Religious and Historical Prints

Prints featuring depictions of Madonna and Child and other biblical themes, illustrating classical artistic techniques.

Goltzius, Hendrick, The Holy Family, vero bottom right - stamp, Holy Family. Representation placed in an oval. Christ child on Mary's lap. Christ Child Accepting an Apple from Joseph., print, prints, HG, Mirrored on apple - engraved, A. Alferoff, verso lower left - stamp, height 71 mm, width 56 mm, Northern Netherlands, 1558-01 - 1617-01-01, print maker, printmaker, 1593 - 1597, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Madonna of the Rose. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Engraved by Johann Christian Teucher (German, 1716-1750).In Mariette Album, folio 57. Museum: Metropolitan Museum of Art, New York, USA.

Mary Racok At Chistuskind, François Collignon ,nter Aerostino Caracci, 1620 - 1687 print print maker: Franceafter design by: Italy paper engraving Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

Madonna and Child with an Angel, Antonio Allegri da Correggio, Italian, around 1489-1534, Teresa del Po, Italian, 1649-1716, Giovanni Marco Paluzzi, Italian, 1655-1690, Etching on paper, Mary, at right, is shown seated, with eyes downcast and one breast bared, held between her fingers so the Christ child may feed. He is shown nude, splayed out across her lap, twisting toward an angel at the left of the frame. Behind the figures, tree trunks. Attributed at lower left, and signed by publisher across the bottom., Rome, Italy, late 17th century, religion, Print, Print

Italy, Sirani, Elisabetta, Virgin and Child with the Young John the Baptist, verso - stamped, Three-line Latin text in bottom margin., print, prints, height 234 mm, width 218 mm, Italian, 1638-01-08 - 1665-08-28, print maker, printmaker, 1648 - 1665, paper, papier, etching, etchings

Bliżej Kultury Unknown, Mazzuoli, Francesco

Goltzius, Hendrick, The Holy Family, vero bottom right - stamp, Holy Family. Representation placed in an oval. Christ child on Mary's lap. Christ Child Accepting an Apple from Joseph., print, prints, HG, Mirrored on apple - engraved, A. Alferoff, verso lower left - stamp, height 71 mm, width 56 mm, Northern Netherlands, 1558-01 - 1617-01-01, print maker, printmaker, 1593 - 1597, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Antwerpen, Wit, Jacob de, Amsterdam, Maria met Christuskind, Antwerp, verso lower left - stamped, print, prent, prints, prenten, height 143 mm, width 125 mm, Noord-Nederlands, 1695 - 1754-11-12, print maker, printmaker, 1705 - 1754, paper, papier, etching, etchings

Pencil and brown chalk drawing by Eduard Friedrich Leybold copying Raphael's Madonna dei Candelabri, showing the figure, drapery, and neckline on polished chalk ground, dated 1819.

Raphael, Berlin, Schauer, Gustav, Madonna mit dem Fisch, Photographic reproduction of a print after the Madonna del Pesce by Raphael, photograph, photo, reproduction, page, photos, photographically illustrated books, height 177 mm, width 120 mm, German, 1826 - 1902, photographer, 1851 - 1861, photographic paper, photo paper, albumen print, albumine print, Work conception, after a print by, 1483-04-07 - 1520-04-07

Coming to Amor, Gerard de Lairese, 1668 print Venus and Amor watch a spring together. Presentation in an oval. paper etching Venus and Cupid (Cupid not being mere attribute)

Drawing by Christian Wilhelm Ernst Dietrich depicting a seated Madonna with the infant Jesus playing on her veil, and Saint Joseph behind, executed in red chalk around 1746.

Print made by John Greenwood, 1727-1792, American, active in Britain (from 1763), Venus and Cupid, ca. 1768. Mezzotint on moderately thick, moderately textured, cream laid paper.

