Religious and Historical Paintings

Medieval and Renaissance artworks depicting biblical scenes and saints, showcasing intricate details and religious iconography.

Virgin Mary by Bernaert van Orley, Oil on canvas, 1488-1541, Russia, St. Petersburg, State Hermitage, 80x72

Scenes from the Life of Susanna, detail, Giovanni di Ser Giovanni, Lo Scheggia, circa 1450, Palazzo Davanzati, Florence, Tuscany, Italy, Europe

Figures wearing 15th century clothing, detail from Baptism of the neophytes on the banks of the river Jordan, 1416, frescoes by Lorenzo and Jacopo Salimbeni, Oratory of St John the Baptist, Anthony the Great and St James, Urbino, Umbria, Italy, 15th century.

Tapiz de las Potestades o de la Buena vida, una obra tejida a finales del siglo XV en Arras, Francia. Museu de la Catedral de Tarragona.

Retablo facticio con las Armas de los Rocaberti. Detalle, La Anunciación, siglo XV. Monasterio de Pedralbes de Barcelona.

Sandro Botticelli, 1445 1510), Florentine, Italian painter. Il ritorno di Giuditta a Betulia (The Return of Judith to Betulia), 1470

The Virgin with Animals 1503 Albrecht Durer (1471-1528/German) Ink with Watercolor Graphische Sammlung, Albertina, Vienna, Austria

ARTE GOTICO. ESPAÑA. S. XV HUGUET, Jaume (Valls, h.1415-Barcelona, 1492) DETALLE DEL RETABLO DE LOS SANTOS ABDON Y SENET, pintura sobre tabla de 301x225 cm. Pintado en Barcelona entre 1460 y 1461. Procede del altar lateral de SANT PERE de Terrassa. IGLESIA DE SANTA MARIA. TERRASSA. Provincia de Barcelona. Cataluña.

Painting titled 'The Abduction of Helen' by Master of the Bargello Tondo (1400-1450) an Italian painter. Dated 15th Century

Agony in Garden by Pieter Coecke van Aelst the Elder, oil on wood, 1527-1530, 1502-1550, Russia, St. Petersburg, State Hermitage, 83x56, 5

RETABLO DE SAN VICENTE. PINTURA SOBRE MADERA DE SANT VICENÇ D'AGER. 1487, S.XV. Museum: Museo Diocesano de Lérida.

Couple in a Landscape -20th C. Pennsylvania Dutch, 20TH C., Artist Unknown, OIL ON CANVAS

The holy Ulrich. The holy Barbara. (Flight leaves sides of a triptych). (Hans Burgkmair 1473 Augsburg Augsburg 1531)

Umbria Terni Narni Palazzo del Podesta2. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

France: Feeding pigs with acorns, November in the calendar section of the Tres Riches Heures du Duc de Berry, tempera on vellum, Limbourg Brothers, c. 1415 CE

Jacopo del Sellaio / Orpheus Eurydice

The Annunciation ca. 1465-70 Hans Memling Netherlandish One of the largest surviving depictions of the Annunciation, this imposing painting was most likely commissioned by Ferry de Clugny, whose family coat of armsthe two joined keysdecorates the carpet and stained-glass window. In 1465, Ferry founded the Chapelle Dorée as his burial site in the Saint-Lazare cathedral at Autun and lavishly decorated it with artworks, probably including this panel. The composition is based on a design by Rogier van der Weyden. Possibly commissioned before his death in 1464, it was painted by Memling, who, technical evidence suggests, was a journeyman in Rogier's Brussels workshop before establishing himself in Bruges in 1465. Listen to experts illuminate this artwork's story Listen Play or pause #5224. The Annunciation Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Annun

'Sermon of Saint VincentFerrer'. Spain, First quarter of the 17th century. Dimensions: 178x111 cm. Museum: State Hermitage, St. Petersburg. Author: Francisco Ribalta (circle of).

RECOLECTA DE FRUTOS - HACIA 1750 - OLEO/LIENZO. Author: NADAL FERRAGUT JAUME. Location: POSESION DE MASSANELLA. ESCORCA.

