Religious and Mythological Art

Artworks depicting biblical and mythological scenes, featuring figures in dramatic landscapes, with intricate details emphasized in etchings.

Calling of Jonah, Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1641 print Jonah called by God to go to Nineve. In the air an angel and cherubin. First print from a series of four about the Bible book Jonah. Northern Netherlands paper etching Jonah is sent by God to Nineveh to preach to its sinful citizens

Narcisse 1644 Etched by Stefano della Bella Italian. Narcisse 376745

Joseph Fischer, Landscape with Men in Armor, Tree Stump, 1803 Landscape with Men in Armor, Tree Stump

The Raising ofLazarus. Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664

Personified Soul watches the rain, Jan Luyken, 1714 print Amsterdam paper etching the soul. rain

Calling of Jonah, Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1641 print Jonah called by God to go to Nineve. In the air an angel and cherubin. First print from a series of four about the Bible book Jonah. Northern Netherlands paper etching Jonah is sent by God to Nineveh to preach to its sinful citizens

Illustrations for 'Gil Blas', plate V, Print made by William Sharp, 1749-1824, British, after Thomas Stothard, 1755-1834, British, 1781, Line engraving on medium, slightly textured, cream wove paper

Paysanne se lavant les pieds , Peasants, Bodies of water, Trees, Alphonse Legros (1837-1911)

. Print at the top right labeled: fol. 205.

Naked man in a landscape, Antonio da Trento, After Parmigianino, c. 1520 - c. 1550 print A naked man, possibly Narcissus, in a landscape. Left in the foreground is a bust of a woman. Italy paper Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene. landscapes. piece of sculpture, reproduction of a piece of sculpture

Apollonius, pl. 8 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628

Italy, Lombardelli, Giovanni Battista, Villamena, Francesco, Penitent Mary Magdalene, verso - stamped, Mary Magdalene kneeling with a crucifix in her hand. In front of her lie a ewer, a skull and a book. A putto holds a wreath of flowers above her head., print, prent, prints, height 260 mm, width 203 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), Work conception, 1540 - 1592

Death of Petrus de Martelaar. Saint Peter the martyr, also known as the Saint Peter of Verona, is killed on the way to Milan in a landscape by two Cathars. Above two putti float with a palm branch.

Tobias sees the Fish, from the Story ofTobias. Artist: Jan van de Velde II, Dutch, 1593-1641

Musical Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") December 8, 1778 Designed, etched and published by John Hamilton Mortimer British. Musical Monster (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") 407891

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Do not touch me, Julius Goltzius, after Federico Zuccaro, after Giulio Clovio, after Cornelis Cort, 1586 print paper engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Stone block with bas-relief with a representation of a shepherd that pours water into a drinking trough; Sheep; Animalia Ad Vivum Delineata and Aqua Forti Aeri Impressa Studio et Arte Nicolai Berchemi.

L'Apparition de S. Michel, archange (The Apparition of St. Michael, Archangel), May 8th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. L'Apparition de S. Michel, archange (The Apparition of St. Michael, Archangel), May 8th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Vanitas allegory. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 163 mm × w 64 mm. Museum: Rijksmuseum, Amsterdam.

Vrouwelijk gezelschap in een berceau.In a Berceau decorated with two busts of women, a company of five women can be seen, one of whom is one. A fountain behind them. At the top right: 5. B.

Barbiers, Pieter, Amsterdam, Koning, Theodoor, Two hunters and the milkmaid, verso - stamped, Two hunters fall through the wall of a shed and startle the young woman by the tree. This image shows a scene from the farce 'The Two Hunters and the Milkmaid'., print, prent, prints, prenten, height 224 mm, width 155 mm, 1748-02-03 - 1829-01-31, print maker, prentmaker, 1778 - 1778, paper, papier, engraving, engraving (printing process), Work conception

Augsburg, Nilson, Johann Esaias, Eisen, Charles Joseph Dominique, Rugendas, Johann Georg Lorenz (I), Pastoralen, Le Songe pastorale, Menalcas and Galatea, verso - stamped, In a landscape beside a waterfall lies Galatea dreaming about Silvio. Next to her sits the shepherd Menalcas, who is in love with Galatea. In the bottom margin two columns with three-line German text. Publisher's number XIV., print, ornament print, prints, ornament prints, height 288 mm, width 193 mm, German, 1730 - 1799, print maker, printmaker, 1740 - 1778, paper, papier, etching, etchings, Work conception, French, 1720-08-17 - 1778-01-04, after a design by, Publication (Event), Publication, 1721-11-02 - 1788, publisher