Maria met kind. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1610 - 1630. Place: Verona. Measurements: h 280 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

Hendricx, Gilles, Rubens, Peter Paul, Southern Netherlands, Bolswert, Schelte Adamsz., The Holy Family with a Goldfinch, Mary sits in a garden with the Christ Child on her lap. Saints Joseph, Anna and John as children stand with them. The Christ Child holds a goldfinch on a string, the bird is handed to him by John with a stick with bells. Below the image shows a line from Proverbs 8, verse 31 in Latin., print, prints, height 401 mm, width 317 mm, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Gossaert, Jan, Madonna and Child, verso lower left - stamped, Mary sitting on the ground with the Christ Child on her lap. Both are holding the same ball. The Christ Child pulls Mary's cloak with his right hand., print, prints, height 144 mm, width 102 mm, print maker, printmaker, 1488 - 1585, fourth quarter 15th century, 16th century, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, North Netherlandish, 1478 - 1532

Heidin, Cornelis Visscher (II), 1638 - 1677 print In a hilly landscape, a Roma wife (Heidin) breasts her baby. Next to her is a young child with a NAP and a spoon. On her back a third child cries. Three travelers and a dog in the background. "Gentiles" or "Gentiles" is a contemporary name for Roma. The mother's breasts are cleaned and oversigned with black chalk. paper. chalk etching / engraving wandering communities: Romani or Roma. nursing, suckling. weeping. dog. 'en route', traveller under way

Madonna and Child (after Francisco Bayeu y Subias). Ramón Bayeu y Subias (Spanish, 1746-1793), after Francisco Bayeu Y Subias (Spanish, 1734-1795). Etching; sheet: 32.1 x 22.6 cm (12 5/8 x 8 7/8 in.); platemark: 20.9 x 16.5 cm (8 1/4 x 6 1/2 in.).

The Virgin and Child with Two Boys. Altdorfer, Albrecht (ca 1480-1538), graphic artist

The Virgin seated in the clouds with the infant Christ, surrounded by putti, after a drawing by Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Giuseppe Zocchi (Italian, Florence 1711-1767 Florence). Dimensions: Sheet (Trimmed): 10 11/16 × 7 1/2 in. (27.1 × 19 cm). Publisher: Thomas Bradford (British, active London, 1763-73). Date: 1764.Verso is not visible as print it laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child Seated by the Wall, 1514. Albrecht Dürer (German, 1471-1528). Engraving; platemark: 14.7 x 9.9 cm (5 13/16 x 3 7/8 in.); paper: 15 x 10.2 cm (5 7/8 x 4 in.).

Virgin andChild. Etcher: Unknown After: Simon Vouet, French, 1590-1649

Chalk and brown brush drawing on brownish paper by Ludovico Carracci showing the Holy Family, with an added strip of paper at the top.

The Virgin and Child with the Infant St. John the Baptist and TwoAngels. Artist: Unknown After: Agostino Musi, called Veneziano, Italian, ca. 1490-after 1536

Italy, Guil. Rub., Monogrammist RA (engraver), Holy Family, verso - stamped, Mary sits on a chair and breastfeeds the Christ child. Joseph sits next to them. In the background on the left is a view through a window., print, prints, height 206 mm, width 147 mm, Italian, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

W. Taylor, active 1790-1810, Untitled, 1796.

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Virgin and Child on the Crescent with a Diadem. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm). Date: 1514. Museum: Metropolitan Museum of Art, New York, USA.

Mary with Christ and Johannes the Baptist as children, Valentine Green, After Anthony Van Dyck, 1794 print In addition to the address of the publisher, it says: in Monsr. Pigage's catalog of the dusseldorf Gallery, this subject is no. 61. London paper Mary and the Christ-child with John the Baptist (as child)

Virgin and Child, Luigi Schiavonetti, 1765-1810, Italian, after Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), 1793, Engraving, Sheet: 7 1/16 x 6in. (18 x 15.2cm)

Maria with child, draughtsman: Abraham Delfos, after: Simon Vouet, 1741 - 1820, paper, h 383 mm × w 323 mm

Rottenhammer, Hans (I), Baillie, William, Virgin and Child, A landscape with the Virgin Mary with the Christ Child on her lap. They are seated under a grapevine and Mary has a bunch of grapes in her hands. The print is part of an album., print, album leaf, prints, height 224 mm, width 185 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1753 - 1810, paper, papier, crayonmanier, stippelwerk, etching, etchings, German, 1564 - 1625-08-14

Six men with hats, dogs and hunting tributes, anonymous, c. 1600 - c. 1650 drawing Netherlands paper. ink pen / brush

The Holy Family. Dated: 1770s. Dimensions: overall: 18.5 x 19.1 cm (7 5/16 x 7 1/2 in.). Medium: pen and brown ink with brown and gray wash, heightened in white and pink gouache on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Bartholomäus Ignaz Weiss.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche58. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing by Christian Wilhelm Ernst Dietrich depicting the Holy Family with infant Saint John the Baptist and hand studies of welcoming children, executed in pencil around 1755-1757.