Joos van Cleve / Adoration of the Kings

Altarpiece of the Epiphany by Joan Reixach (1411-1492) Spanish painter and miniaturist. Dated 15th Century

LA RESURRECCION DEL SEÑOR - SIGLO XV - OLEO/TABLA - 70x40 cm - NP 2519 - ESCUELA HISPANOFLAMENCA. Author: MIGUEL XIMENEZ (S XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. CRISTO RESUCITADO.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 72v, Crucifixion, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

RETABLO DE SAN SEBASTIAN - DETALLE DE SAN ELOY TRABAJANDO DE HERRERO - PINTURA GOTICA ESPAÑOLA. Author: ANONYMOUS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Bliżej Kultury Unknown, Litographic Plant: Benziger und Co, X Barth

Vertumnus and Pomona. Detail from the tapestry belonging to the the set "History of Vertumnus and Pomona", based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal.

Saint Anthony heals a child, fresco by Benedetto Veli in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy Saint Anthony heals a child, fresco by Benedetto Veli in the cloister of Santa Maria Novella Principal Dominican church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20827812

Changing the Letter, 1908, Joseph Edward Southall, The subject is taken from the poem 'The Man Born to be King' from William Morris's 'The Earthly Paradise'. The sealed letter is addressed 'To The Governor'

The Wilton Diptych, About 1415. The Wilton diptych;The right-hand panel shows the Virgin Mary with Jesus and angels

'St Martin's Dream', 14th century. Artist: Simone Martini

Hercules at Omphales house. Cranach, Lucas (1472-1553 ; st.), painter

Marriage between Louis XIV and Maria Theresa of Austria in Saint-Jean-de-Luz, 17th century French tapestry based on a cartoon by Saint Andre', from the series Story of the King.

The Lamentation, Lucas Cranach the Elder, 1538, Museum of Fine Arts, Boston, Mass, USA, North America

The crowning glory of the Jungfrau, The Coronation of the Virgin, paintings by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record Date Not Stated

The Guarded Bower, Arthur Hughes, 1864-1866,

St. John the Baptist in Meditation - 15th century - oil on panel. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN. SAN JUAN BAUTISTA.

Firescreen, Le Couronnement d'Esther; After Jean-François de Troy (French, 1679-1752); France; block-printed on handmade paper

Love Song, Sir Edward Burne-Jones, 1868-1877, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Lamentation, by Gerard David, circa 1515-1523, National Gallery, London, England, UK, GB, Europe

Adoración de los reyes del Siglo XVIII. Museum: Academia de bellas artes de Sant Jordi. Author: ANTONI VILADOMAT.

16th century cloth, 1878, engraving from a painting by Jan Gossaert (ca 1472-1532), from Dictionary of Furniture and Decoration, Volume III, by Henry Havard.

Pieta', ca 1460, by Cosme' Tura (1430-ca 1495), oil on wood, 48x33 cm.

St Sigismund and St George, detail from the doors of a triptych of the Crucifixion, 1519, by Hans Burgkmair the elder (1473-1531), 178x154 cm.

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. The Legend of Theodelinda of The Ambassadors/Spokesmen Report/Pass on the Response to Autari. Scene 4. Detail with Autari light blue/azure headdress/headgear

The Ottheinrich Bible was commissioned in c.1425 by the Royal Court of Bavaria. The unusually large manuscript was not completed until the following century when the German painter and engraver, Matthias Gerung, was offered 60 Rhenish guilders and winter clothes to illustrate the text. The Bible carries the name of the benefactor who supported its completion. Ottheinrich (1502-1559) was the Prince of Neuburg, Elector Palatine, soldier, pilgrim, reformer and art patron.

The elephant pit on Madagascar, guarded by the giant bird Rock, From Livre des Merveilles du Monde, (The Travels of Marco Polo), Studio of the Boucicaut Master, c.1412, Illuminated manuscript, Bibliotheque Nationale, Paris, France

Bartomeu Robió / Retablo de Santa Llúcia , siglo XIV. Museum: Església de Sant Llorenç, Lleida.

The Beheading of Saint John the Baptist by Giovanni di Paolo (ca 1403-1482) Art Institute of Chicago 1455-1460 Tempera on panel 68,6x39,1 Italy, School of Siena Renaissance Bible Painting

Artist: Miguel Ximénez, Spanish, active 1466-1505, The Fall of the RebelAngels, ca.1490, Tempera on panel, framed: 94.62 × 67.31 × 3.81 cm (37 1/4 × 26 1/2 × 1 1/2in.), Spanish,Catalonia, 15thcentury, Paintings

Angels accompany St. Francis, fresco by Tiberio d'Assisi, 1512, Renaissance, Capella delle Rose, Convent San Fortunato, Montefalco, Province of Perugia, Umbria, Italy, Europe

Adoration by the Kings, Master of the Antwerp Adoration, 16th century, painting, 16th century, Belgian Art

Dance of Salome 1461-62 Benozzo Gozzoli (1420-1497 Italian) National Gallery of Art, Washington, D.C

Dirk Bouts / 'Triptych of the Virgin's Life', ca. 1445, Flemish School, Oil on panel, 80 cm x 217 cm, P01461. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DIERIC BOUTS. VIRGIN MARY.

