Religious and Historical Religious Art

Paintings and altarpieces highlighting significant religious events and figures, characterized by intricate details and vibrant colors, reflecting artistic mastery.

The Annunciation. The Adoration of the Magi. The Adoration of the Shepherds by Coecke van Aelst, Pieter, the Elder (1502-1550) / Museo del Prado, Madrid / Second Quarter of the 16th cen. / Flanders / Oil on wood / Bible / Early Netherlandish Art

Adoration of Kings / Perugino / 1475

LA RESURRECCION DE DRUISIANA- SAN JUAN EVANGELISTA RESUCITANDO A DRUISIANA189x123 - AÑO 1480- SIGLO XV. Author: MAESTRO DE SAN NICOLAS. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

The Marriage of the Virgin. Artist: Michelino da Besozzo (Michelino de Mulinari) (Italian, Lombardy, active 1388-1450). Dimensions: 25 5/8 x 18 3/4 in. (65.1 x 47.6 cm). Date: ca. 1430.Among the most celebrated painters of his day, Michelino da Besozzo worked for the ruler of Milan as well as in Venice. This is one of only two panel paintings certainly by him. The surface is damaged. The packed composition is laid out much like his work in illuminated manuscripts, and the comical reactions of the rejected suitors reveal the humorous vein of his art that captivated contemporaries. Museum: Metropolitan Museum of Art, New York, USA.

The Adoration of the Magi triptych, 1515, by Joos van Cleve The Younger (1485-1540), oil on canvas, 260x200 cm.

Embrace at the Golden Gate, 1515 -1519, Rodrigo de Sajonia, former master of Sijena, oil on panelHuesca museum, Aragon community, Spain.

Wall painting of Grammar, Logic, Rhetoric and Music. Artist: Unknown

Sassoferrato (Italia, Marche, provincia di Ancona), Pinacoteca Civica. Pietro Paolo Agabiti, Madonna col Bambino e due Santi Vescovi. prima metà del XVI secolo

Peter heals a lame man. 1469/70. (Liberal da Verona; 1445-1527 Verona)

Madonna and Child Enthroned with Saints and Angels. Artist: Francesco Botticini (Francesco di Giovanni) (Italian, Florentine, ca. 1446-1497). Dimensions: Arched top, 110 1/2 x 69 in. (280.7 x 175.3 cm).Botticini practiced an eclectic style, influenced successively by Verrocchio and Botticelli. In the present painting the two angels drawing back the curtains depend from those in the altarpiece painted by Botticelli in 1483 for San Barnaba in Florence and now in the Uffizi. Painted for the church of the Servi at Fucecchio (near Empoli), this altarpiece was later in the Collegiata. The frame, though old, is not original. Museum: Metropolitan Museum of Art, New York, USA.

The Annunciation. The Adoration of the Magi. The Adoration of the Shepherds by Coecke van Aelst, Pieter, the Elder (1502-1550) / Museo del Prado, Madrid / Second Quarter of the 16th cen. / Flanders / Oil on wood / Bible / Early Netherlandish Art

St Martin Renounces his Weapons', 1312-1317. Artist: Simone Martini. Simone Martini was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style.

The Nativity - Filippo Lippi and Workshop, probably c. 1445

Konrad Witz / Adoration of the Kings

The Marriage of the Virgin. Artist: Davide Ghirlandaio (David Bigordi) (Italian, Florence 1452-1525 Florence). Dimensions: 6 1/4 x 16 1/4 in. (15.9 x 41.3 cm). Date: ca. 1479.Davide Ghirlandaio painted these three enchanting scenes about 1479 for the base (predella) of an important altarpiece commissioned from his brother, Domenico, for the church of San Giusto alle Mura outside Florence. Two further scenes are known; the main panel is in the Uffizi in Florence.According to legend, at the burial of Saint Zenobius a dead tree sprang to life when it was touched by the saint's bier. The baptistery and campanile of the cathedral of Florence provide the setting. Florence appears in the background of the scene where Tobias catches a fish whose innards will heal his father's blindness. Museum: Metropolitan Museum of Art, New York, USA.

