Religious and Historical Paintings

Medieval and Renaissance artworks depicting biblical scenes and saints, showcasing intricate details and religious iconography.

Virgin Mary by Bernaert van Orley, Oil on canvas, 1488-1541, Russia, St. Petersburg, State Hermitage, 80x72

Virgin and Child with a Donor Presented by Saint Jerome. Artist: Master of the Munich Bavarian Panels (Bavaria, probably Munich, active mid-15th century); with additions by an Unknown painter, Italian (), active 1460s-1470s(). Culture: Bavaria, probably Munich. Dimensions: 25 x 19 in. (63.5 x 48.3 cm). Date: ca. 1450. Museum: Metropolitan Museum of Art, New York, USA.

Pedro Garcia de Benabarre (documented between 1445-1485). Spanish painter. Altarpiece dedicated to Saint John the Baptist, ca.1470. Panel depicting Herod's Banquet. Detail. From the Parish Church of Sant Joan del Mercat, Lleida. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Annunciation, 1523, by Carlos Frey (active 1517-1535), panel, 197.5 x198 cm.

Detail from a fresco in the Cathedral of Notre-Dame, Le Puy-Notre-Dame, France 12th century.

RETABLO DE SAN VICENTE. PINTURA SOBRE MADERA DE SANT VICENÇ D'AGER. 1487, S.XV. Museum: Museo Diocesano de Lérida.

Virgin Mary by Bernaert van Orley, Oil on canvas, 1488-1541, Russia, St. Petersburg, State Hermitage, 80x72

Style of C.Rosselli/Madonna del Soccorso

Small Triptych of St. John the Baptist by Memling, Hans (1433/40-1494) / Art History Museum, Vienne / c. 1490 / The Netherlands / Oil on wood / Bible / 79,5x112,2

Jaume Serra / Altarpiece of the Virgin, 1367-1381, Tempera, gold leaf and metal plate on wood, From the monastery of Santa María de Sigena. Museum: Museu Nacional d'Art de Catalunya, Barcelona.

The Adoration of the Magi. Dated: c. 1450. Dimensions: overall: 26.9 x 46.4 cm (10 9/16 x 18 1/4 in.) framed: 35.9 x 56.4 x 5.2 cm (14 1/8 x 22 3/16 x 2 1/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI DI PAOLO.

The Nativity. Dated: c. 1450. Dimensions: painted surface: 127.6 x 94.9 cm (50 1/4 x 37 3/8 in.) overall (panel): 130 x 97 cm (51 3/16 x 38 3/16 in.) framed: 149.2 x 118.4 cm (58 3/4 x 46 5/8 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: PETRUS CHRISTUS.

Polyptyc of Montefiore dell'Aso. Saint Catherine, Saint Peter, Saint Mary Magdalene, a Franciscan Saint, Saint Chiara, Saint Louis of Toulouse, by Carlo Crivelli, 1475, 15th Century, tempera and gold on board

DET IZQ- TAPIZ DE LOS SENTIDOS- S XVI - Conjunto nº 48896. Location: SEO MUSEO DE TAPICES Y CAPITULAR, LA. SARAGOSSA. Saragossa Zaragoza. SPAIN.

Angel of Lord by Rogier van der Weyden, Oil on wood, circa 1440, circa 1399-1464, J. Paul Getty Villa Malibu, 89x80

Scene from a Novella Liberale da Verona Italian This and its companion panel are from the front of a chest (cassone) and show two episodes from an as yet unidentified story, or novella. In one, a youth is smitten by a maiden who appears at a window. In the other, they engage in an erotically charged game of chess (she is about to lose). Both were common themes in the amatory literature of the Renaissance. The figures bleached blond, frizzy hair was the height of fashion in fifteenth-century Siena. Liberale was a brilliant illuminator and worked on choirbooks in Siena between 1467 and 1476.. Scene from a Novella 436885

Deathbed of the Rich Man, with a Devil Descending to Retrieve the Deceased's Soul. Dating: c. 1550 - c. 1574. Place: Nederlanden. Measurements: h 208 cm × w 122 cm; h 225.5 cm × w 135.3 cm × d 7.8 cm. Museum: Rijksmuseum, Amsterdam.