Sitting woman in reflection with book, Anonymous, After Marcantonio Raimondi, After Rafaël, 1510 - 1575 print paper engraving the (nude) human figure; 'Corpo humano' (Ripa) (+ thinking, meditating)

Virgin and Child. Artist: After Claude Mellan (French, Abbeville 1598-1688 Paris); Gerard Valck (Dutch, Amsterdam 1651/52-1726 Amsterdam). Dimensions: sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Gerard Valck. After Claude Mellan.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Venus with three Cupids in the Sky. Engraving.

Jacobus Frans Eduard, prins van Wales, 1688-1689, 1688 - 1689 print The child Jacobus Frans Eduard, Prince of Wales, sitting on a velvet kissing. In the caption of 2 verses of 3 lines, this child is mentioned as one of the three problems of Great Britain. Northern Netherlands paper infant, baby

Romanelli, Giovanni Francesco, Baillie, William, Mystical Marriage of Catherine of Alexandria with the Christ Child, The Virgin Mary with one hand on the shoulders of Saint Catherine of Alexandria and her other hand around the waist of the Christ Child. He slides a ring on Catherine's finger. The print is part of an album., print, albumblad, prints, height 211 mm, width 181 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1753 - 1810, paper, papier, printtekening, plak, stippelwerk, crayonmanier, 1610 - 1662-11-08, intermediary draughtsman

Maria met Christuskind. .

The Mystic Marriage of Saint Catherine 1620-1630 Italy. Considered the last of the great Roman painters, Maratta came to Rome in 1636, and began to make etchings in 1647. Only thirteen prints are known to be by his hand; the religious sentiment of this plate is characteristic of them.. Etching on paper . Carlo Maratti

The Virgin holding the infant Christ on her lap, an oval composition, after Reni. Artist: School of Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 7 5/16 × 5 13/16 in. (18.5 × 14.7 cm). Date: 1620-50.Verso is not visible as print it laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Francois Spierre depicting Maria Lactans, dated 1664-1681.

Print, Virgin, with Putto Holding a Book; After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 37.2 × 28 cm (14 5/8 in. × 11 in.); Bequest of George Campbell Cooper; 1896-3-351

Italy, Sarto, Andrea del, Perino del Vaga, Virgin and Child with Saint Anne, verso - stamped, Mary holds the Christ Child in her arms. On the left is her mother Anna., print, prints, height 319 mm, width 256 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Italian, 1501 - 1547-10-19, after, after painting by, 1488 - 1531

Miaming, Louis Despaces, After GaSard Marsy (II), After Nicolas Bertin, 1692 - 1739 print Paris paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. personification of the afternoon, 'Meridies'

Pierre Savart (1737-1780). Diane and Endymion after Montaigne. Burin, 1778. Museum of Fine Arts of the City of Paris, Petit Palais.f Eat, Portrait, 18th 18th 18th 18th 18th 18th 18 CENTURY, engraving

Maria met Christuskind. .

Sales of fruit according to the sculpture of Friedrich Reusch from the Berlin bridge Die Hallesche Tor Brücke. A clip from a German magazine. Unknown, Reusch, Johann Friedrich (1843 1906)

Mlle Chabot, danseuse de l'Opéra, ou Jeune fille au chien 1888 Marcellin-Gilbert Desboutin. Mlle Chabot, danseuse de l'Opéra, ou Jeune fille au chien. Marcellin-Gilbert Desboutin (French, Cérilly 1823-1902 Nice). 1888. Drypoint over heliogravure. Prints

Grammar, Cornelis Jacobsz. DREBBEL, After Hendrick Goltzius, 1587 - 1605 print Grammar points a student the letters of the alphabet to a reading board. An older boy looks over her shoulder. With a Latin caption by C. Schonaeus. paper engraving 'Grammar' (~ trivium); 'Grammar' (Ripa)

Marches Macerata San Severino Marche Pinacoteca Civica5. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale8. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

This copper engraving by Cornelis van Dalen, produced between 1653 and 1668, depicts Venus and Amor, emphasizing mythological figures and compositional detail.

Lorenese, Nicolò, Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani II, Bas-relief of a woman and a putto, verso - stamped, Roman bas-relief of a woman, with a child in her arms, and a putto standing before her. Center above the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 242 mm, width 223 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process), intermediary draughtsman

Red chalk drawing by Nicolas Bazin depicting Josef, showing facial features and upper body representation.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Mother and Child, 1795. Engraving.