Paumgartner Altarpiece, Albrecht Durer, circa 1498-1504, Alte Pinakothek, Munich, Germany, Europe

The Adoration of the Shepherds shortly after 1450 Andrea Mantegna Italian Painted when the artist was probably in his early twenties, the picture is notable for its exquisite detail. It may have been commissioned by Borso d'Este, the duke of Ferrara, and its style seems to be a response to the vogue there for Netherlandish painting. Although transferred from wood to canvas, the painting is in excellent condition. Listen to experts illuminate this artwork's story Listen Play or pause #5100. The Adoration of the Shepherds 00:00 / 01:39 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Adoration of the Shepherds 436966

Master of the Altarpiece of Saint Bartholomew (active in Netherlands around 1475-1510). Altarpiece of the Holy Cross, 1490-1495. Wallraf-Richartz Museum. Cologne. Germany.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Basaiti, Marco (CA 1470 1530)

Saint Francis with the Order Nicolo Antonio Colantonio (c. 1420-1460 /Italian) Capodimonte Gallery, Naples

The Adoration of the Magi. Dating: c. 1520 - c. 1525. Place: Haarlem. Measurements: support: h 51 cm × w 36.5 cm; t 1.3 cm; painted surface: h 48.5 cm × w 34 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Jansz Mostaert.

Puerta del Retablo del Condestable, también conocido como retablo de la Epifanía, 1464. Detalle de Santa Isabel de Portugal, ángeles y armas de Aragón.Pintura al temple sobre tabla. 673 cm × 368 cm. Capilla de Santa Ágata, Barcelona,. Author: Jaume Huguet.

Marches Pesaro e Urbino Cagli S. Giovanni Battista5. Hutzel, Max 1960-1990 Medieval: architecture. Post-medieval: 15th centruy architecture, paintings on canvas, paintings on panel, fresco Object Notes: Also known as S. Domenico German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Predella depicting St Nicholas saving three men sentenced to be beheaded, Perugia Altarpiece, 1438, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood.

The Nativity Francesco di Giorgio Martini Italian Francesco di Giorgio was an outstanding architect, sculptor, painter, and theorist. Curiously, his fanciful paintings often show a disregard for perspective and anatomy and this has led to much discussion about his use of assistants. The upper part of this engaging composition is very inventive and was inspired by the sculptural reliefs of Donatello, while the lower part reflects Francesco's admiration for the work of the north Italian miniaturist Girolamo da Cremona, who worked on choirbooks in Siena from 1470 to 1474. So different in character are the upper and lower parts that they were separated in the nineteenth century; they were rejoined in 1988.. The Nativity. Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena). Tempera on wood. Paintings

Altarpiece of the Virgin and Saint George. 14th century. Detail. Villafranca del Penedes, Saint Francis church. Barcelona. Author: LLUIS BORRASSA.

Painting titled 'The Entombment' by Michelangelo (1475-1564) an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Dated 16th Century

Rembrandt van Rijn, work, The artist's mother wearing an oriental headdress, 1631, line etching, graphics, plate width 13 cm, plate height 14.5 cm

CRANACH THE ELDER Lucas-school of The Entombment Oil on wood 55x55 State Pushkin Museum of Fane Arts Moscow

LIPPI, Filippo, called Filippino (1457-1504). The Annunciation. ca. 1450. Renaissance art. Quattrocento. Oil on wood. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca). Proc: ITALY. TUSCANY. Florence. Monastery of the Suore Murate.

The Triumph of Fame ca. 1502-4 Netherlandish, probably Brussels Based in part on Petrarchs poem I Trionfi (The Triumphs), this tapestry belonged to a set of six representing the consecutive triumphs of Love, of Chastity over Love, of Death over Chastity, of Fame over Death, of Time over Fame, and of Religion over Time. Here Fame reads at a lectern, surrounded by writers whose works immortalized the deeds of the ancients. Triumphant over Death, she tramples the Fates and holds an orb crowned with a cross, locating the subject in a distinctly Christian context. This tapestry, or one identical to it, was purchased by Isabella, Queen of Castile and Aragon in 1504. It remains extraordinary for its condition, color and harmonious composition.. The Triumph of Fame 230011

Italy. Tuscany. Siena. Cathedral. Piccolomini Library. Frescos By Pinturicchio.

