Religious and Historical Scenes

Classic religious artworks portraying significant biblical events, characterized by dramatic expressions and intricate details.

The Deposition from the Cross by Pietro da Rimini, c. 1330-40, (1309-1333), Paris, Musee du Louvre

Colantonio (1440-1470). Italian painter. Descent from the Cross, ca. 1455-1460. Detail. National Museum of Capodimonte. Naples. Italy.

'San Juan Bautista señalando al Mesías', c. 1723, Oil on canvas, 194 x 244 cm, P06943. Author: PAOLO MATTEIS (1662-1728). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Adoration of the Kings / Eusebio da...

The Deposition from the Cross by Pietro da Rimini, c. 1330-40, (1309-1333), Paris, Musee du Louvre

'Massacre of the Innocents'. Italy, Middle of the 1620s. Dimensions: 45,5x64,5 cm. Museum: State Hermitage, St. Petersburg. Author: Luigi Amidani.

Deposition, 1554, by Moretto da Brescia (1498-1554), oil on canvas, 240x189 cm.

VERONESE, Paolo Caliari, called Paolo (1528-1588). Supper in the House of Simon. 1560. Detail. Mary Magdalene washing the feet of Jesus Christ. Renaissance art. Cinquecento. Oil on canvas. ITALY. PIEDMONT. Turin. Galleria Sabauda (Sabauda Gallery).

Pieta, 1494, by Niccolo da Foligno (ca 1420-1502).

Ecce Homo, 1607, by Ludovico Cigoli (1559-1613), oil on canvas, 175x135 cm.

Jordi Arenas / "La multiplicación de los panes y los peces" (The multiplication of bread and fish) (detail), 1960, Fresco painting, chapel of the sacrament, church of Santa Anna de Mataró. Author: JORDI ARENAS I CLAVELL.

Painting in the Chiesa Parrochiale, Montesano, Apulia, Italy, Europe

Copy of Hugo van der Goes (1440-1482). Piety, 1480-1490. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"",

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Anonymous / 'Martyrdom of Saint Acathius'. 1540 - 1545. Oil on panel. Museum: Museo del Prado, Madrid, España.

National art gallery: saint rock end the angel by palma il giovane, 1400, ferrara, italy

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), 1739. Giovanni Battista Tiepolo (Italian, 1696-1770). Oil on canvas; framed: 67.5 x 45.5 x 6 cm (26 9/16 x 17 15/16 x 2 3/8 in.); unframed: 51.7 x 31.7 cm (20 3/8 x 12 1/2 in.).

The Car of Love, or Love's Wayfaring. Date/Period: 19th century. Drawing. Pastel, brush drawing and charcoal pastel, brush drawing and charcoal. Height: 3,391 mm (11.12 ft); Width: 2,112 mm (83.14 in). Author: Edward Burne-Jones.

The Supper at Emmaus, c. 1720. Giovanni Battista Piazzetta (Italian, 1682-1754). Oil on canvas; framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.).

Cornelia, Mother of the Gracchi by Peyron, Jean-Francois-Pierre (1744-1814)/ National Gallery, London/ 1781/ France/ Oil on canvas/ Classicism/ 54,5x84,5/ Mythology, Allegory and Literature

The Descent from the Cross. Butinone, Bernardino; Italian, c. 1450-before November 1510. Date: 1480-1490. Dimensions: Panel: 26 x 20.4 cm (10 3/16 x 8 1/16 in.); Painted surface: 25.6 x 20 cm (10 x 7 7/8 in.); With Frame: 30.5 x 25.4 cm (12 x 10 in.). Tempera on panel (poplar). Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

San Giobbe altarpiece, by Giovanni Bellini, circa 1487, Galleria dell'Accademia, Venice, Italy, Europe

The Flagellation; (reverse) The Madonna of Mercy ca. 1540 Girolamo Romanino Italian Romanino painted this expressive depiction of the flagellation of Christ as a processional banner for a confraternity, or lay religious group, in Brescia, a city not far from Milan. Contemporary German prints, which circulated widely in northern Italy, inspired its dramatically compressed composition and the vehemence of the brutish executioners. Caravaggio, the groundbreaking artist of the next generation, spent his formative years in the region and almost certainly knew and admired this painting. On its reverse, Romanino painted the Madonna of Mercy surrounded by kneeling members, now unfortunately somewhat damaged. For an image of the reverse visit metmuseum.org.. The Flagellation; (reverse) The Madonna of Mercy. Girolamo Romanino (Italian, Brescia 1484/87-1560 Brescia). ca. 1540. Distemper and oil() on canvas. Paintings

The Annunciation. Date/Period: Between ca. 1495 and ca. 1498. Painting. Height: 450 mm (17.71 in); Width: 130 mm (5.11 in). Author: SANDRO BOTTICELLI.

