Religious and Historical Reliefs

Sculptural reliefs depicting religious figures and scenes, characterized by intricate detailing and historical significance from different centuries.

The resurrection from the grave, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with the resurrection from the grave. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with the resurrection from the grave. Northern Netherlands bronze (metal) gilding

Dormition of the Virgin Relief 15th century French. Dormition of the Virgin Relief. French. 15th century. Stone, paint, gilt. Made in Lorraine. Sculpture-Stone

Madonna and Child Enthroned with Saints. Dated: late 15th - early 16th century. Dimensions: overall: 6.8 x 5.4 cm (2 11/16 x 2 1/8 in.) gross weight: 69 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Moderno, Hercules and Antaeus, late 15th early 16th century Hercules and Antaeus

Worship of kings. Relief of alabaster with the worship of the kings. The bottom goes into an obliquely placed cartouche, on which the monogram HVH.

Frieze from a Mantelpiece with Three Medallions Containing the Virgin and Child and Two Escutcheons with Supporters, Fragment.In the middle medallion Maria with child to the knees above the crowbar and for a radius of rays. She holds the half-lying child on the right hand and has it stuck with the left with a leg while playing a rosary, a globe and a pigeon. The outer medallions each exhibit above a soil a weapon carrier donated to the middle with a shield on a belt; The court shows three lilies, the left three keys above three rosettes, presumably striking on the gender lamb. Between the medallions and the late gothic, blind traces on the left an angel with harp for a niche and right one with a triangle. Among them a ultimately placed John in Disco. The profiled dial has rosettes.

Moses Draws Water from the Rock, Isaac van Tissenaken (attributed to), c. 1620 - c. 1650 Moses stands with a staff lifted to the right of the waterfall, which falls out of the rock. Behind him a stimulating man who drinks, on the left a kneeling woman, who absorbs one of the two rays in a bowl. Three men and a few tents behind Moses; Behind the kneeling woman a standing woman who wears a jug on the shoulder. The bottom of the relief has been chamfered into an elongated panel. Mechelen alabaster (mineral). oak (wood). stucco. gilding (material) gilding Moses stands with a staff lifted to the right of the waterfall, which falls out of the rock. Behind him a stimulating man who drinks, on the left a kneeling woman, who absorbs one of the two rays in a bowl. Three men and a few tents behind Moses; Behind the kneeling woman a standing woman who wears a jug on the shoulder. The bottom of the relief has been chamfered into an elongated panel. Mechelen alabaster (mineral). oak (wood). stucco.

The Entombment. Dated: late 15th - early 16th century. Dimensions: overall: 10.6 × 6.9 cm (4 3/16 × 2 11/16 in.) gross weight: 158.000 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Front cover from a gospel codex in Darmstadt Museum with a crucifixion scene in ivory, 1000-1050, within an engraved silver border 1490-1510. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The resurrection from the grave, Arent van Bolten (attributed to), c. 1600 - c. 1625 Rectangular, gilded bronze plaque with the resurrection from the grave. Northern Netherlands bronze (metal) gilding Rectangular, gilded bronze plaque with the resurrection from the grave. Northern Netherlands bronze (metal) gilding

Tile (Germany); lead-glazed earthenware

Canopy project representing the Annunciation and the Nativity Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Canopy project representing the Annunciation and the Nativity. Pencil on layer.

Maiden seeking refuge at a shrine of Cybele. Culture: British. Dimensions: 2 7/16 × 3 3/16 in. (6.2 × 8.1 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Book Cover () with Ivory Figures. Culture: Spanish. Dimensions: Overall: 10 1/4 x 7 1/2 x 1 1/4 in. (26.1 x 19 x 3.1 cm)Ivory Corpus: 2 7/8 x 2 11/16 x 9/16 in. (7.3 x 6.8 x 1.5 cm). Date: before 1085.Byzantine ivories were highly prized in western Europe, where they survived in church treasuries or were incorporated into deluxe book bindings. The ivory from the panel on the left originally formed the center of a Byzantine three-paneled icon. It may have been one of the many gifts to the Monastery of Santa Cruz de la Serós, which was founded by Queen Felicia (d. 1085), wife of Sancho V Ramírez (r. 1076-94), king of Aragon and Navarre. The sumptuous cover also contains a sapphire seal, located to the right of Saint John. The other cover is inscribed with Felicia's name, below the ivory crucifix, inscribed in Arabic with four of the ninety-nine "Beautiful Names" of God. Museum: Metropolitan Museum of Art, New York, USA.

