Religious and Historical Frescoes

Frescoes and reliefs from various periods, showcasing religious themes and historical narratives, rich in color and intricate details.

Presentation in the Temple, panel from the pulpit of Baptistery of St John, 1255-1260, by Nicola Pisano (ca 1223-1281), Cathedral Square or Square of Miracles (UNESCO World Heritage List, 1987), Pisa, Tuscany. Italy, 13th century.

Council Chamber entirely painted with 15th century astrological and religious fresco cycle, Palazzo della Ragione, built as a courthouse, 13th c. Padua, Treasury in the heart of Veneto, Italy, Padua, Veneto, Italy, Europe

ASCENSION - RETABLO DE MEJORADA - 1523/1526 - RENACIMIENTO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Detail of the upper part of the Annunciation, by Piero della Francesca (1412-1492).

Constance, Minster, west portal, right door wing, sculptor Heinrich Yselin and Simon Haider around 1470

sepulchral relief, fourteenth century, parish church of Crespia, alt Empordá, Girona art museum, Girona, Catalonia, Spain.

Bernat Saulet, Retablo de la Pasión procedente de la iglesia de Sant Joan i Sant Pau de Sant Joan de les Abadesses, silgo XIV. Museo de Arte Medieval de Vic.

RETABLO DE GRANOLLERS - 1491-1500. Author: PABLO VERGOS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Reliquary casket, gilded copper on wood with enamels, 13th century, Limoges workshops, Huesca Diocesan Museum, Aragon community, Spain.

Golden panel from st. Ursula. Cologne, c. 1170. Painting: 15th century and 1844. Oak, gilt copper, cast bronze, with enamel, stucco and opaque paint. Museum Schnu_tgen. Cologne, Germany.

Presentation in the Temple, panel from the pulpit of Baptistery of St John, 1255-1260, by Nicola Pisano (ca 1223-1281), Cathedral Square or Square of Miracles (UNESCO World Heritage List, 1987), Pisa, Tuscany. Italy, 13th century.

PINTURA DEL SALON DEL TRONO. Location: PALACIO EPISCOPAL-MUSEO DE LOS CAMINOS. ASTORGA. LEON. SPAIN.

Jaume Cascalls / Retablo de santa Úrsula, siglo XIV. Museum: Església de Sant Llorenç, Lleida.

Grabrelief sepulchral relief, fourteenth century, parish church of Crespia, alt Empordá, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 22282886

Marches Ancona Sassoferrato Pinacoteca9. Hutzel, Max 1960-1990 Two coats-of-arms (of Sassoferrato and the Bishop Aldobrandini; a polyptych of saints Anthony, Sebastian, Roch and Martin; the Madonna of Sassoferrato; a portrait of Sentinensi; ceramic fragments (15th-16th centuries); a renaissance ciborium, a mosaic of St. Demetrius in a wood and silver frame (10th-11th centuries); an Umbrian processional cross (15th century); a wooden statue of the Madonna di Loreto; reliquaries; a saint's wooden shoe; an ivory diptych; silver medallions (13th century) and various paintings. Antiquities: A Roman altar, gravestone, urn and torso. (1st-3rd centuries). Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includi

BATAILLE, Nicolas (14th c.). Old Men Kneeling. 1375-1382. 5th scene of the Angers Apocalyse Tapestry, commissioned by the Duke Louis of Anjou. Gothic art. Tapestry. FRANCE. PAYS DE LA LOIRE. MAINE-ET-LOIRE. Angers. Angers Castle.

Design For Stained Glass Window, 1879. By Henry James Holiday.. Design for the Magee Memorial window in St. Stephens Episcopal Church in Philadelphia, USA. Window is still in situ.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Silversmith's art, Italy, 15th century. Silver altar of the Baptistery of San Giovanni. Detail: Antonio Benci called il Pollaiolo (1431-1498), Birth of Saint John the Baptist.

Leaf from a Diptych 14th century French (). Leaf from a Diptych 464267

RETABLO MAYOR - 1498. Author: DIEGO COPIN DE HOLANDA-MAESTRO ESCULTOR. Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

Gilded Brass Panel Decorated with the Birth of John the Baptist, by Turino di Sano, Giovanni Turino, 1417 - 1427, 15th Century, brass, lost-wax casting, golding. Italy, Tuscany, Siena, San Giovanni Parish Church. Detail. Panel gilded brass Birth John the Baptist woman in labor lying St Elisabeth Zachariah feet bed canopy curtains ceiling woman holding a child.

