Religious and Historical Portraits

A series of prints featuring religious figures and historical scenes, characterized by intricate engravings and detailed backgrounds, highlighting importance and artistry.

Wolfgang The Goldsmith after Master E.S. (German, active second half 15th century), The Madonna and Child with the Abbot Ludwig von Churchwalden, 1477, engraving

Mozart, Wolfgang Amadeus.

Wolfgang The Goldsmith after Master E.S. (German, active second half 15th century), The Madonna and Child with the Abbot Ludwig von Churchwalden, 1477, engraving

Bliżej Kultury unknown

Konrad Kurzbold, Graph Mim Lahangou

Portret Van Benedict 13, Andreas Pfeffel, 1728 print Augsburg paper engraving / etching pope. title-page. angel(s) represented as child(ren). column, pillar ~ architecture. handwriting, writing as activity. study; 'studiolo'; library

Wszyscy Święci w MNK unknown

Woodcut by Hans Burgkmair depicting David and Bathsheba within an architectural framework designed by Hans Weiditz, showing figures, gestures, composition, and architectural elements, created in 1519.

Rafaël tries to bring Lucifer to reason, Johannes Josephus Aarts, 1898 print Lucifer in armor with ax and shield. To the right next to him the Archangel Rafaël. paper letterpress printing devil(s) and demons: Lucifer. the Archangel Raphael. protective weapons: shield. tools, aids, implements ~ crafts and industries: axe

Ludwig IV., The child king.

Umbria Perugia Foligno Monastery of S. Anna00. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory with the coat of arms of Overijssel ..

Micheli, Melchiore.

Bliżej Kultury Verlag of Ferdinand Schenk in Vienna

Lazio Roma Rome S. Ignazio di Loyola65. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Memorial for Johan Diederich Deiman, Theodoor Koning, after Pieter Wagenaar (II), 1783 print Graf monument for the pastor Johan Diederich Deiman. On the right the personification of time, with corners and a sickle, who puts an end to life. On the left a wrapping woman with a book under her arm. They flank the oval portrait bust of Deiman, which is framed by a snake that bites in its own tail (Ouroboros): the sign of eternity. Behind the portrait a column, with the family crest on it. Under the monument three skulls and a two -line text on the plaque. Amsterdam paper etching / engraving other memorial structures. serpent Ouroboros. agricultural implements: sickle

Bliżej Kultury unknown

Bliżej Kultury unknown

Tuscany Siena Poggibonsi S. Lucchese93. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rocaille door with woman and messenger; Porte d'un salon; Interior decorations. For a rocaille door with vase, putti and floral motifs is a messenger with a staff and a letter. On the right is a woman in the doorway. Publisher number X.

Woodcut by Leonhard Beck depicting Saint Hugo from the Sipp series associated with Emperor Maximilian I, created on wooden stick in 1517.

Widukind .

Woodcut by Hans Schäufelin depicting the blue king ensuring stability for the subjects of the young Weißkunigs, created on pear wood between 1514 and 1516.

Abbots coat of arms (recto); Image of Madonna and Child (verso). T.V.B. (grafik ; fl. ca 1550), graphic artist

June The lovers are married Date: 1523

Umbria Perugia S. Giorgio Parish church3. Hutzel, Max 1960-1990 These photographs were formerly filed under Norcia. Prints of the two exterior views are lost or missing. Remaining coverage is of the church interior, mostly of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of a painting by William Holman Hunt; The Light of the World Holman Hunt. Part of English family album with photos of people, travel, cricket and artworks.

Depiction of Saint Chlodoveus from the Sipp, related to Emperor Maximilian I., painted by Leonhard Beck on a wooden stick in 1517.

The Habsburg Albrecht (16 August 1397) (27 October 1439) was Duke of Austria as Albrecht V and from 1438 onwards Roman-German King as well as King of ...

Fontein met buste Apollo; Johann Jacob Schüblers Neunzehende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet werden Unterschiedliche Moderne Garten-Ornemens (...).There are two ornamented fountains in a garden. The fountain on the right is decorated with a bust of Apollo with arrow sleeve and winch. A six-line German text in the undermarge.

La Grande Résurrection de Lazare. Bisson Frères (French, active 1840 - 1864)

Israhel van Meckenem after Master E.S. (German, c. 1445-1503), Saint Philip, c. 1470-1480, engraving

Wooden stick artwork on pear wood from Albrecht Dürer's workshop, part of the "honorary gate" series, depicting History No. 8 picture for Emperor Maximilian I, created in 1515.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Haman begs Esther for his Life. Artist: Circle of Pseudo-Aert Ortkens (Flemish, 1510-1540). Dimensions: diameter: 9 1/4 in. (circular). Former Attribution: Formerly attributed to School of Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Date: 16th-mid 16th century . Museum: Metropolitan Museum of Art, New York, USA.