Santa Francesca Romana Holding the Christ Child. Artist: Antonio del Massaro da Viterbo (Italian, ca. 1450-ca. 1516). Dimensions: 21 3/4 x 14 7/8 in. (55.2 x 37.8 cm). Date: ca. 1445. Museum: Metropolitan Museum of Art, New York, USA.

Little Garden of Paradise. Date/Period: Between ca. 1410 and ca. 1420. Painting. Tempera on wood. Height: 26.3 cm (10.3 in); Width: 33.4 cm (13.1 in). Author: Upper Rhenish Master.

Italy, Florence. Paintings and frescoes in Santa Maria Novella.

Circle of Giorgione, Venus and Cupid in a Landscape, c. 1505-1515, oil on panel

Scene of Judgement, from a cassone panel, Shooting at Father's Corpse. Marco Zoppo (Italy, Cento, 1433-1478). Italy, circa 1462. Paintings. Tempera on panel

Bliżej Kultury Publisher of A.E. Seemann in Leipzig, Dürer, Albrecht (1471 1528)

El Born, siglo XVIII. Museu d'Història de Barcelona.

Saint Veronica (The Crucifixion Triptych) by Weyden, Rogier, van der (ca. 1399-1464) / Art History Museum, Vienne / c. 1440 / The Netherlands / Oil on wood / Bible / 101x35

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Hieronymus Francken I (1540-1610), Carnival in Venice.

The Blessed Humility and Eleven Stories from Her Life', (detail), c1306-1348 Artist: Pietro Lorenzetti

Mary Magdalene by Rogier van der Weyden, Oil on wood, 1438, circa 1399-1464, United Kingdom, London, National Gallery, 62.2x54.4

Adoration of the Magi or Strozzi Altarpiece, 1423, by Gentile da Fabriano (1370-ca 1427), tempera on wood, 203x282 cm. Detail.

Death and the Miser by Bosch, Hieronymus (c. 1450-1516) / National Gallery of Art, Washington / ca 1485 / The Netherlands / Oil on wood / Mythology, Allegory and Literature / 93x31 / Early Netherlandish Art

Angeli Ministrantes. Date/Period: 1894 (made) - 1894. Tapestry. Author: John Henry Dearle.

Precettory of the Sant'antonio di Ranverso: Fresco. Avigliana. Piedmont. Italy. Europe

Perugians leaving the city during plague, 1526, detail from Gonfalon (heraldic flag or banner) by Berto di Giovanni di Marco (ca 1475-ca 1529), Cathedral of St Lawrence, Perugia, Umbria. Detail. Italy, 16th century.

Joos van Cleve (ca.1480/1490-1540/1541). Flemish painter. Adoration of the Magi, around 1515. Triptych. Bourbon Collection. National Museum of Capodimonte. Naples. Italy.

Window with a woman at a well, anonymous, c. 1500 Double with a woman who stands by a bucket at a well. glass. lead (metal).. silver stain Double with a woman who stands by a bucket at a well. glass. lead (metal).. silver stain

The Adoration of the Magi 1490-1500 Italy. Tempera on panel (poplar) . Raffaello Botticini

Foothold from the Altarpiece of Saint John by Bernardo Martorell (1400-1452), Catalonian painter. Dated 15th Century

The Madonna at the Fountain, Eyck, Jan van, 1430.

Triptych of the Virgin and Child with Scenes from the Life of Christ. Italian, probably Venice. Date: 1310-1340. Dimensions: 63.5 × 92.7 cm (25 × 36 1/2 in.). Tempera on panel. Origin: Veneto. Museum: The Chicago Art Institute, Chicago, USA.

Der Tod kommt zum Richter, Totentanz, dance of death, Todten-Tantz after Beck, Nöller a. other painters by Georg Max. Theodor Goetz, Historical, digitally restored reproduction from a 19th century original

Pinturicchio, Bernardino (1454-1513) National Gallery, London Painting 125,5x152 Mythology, Allegory and Literature Penelope with the Suitors

St Jerome, 15th century, Spanish painting.