Central Leaf of a Diptych 14th century French () or North Italian. Central Leaf of a Diptych 464274

Marca de Fábrica, Fábrica de Francisco Gomis, siglo XVIII. Museo Comercal de Manresa.

Descent into Limbo late 15th century French or South Netherlandish. Descent into Limbo. French or South Netherlandish. late 15th century. Oak. Sculpture

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. The front has reliefs with the biblical story of David and Goliath. On the short sides are the virtues Hope (left) and Justice (right). They were meant to inspire the bridal couple for whom the cassone was made to lead a virtuous life. Presumably there were once two chests, each with a coat of arms: one for the brides family, one for the grooms.

Christ on Tomb with Two Angels. Dated: late 16th century. Dimensions: overall: 6.1 x 5.9 cm (2 3/8 x 2 5/16 in.) gross weight: 55 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: German follower of Antonio Abondio.

The wisdom Josephs in the collecting of the corn, Jacob de Wit, c. 1705 - c. 1754 drawing Design for an upper door piece. paper. paper. ink. pencil pen / brush / brush Joseph prepares for the famine and stores up corn

Maria with child sitting on a throne surrounded by angels, 1425 - 1475 Maria with child, sitting on a throne and surrounded by eight angels, in high relief. Polychromed stucco. Florence terracotta (clay material) Maria with child, sitting on a throne and surrounded by eight angels, in high relief. Polychromed stucco. Florence terracotta (clay material)

King Tutankhamen depicted hunting and in the lower half, seated with his wife, Ankhesenamun. Detail from a gilded wooden stand for a statue to be place upon. Egyptian, 18th Dynasty from the Tomb antechamber of King Tutankhamen. 1323 BC

Ikona: Prorok Daniel. nieznany warsztat rosyjski (1700-1970), factory

Artist: Giovanni di Paolo, Italian, 1398-1482, Triumph of Love(?), ca.1460, Fresco, 77.4 × 101.6 cm (30 1/2 × 40in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

The Resurrection and the Three Maries at the Tomb, c. 1460 On increasing ground, the tomb is diagonally with the lid placed across it. Christ steps out of grave with right leg. Two sleeping soldiers behind him on the lid. Again behind the three weeping Maria's (one of them is missing), two of whom each hold a pot of ointment. On the far right on corner lid an angel and in the foreground a sleeping soldier with a lifted fist. sculptor: Northern NetherlandsUtrecht (possibly) oak (wood) On increasing ground, the tomb is diagonally with the lid placed across it. Christ steps out of grave with right leg. Two sleeping soldiers behind him on the lid. Again behind the three weeping Maria's (one of them is missing), two of whom each hold a pot of ointment. On the far right on corner lid an angel and in the foreground a sleeping soldier with a lifted fist. sculptor: Northern NetherlandsUtrecht (possibly) oak (wood)

Tile, Hamilton Tile Works Co., founded 1884, A. Metzner, Molded, carved and glazed stoneware, Rectangular molded tile with high relief border surrounding female figure in Renaissance costume, holding falcon on arm and with hunting dog at feet.Figure stands before draped wall. Thick transparent ochre glaze creates highlights and shadows around relief details., Hamilton, Ohio, USA, 1883-96, tiles, Decorative Arts, Tile