The Last Supper, by Jaume Ferrer the Elder (active ca 1400-1433), panel. Detail.

Alessandro Magnasco; Italian; Genoa 1667-1749 Genoa; Ecce Homo; ca.1710; Oil on canvas.

MARTIRIO DE SAN BARTOLOME - S XVII - O/L - 13x18 - BARROCO ESPAÑOL. Author: JUSEPE DE RIBERA. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

The Trinity, c. 1460. Laurent Girardin (French, 1478). Oil on wood; framed: 134.5 x 114.5 x 8 cm (52 15/16 x 45 1/16 x 3 1/8 in.); unframed: 114 x 94.5 cm (44 7/8 x 37 3/16 in.).

The Garden of Gethsemane / Agony in the Garden. Date/Period: Ca. 1518. Painting. Oil on panel. Height: 54 cm (21.2 in); Width: 32 cm (12.5 in). Author: Lucas Cranach the Elder.

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"",

Painting titled 'A Warrior adoring the infant Christ and the Virgin' by Vincenzo Catena (1470-1531) an Italian painter of the Renaissance Venetian School. Dated 16th Century

Fresco titled 'Healing of a blind youth' by Annibale Carracci (1560-1609) Italian Baroque painter. Dated 17th Century

Presentation in the Temple, 1454-1455, by Andrea Mantegna (1431-1506), tempera on canvas, 67x86 cm.

ARTE RENACIMIENTO. BELGICA. ATRIBUIDO A LAMBERT LOMBARD (1506-1566). "ESCENAS DE LA PASION Y RESURRECCION DE CRISTO" (1541). De izqda. a dcha. "LA FLAGELACION, CRISTO ANTE PILATOS, CORONACION DE ESPINAS, CAMINO AL CALVARIO Y LOS DOS LADRONES CONDUCIDOS AL CALVARIO. Museo de Bellas Artes de HOUSTON. Estado de Texas. Estados Unidos.

Saint Sebastian Cured by Irene. Date/Period: Ca. 1497. Painting. Oil on panel oil on panel. Height: 813.31 mm (32.02 in); Width: 548.39 mm (21.59 in). Author: JOSSE LIEFERINXE.

PINTURA - 1987 - LA CONSTRUCCION - 200X282 - OLEO/LIENZO. Author: PEREZ VILLALTA, GUILLERMO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

MARTIRIO DE SAN BARTOLOME-1629-. Author: JOSE DE RIBERA. Location: PALACIO PITTI-GALERIA PALATINA. Florenz. ITALIA. SAN BARTOLOME APOSTOL / NATAEL / NATANAEL.

The Martyrdom of Saint Sebastian is a work by Piero del Pollaiuolo, commissioned by the Florentine Pucci family. 1475

Detail of one of the many frescoes in the Palazzo Vecchio in Florence, Tuscany, Italy, Europe

The Judgment of Virginia by Theodor van Thulden, painting, 1606-1669

The Crucifixion. Carlo Crivelli; Italian, 1430/35-1495. Date: 1482-1492. Dimensions: 75 × 55.2 cm (29 1/2 × 21 3/4 in.); image (arched): 74 × 55.2 cm (29 1/8 × 21 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

Noli me tangere, Christ Appears to Mary Magdalene. Dating: 1610 - 1690. Measurements: h 200 cm × w 177.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Peter Paul Rubens (workshop of).

Pietá. Date/Period: 1801/1900. 264 x 296 mm. Author: Pierre Bonnaud.

Christ on the Cross reverse. Dated: c. 1380/1390. Dimensions: painted surface: 30 × 18.6 cm (11 13/16 × 7 5/16 in.) overall: 30 × 18.6 × 0.8 cm (11 13/16 × 7 5/16 × 5/16 in.) framed: 52.7 x 34.3 x 7.9 cm (20 3/4 x 13 1/2 x 3 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: ANDREA DI BARTOLO.