Ghirlandaio / Poliziano w.Medici-Sons

Scenes from the Passion of Christ: The Crucifixion middle panel. Dated: 1380s. Dimensions: painted surface: 46.9 × 49 cm (18 7/16 × 19 5/16 in.) overall: 56.9 × 57.9 × 3.4 cm (22 3/8 × 22 13/16 × 1 5/16 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA VANNI.

Maestro de Perea / 'The Visitation', ca. 1500, Spanish School, Oil on panel, 176 cm x 155 cm, P02678. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Santa Cecilia giving her possessions to the poor, ca 1506, by Lorenzo Costa (ca 1460-1535), fresco, Oratory of Santa Cecilia (St Cecilia), Bologna, Emilia-Romagna. Italy, 16th century.

Altarpiece titled 'The Pistoia Santra Trinita' by Francesco Pesellino (1422-1457) an Italian painter. Dated 15th Century

Lluis Borrasa / Retablo de Santa Clara, 1415. Museu d'Art Medieval MEV.

Camerino Polyptych, 1482, by Carlo Crivelli (1430-35 - pre-1495), tempera on wood, 170x 60 cm, 190x78 cm, 170x60 cm.

The Annunciation. Artist: Alesso di Benozzo (Italian, Florence, 1473-1528). Dimensions: Overall 16 1/4 x 14 5/8 in. (41.3 x 37.1 cm); painted surface 16 x 14 1/8 in. (40.6 x 36 cm). Date: ca. 1480-1500. Museum: Metropolitan Museum of Art, New York, USA.

Courtly Scene (Hunting Scene), by Flemish or Frankish-Flemish Craftsmanship (Tournai ), 1470 - 1480, 15th Century, tapestry. Italy: Marche: Pesaro Urbino: Urbino: Galleria Nazionale delle Marche. Whole artwork. Tapestry rug carpet courtly scene ladies horsemen hunt hunters gentleman falcon crossbow animals ducks lake pool pond goose buffoon jester tree background landscape city towers horses horn dogs pack

MOSTAERT , JAN. PINTOR HOLANDES . 1470 - 1556. " ECCE HOMO ". MUSEO PROVINCIAL . BURGOS. JESUCRISTO.

Angel Musicians: Detail from Vallombrosa Altarpiece Pietro Perugino (ca. 1450-1523 Italian) Galleria dell' Accademia, Florence, Italy

Triptych with the Crucifixion. Drieluik met de kruisiging (middenpaneel), de mis van de heilige Gregorius (binnenzijde linkervleugel), de heilige Christoforus (binnenzijde rechtervleugel) en de verkondiging aan Maria (buitenzijde vleugels). Dating: c. 1460. Place: Utrecht. Measurements: support: h 85.5 cm (centre panel) × w 56 cm (centre panel) × h 85.5 cm (left wing) × w 28 cm (left wing) × h 85.3 cm (right wing) × w 28 cm (right wing). Museum: Rijksmuseum, Amsterdam.

Adoration of the Magi, by Filippino Lippi, 1496, Uffizi Gallery, Florence, Tuscany, Italy, Europe

Colart de Laon () / 'The Agony in the Garden with the Donor Louis I dOrléans'. 1405 - 1408. Tempera grassa on oak panel. Museum: Museo del Prado, Madrid, España.