Pax with the Death and the Assumption of the Virgin, anonymous, c. 1490 - c. 1520 Ivory's pax table, cut into relief with the representation of Mary's deathbed and Ascension. Maria is located in a fifteenth century four -poster bed, surrounded by the apostles and two women. At the top she is worn by four angels to heaven. The whole is caught in a gothic, three -part arch, resting, on either side, on double pilasters/pillars. The rear of the bent pax table is equipped with a handle in which the letter B is incorporated. Low Countries ivory cutting Ivory's pax table, cut into relief with the representation of Mary's deathbed and Ascension. Maria is located in a fifteenth century four -poster bed, surrounded by the apostles and two women. At the top she is worn by four angels to heaven. The whole is caught in a gothic, three -part arch, resting, on either side, on double pilasters/pillars. The rear of the bent pax table is equipped with a handle in which the letter B is incorporated. Low

The Presentation of Jesus in the Temple. Dated: late 15th - early 16th century. Dimensions: overall: 10 x 6.4 cm (3 15/16 x 2 1/2 in.) gross weight: 114 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.

Augustus and the Tiburtine Sibyl. Culture: Italian. Dimensions: 2 3/4 x 2 1/2 in. (7 x 6.4 cm). Maker: Caradosso (Cristoforo Caradosso Foppa) (before 1475-1526/7). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Three Figures ca. 1200 French Bowing to the left with downcast eyes and downturned mouths, the three men apparently witness a sad scene, perhaps the burial of a saint or the death of the Virgin. They may have been fixed to a large reliquary or an altar.. Three Figures 464653

Model for the tomb of Maerten Harpertsz Tromp. In his design for the tomb of Maerten Harpertsz Tromp, Rombout Verhulst chose to represent the naval hero wearing his armour, his head resting on a cannon, with the medal he was once awarded in one hand, his commanders baton in the other. The admiral was killed on 3 August 1653 off the cost of South Holland by English cannon fire. His real tomb is made of marble and stands in the Oude Kerk in Delft.

. Panel with women's head and ornament work. The central element is formed by a medallion with a women's head. The frame is made up with ropes bound horns with leaves and fruits. Grotesken have been installed here. The horns coming samples with cords are derived from an ornament print attributed to Giovanni Antonio da Brescia.

. Asia's woman sits on a seat on the left-hand trailer drawn by two dromers. In the right hand, she holds a scepter, in the left a pearl necklace; She has a jewelery box on the lap. In addition to the seat, the side support of which consists of a boxing spot and where an eagle is located on the backrest, is a vase and an open bag, above which the (unbeatable) content comes out. In the background a landscape with a few buildings and a bridge, including water flows. The bottom of the relief is chamfered to an elongated panel.

Arqueta relicario de Sant Cugat, siglo XIV. Museo Diocesano de Barcelona.

Ulocrino, Death of Meleager, early 16th century Death of Meleager

PISANO, Andrea da Pontedera, called Andrea (1270-1349). The medicine. 1337-1342. Relieve of the campanile. Renaissance art. Trecento. Relief on rock. ITALY. TUSCANY. Florence. Opera del Duomo Museum.

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy. Resurrection

Fireplace; After. XVIII W (1745-00-00-1754-00-00);

Vera Cruz, 1350. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

St. Jerome in the Wilderness 16th century Spanish. St. Jerome in the Wilderness 202455

Leaf from a Diptych with the Adoration of the Magi. Culture: French. Dimensions: Overall: 5 13/16 x 3 15/16 x 3/8 in. (14.7 x 10 x 1 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Ivory evangeli plaque: "Virgin and child", Byzantine workshop, 950-1000. Museum of Fine Arts of the City of Paris, Petit Palais. 26314-5 Byzantine workshop, Christ, Child, Ivory, Evangeliaire Plate, Virgin

Ulocrino, Allegorical Scene, early 16th century Allegorical Scene

Design For A Panel Of Stained Glass, 1833-1911. Frederick James Shields

Tryptyk: Ukrzyżowanie, Zmartwychwstanie i Matka Boska "Znamienije". nieznany warsztat staroobrzędowców, workshop

Mirror Case with Falconry Scene 1325-1350 Paris. Ivory .