Ludovico Carracci (Attribution) / 'Saint Francis and Two Angels', Late 16th century - Early 17th century, Italian School, Canvas, 24 cm x 19 cm, P00538. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pourbus, Frans the Younger (1569-1622). The Last Supper. 1618. From 1609 he was portrait painter at the court of Marie de Medici. Flemish art. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Ludovico Carracci / 'The Agony in the Garden', 1590-1600, Italian School, Oil on canvas, 48 cm x 45 cm x 2 cm, P00074. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

The conversion of Hermogenes the sorcerer. Chromolithograph by Storch and Kramer after C. Mariannecci after A. Mantegna.

Titian / Rest on the Flight into Egypt

Madonna delle Torri by Bramantino (1465-1530) / Pinacoteca Ambrosiana, Milan / ca 1510-1520 / Italy, School of Lombardy / Tempera and oil on wood / Bible / 122x157 / Renaissance

Madrid, 05/27/2024. Presentation at the Prado Museum of Caravaggio's "Ecce Homo". Photo: Ernesto Agudo. Archdc.

The Crucifixion. Dated: probably 1491. Dimensions: painted surface: 41.2 x 52.9 cm (16 1/4 x 20 13/16 in.) overall size: 42.6 x 53.8 cm (16 3/4 x 21 3/16 in.) framed (with three other paintings): 59.7 x 283.2 x 5.4 cm (23 1/2 x 111 1/2 x 2 1/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: BENVENUTO DI GIOVANNI.

Lucas Cranach the Elder (1472-1553). German painter. The Man of Sorrows, c.1520. National Gallery. Prague. Czech Republic.

Sebastiano del Piombo / 'Jesus descends into Limbo', 1516, Italian School, Oil on canvas, 226 cm x 114 cm, P00346. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

The Shadow of Death, William Holman Hunt, 1879-1873,

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Fra Bartolommeo (1472 1517)

MULTIPLICACION DE LOS PANES Y PECES.1796/97 146x340 cm. Author: FRANCISCO DE GOYA. Location: IGLESIA DE LA SANTA CUEVA. Cadiz. SPAIN.

Vicente Carducho / 'Martirio del padre Andrés, prior de la Cartuja de Seiz', 1626-1632, Spanish School, Canvas, 336,5 cm x 297 cm, P05459. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Marco Pino (1521-1583). Renaissance Italian painter. Baptist degollation, 1564. National Museum of Capodimonte. Naples. Italy.

EL GRECO. DOMENIKOS THEOTOKOPOULOS .1541 - 1614. " EL EXPOLIO ". MUSEO SANTA CRUZ DE TOLEDO.

The Crucifixion. Artist: Master of the Berswordt Altar (German, Westphalian, active ca. 1400-35). Dimensions: 23 1/2 x 17 in. (59.7 x 43.2 cm). Date: ca. 1400.These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works. The artist, one of the foremost painters of the International Gothic style in northwest Germany, still adhered to the traditional gilded background, although the inclusion of a horizon and some schematic natural motifs indicate an outdoor setting for both scenes. Museum: Metropolitan Museum of Art, New York, USA.

SANTOS - SIGLO XVII. Location: CATEDRAL-MUSEO. Toledo. SPAIN.

'Trinity (Left Wing of a Diptych)'. Netherlands, 1430s. Dimensions: 34,3x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: ROBERT CAMPIN.

The Martyrdom of Saint Symphorien 1865 Oil on canvas by Jean-Auguste-Dominique Ingres

Pieter Pannemaker I after Bernard van Orley, The Crucifixion, Flemish, active c. 1517-1535, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft

Vincenzo Foppa (1430-1516). Italian painter. Martyrdom of St. Sebastian, 1490-1500. Oil on wooden panel transferred to canvas. Pinacoteca Castello Sforzesco, Milan, Italy. (On loan, from Civico Templo di San Sebastiano, Milano). Author: Vincenzo Foppa (ca. 1430-1516). Italian painter.

Adoration of the Shepherds, by Giovanni Battista Moroni (ca 1525-1578), oil on canvas, 95x110 cm.

The Creation of Adam, artist unknown, mosaic, Italy, Sicily, Monreale Cathedral, 12-13th century

Juan de Juanes / 'Ecce Homo', ca. 1570, Spanish School, Oil on panel, 83 cm x 62 cm, P00848. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Penitent St Jerome, 1620, by Georges de La Tour (1593-1652), oil on canvas, 152x109 cm.