PINTURA MURAL DE LA BOVEDA DEL SALON DE SESIONES - 1850/53 - DETALLE - LEGISLADORES DE LA EPOCA DE LA RESTAURACION. Author: RIBERA CARLOS LUIS. Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN. Charles I (V of the Holly Roman Empire). PHILIP II OF SPAIN. Alfonso X of Castile. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY). ALFONSO XI EL JUSTICIERO. FERNANDO V / FERNANDO II EL CATOLICO. PALACIOS RUBIO DCTOR. CARLOS III. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558). ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO. CARDENAL CISNEROS (1436-1517). FRANCISCO JIMÉNEZ DE CISNEROS (1436-1517).

triptych of the epiphany, circle by Pieter Coecke Van Aelst, 1540, oil on canvas, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain

Anonymous German Artist active in Swabia ca. 1515 (Active in Swabia ca. 1515). The Presentation in the Temple (Interior right wing) (ca. 1515). Oil on panel. 159.5 x 65.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Anonymous German Artist active in Swabia ca. 1515.

Stories of St Nicholas of Bari, by Lorenzetti Ambrogio, 1332, 14th Century, panel. Italy, Tuscany, Florence, Uffizi Gallery. Detail. Episode life of St. Nicholas of Bari healing sick men building house windows arches.

Massacre of the Innocents, fresco

Jean Malouel 'The Small Pieta' c 1400. Tempera on panel.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Miracle of Mont Saint-Michel. Date/Period: Ca. 1455-1460. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 1,453 mm (57.20 in); Width: 1,070 mm (42.12 in). Author: JAUME HUGUET.

Gentile di Niccol≤ di Giovanni Massi, called Gentile da Fabriano (1370 - 1427) Adoration of the Magi (1423), Galerie of the Offices, Florence

The Virgin and Child Enthroned; with Standing Saints and a Kneeling Donor; Early 16th century Marble with painted and gilded decoration Antonello Gagini; Italian (active Sicily); born 1478; died 1536

Lamentation over the Dead Christ, 1495-1500, by Sandro Botticelli (1445-1510), tempera on wood, 107x71 cm. Detail.

Triptych with the Lamentation of Christ (center), flanked by the male Donor with Saint Benedict (left, inner wing) and female Donor with Saint Elizabeth of Thuringia (right, inner wing). Dating: c. 1540 - c. 1545. Measurements: support: h 47.1 cm (centre panel) × w 39.2 cm (centre panel) × h 55.3 cm (left wing) × w 23 cm (left wing) × h 55.3 cm (right wing) × w 23 cm (right wing); d 5.6 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Cornelisz II Buys (attributed to).

FRESCOS DE LA CAMARA DE LOS ESPOSOS - GONZAGA ENCONTRANDOSE CON SU HIJO - SIGLO XV - RENACIMIENTO ITALIANO. Author: ANDREA MANTEGNA. Location: DUCAL PALACE. Mantua. ITALIA. GONZAGA FAMILIA. GONZAGA LUDOVICO.

Bernardino Pinturicchio, Fresco, 1502-1507, 1454-1513, Italy, Siena, Library of the Siena cathedral

Coronation of the Virgin. Artist: Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). Dimensions: Shaped top, 70 5/8 x 51 3/4 in. (179.4 x 131.4 cm). Date: ca. 1455.The richly decorated surfaces and extensive use of silver and gold indicate that this panel--one of the artist's finest and best preserved works--derives from an important altarpiece, though its early history is not known. It is likely that a predella showing scenes from the life of the Virgin was originally below the main panel of the Coronation. Museum: Metropolitan Museum of Art, New York, USA.

Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother, attributed to Master of Alkmaar, c. 1520 - c. 1535

Scenes from the Life of Christ, by the Master of the Wenemaer Triptych, circa 1480, Museum of Fine Arts, Ghent, Belgium, West Flanders, Belgium, Europe

Fragment of the predella of the altarpiece of Santa Ursula, 1406-1415, tempera on panel, Master of Montesión, Guillem Arnau, Mallorca Cathedral, Museu de Mallorca, Palma, Majorca, Balearic Islands, Spain.

Fresco: Ludovico's Meeting with his Second Son Frances, Camera degli Sposi, Bridal Room, painted around 1450 by Andrea Mantegna for Ludovico II Gonzaga and woman Barbara of Brandenburg, San Giorgio Castle, Mantua, Lombardy, Italy, Mantua, Lombardy, Italy, Europe

Simone Martini (h.1284-1344). Italian painter of the Sienese school. Saint Louis of Toulouse crowning Robert of Anjou, king of Naples, 1317. Detail of the predella with scenes of the saint's life. Museum of Capodimonte. Naples. Italy.