Mauritiusrotunde, Münster inside, Constance, Lake of Constance, Baden-Wurttemberg, Germany

TAPIZ DE LA BUENA VIDA. S.XV. MUSEO DE LA CATEDRAL DE TARRAGONA.

Ceiling fresco, St Nicholas legend, St, Saint, Saint

Artist, attributed to: Cenni di Francesco di Ser Cenni, Italian, active Florence, 1369-1415, The Nativity and Resurrection ofChrist, ca.1390, Tempera and gold on panel, framed: 39.1 × 90.5 × 5.4 cm (15 3/8 × 35 5/8 × 2 1/8 in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Cesare da Sesto (1477-1523). Italian Renaissance painter. Polyptych of Saint Rocco, 1523. From top to bottom, (centre): Madonna and Child, St. Rocco; (right): St. John the Evangelist and St. Christopher; (left): St. John the Baptist and St. Sebastian. Oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

Relief. Genesis. God creating the fruit of the trees.13th c. La Sainte-Chapelle, Paris, France.

altarpiece of Santa Quiteria, Joan Loert, around 1300, tempera on panel, Hospital de Sant Antoni, Palma, lime mortar and inert load, Plaza de la Lonja, Palma, Mallorca, Balearic Islands, Spain.

"Castillos de amor, " fourteenth-century Gothic wall mural in Torre del Homenaje, Parador, Alcaniz, Teruel Province, Spain, Europe

Christs Descent into Limbo. These three groups, from a large Crucifixion altar, reveal how colourful most Gothic sculpture originally was. During a recent restoration, small slivers of glass were found in the old pigment; this would have added to the glittering impression of the whole. Research of the oak shows that the sculptures were carved after c. 1420, the felling date of the tree.

Germany, Bavaria, Munich, Marienplatz, New City Hall, entrance portal, relief, Münchner Kindl, detail

Fresco of the destruction of Jericho, 14th century. Artist: Unknown

Manufacture of goblins, Neptune (of a set of four identical tapestries), 1730-1780. Rectangular tapestry with yellow background: organic, textiles, wool, silk, tapestry; Decate linen canvas (dubbing); Velcro (editing). Decor, inspired by the representation of the month of February in the series of twelve Grotesque months (woven at the Manufacture des Gobelins; Cartons drawn by Claude III Audran in 1710): garlands, architectural frames, conques, fantastic and neptune animals. Paris, Cognacq-Jay museum. The four tapestries composing the whole to which this panel is linked are identical. Each is richly animated by the secondary sets (garlands, architectural frames, conques, fantastic animals) and is centered on the figure of the god Neptune standing, naked and leaning on his trident. The reason is closely inspired by the representation of February in the series of twelve months grotesque, woven at the Manufacture des Gobelins for the Dauphin Chamber in Meudon, and whose boxes were drawn b

San Sanseverino Marche (Italia, Marche - provincia di Macerata), Pinacoteca Civica P. Tacchi Venturi”. Vittore Crivelli, Polittico. Ordine centrale, Madonna con Bambino, a sinistra San Severino e San Giovanni Battista, a destra San Francesco e San Ludovico; nell'ordine superiore, al centro la Pietà con la Vergine Addolorata e San Giovanni, a sinistra la Maddalena e San Girolamo, a destra San Bernardino e Santa Caterina d'Alessandria, tempera su tavola, 1481?

St. George standing behind kneeling donor, Jorig Baumgartner, and his family (one of a pair) 1528 Painted by Hans Wertinger German. St. George standing behind kneeling donor, Jorig Baumgartner, and his family (one of a pair) 198990

Detail of a leaf of a Byzantine ivory diptych showing men and bears at the circus.

The Monarch´s Room In The Alcazar With Statues Of The Monarchs Of Castile, Left To Right, King Alonso X, Queen Berenguela V And King Fernando Iii, Seg...

Altarpiece of Saint Barbara by Gonzalo Pérez (1380-1451) Catalan painter. Dated 15th Century

Europe, Czech Republic, Prague. Museum of decorative arts, stained glass window

SALON DE EMBAJADORES - RETRATOS DE REYES - 1599-1600. Author: ESQUIVEL DIEGO. Location: REALES ALCAZARES, SEVILLE, SPAIN.