The Virgin and Child, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), 1770, Stipple engraving on moderately thick, modrately textured, cream laid paper, Sheet: 10 1/4 × 7 5/8 inches (26 × 19.4 cm), Plate: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm), and Image: 7 3/8 × 5 3/4 inches (18.7 × 14.6 cm), baby, black, boy, cape, children, dress, oval, portrait, religious and mythological subject, white, woman

The Holy Family. Dimensions: plate (oval): 7 cm (2 3/4 in.) sheet: 17.5 x 11.7 cm (6 7/8 x 4 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Saint Catherine. Etching by W. Unger after D. Zampieri, il Domenichino.

The Meditating Child. Artist: Louis Marin Bonnet (French, Paris 1736-1793 Saint-Mandé, Val-de-Marne); After Charles Dominique Joseph Eisen (French, Valenciennes 1720-1778 Brussels). Dimensions: Sheet (trimmed): 9 3/16 × 7 1/16 in. (23.4 × 18 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Venus in Love, Angelica Kauffmann, 1751 - 1807 drawing paper. ink. chalk pen / brush (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros)

Woman with child, Victor Marie Picot, After Sébastien Bourdon, After Bartolomeo Schedoni, 1768 print Nummered in the bottom left: full. II, No. 33. London paper engraving / etching dry-nurse

Mary with Child on Throne, anonymous, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: anonymous, 1778, paper, h 359 mm × w 248 mm

Copper engraving by Jean Louis Roullet from 1665-1699 showing Maria with child in a domestic setting with detailed features and clothing.

Mary, Joseph and the Christ Child, all full-length, near a column. Christ holds an apple in the left hand. Below the scene a two-line text in Latin., Holy Family in front of a column, print maker: Hendrick Goltzius, (mentioned on object), Bartholomeus Spranger, (mentioned on object), publisher: Hendrick Goltzius, (mentioned on object), 1585 and/or 1850 - 1881, paper, engraving, h 175 mm × w 125 mm

Venus after the bath., 1520-1526, Germany, by Albrecht Altdorfer, Marcantonio Raimondi. Gift of Bishop Monrad, 1869.

Albrecht Dürer, The Virgin Nursing the Child, 1519, engraving on paper.

Copper engraving by Marcantonio Raimondi depicting the Madonna seated on a throne, created around 1505-1515.

This drawing by Clemens von Zimmermann shows the Madonna with child in a landscape, executed in pencil with white chalk highlights on blue paper, incorporating black chalk lines and an arabesque arc, completed around 1820-1822.

Heilige family, Achille Isidore Gilbert, After Peter Paul Rubens, 1838 - 1899 print paper etching Holy Family, and derived representations

Portrait of Adriaan van Boschreen, Frans van Mieris (II), 1720 - 1724 drawing Portrait of Adriaan van Dodesten (1685-1739), pastor in Leiden. paper. ink. chalk pen / brush

Abruzzo Teramo Atri Cattedrale, Museo Capitolare8. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Balbina7. Hutzel, Max 1960-1990 Medieval: Architectural plans, architecture, cosmati tiling, sculpture, fresco painting, sculptural fragments. Post-medieval: Sculptural relief, architectural sculpture, architecture, painting, fresco painting, sculpture. On viale Baccelli. General Notes: Hutzel accounts for 65 prints; however, #9, #10, #39, #59, #61 and #62 are not included in the group of photos. (Perhaps they are with wall painting or mosaics). There is also a note (from Emily) that unmatched negatives are in mylar sleeves at the front of the group - but these are also not located. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

The Persian Sibyl, Michelangelo Buonarroti, Italian, 1475-1564, Red crayon on paper, The Persian Sibyl. after Michelangelo, Italy, 1550-1600, figures, Drawing, Drawing

Virgin and Child 1485-1491 Italy. The painter Andrea Mantegnaís engravings have been at the center of much art-historical controversy. Existing documents suggest that he commissioned other artists to engrave some of his prints for him, and that other engravings may have been made from Mantegna drawings. This monumental image of the humble Virgin Mary huddled with the infant Christ on the ground is one of the closest to Mantegnaís engraving style. Whether or not he engraved it himself, the powerful diagonal strokes, the expressive features of the figures, and the Madonnaís sculptural drapery proclaim the workís master.. Engraving in black on buff laid paper . Andrea Mantegna

The Mystic Marriage of Saint Catherine (after Correggio). Federico Zuccaro (Italian, about 1541 - 1609)