The Adoration of the Magi. Workshop of Cornelis Engebrechtsz.; Netherlandish, 1460/65-1527. Date: 1505-1515. Dimensions: 28.2 × 35.6 cm (11 3/16 × 14 in.)Painted surface: 27.7 × 34.9 cm (10 7/8 × 13 3/4 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Follower of Lucas van Leyden.

St Anthony Altarpiece, 1467-1469, by Piero della Francesca (1412-1492), oil on canvas, 338x230 cm.

Miraflores Altar by Rogier van der Weyden, Oil on wood, circa 1440, circa1399-1464, Germany, Berlin, Staatliche Museen, 71x43

The Seven Works of Mercy. Paneel van een veelluik met de zeven werken van barmhartigheid: het laven van de dorstigen. Dating: 1504. Measurements: support: h 103.5 cm × w 56.8 cm. Museum: Rijksmuseum, Amsterdam. Author: MASTER OF ALKMAAR.

Bouts, Dirck. Tryptich of the Passion. 16th c. Flemish art. Oil on wood. SPAIN. Valencia. Patriarch's Museum.

The Three Kings; Unknown Flemish painter; XVII century (1600-00-00-1699-00-00);Maria (Mother of Jesus Christ), Negroes, Air of the Magi (iconogr.), Stanisław August Poniatowski (King of Poland - 1732-1798), Stanisław August Poniatowski (Polish King - 1732-1798) - collections, Sułkowski, August (1729-17866 ), Sułkowski, August (1729-1786) - collections, Austrian painting, Flemish painting, putta, ruins

Vicente Carducho / 'San Bruno y sus compañeros ante Urbano II', 1626-1632, Spanish School, Canvas, 337 cm x 298,5 cm, P03803. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

LAZARO Y EL MAL RICO - SIGLO XV - OLEO SOBRE MADERA - PINTURA GOTICA. Location: MUSEO. CLUNY. France. LAZARUS OF BETHANY.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Triptychon von San Ivo triptych of San Ivo, San Clemente and San Antonio de Padua, unknown author, 14th century, painting on board, Museo Diocesano de Salamanca, Catedral Vieja, Salamanca, comunidad autónoma de Castilla y León, Spain Copyright: xZoonar.com/Tolox 22896829

Madonna and Child with Five Angels. Dated: c. 1335. Dimensions: painted surface: 100.6 × 48.2 cm (39 5/8 × 19 in.) overall: 102.3 × 49.3 × 3.7 cm (40 1/4 × 19 7/16 × 1 7/16 in.) framed: 138.4 x 70.1 cm (54 1/2 x 27 5/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BARONZIO.

Old Testament. Susanna in the garden spied by The Elders. Miniature. Book of Hours 16th century. Chantilly Castle. France.

The Adoration of the Magi; Simon Bening, Flemish, about 1483 - 1561; Bruges, Belgium, Europe; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5/8 x 4 1/2 in.)

Vrancke van der Stockt / 'Redemption Triptych: Last Judgement', 1455-1460, Flemish School, Oil on panel, 195 cm x 77 cm, P01891. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fair Rosamund and Queen Eleanor, Edward Burne-Jones, 1833-1898, British, 1861, Mixed media on paper, Support (PTG): 19 1/2 x 14 3/4 inches (49.5 x 37.5 cm), costume, curtain, death, historical subject, interior, jealousy, labyrinth, lute, mirror, murder, music, musical instruments, painting (visual work), pans (containers), portrait, pots, Pre-Raphaelite, protection, queen (person), thread, women

The Condemnation of St Lawrence by the Emperor Valerian (detail). east wall, Cappella Niccolina, Palazzi Pontifici, Vatican. Fresco by Fra Angelico (c1400-55) Italian painter. The Condemnation of St Lawrence by the Emperor Valerian is the left half the fresco below the lunette on the east wall. Various soldiers and city worthies stand in a circle before the Emperor, helping to create a sense of depth without the assistance of any converging orthogonals in the foreground.