ITALY, RAVENNA, S. VITALE, MOSAICS

SPAIN - La Campiña (district) - ANDALUSIA - CORDOBA. Alcázar museum; roman sarcophagus (III century bc..)

Leaf from a Diptych with the Adoration of the Magi. Culture: French. Dimensions: Overall: 5 1/8 x 3 7/16 x 7/16 in. (13 x 8.7 x 1.1 cm). Date: ca. 1300-1325. Museum: Metropolitan Museum of Art, New York, USA.

Bartolomé Ordóñez / Detail of the screens of the access to the set of chairs, Barcelona Cathedral, 1517.

Window with the lost son, anonymous, 1530 Runs of stained glass with representation from the life of the lost son. (New Testament, Luke, Chapter XV). In an interior overlooking a landscape, on the left, from a table, on which, among other things, is a bowl of fruits, a young pair. The woman opens a money pouch while the man includes her with his right arm and keeps a bowl up with his left hand. On the right side a woman playing a lute and a man with a flute on his lips. Behind him a cupboard with bowls and cups. On the left on the fall of a bed the inscription: Alpsiogt. The show is made of yellow. Southern Netherlands glass. lead (metal). silver stain. Runs of stained glass with representation from the life of the lost son. (New Testament, Luke, Chapter XV). In an interior overlooking a landscape, on the left, from a table, on which, among other things, is a bowl of fruits, a young pair. The woman opens a money pouch while the man includes her with his right arm and keeps a bowl up wi

Roundel with the Resurrection 1480-90 German. Roundel with the Resurrection. German. 1480-90. Colorless glass, vitreous paint and silver stain. Made in Upper Rhineland, Germany. Glass-Stained

Mosaic on the ceiling of the entrance hall of the Kaiser-Wilhelm-Gedaechtniskirche, Kaiser Wilhelm Memorial Church, in Berlin Charlottenburg, Germany, Europe

Copón sepulcro, siglo XIV. Catedral de Santa Tecla de Tarragona.

France, Gironde, Verdelais, bell tower of Notre Dame basilica, stained glass window depicting a 17th century miracle and Bernard de Nogaret, Duke of Foix on horseback (19th century)

SANCHO VII EL FUERTE. REY DE NAVARRA 1194-1231. BATALLA NAVAS DE TOLOSA. VIDRIERA. COLEGIATA DE RONCESVALLES.

Fresco(XV), Vasca Limaria (XI Roman building), Capitular Museum, Atri, Abruzzo, Italy

Plate 5: Main Altarpiece, Santa Cruz: From Portfolio "Spanish Colonial Designs of New Mexico". Dated: 1935/1942. Dimensions: overall: 35.6 x 28 cm (14 x 11 in.). Medium: screenprint on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Design For Stained Glass Window, 1884. By Henry James Holiday. Design depicts St Paul preaching at Athens, for a window in Holy Trinity, Rittenhouse Square, Philadelphia, USA. Window is still in situ.

PINTURA MURAL DE LA BOVEDA DEL SALON DE SESIONES - 1850/53 - DETALLE - LEGISLADORES DE LA EPOCA ARAGONESA. Author: RIBERA CARLOS LUIS. Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN. JAIME I DE ARAGON EL CONQUISTADOR. JAMES I OF ARAGON. JAIME II DE VALENCIA. PEDRO IV DE ARAGON EL CEREMONIOSO. PEDRO II DE VALENCIA. PEDRO II DE AMPURIAS. PEDRO I DE MALLORCA. PEDRO I DE CERDEÑA. PEDRO III DE BARCELONA. BERENGUER RAMON. SAN RAIMUNDO DE PEÑAFORT. ARISTA IÑIGO. JIMENEZ CERDAN JUAN. CANELLAS VIDAL DE.

The Virtues WIndow, designed by Edward Coley Burne-Jones, made by William Morris, Christ Church Cathedral, Oxford University, Oxford, England, UK

Roundel with Sacrifice in the Temple ca. 1515-25 South Netherlandish. Roundel with Sacrifice in the Temple. South Netherlandish. ca. 1515-25. Colorless glass, vitreous paint and silver stain. Glass-Stained

Polyptych, Pseudo-Jacopino di Francesco Bavosi, circa 1340, National Art Gallery of Bologna, Pinacoteca Nazionale di Bologna, Emilia-Romagna region, Bologna, Italy

Agnolo Gaddi (1369-1396). Italian painter. Triptych, 1388. Gemaldegalerie. Berlin. Germany.