Painting at the entrance to the Capela do Senhor dos Passos da Casa dos Ossos (former chapter room), Church of St Francis, Evora, Alentejo, Portugal, ...

Assisi (Italia, Umbria - provincia di Perugia), Oratorio dei Pellegrini. Affreschi di Pierantonio da Foligno e Andrea d'Assisi (scuola peruginesca). Parete destra con scene di vita di San Giacomo da Compostela (Il miracolo dei galletti arrostiti che resucitano dal piatto a testimonianza dell'errata condanna del giovane condannat oa morte; Il miracolo del giovane innocente impiccato e salvato dal santo)

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra3. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Jerome and St Catherine of Alexandria. Saint Jerome and Sainte Catherine. Dating: c. 1480 - c. 1490. Place: Bruges. Measurements: h 84.5 cm × w 61 cm. Museum: Rijksmuseum, Amsterdam.

Fresco hunters and dogs before Goddess Diana with eagle of Jupiter and Lion Gate of Verona with zodiac sign of Aquarius, fresco, 1520

Adam and Eve Weeping over Abel's Body'. Vranck van der Stockt (before 1420-c1495) South Netherlandish painter.

The Anunciation, 16th century, Nardon Penicaud, active 1493-d. 1541, 5 1/8 x 3 7/8 in. (13.02 x 9.84 cm) (outer frame), Enamel on copper, France, 16th century

deatail from the 'The Garden of Earthly Delights' triptych painted by the Early Netherlandish master Hieronymus Bosch. Created: 1503ñ1504

Madonna & Child With Angels c.1455 Filippo Lippi (ca.1406-1469 Italian) Galleria degli Uffizi, Florence, Italy

Petrarch's Virgil (title page) c. 1336 Manuscript. Thanks to Petrarch's sonnets we know that the poet and the painter became very good friends. Simone martini must undoubtedly have been influenced by the proto-Humanist cultural world of Petrarch, and we can see clearly how the manuscript illumination of Petrarch's Virgil in the Biblioteca Ambrosiana in Milan

Retablo de san Bartolomé, 1350-1375. Detalle del Nacimiento de san Bartolomé. Pintura al temple de huevo sobre tabla. 268,5 x 247,5 cm. Procedente de la Catedral de Tarragona. Museo Diocesano de Tarragona. Author: MESTRE DE SANTA COLOMA DE QUERALT.

Tabla de la Epifanía, 1430-1434. Escuela leridana. Pintura al temple sobre tabla. Museu Diocesà de Lleida. Author: JAUME FERRER II.

'The Virgin of the Catholic Kings' (detail), 1491-1493, Spanish School, Panel, P01260. Author: MAESTRO DE LA VIRGEN DE LOS REYES CATOLICOS (S XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. PRINCIPE JUAN (1478-1497). HIJOS DE LOS REYES CATOLICOS.

Workshop of Pedro García de Benabarre (1445 - 1485). Birth of the Virgin; Painting; circa 1475. Tempera, stucco reliefs and gold leaf on wood

FERRER II, Jaume (15th century). Altarpiece from VerdÏ. 1432-1434. Altarpiece compartment with the Annunciation. Gothic art. Tempera on wood. SPAIN. CATALONIA. BARCELONA. Vic. Vic Episcopal Museum. Proc: SPAIN. CATALONIA. LLEIDA. VerdÏ. Parish Church of St. Mary.

Joseph interpreting Pharaoh's dreams. Date/Period: 1816. Paper. Watercolour and gouache over pencil on brownish card; signed at bottom left: 'P. Cornelius Roma 1816' Watercolour and gouache over pencil on brownish card; signed at bottom left: 'P. Cornelius Roma 1816'. Height: 386 mm (15.19 in); Width: 357 mm (14.05 in). Author: PETER VON CORNELIUS.