Two farmers in conversation: everyone must weeds, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 - 1592 print Two farmers opposite each other in a garden. The man on the right is leaned on a spade (kick) and makes a gesture to the second man who is sitting opposite him, on his knees, weeds with his hands. Illustration of the proverb: everyone has to weed their own garden (everyone has to interfere with his own affairs). Under the show an eight -line verse in book print in Dutch. Haarlem paper engraving / letterpress printing farmers. proverbs, sayings, etc.. weeding. agricultural implements: spade

. The Westfriezen killed in Hoogwoud Willem II, which hit his horse in the frozen water of the Berkmeer, to bat him down. Top left: FOL. 142, 2 part. Print used in a book by Lambert van den Bos with a total of twenty prints from Arnold Houbakken.

Drawing of The Stigmatization of St Francis in a Landscape by Federico Barocci. Roger Fenton (English, 1819 - 1869)

Rest on the Flight Into Egypt. The holy family sitting in a landscape. In the foreground right Joseph who looks at the viewer and points to Mary with the Christ child on your lap.

Four Figures under a Tree Allart van Everdingen Dutch. Four Figures under a Tree 427169

Giovanni David, Democritus, 1775 Democritus

A bridge in the mountains above the abyss. A clip from a German magazine unknown

Finding the bodies of Saints Peter and Paul ca. 1647-51 Giovanni Benedetto Castiglione (Il Grechetto) Italian Castiglione is regarded as one of the most innovative printmakers of the seventeenth century, and this is one of ten etchings by him from the Massar collection. Many of his prints address the transience of earthly endeavors, death, and decay. Castiglione was strongly influenced by Rembrandts prints and their tenebrism (from tenebroso, suggesting darkness), and he even sought out religious subjects that would be enhanced by a gloomy setting. This print depicts the vault on the Appian Way outside Rome in which the bodies of the two martyred saints were hidden. Here, a group of men stumble into the vault, almost clinging to one another in fear. In the lower left, we see a headless Saint Paul and Saint Peter still clutching his keys, illuminated by the light of a single torch.. Finding the bodies of Saints Peter and Paul. Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Gen

Copper engraving by Domenico Campagnola depicting a shepherd and an old warrior, created in 1517.

Prins Fan-feredin in Prins Zazaraph in Bos, Charles Emmanuel Patas, After Clément Pierre Marillier, 1786 print Paris paper etching / engraving forest, wood. Literature. prince

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family Traveling by Boat, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 17.3 × 23.9 cm (6 13/16 × 9 7/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Daniël in the Leeuwenkuil, 1588 - 1592 print Daniël, with the left hand at the heart of seven lions in a cave. At the right of the cave a fence for an opening is visible; Left in the background a castle on a rock. In the top left corner of the performance you can see how a man floats through the air under the supervision of an angel (Habakkuk that comes to bring food to Daniël). A four -line Latin caption under the show. print maker: Netherlandspublisher: Amsterdam paper engraving Daniel's punishment and liberation: Daniel in the lion's den ~ King Darius. the prophet Habakkuk, carried by his hair by an angel, brings food to Daniel who sits unharmed between the lions. lion's den. beasts of prey, predatory animals: lion

Amor and De Wind let a fire flare up, Jan van Vianen, 1686 print Amor has a bunch of straw in its arms to throw it on a fire. The wind blows the fire in the air. Just as the wind flares up a fire, a lover rejoices for the favor of a loved one. Forty -two emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). wind as a human face, blowing with rounded cheeks. burning as process: straw

Line Drawing. Narcissus at the Fountain.

Seated Philosopher with Other Figures, plate 20 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, with the two heads which were later erased, Italy, 1750-1760, Print, Print

Tobias en de engel, anonymous, after Raffaellino da Reggio, in or after c. 1560 print Tobias, with fish and walking stick in hand, walks through a landscape together with the angel Rafaël. Italy paper Tobias and the angel Raphael continue their journey; usually Tobias carrying the fish

First Guard-Room ca. 1754 Jacques Gabriel Huquier French. First Guard-Room 394319

John Hamilton Mortimer, 1740-1779, British, Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds), 1778. Etching.

Amor at a bear licking her young; Emblemes d'Amour. Amor kneel down at a bear who licks her young. Just like the bear licks her joy while it grows up, loved ones will arrange themselves to each other by making each other. Sixth emblem from emblemata amatoria.