Romania, Sinaia. Neo-Renaissance Peles Castle c. 1873. Interior, stained glass.

Diptych with Dormition and Coronation of the Virgin. Culture: French or South Netherlandish. Dimensions: Overall (opened): 3 9/16 x 5 x 1/4 in. (9.1 x 12.7 x 0.6 cm)Overall (closed): 3 9/16 x 2 1/2 x 1/2 in. (9.1 x 6.3 x 1.2 cm)wing: 3 9/16 x 2 1/2 x 1/4 in. (9.1 x 6.3 x 0.6 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

The High Cathedral of Mainz, A stone relief of the Pietà surrounded by ornate sculptures, Mainz, Rhineland-Palatinate, Germany, Europe

Composite Triple Window Early 16th century top; second; and third rows Late 15th century bottom row Stained glass France

VECCHIETTA, Lorenzo di Pietro (1412-1490). Cappella del Sacro Chiodo or the Old Sacristy. 1446-1449. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Frescos on the Old and New Testament. Detail. The Virgin and child. Renaissance art. Fresco.

Hungary pavilion, 14. International architecture exhibition Venice 2014, Venice, Veneto, Italy, Europe

Beauty and the Beast', a rare and important Morris, Marshall, Faulkner & Co. Tile panel, designed by Sir Edward Burne-Jones (1833-1898) and hand painted by Lucy Faulkner (1839-1910). Six scenes illustrating the fairy tale. Morris, Marshall, Faulkner & co. 35.8cm x 122cm.

Diptych with Scenes from the Passion. Culture: French. Dimensions: Overall (opened): 5 3/4 x 8 3/16 x 3/8 in. (14.6 x 20.8 x 0.9 cm)Overall (closed): 5 3/4 x 4 1/4 x 7/8 in. (14.6 x 10.8 x 2.3 cm)panels: 5 3/4 x 4 1/4 x 3/8 in. (14.6 x 10.8 x 0.9 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Angel with a T- shaped dulcimer by William Morris 1869, Tilehurst, Berkshire, England

Peinture A L'Huile by painter Jan Van Eyck (c1390 - 1441).

Diamond with the lost son. Key stained glass with show from the life of the lost son. (New Testament, Luke, Chapter XV). In an interior overlooking a landscape is left, from a table, on which o.m. is a bowl of fruits, a young couple. The woman opens a money pouch while the man comprises her with his right arm and holds a bowl with his left hand. On the right side a woman playing a lute and a man with a flute to his lips. A cupboard with bowls and cups behind him. Left on the fall of a bed The inscription: Alpsiogt. The show is made of yellow.

Nicolas Frances, Petrus, Andreas, Phil.

ANCHETA, JUAN DE. ESCULTOR ESPAÑOL . AZPEITIA 1540 - 1588. " IMPOSICION DE LA CASULLA A SAN ILDEFONSO ". MONASTERIO DE LAS HUELGAS.

Bertel Thorvaldsen / Medallón. Patio del Il·lustre Col·legi d'Advocats de Barcelona.

Painting in the castle AlbrechtsburgMeissen. Painting in the castle Albrechtsburg

Reliquienschrein Reliquary casket, gilded copper on wood with enamels, 13th century, Limoges workshops, Huesca Diocesan Museum, Aragon community, Spain Copyright: xZoonar.com/Tolox 22307573

Madonna and Child. Attributed to Antonio Rossellino (Italian, 1427-1479). Date: 1475-1500. Dimensions: 75.6 × 63.5 cm (29 3/4 × 25 in.). Terracotta with traces of polychromy. Origin: Italian. Museum: The Chicago Art Institute, Chicago, USA.

Goncal Peris Sarria (documented between 1380-1451). Valencian painter. Altarpiece of Saint Barbara, ca. 1410-1425. From the Parish Church of Puertomingalvo (Teruel province). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Frescoes by Andrea Mantegna, Ovetari Family Chapel, Chiesa degli Eremitani, 13th century Padua, Treasury in the Heart of Veneto, Italy, Padua, Veneto, Italy, Europe

Album # 2; WINDOW: STUILT HAS DECORATIVE POWERS, GRAY WITH GRAY, ROUGE ROUNDS, BLEU quadilobes, Self-background Gsell-Laurent workshop. Album # 2; Window: Decorative patterned stained glass, Gray in-ended background, red round, quadilobes blue, surrounds with red background. Chromolithography.