Decapitation of St James the Great, The stories of Christ, 1841, by Giovanni Chiarini, fresco cycle, nave in the Collegiate church of St Stephen, Vimercate, Lombardy, Italy, 11th-12th century.

Adoration of the Shepherds, by Allori Angelo (Agnolo) Bronzino, 16th Century, 1535-1540, oil on wood,

The Miraculous Communion of Saint Catherine of Siena; Domenico Beccafumi, Italian, 1484 - 1551; Italy, Europe; about 1513 - 1515; Oil and gold leaf on panel; Unframed: 28.6 x 41.3cm (11 1/4 x 16 1/4 in.), Framed: 39.05 x 52.07 x 4.76cm (15 3/8 x 20 1/2 x 1 7/8 in.)

Red Horse (The Second Seal) From Apocalypse: Descent of The Holy Ghost Giusto de Menabuoi (active 1349-ca. 1390 Italian) Baptistry, Padua, Italy

P.F.Mola, Anbetung der Hirten - -

The Crucifixion. Taddeo di Bartolo; Italian, 1362/63-1422. Date: 1401-1404. Dimensions: Panel: 37.6 × 72.4 cm (14 3/4 × 28 1/2 in.); Painted Surface: 33 × 68 cm (13 × 26 3/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, USA.

'Ecstasy of St Francis'. Italy, Early 18th century. Dimensions: 151x112 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown Italian artist, early 18th century.

Saint Jerome. Oil painting by an Italian painter.

Noli Me Tangere, Bugiardini, Giuliano di Piero, 1510.

Niccolo di Liberatore (1430-1502). Italian painter. Umbrian school. Saint Nicholas Predella, 1492. Flagellation of Christ.

Timoleon, a Greek general and statesman from Corinth, sets sail for Sicily, bringing help against Carthaginians and Spartans.

Roman Charity by Pieter Paul Rubens, oil on canvas, circa 1612, 1577-1640, Russia, St. Petersburg, State Hermitage, 140, 5x180,

Painting of St John the Baptist, by Andrea del Sarto (1486-1530). Cathedral of Pisa.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo52. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Caravaggio (Michelangelo Merisi); Italian; Milan or Caravaggio 1571-1610 Porto; Ercole; Denial of Saint Peter; Oil on canvas.

Pietro dell Veccia: The Palm Reader, 1650, Palazzo Chiericati, Pinacoteca di Vicenza, a major work by Andrea Palladios, featuring Venetian painting from the Middle Ages to Mannerism, Veneto, Italy, Vicenza, Veneto, Italy, Europe

G. David / Adoration of the Kings

Study of a Male Nude. Bilińska-Bohdanowiczowa, Anna (1854-1893), female painter

Artist: Biagio dAntonio, Italian, Florence, 1446-1516, The Crucifixion, ca. 1480, Tempera on panel, 55.2 × 38.4 cm (21 3/4 × 15 1/8 in.), Made in Florence, Italy, Italian, Florence, 15th century, Paintings

Painting of The Baptism of Christ by Piero della Francesca dated 1450

The ceremony of the dead Christ 1495 - 1500, The Lamentation Over the Dead Christ, painting by Sandro Botticelli March 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historical, digitally restored reproduction of a template, Record date not stated

Turkey, Istanbul, Kariye Museum, Turning water into wine, fresco

Jupiter, supreme deity of the Roman religion and Juno, Roman goddess, On The Ida, mural, fresco from historic Pompeii, digitally restored

The Pieta, Titian, 1530.

The Feast in the House of Simon. El Greco (Domenikos Theotokopoulos); Greek, active in Spain, 1541-1614. Date: 1608-1614. Dimensions: 56 7/16 × 39 1/2 in. (143.3 × 100.4 cm). Oil on canvas. Origin: Spain. Museum: The Chicago Art Institute, USA.

St Peter Visited by St Paul, fresco by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

A digger from the Italian guard dying, 1847, by Napoleone Mellini (1800-1880), oil on canvas, 134x180 cm. Unification era, Italy, 19th century.

Italy, Apulia, Troia, San Basilio Church, Fresco XI Century

Painting titled 'The Baptism of Christ' by Piero della Francesca, an Italian painter of the Early Renaissance. Dated 15th Century

Raphael (1483-1520) Museo del Prado, Madrid Painting 200x145 Bible The Visitation

of 2