Shrine And Figure (Italy); oak, gesso, gilded

Mirror Cover with the Attack on the Castle of Love 19th century European (Medieval style) This modern carving copies a fourteenth century ivory panel now in the Victoria and Albert Museum, London (9-1872).. Mirror Cover with the Attack on the Castle of Love. European (Medieval style). 19th century. Ivory () or some kind of plastic. Ivories

Albert Rudin, Ship's Carving, c 1939 Ship's Carving

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Virgin Mary with the Christ Child in the Clouds 1600-1700 Spain. Ink and wash on paper . Bartolomé Estéban Murillo

Anonymous. Bal at Tallien. Terracotta. Museum of Fine Arts of the City of Paris, Petit Palais. 79437-28 Statuary group, statuette, terracotta, view face

Andrea Briosco, called Riccio, Meleager Presenting the Boar's Head to Atalanta Meleager Presenting the Boar's Head to Atalanta

Calendar Plate for June (Mowing). Pierre Reymond (France, Limoges, circa 1513-after 1584). France, Limoges, 1561. Furnishings; Serviceware. Grisaille enamel, flesh tones, touches of color, and gold on copper

Central or North Italian 16th Century, Pax with Pietà, c 1575 Pax with Pietà

Four Continents Plaque; bronze

Panel. Culture: French. Dimensions: 14 1/2 × 8 1/2 in. (36.8 × 21.6 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Wszyscy Święci w MNK Haid, Johann Lorenz (1702 1750)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)87. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Ornamental Plaque, c. 1380-1400. Italy, Tuscany, 14th century. Champlevé enamel, glass paste stones, and gilding on copper; overall: 11.2 x 7.7 cm (4 7/16 x 3 1/16 in.). These plaques appear to have been part of a larger ensemble forming a band of decoration affixed to a church altar. Each plaque is decorated in multiple techniques-embossing, engraving, enameling, and gilding-to create a sumptuous visual effect.

FIGURA DE MARFIL CON EL ALFABETO CHINO. Location: PRIVATE COLLECTION.

Tryptyk: Deesis ze świętymi Zosimą i Sawwatijem Sołowieckimi. Warsztaty pomorskie, workshop

Orphrey. Culture: German. Dimensions: H" 40 3/4" W: 5 9/16" (103.5 x 14.1cm)W/ plexiglass box: 42 1/4" x 7 1/4". Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Martyrdom of a Saint, after 1866. Hermann Samuel Ratzerdorfer (Austrian, 1815-1891). Silver; overall: 9.6 x 5.5 cm (3 3/4 x 2 3/16 in.).

Roman mosaic. Theseus killed the Minotaur. From Chieti. Italy. National Archaeological Museum, Naples. Italy.

Scene from the Life of a Saint, anonymous, c. 1560 On a ground there are five men in front of a façade wall, which turns at the top to a gallery of three arcades, on which a roof (). From the gallery, four men see on them, of whom only the upper body is visible. Downstairs standing from left to right: a soldier who takes a man -looking, running man by the arm and leads out in front of him, then a second soldier who holds a man -looking man near the right arm. The latter is opposite a pontifically clamped figure who has laid his left hand against the man's left arm, who holds a writrol () In his hand. They are all dressed in late Renaissance costumes: the soldiers wear helmet and puff pants, the second figure from the left a top hat, which on the right on the right a priestly robe and a tiara-like headgear. Antwerp oak (wood) On a ground there are five men in front of a façade wall, which turns at the top to a gallery of three arcades, on which a roof (). From the gallery, four men see

The Entombment. Dated: mid 15th century. Dimensions: overall: 4.3 x 4.4 cm (1 11/16 x 1 3/4 in.) gross weight: 19 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Paduan 15th Century.

