solomon anointed king by Zadok; all the people rejoice and blow their trumpets

Herman De Ruiter conquers Loevestein Slot, 1570. Herman De Ruiter with his men dressed as monks robbed the final guardian and take Loevestein Slot, December 9, 1570.

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