Emperor Titus saying farewell to Jewish queen Berenice of Cilicia. The naked queen embraces the Roman emperor. Titus faisant ses adieux a la Reine Berenice. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Portrait of Casimir II the Just on the throne, according to a woodcut from: `Chronicle of the Poles` (Chronica Polonorum), by Maciej Miechowita, Kraków 1521, p. CCXXII. Lesser, Aleksander (1814-1884), draughtsman, cartoonist, unknown, woodcutter

Tuscany Grosseto Montemerano S. Giorgio2. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Bliżej Kultury unknown

Bildnis des Charles Gotf. Schraderus

Part of an orphrey. Culture: Italian, Florence. Dimensions: H. 13 x W. 8 1/2 inches (33.0 x 21.6 cm). Date: late 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornament with two standing female figures, anonymous, 1700 - 1800, draughtsman: anonymous, 1700 - 1800, paper, h 110 mm × w 83 mm

Umbria Terni Porchiano del Monte Parrocchiale4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century). Post-medieval: Architectural sculpture, frescoes, sculpture (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lew Sapieha (1557 1633), Chancellor of Iithuania and Voivode of Vilnius, Iithuanian Hetman. From: Oleszczyński A., Polish varieties (Poiish Miscellanea), Pubiiés by .. 60 various serious steel plates with biographical notices, Paris 1832 1833, Brodowski, S., The Iives of the Queens of the Poiish Kingdom And the great Duchy of Iithuania , Lviv 1850, Table M.S. 196/197 Oleszczyczki, Antoni (1794-1879)

Triptych with cutting, 14th century, David van der Kellen (1827-1895), 1857 - 1864 print Triptych with cutting, 14th century. Central Maria with child, in the two side shuts scenes from the story of the birth of Christ. Haarlem paper monument, statue. piece of sculpture, reproduction of a piece of sculpture Netherlands

Tuscany Siena Sinalunga S. Bernardino0. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

Netherlands, Knife handle, Two handles of knives, Knife handle with the Visitation, At the bottom in the niche is Juno. Inscriptions: ...all mourn (in medallion); Lucas.1 (under representation); Juno (under niche); all inscriptions are mirrored. Hatched background. One of two leaves with a medallion at the top in a frame of leaf tendrils, a biblical scene below and a figure in a niche at the bottom., print, ornament print, prints, ornament prints, height 77 mm, width 19, 9 mm, print maker, printmaker, 1500 - 1610, 16th century, 16e eeuw, first quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Francesco Solimenas drawing shows an ordination scene executed with reddish brown brush and white highlights over coal, emphasizing figures and ceremonial posture.

Widow gives a gift, Albrecht de Vriendt, 1871 print paper. etching widow. offertory-box, offertory-bag

Vatican City, Papal court, Italy, Vaccari, Andrea, Vanni, Francesco, Saints' lives, Life of Cardinal Carlo Borromeo, verso - stamped, Saint Carlo Borromeo kneeling before a crucifix. Around this representation fourteen smaller representations with scenes from the life of Carlo Borromeo. Below the central representation two coats of arms., print, prints, height 468 mm, width 348 mm, print maker, printmaker, 1604 - 1604, paper, engraving, engraving (printing process), etching, etchings, plate tone, Work conception, Italian, 1563 - 1610-10-26, after a design by, Publication (Event), Publication, Italian - 1627, publisher, granter of privilege

Design for a book cover for 'Freckles' by Stratton-Porter, Girl kisses in front of her kneeling English soldier., draughtsman: Albert Hahn (I), draughtsman: Albert Hahn (II), Jun-1918, paper, pen, brush, h 169 mm × w 105 mm

Knight in armour from the 15th century with heraldic shield and sword. His spouse beside wears an original headdress. From Dresden museum of prints and drawings. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the early Middle Ages to the end of the 18th Century," Frankfurt, 1883. IIlustration drawn by Hefner-Alteneck, lithographed by C. Regnier, and published by Heinrich Keller. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German archeologist, art historian and illustrator. He was director of the Bavarian National Museum from 1868 until 1886.