DETALLE DEL TRIPTICO RELICARIO PROCEDENTE DEL MONASTERIO DE PIEDRA - 1390 - DETALLE DE UN ANGEL MUSICO - GOTICO MUDEJAR. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN.

Altarpiece of Saint Vicent. Gothic style. 14th-15th century. Diocesan Museum. La Seu D'Urgell. Catalonia. Spain.

Painting titled 'The Abduction of Helen' by Zanobi Strozzi (1412-1468) an Italian painter and manuscript illuminator. Dated 15th Century

Anonymous / 'The Presentation of the Virgin in the Temple'. XVIII century. Shell work on panel. Museum: Museo del Prado, Madrid, España.

Master of the St Lucy Legend Mary, Queen of Heaven c 1480 c 1510 (hi res) Painting; oil on panel; painted surface: 199.2 x 161.8 cm (78 7/16 x 63 11/16 in.) overall (panel): 201.5 x 163.8 cm (79 5/16 x 64 1/2 in.) framed: 220.03 × 182.88 × 9.53 cm (86 5/8 × 72 × 3 3/4 in.) framed weight: 92.987 kg (205 lb.);

Italy, Florence, oil on panel painting of Saint Jerome

Tapiz de la buena vida, siglo XV, museo de la catedral, Tarragona, España.

Mary, Child, Saints / P. della Francesca

Gothic medieval art in the National Art Museum of Catalonia,Bernat Despuig and Jaume Cirera painters,altarpiece of San Miguel and San Pedro(1432-1433).

LA DEGOLLACION DE SAN JUAN BAUTISTA. Location: MUSEO DE BURGOS. BURGOS. SPANIEN.

DETALLE DE LA ADORACION DE LOS MAGOS - PINTURA MURAL DE LA ERMITA DE LA VERA CRUZ DE MADERUELO - SIGLO XII - ROMANICO ESPAÑOL. Author: ANONYMOUS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Melchor.

Madonna and Child Enthroned 1472 Carlo Crivelli Italian These three panels are from an altarpiece painted for a Dominican church in the Marchigian town of Ascoli Piceno. It is possible that the child was originally shown reaching for a flying bird, his frequent attribute. The cracked marble dais is a recurrent feature of Crivelli's work. On it are two pears, symbolic of the Fall of Man, and a fly, conceivably an emblem of Satan. Crivelli loved visual tricks, and the shadow cast by the fly gives a disturbingly realistic quality.Saint George (fourth century) is shown in contemporary, fifteenth-century armor with the dragon he slew. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org.. Madonna and Child Enthroned 436051

Altarpiece of Saint Sebastian. Central panel. Detail of Saint Sebastian.1417-1425. Tempera, gold leaf and metal plate on wood. 243,3 x 102,5 x 12 cm. From the refectory chapel of the Pia Almoina, Barcelona. Museu Nacional d'Art de Catalunya. Author: JOAN MATES.

Coriolanus persuaded by his Family to spare Rome by Michele da Verona (1470-1536/44)/ National Gallery, London/ c. 1500/ Italy, School of Verona/ Oil on canvas/ Renaissance/ 93,3x120/ Mythology, Allegory and Literature

Bernardino da Asola (1490-1535) National Gallery, London Painting 221x148,3 Mythology, Allegory and Literature The Garden of Love

Saint Nicholas by Pietro di Giovanni d'Ambrogio, Tempera on panel, 1430s, circa 1410-1449, Switzerland, Basel, Art Museum, 31x23

Astrea and Celadon, 17th century French tapestry depicting an scene from Astree, a novel by Honore' d'Urfe' (1568-1625), manufacture of Aubusson. Chateau de la Bastie d'Urfe, France.

ARTE GOTICO. ESPAÑA. MAESTRO DE MONTESION (Inicios del siglo XV). "RESURRECCION". Remate de un retablo. Procedencia desconocida. Tamaño: 1,44 alt. x 0,78 ancho. Museo de Mallorca. Palma de Mallorca. Islas Baleares.

DOMENICO DI BARTOLO (1400-1447). Marriage of an Orphan. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Left detail of a teacher teaching girl to read. Pilgrim Hall. Sienese school. Renaissance art. Quattrocento. Fresco.