SANTIAGO ECUESTRE EN EL RETABLO DE SANTIAGO MATAMOROS - 1640 - ESCULTURA BARROCA ESPAÑOLA. Author: ALONSO DE MENA. Location: CATEDRAL-INTERIOR. GRANADA. SPAIN. Apóstol Santiago el Mayor. APOSTOL SANTIAGO EN CLAVIJO. APOSTOL SANTIAGO-SANTIAGO MATAMOROS.

The Lamentation about 1480/90 oak wood. (Tilman Krayndunck; in Koln 1479-1515; aquired 1822 for the Kunstkammer Sculpture collection)

Adoration of the Magi 1450-1500 England. Alabaster with polychromy and gilding .

San Zeno Altarpiece, ca 1456-1460, by Andrea Mantegna (1431-1506), panel, 480x450 cm. Church of San Zeno, Verona.

Stained Glass Panel with the Flight into Egypt ca. 1485-1500 German In fifteenth-century Cologne, glass painting began to be increasingly influenced by developments in panel painting. The inclusion of a landscape exemplifies this new attitude in stained-glass design, in which figures are now placed in natural settings instead of against patterned backdrops. The source for these landscapes was not nature itself but the work of printmakers.. Stained Glass Panel with the Flight into Egypt 467832

Portrait of Holy Roman Emperor Henry II and his wife Saint Cunigunde of Luxembourg from an illuminated missal in Hamberg library. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The fountain of life. Oil painting.

England, London, Westminster Abbey, The Chapter House, Wall Paintings dating from 1400 Showing Scenes from The Book of Revelation

Album # 2; Vitrail project for seals: the four Evangelists (only Saint Mathieu is executed, then the Lion of Saint Marc) Gsell-Laurent workshop. Album # 2; Stained glass project for seals: The four evangelists (only Saint Mathieu is executed, then the Lion of Saint Marc). Pencil, watercolor, gouache.

Anonymous, element of the funerary monument of Blanche de France (title awarded). rock. Carnavalet museum, history of Paris.

Mosaic detail from The Palazzo Barbarigo, a palace on the Grand Canal in Venice, Italy. The palazzo was built in the 16th century but the mosaics were added in 1886. Made from of Murano glass and inspired by the exterior mosaics on the facade of St Mark's Basilica.

Anonymous / 'The Saint John the Baptist Altarpiece'. Last quarter of the XIII century. Wood. Museum: Museo del Prado, Madrid, España.

Spain. Andalusia. Seville. Cathedral. Puerta del Perdon (Door of Forgiveness), 12th century. Illustration by Letre. Engraving by Sierra. Later colouration. Cronica General de España, Historia Ilustrada y Descriptiva de sus Provincias. Andalucia, 1867. Author: Eusebio de Letre. Illustrator and lithographer of the mid-nineteenth century in Spain. Joaquin Sierra y Ponzano (1821-) Spanish.

St. Frideswide stained glass window by Edward Burne_Jones dating from 1858, Christ Church College Cathedral, Oxford, England, United Kingdom, Europe

Altarpiece of the Mare de Deu of Sant Llorenç de Lleida, 14th century. Museum: Museu de Lleida Diocesà i Comarcal.

Angel with Harp and Angel with Mandola, by Ferrari Gaudenzio, 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Side half-lunettes musician angels harp mandola scrolls: cartouches green yellow pink.

England,London,The City of London,Guildhall,Stained Glass Windows Depicting the Weighing of Silver

Switzerland - 3 July 2020: historic paintings fron the 17th century in the Heiligblut or

Retablo Mayor, reredos gilded relief panels, Seville Cathedral, Catedral Sevilla, Andalucia, Spain, Europe

Italy, Tuscany, Pisa, Piazza dei Miracoli, Baptistry of Saint John, pulpit by Nicola Pisano, 1260, detail

Gothic medieval art in the National Art Museum of Catalonia,Bernat Despuig and Jaume Cirera painters,altarpiece of San Miguel and San Pedro(1432-1433).

Master in Large Fronts (Atelier du) (n. - d.), The Nativity between the Angel and the Virgin of the Annunciation (Main title), 1500. Enamelled copper, Polychrome painted enamels, Silver Paillons, Raunters 'Or, wooden frame and golden brass. Red counter-email. Petit Palais, Museum of Fine Arts of the City of Paris.

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