Heinrich Kautsch (1859-1943). "Medal plate. Agriculture". Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57564-6 Bronze, metal, numismatics, medal plate

The Nativity with the Adoration of the Shepherds, anonymous, c. 1600 - c. 1640 Maria sits on the left with the child on her lap and opposite the kneeling Melchior. Behind them are v.l.n.r. Joseph, Caspar and Balthasar; above their heads part of a shelter. The front figures are cut at the bottom by an elongated, sloping panel. Mechelen alabaster (mineral). gilding (material) Maria sits on the left with the child on her lap and opposite the kneeling Melchior. Behind them are v.l.n.r. Joseph, Caspar and Balthasar; above their heads part of a shelter. The front figures are cut at the bottom by an elongated, sloping panel. Mechelen alabaster (mineral). gilding (material)

. Painting, placed on a room's fireplace, representing a putto (amor), seated on a vase with 2 birds as a handle, Amor sticks a burning torch in his right hand, and wears a bow on the left. The vase is on a base, decorated with a mask, fruit gardenland, leaf volutes and shell pattern. The amor and the base are painted in gray-white and red-brown grisaille shades, respectively. The background is formed by a semicircular niche closed by a bow of leaf wreath.

Air, from the series The Four Elements, c.1888-89, Frederick G. Smith; Artist: Formerly attributed to Dante Gabriel Rossetti; Artist: Formerly attributed to Frederic James Shields, English, 1833 - 1911, 68-5/8 x 25-1/8 in. (174.3 x 63.8 cm), Pen and ink, brush and wash over graphite, England, 19th century

. Enameled and gold-plated plate of red copper, rectangular with triangular point above, from a reliquium, it was one of the narrow edges. On an engraved golden fond, with pattern of Romanesque branches, an arcade is an apostle with a book as a single attribute, presumably Paul. The aurea is made of light blue with concentric inner tubes of green and yellow and a edge of red dots. On the back traces of the original context, namely two copper tires.

Banner, by Master of Staffolo, 15th Century, tempera on board. Italy, Umbria, Assisi, Perugia, Treasure Museum. Detail. Reversed pedestal having the shape of a truncated pyramid verso Annunciation Archangel Gabriel St Mary Virgin Madonna dove symbol Holy Spirit: Ghost letters inscription gold letters rays radial pattern volutes.

Burse Panel Made 1701-1800 England. Silk, plain weave with supplementary pile warps forming cut solid velvet; appliquÈd with silk broken twill weave with supplementary pile warps forming cut solid velvet, linen plain weave, and with wool plain weave; fulled; embroidered in high relief with silk, gilt-and silvered-metal strips, wires and coils, gilt-and silvered-metal strip wrapped silk and metal-wire wrapped gilt-and silvered-metal strip wrapped silk in laidwork, couching and linen and wool padded couching .

Story of Phaeton late 16th-early 17th century After a design by Guglielmo della Porta Italian. Story of Phaeton. After a design by Guglielmo della Porta (Italian, Porlezza, near Lake Lugano ca. 1500-1577 Rome). Italian. late 16th-early 17th century. Bronze. Medals and Plaquettes

Little shepherd. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Ivory diptych depicting Orpheus among beasts

Saint Julien cathedral, Le Mans, France. 16th century relief in the sacristy. Christ's Passion

Portapaz de los mártires San Emeterio y San Celedonio, 1716, Museo de la Romanización, Calahorra, La Rioja , Spain, Europe.