VIDA Y MARTIRIO DE SANTA CATALINA - DETALLE IZQUIERDO - DONANTE CON SANTA ISABEL - POLIPTICO SIGLO XVI - POLIPTICO/TABLA - 120 x 36 cm - NP 2685. Author: ANONIMO FLAMENCO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Seven Works of Mercy. Paneel van een veelluik met de zeven werken van barmhartigheid: het herbergen van de reizigers. Dating: 1504. Measurements: support: h 103.5 cm × w 56.8 cm. Museum: Rijksmuseum, Amsterdam. Author: MASTER OF ALKMAAR.

Miquel Torell (Mestre d'Olot) / Retablo de Santa Cristina de Corçà, siglo XV. Museum: Museu d'Art, Girona. Author: MIQUEL TORRELL.

Bernard van Orley / 'The Virgin and Child with Hernán Gómez Dávila y San Francisco'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

M.van Heemskerck / Ruth and Naomi

Annunciation in grisaille (monochromatic grey), exterior wings of the triptych altarpiece (ca 1489-1502) by the Master of Moulins, in the Cathedral of Notre-Dame, Moulins, France.

TRIPTICO DE ESMALTE - SIGLO XVI. Location: LA SEO, ZARAGOZA, SARAGOSSA ZARAGOZA, SPAIN.

Antiochus And Stratonice 15th Century Master of Stratonice Panels (15th C. Sienese) Oil On Wood Panel The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA

Tapiz de la buena vida, siglo XV, museo de la catedral, Tarragona, España.

Gathering of Manna, inner, right wing of a triptych, Anonymous, c. 1510 - c. 1520

Young man in love with two girls, left side scholars talking / Verliebter Jüngling mit zwei Mädchen, Links Gelehrte im Gespräch, ca 1500, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

'The Triumph of Love', c15th century, (1937). Artist: Emile- Aurele Van Moe.

Rofeno Abbey Poliptych by Lorenzetti, Ambrogio (ca 1290-ca 1348) / Museo Civico Archeologico e d'Arte Sacra Palazzo Corboli Asciano / 1330-1335 / Italy, School of Siena / Tempera on panel / Bible / 258x230

Goldsmith's workshop / Illumination 1505

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

April or Aries with ploughing with oxen, women in garden and rabbits in forest, fresco from Cycle of Months, c.1400, Buonconsiglio Castle

Book of Hours. Master of Guillaume Lambert (French, active about 1475 - 1485)

Catherine of Wheel by Westphalian Master, Oil on wood, circa 1470-1480, active ca 1470-1480, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 160x67

The Adoration of the Magi. Pieter Coecke van Aelst (workshop) (Flanders, 1502-1550). Holland, circa 1530. Paintings. Oil on panel

Saint bartolomeo: frescoes, albino, Italy.

National art gallery: jacob and rachel at the well by master of the twelve apostles, 1540, ferrara, italy

Legend of Fountain of Youth, fresco

Bordeaux, France The painting "The exorcism of Jean-Joseph Weerts, Museum of Fine Arts , 1920-1921 - Charente, Gironde, Basse -Pyrénées, Hautes Pyrénées - Fernand Cuville (French - Bordeaux , France Le tableau «L' exorcisme de Jean-Joseph Weerts , musée des Beaux-Arts). Museum, Christianity, Painting, Religion , Art, France, Bordeaux, Museum: Exorcism (Weerts)

ARTE GOTICO. ESPAÑA. S. XV MUR, Ramon de (primer tercio S. XV). Pintor de retablos catalán. NACIMIENTO DE JESUS del retablo de Guimerà (1402-12). Ramon de Mur se le ha identificado con el anónimo "Maestro de Guimerà". Su obra presenta todas las cualidades de la pintura del S. XIV. Museo Diocesano de Vic. Provincia de Barcelona. Cataluña.

PALA SFORZESCA, Master of the (15th c.). Pala Sforzesca. 1496. Madonna and Child, enthroned with the Doctors of the Church and the family of Ludovico il Moro. Renaissance art. Quattrocento. Oil on wood. ITALY. LOMBARDY. Milan. Pinacotheca of Brera.