Mantua, Andreani, Andrea, Bologna, Treviso, Girolamo da (II), Gandini, Alessandro, Virgin and Child Surrounded by Saints, verso - stamped, Virgin and Child is seated in the centre with the standing Christ Child next to her. They are surrounded by saints and angels. In the foreground on the right is Saint John the Baptist., print, prent, prints, enten, height 360 mm, width 246 mm, print maker, prentmaker, 1610 - 1610, third quarter 16th century, derde kwart 16e eeuw, fourth quarter 16th century, vier kwart 16e eeuw, first quarter 17th century, paper, papier, chiaroscuro woodcut, Italian, 1497 - 1544, after, after painting by, Publication (Event), Publication, 1559 - 1629, publisher

Marius trekt zich terug in Praeneste.Marius de Jonge is drawn by the inhabitants of Praeneste with a rope on the city wall. The city gates are closed to keep the armies of Sulla beyond.

William Blake, Job and His Daughters, 1825, engraving on chine collé on cream wove paper.

Decoration for the marriage of Prince Paluzzo Altieri, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: two flying angels carry a curtain. In front of its upper part is the portrait of Pope Pius and below it those probably of Ferdinand I and Queen Maria Carolina (N.B. this reference was crossed out by PDM). Two crossed branches are below the latter. A supporting column is roughly indicated. At right in smaller scale. An entablature is supported by a column at left, a gaine at right. A curtain is in the intercolumniation with three portraits similarly disposed as at left. A flying angel supports the frames of the couple. Bottom row, at left: a design similar to the last one described, showing two gaines and no supporting angel. Two angels seem busy and are similar to those in 1901-39-1447. At right: a similar design. Not entirely shown. The portrait of the Pope is fastened in front of the entablature. The circular fra

Umbria Perugia Cerreto di Spoleto S. Giacomo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut by Leonhard Beck showing Saint Bega from the Sipp, linked to Emperor Maximilian I, carved on wooden stick, 1518.

Woodcut by Urs Graf the Elder depicting Jesus driving the money changers from the temple, created between 1505 and 1528, emphasizing the biblical story of cleansing the sacred space.

Part of an orphrey late 15th-early 16th century Italian, Florence. Part of an orphrey 227173

Domenico di Bartolo d'Asciano: Kaiser Sigismund on the throne, detail of the floor, Cathedral of Siena. .

Album n � 1. Stained glass project for Chateauneuf-sur-Loire Church Gsell-Laurent workshop. Album n � 1. Stained glass project for Chateauneuf-sur-Loire church. Pencil on paper layer.

Saint Gregory as Deacon Directing Prayers and Processions for the Cessation of the Plague. Artist: Carle (Charles André) Vanloo (French, Nice 1705-1765 Paris). Dimensions: 7 3/4 x 5 1/2 in. (19.7 x 14 cm). Date: 1762.According to his long-time friend and biographer, Michel-François Dandré-Bardon (1700 - 1783), Carle Vanloo received the prestigious commission for the vault of the church of Saint-Louis des Invalides in 1762. The chapel was initially decorated by Michel Corneille (1642 - 1708) with paintings of the same subject; however, by the mid- eighteenth century the panels were heavily damaged by humidity and needed to be replaced. Vanloo was the logical choice, having been named Premier peintre du roi this same year and having already proved himself worthy of monumental religious painting in his series of canvases for the choir of Notre-Dame-des-Victoires in Paris (executed 1746 - 1755). Vanloo borrowed nothing from Corneille and even changed the subjects, giving them a more fluid,

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo04. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

May The young man goes riding with his beloved Date: 1523

Print, Decorated Capital Letter H; Jakob Frey; After Giovanni Passari (Italian); Switzerland; engraving on paper; 5.3 × 5.4 cm (2 1/16 × 2 1/8 in.); 1907-7-21-b

Ornament with two standing female figures.

Lazio Roma Rome S. Croce in Gerusalemme17. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Warwick and the Infant King', 1903. Artist: Unknown.

Steinbildnis von Friedrich Barbarossa am Eckstein eines Fensters im Kreuzgang des Klosters St. Zeno in Reichenhall in Bayern, digitale verbesserte Rep...

Depicts Saint Veronica, created anonymously between 1470-1490 as a woodcut. The composition shows her holding the veil displaying Christ's face, emphasizing religious symbolism.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo11. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

A post-1770 woodcut by the Cranach workshop depicting an allegorical representation of Luther's teaching, showing symbolic figures and moral themes in detailed composition.

Copper engraving by Conradus Goltzius depicting a scene with an outer-painted figure and a cursed individual, created between 1587 and 1595, illustrating late 16th-century European allegorical art.

Engraving depicting Rudolf I of Germany (1218-1291). Dated 13th Century

Picture of Sweet Lady of Den Bosch, The Netherlands, Anonymous, 1700 - 1879.