Design for Monument with Britannia and Neptune Artist's working dates 1760-1805 United Kingdom. Pen and black ink, with brush and blue and gray wash, over black chalk, on tan laid paper, partially laid down on ivory wove paper . John Bacon, the elder

Christs Descent into Limbo, from the Soest Altarpiece, Master of the Soest Altarpiece, c. 1475 - c. 1500 Christ, whose head is missing, is slightly slanted to the left on the back of a huddling, crawling monster with slashed slogan, from which the thick tongue hangs. He holds the right hand (for the Vaan), the left against Adam's arm, who steps out of a cave, followed by Eva in a praying position. Adam has put his right arm around Eva and keeps the left hand in front of the shame. Behind them a man, whose head and shoulders are visible. Before Eva, a sample crawls out of the ground, which sets up its head. Christ wears a cloak closed with an Agrafe, which is lifted by the high -right arm, so that the wound can be seen in the side; A mantle slip has been beaten over the left -handed arm. Behind Christ the door of the pre -bored. Utrecht oak (wood) gilding Christ, whose head is missing, is slightly slanted to the left on the back of a huddling, crawling monster with slashed slogan, from

Asian Civlisations Museum. Adam and Eve in the Garen of Eden. Sri Lanka. 17th century. Ivory. Singapore.

Vera Cruz, 1350. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

Venice, Italy. The symbol of the town on a 300 years old stone: the St. Mark Lion

Game Piece with a Scene from the Life of Apollonius of Tyre ca. 1170 German This piece, from the medieval game of tables (a precursor to backgammon), illustrates the Late Antique legend of Apollonius of Tyre, whose wife was miraculously resurrected after being buried at sea. Here two men lower her coffin while two others watch. The scene is conceived in spatial layers: coffin, figures lowering it, onlookers, and sail. The illusion of deep space is enhanced by almost three-dimensional carving, with some areas in the round, a rare feature in walrus-ivory reliefs. While the subject is unique in Romanesque art, the plastic style of figure carving and the fine detail have parallels in Cologne ivories of the second half of the twelfth century. The figures and acanthus border can be related to an ivory reliquary in Brussels and to a cupola reliquary in Berlin produced in Cologne between 1170 and 1190. The Brussels reliquary has nearly identical borders, indicating that a single workshop produ

CRISTO CAMINO DEL CALVARIO. Author: NAJERA ANDRES. Location: MUSEO NACIONAL DE ESCULTURA-COLECCION, VALLADOLID, SPAIN.

Gedenktafel für ein tragbares Oratorium plaque of a portable oratory, 15th century, Munatones castle, Muskiz, Arkeologi Museoa, museum aqueologico, Bilbao, Bizkaia, Basque Country, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22845553

Pere Sanglada (documented between 1386-1408). Spanish artist. Misericord depicting a man pulling an ox, 1394-1399. Oak wood. From the seating in the choir of the Barcelona Cathedral. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Altar frontal from Planès. Date/Period: Second half of 12th century. Painting. Tempera, stucco reliefs and remains of varnished tin plate on cloth-mounted mountain pine. Height: 910 mm (35.82 in); Width: 1,190 mm (46.85 in). Author: UNKNOWN.

Pietà 1515-20 South Netherlandish. Pietà 463869

Salvator Mundi; Masieski, Jan (Fl. Ca 1750-1800); after 1750 (1751-00-00-1800-00-00);

Escutcheon, Medium: silk and metallic embroidery, linen foundation Technique: embroidered on plain weave, Escutcheon with the figure of Saint Michael the Archangel slaying Satan, within an oval framework., Italy or Spain, 16th century, embroidery & stitching, Escutcheon

Gianfrancesco Enzola, Saint Jerome Saint Jerome

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Canopy project representing Christ Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Christ. Pencil, Watercolor Lavis.

Amulet of the God Seth 1295 BCE-1069 BCE Egypt. Faience . Ancient Egyptian

polychrome coffered ceiling, medieval Mudejar domestic architecture,Archeological Museum. Úbeda, Jaén province, Andalusia, Spain.

Allegory of victory, verso: Triumphant gate topped with two-headed eagle. Podoliński, Michał (1783-1856), graphic artist

Europe, Slovakia, Bratislava, wall sculpture

Design drawing for a table with a profiled sheet. Draughtsman: anonymous. Dating: c. 1675 - c. 1700. Place: Germany. Measurements: h 126 mm × w 183 mm. Museum: Rijksmuseum, Amsterdam.

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