Madonna, Christ and John, Raphael, Raffaello S., 1507

Umbria Perugia Norcia S. Agostino6. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, The full-length figure of the Virgin () is seated within a niche. The nude figure of the Child seated at her feet, left. Three lines of inscription below framing line., Rome, Italy, 1820-1850, Drawing, Drawing

Virgin in a Chair 1817-1820 France. Lithograph in black on tan wove paper . Dominique-Vivant Denon

Wszyscy Święci w MNK Raab, Doris (1851 19 ..), Gesellschaft für Smarding Art, Vienna, Holbein, Hans (Mł.; Ca 1497 1543)

Autumn and winter; Autumn. Right two putti with a flower vase and thyrsus. On the left, two putti warms up at a fire. Design for a decoperie.

The Virgin on the Grassy Bank. Jacob Binck; German, c. 1500-1569. Date: 1520-1569. Dimensions: 129 × 81 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Venus drying her foot with a piece of drapery, Cupid in front of her, holding a bow in his left hand ca. 1510-27 Marcantonio Raimondi Italian. Venus drying her foot with a piece of drapery, Cupid in front of her, holding a bow in his left hand 684733

Rafaël, Raimondi, Marcantonio, Antwerp, Wierix, Johannes, Venus after the bath, verso under - stamped, Venus sits on the edge of the bath and dries her feet with a cloth. Cupid looks on. Signed top right 'Æ 14'., print, prints, height 165 mm, width 133 mm, South Netherlands, 1549 - 1618, print maker, printmaker, 1563 - 1563, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07

Angels with dead child, draughtsman: Abraham Delfos, after: Anthony van Dyck, 1741 - 1820, parchment (animal material), h 248 mm × w 318 mm

The Father's Leave-Taking 1879 William Holman Hunt British This print portrays Hunts second wife, Edith, holding their daughter Gladys. The pose recalls a Madonna of Humility, and the intense realism is characteristically endowed with symbolic resonance—after losing his first wife to sudden illness the artist was deeply aware of lifes fragility. The contrast between the grand classical column and domestic interior glimpsed through a doorway also echoes Renaissance nativities.. The Father's Leave-Taking 352207

Callisto, Amor and Jupiter with the Eagle, Jacob de Wit, 1746 drawing prepared paper. deck paint. watercolor (paint). ink. pencil pen / brush Jupiter, in the guise of Diana, and Callisto. Jupiter, in the guise of Diana, and Callisto

The pigeon is stopped in the cage; La Tourterelle Mise and Cage; Four prints with children. A putto with an open bird cage and a pigeon in the left hand. A second putto leans on a cage and holds a litter with two birds.

. Ceres, with corners in her hair, stands at a sleeping baby and looks up. Behind her stand a man and a boy with laurel wreaths on their heads. Links Mars with a helmet on the head. On the right Saturn with an hourglass in hand.

Autumn and winter. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 158 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Seated woman, a girl and a dog, Cornelis Pietersz. Bega (possibly), 1641 - 1664, A seated woman looking up and a girl sitting on the ground playing with a dog., draughtsman: Cornelis Pietersz. Bega, (possibly), 1641 - 1664, paper, brush, h 188 mm × w 175 mm

Pierre Pelée (Engraver) (After Raphael (Raffaello Sanzio)); Ernest Gambart (Publisher); Goupil (Publisher); Furne & Perrotin (Publisher) / 'The Holy Family with the Archangel Raphael, Tobias, and Saint Jerome'. 1850. Etching, Burin, Printing on japon on wove paper; 1850. Etching, Burin, Printing on japon on wove paper. Museum: Museo del Prado, Madrid, España.

Grammar; The seven liberal arts. Grammar indicates a student to the letters of the alphabet on a slit plank. An older boy looks over her shoulder. With a Latin caption by C. Schonaeus.

Family reading tales of Charles Perrault. Engraving by Pannemaker. 19th century.

Woodcutter: Bartolomeo Coriolano, Italian, ca. 1599-ca. 1676, After: Guido Reni, Italian, Bologna, 1575-1642, The Virgin andChild, Chiaroscuro woodcut, sheet: 20.3 × 15.9 cm (8 × 6 1/4in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

The holy family. Draughtsman: Willem Strijcker. Dating: 1600 - 1699. Measurements: h 304 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Venus after the Bath. Dated: c. 1525/1530. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Albrecht Altdorfer.

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