'St Sebastian and St Roch'. Italy, 15th century. Dimensions: 100x52 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the Umbrian School. 15th century.

Saint Barbara by Campin, Robert (ca. 1375-1444) Museo del Prado, Madrid 1438 The Netherlands Oil on wood Painting Bible

Georges Desvallières (1861-1950). Ex-voto in Sainte-Geneviève. Oil on paper. 1818. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, modern art, Catholicism, bedroom, bedroom, votive, oil on paper, Christian iconography, invocation, praying, prayer, nun, Catholic religious, holy, 19th XIX 19th 19th 19th 19th 19

Woman preparing a bath in a tub, 16th Century, by an unknown Franco-Rhenish artist.

Jean-Paul Laurens (1838-1921), . La Excomulgación de Roberto el Piadoso, . 1875, . Óleo sobre lienzo, Museo de Orsay, Ministerio de Cultura y Comunicación Francés, Paris, France,Western Europe.

Dish known as the Portrait Painter, 15th century. Artist: Unknown

Visitation, by Master of the Life of the Virgin, 1465-1475, Boijmans van Beuningen Museum, Rotterdam, Netherlands, Europe

Procession of the Magi by Benozzo Gozzoli (1420-1497), fresco. Detail. Chapel of Palazzo Medici Riccardi, Florence.

Temptation on the Temple, detail from the Episodes from Christ's Passion and Resurrection, the reverse surface of the Maesta' of Duccio Altarpiece in the Cathedral of Siena, 1308-1311, by Duccio di Buoninsegna (ca 1255 - pre-1319), tempera on wood.

Flight into Egypt, Fabriano, Gentile da, 1423.

Two female figures, by Giovannino De Grassi from Tacuino (sketchbook of drawings), Italy 14th Century. Drawing.

SALOME WITH HEAD OF JOHN THE BAPTIST, by Andrea Solario, 1490-1524, Italian Renaissance oil painting. There is dramatic contrast between Salomes beauty and jewels and Baptist's gruesome decapitated head held by a disembodied muscular arm (BSLOC_2017_16_68)

Saint George and the Dragon. Date/Period: 1480 - 1490. Painting. Oil on wood panel. Height: 495 mm (19.48 in); Width: 362 mm (14.25 in). Author: UNKNOWN.

Tacuinum Sanitatis. Medieval Health Handbook, dated before 1400, based on observations of medical order detailing the most important aspects of food, beverages and clothing. Farmers harvesting cucumbers. Miniature. Folio 23v.

There is a great Field Marshall, my friend, who arrays our battalions; Let us to Provdence trust, and abide and work in our stations'. John Byam Liston Shaw (1872-1919). Oil on panel. 35.6 x 25.5cm. From the poem 'The Bothie of Tober-na-vuolich' by Arthur Hugh Clough.

A Bridal Couple, c. 1470. Southern Germany, 15th century. Oil on panel; framed: 77.5 x 51 x 8.1 cm (30 1/2 x 20 1/16 x 3 3/16 in.); unframed: 62.3 x 36.5 cm (24 1/2 x 14 3/8 in.).

Sandro Botticelli, 1445 1510), Florentine, Italian painter. Adoration of the Magi, c. 1475 Tempera on panel

The Raising of Lazarus. Inner Right Wing of a Triptych with the Female Donor and St Catherine. Dating: c. 1530 - c. 1535. Place: Leiden. Measurements: support: h 69.7 cm × w 28 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Aertgen Claesz van Leyden (attributed to).

Juan de Flandes, The Nativity, Hispano-Flemish, active 1496-1519, c. 1508-1519, oil on panel

Quest for the Holy Grail Tapestries, Panel 3, The Failure of Sir Gawaine; Sir Gawaine and Sir Uwaine at the Ruined Chapel, 1895-96 Designer: Sir Edward Burne-Jones Designer: William Morris, Designer: John Henry Dearle Manufacturer: Morris & Co, The third narrative panel of the series., Applied Arts, AngelPre-Raphaelite, Tapestry, Animal, Horse, Knight, Arthurian Legend, Holy Grail

Knight and lady, 15th century, Ferrara School.

The Ghent Altarpiece by the van Eyck Brothers in St Bavo Cathedral in Ghent. Dating: 1829. Place: Belgium. Measurements: h 101.5 cm × w 81.3 cm; d 10.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Pierre François De Noter (mentioned on object).

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