Giovanni di Paolo, Deceased in Paradise

Fra Filippo Lippi, The Annunciation, c 1435 1440 The Annunciation

Belvedere museum. Diptych with scenes from the passion. Christ bearing the cross an the Crucifixion. 15 th century. Vienna. Austria.

The Agony in the Garden by Cranach, Lucas, the Elder (1472-1553) / Dresden State Art Collections / c. 1520 / Germany / Oil on wood / Bible / 68x40,2 / Renaissance

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The Annunciation and The Nativity, c. 1457. Jaume Ferrer (Spanish, 1460/70). Oil, tempera, and gold on wood panel (fir); framed: 186.5 x 139 x 14.5 cm (73 7/16 x 54 3/4 x 5 11/16 in.); unframed: 172 x 124.7 cm (67 11/16 x 49 1/8 in.). This and the painting to the right are believed to be the remaining components of a six-panel altarpiece. The large central panel is now preserved in Barcelona (Museu National dArt de Catalunya). Ferrer collaborated with the painter Pere Garcia de Benavarri on this commission. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia) in the skies and the haloes, as well as other details. Here the Archangel Gabriel proclaims the Virgins destiny as the mother of Christ. The setting is an ordinary house, but simple objects have symbolic meaning. The lilies represent the Virgins purity; the covered jar and water carafe symbolize inviolability; the pomegranate symbo

Madonna Adoring the Child with Five Angels (from 1485 to 1490), Madonna Adoring the Child with Five Angels, Painting by Sandro Botticelli (1 March 1445, 1510), one of the most important Italian painters and draughtsmen of the early Renaissance, Historic, digitally restored reproduction from an original, Record date not stated

Triptych of the Mystical Bath, center panel, by Jean Bellegambe (ca 1480 died between 1534-1536), oil on panel, 81x58 cm.

fine arts, Ratgeb, Joerg, (before 1480 - 1526), painting ""Brith of Christi"", piece of Herrenberger Altar, Gallery of State, Stuttgart, Germany,

Altar frontal with St John the Baptist within a garland of flowers with a frieze, 1512, by Mariano di Austerio from Perugia (1470-1527, or ca 1547), panel. Detail. Collegio del Cambio, Chapel of St John the Baptist, Perugia, Italy.

Anonymous German Artist active ca. 1520 (Active ca. 1520 ()). Christ in Limbo (ca. 1520). Oil on panel. 89 x 37.5 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

emperor augustus and Tiburtinian sibylle. 1460. (Rogier van der Weyden; werkastatt;)

Detail from the Allegory of Poverty, fresco by the Master of the Vele, 1315-1320, Lower Church, Papal Basilica of St Francis of Assisi (UNESCO World Heritage List, 2000), Assisi, Umbria. Italy, 14th century.

Altarpiece of Saint Michael and Saint Peter. Date/Period: From 1432 until 1433. Painting. Tempera, gold leaf and metal plate on wood. Height: 2,875 mm (113.18 in); Width: 3,360 mm (11.02 ft). Author: JAUME CIRERA.

Painting titled 'The Blood of the Redeemer' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 16th Century

Artist, workshop of: Sano di Pietro, Italian, Siena, 1405-1481, Virgin and Child with Saints andAngels, ca.1470, Tempera on panel, 60.3 × 45.1 × 3.2 cm (23 3/4 × 17 3/4 × 1 1/4in.), Made in Siena, Italy, Italian,Siena, 15thcentury, Paintings

Jan Provost (1465-1529). Flemish painter. Madonna and Child on a pedestal within the nave of a Gothic church. Oil on panel. Ala Ponzone Civic Museum. Cremona. Italy.

David and Betsabe tapestry. unknown, workshop, Roome, Jan van (fl. 1498-1521), painter

SALTERIO-PASO DEL MAR ROJO S X. Location: NATIONAL LIBRARY. France. MOSES.

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