Triptych with the history of Salomon, Meester van het Salomon triptiek, in of after 1521

Ecce Homo, Workshop of Hieronymus Bosch, Museum of Fine Arts, Boston, Mass, USA, North America

Edward Coley Jones, The Golden stairs, 1880, oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.

Hieronymus Bosch (c.1450-1516). Dutch painter. The Garden of Earthly Delights, 1500-1505, Triptych. Detail of the central panel. Prado Museum. Madrid, Spain.

Anonymous. Catalonia. Panels with scenes of the Martyrdom of Saint Lucy, ca.1300. Detail depicting Saint Lucy taking out her eyes before consul Paschasius. From the Parish Church of Santa Llucia de Mur (Guardiola de Noguera, Catalonia). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

painted house with old typical scenes, Valldemossa,Mallorca, balearic islands, spain, europe.

Religious illustration with Saint Bernard by Filippino Lippi, tempera on panel, circa 1490, 1457-1504, Italy, Florence, Badia Fiorentina

Gallerie dell'Accademia. The nativity. Canvas.

Sodoma, Saint George and the Dragon, probably 1518 Saint George and the Dragon

Anonymous / 'The Mystic Marriage of Saint Catherine (triptych)', ca. 1520, Flemish School, Oil on panel, 183 cm x 88 cm, P01916. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Vittore Carpaccio: St. Martin, Altarpiece, permanent exhibition of church art in Zadar, Croatia

St. Nicolas and Sts. Catherine, Lucy, Margaret and Apollonia. Painting. Tempera on panel Tempera on panel. Height: 1,150 mm (45.27 in); Width: 1,225 mm (48.22 in). Author: Francesco Botticini.

Retablo de San Miguel de Castelló d'Empúries, 1448. Museu d'Art de Girona.Girona. Author: MESTRE CASTELLÓ D'EMPURIES.

St Jerome and St Alexander, side compartment of the Altarpiece of Santa Maria delle Grazie, by Vincenzo Foppa (ca 1427-ca 1515).

The Seven Deadly Sins, Bosch, Hieronymus (c. 1450-1516)

Giovanni Larciani (Master of the Kress Landscapes), Scenes from a Legend, probably c 1515 1520 Scenes from a Legend

Przeszoc Przyszoci Bernardino Orsi da Collecchio (OK.1450 OK. 1532)

Flemish tapestry of Tournai. 16th century. Detail of a Portuguese nobleman and a native of Indies.

BLASCO DE GRAÑEN. PINTOR ESPAÑOL. ESCUELA ARAGONESA S/XV. " NACIMIENTO DE LA VIRGEN ". MUSEO BELLAS ARTES. BILBAO VIRGEN MARIA.

King Mark and La Belle Iseult. The story depicted is from Malory's Morte d'Arthur. In love with Sir Tristram but promised in marriage to King Mark, Iseult tries to kill herself but is prevented from doing so by King Mark, who grips her arm and forces her to drop the sword.. Artist: Sir Edward Burne-Jones

Memorial Panel with Eight Male Portraits, probably Willem Jelysz van Soutelande and Family, with Saint James the Greater and the Van Soutelande Family Crest, inner left wing of an altarpiece, Master of Alkmaar, c. 1515 - c. 1520

Jean Desmaretz presenting a book to Anne of Brittany, Queen of France, 1491-1499. The queen wears a cape bretonne adorned with pearls, cordeliere belt and sits on a cross-shaped throne. Presentation de manuscript, France, fin du XVe siecle. From the manuscript peom La magnifique victoire du roi tres-chretien Louis XII, MS 9707, Bibliotheque Imperiale. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

The Dream of Life. Chromolithography by Franz Kellerhoven after a fresco attributed to Andrea Orcagna (1308-1368), in the cloister of the Camposanto Monumentale in Pisa (Italy). "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

The Martyrdom of Saint Barbara, Lucas Cranach the Elder, circa 1510, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

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