Tuscany Grosseto Montemerano S. Giorgio0. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Santa Maria dell'Anima (Schr. 1019m) 15th century Anonymous, German, 15th century German. Santa Maria dell'Anima (Schr. 1019m) 382437 Artist: Anonymous, German, 15th century, Santa Maria dell'Anima (Schr. 1019m), 15th century, Woodcut, hand-colored, sheet: 10 5/8 x 6 7/8 in. (27 x 17.5 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.157)

Wszyscy Święci w MNK Rentz, Michael Heinrich (1698 1758), Montalegre, Joseph de (fl. 1696 1729)

A drawing depicting a woman washing Christ's feet and drying them with her hair., 1500 - 1599

Annunciation with Beato Bernardo Tolomei di Siena. Artist: Anonymous, Italian, 19th century , copy after 16th century. Dimensions: 11 x 7 13/16 in. (27.9 x 19.9 cm). Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Mienczylaw, Duke of Poland.

STAINED WINDOW, BY GIBSON, NEWCASTLE

Andreas Flinch (1813-1872), initials of presence and Jesus Feed, 1813 - 1872

Brussels, Simonau & Toovey, Saint Christophe, Reproduction of a painting of Saint Christopher with Christ on his shoulders, recto - printed, photomechanical print, page, reproduction, photographs, photographically illustrated books, Collection de MC Ruhl - Cologne., height 197 mm, width 114 mm, maker, manufacturer, 1858 - 1863, paper, papier, photolithography, fotolithografie, after, after a painting by, Belgian, printer

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for William and Jane Smith from Enfield Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Album n � 4; Stained glass project for Fleusbaix: Christ in the garden of olive trees Gsell-Laurent workshop. Album n � 4; Stained glass project for Fleusbaix: Christ in the garden of olive trees. Pencil, watercolor on layer.

Athenian beauty Cydippe writing a letter to Acontius. A girl writes sat in a chair with a lectern next to a curtained bed. The loves of Cydippe and Acontius. Les amours de Cydippe et d'Aconce. France, beginning of 16th century. From Letter XXI, Epitres d'Ovide traduites par Octavien de Saint-Gelais, Arsenal BLF 20, XVIe siecle. Chromolithograph by Thurwanger after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Montmorency, Jean de.

This draft by Claudius Lavergne depicts Saint Vinzenz von Paul for a glass window in the Church La Sagesse, executed with pencil, black brush, white and ocher highlights on greenish-blue paper between 1862 and 1869, emphasizing figure, posture, and compositional detail.

A chalk drawing by Bartolomeo Altomonte showing the healing of a lame person, executed with a lead handle and ink frame, highlighting figures and narrative composition.

Copper gravestone, 15th century. Copper gravestone, 15th century. Presented his lady Kateline, her brother and an angel.

Lazio Roma Grottaferrata S. Maria24. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for honorable sign for faithful service, Calv, Delft. Draughtsman: Richard Roland Holst. Dating: 1924. Measurements: h 567 mm × w 448 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Kazimierz just sitting on the throne, according to the woodcut from: "Chronicle of Poland" (Chronica Polonorum), Maciej Miechowita, Kraków 1521, p. CCXXII; Lesser, Aleksander (1814-1884), 1830-1884 (1830-00-00-1884-00-00);Kazimierz Righteous (Prince of Poland - 1138-1194), Kazimierz Righteous (Prince of Poland - 1138-1194) - iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt ( Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Miechowita, Maciej (1457-1523). Polish chronicle, gift (provenance), copies, copies of engravings, personalities, Polish personalities, portraits, men's portraits, rulers

The Visitation, created by Friedrich Creussner (fl. 1472-1499), is a woodcut from the Missal for the Holy Mass, titled 'Die Ausslegung des Ambts der heyligen Messe.' Produced in Nuremberg, it dates from not after 1484. The image dimensions measure 7 9/16 x 5 3/16 inches (19.2 x 13.2 cm), while the paper sheet measures 7 15/16 x 5 1/2 inches (20.2 x 14 cm). The paper is cream wove with an indecipherable watermark

Bliżej Kultury Unknown, Unger, Józef (1817 1874)

8. The prale grave of the Heeren van IJsselstein / (v. Amstel) for the restoration of 1860. "Recto, o.

Lisbon, Portugal. Traditional blue and white Portuguese tiles.

Wooden stick artwork by Hans Burgkmair the Elder showing the young 'Weißkunig' Emperor Maximilian I demonstrating skill in interacting with various social ranks, 1514-1516.

L'Enfante. Guido Rey, photographer (Italian, 1861 - 1935) about 1904 Young girl in fancy costume, holding flowers, posed against a tapestry.

of 2