Phaeton, 1601 - 1700, Etchings, 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Paper / Sheet 3 7/16 x 2 1/4 in. (8.7 x 5.7 cm), Cream laid

Receuil d'essais lithographiques: Dragon fumant couche au pied d'un arbre, 1822. Antoine Pierre Mongin (French, 1761-1827). Lithograph; overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in.).

Mercury and Battus; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Apollo, shown as shepherd, plays on his pan flute and don't mind his herd. Mercury, recognizable by its winged sandals, has driven away the herd. The old man battus promised Mercury to say nothing about what he had seen. When Mercury asked him in another form to it, Battus said, and turned into a rock. Under the show twice two fresh rules in Latin. The print is part of an album.

Daniel Nikolaus Chodowiecki, Idris, 1789 Idris

Alphonse Legros, The Fire, 2nd plate (L'incendie) The Fire, 2nd plate (L'incendie)

Print made by Richard Corbould, 1757-1831, British, Woman and Child Beneath a Tree, 1811. Lithograph on medium, slightly textured, cream wove paper.

Demogorgon in the cave of eternity, Hendrick Goltzius, 1586 - 1590 print Demogorgon, the father of all gods, is in his cave. Next to him a snake that bites in his own tail, symbol of eternity. On his other side a woman with many breasts (Diana van Ephese), symbol of nature. This print is part of a series of seven oval prints of classical gods and goddesses. paper other primeval deities: Demogorgon. serpent Ouroboros. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

The Dutch lion is looking for help from Willem III, 1672. Allegorical representation from 1672 with the Dutch lion with a shield with the portrait of Willem III. There are other parts of an armor and the Dutch arrows bundle in the shield, as a symbol of the Eendracht of the seven Dutch provinces. The war is raging in the surrounding landscape. The lion has been copied to a print of Abraham exposure.

Rest from Labour, Sunny Days. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 9 11/16 x 6 15/16 in. (24.6 x 17.7 cm)Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784. Museum: Metropolitan Museum of Art, New York, USA.

Idris. Dated: 1789. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

H. Geneviève, reading, with herd sheep in a landscape, Claude Mellan, 1680 print France paper engraving St. Genevieve as shepherdess, keeping her sheep and spinning

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male Hermits and Anchorites, Marcus the Hermit, verso lower left - stamped, Marcus, an early Christian hermit, in a cave in a forest landscape. He is copying the Bible. In the left corner a frog., print, prints, height 166 mm, width 200 mm, South Netherlands, 1560, print maker, printmaker, 1594 - 1594, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1550 - 1600-08, publisher

Landscape with hermit, Frederick Bloemaert, after Abraham Bloemaert, after 1635 print A dilapidated wall with a large knots tree. On the right a hermit on his knees, praying for a cross. paper engraving anchorite, hermit

The Comedy of Death. Dated: 1854. Dimensions: image: 8 9/16 x 5 7/8 in. (21.8 x 15 cm). Medium: lithograph on India paper. Museum: National Gallery of Art, Washington DC. Author: Rodolphe Bresdin.

Marcus, pl. 2 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Umbach, Jonas, Augsburg, Bird hunters with owl, verso lower center - stamped, Two bird hunters with a gun, have hidden behind a tree. They are looking at the owl on a stick, which serves as a decoy., print, prints, verso lower left - stamped, height 160 mm, width 98 mm, German, 1624 - 1693-04-28, print maker, printmaker, 1634 - 1693, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Satyr's Family. Dated: c. 1510/1515. Dimensions: sheet: 20 x 11.8 cm (7 7/8 x 4 5/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of 1515.

Strooming Putti, Cornelis Schut (I), 1618 - 1655 print paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Title page for: P.J. Beronicii Georgarchontomachia, 1766, 1764 - 1766 print The poet, chimney sweep and scissors grinder Petrus Johannes Bernicius on the Parnassus crowned by Apollo. At the bottom of books and attributes of the chimney sweep and scissors grinder. Title page for a poem by Bonicius about the rebellious Zeeland farmers and the Tumult in Middelburg around Mayor Philip van den Brande on July 21, 1672. Northern Netherlands paper etching Middelburg

Narcissus looks at his reflection in water surface, Coenraet Decker, 1660 - 1685 print paper etching (story of) Narcissus

The Raising of Lazarus: Small Plate, Rembrandt van Rijn, 1642 print paper etching / counterproof / counterproof the raising of Lazarus ('Lazarus, come out')

La Mort dans le Poirier (Death in the PearTree). Artist: Alphonse Legros, French, 1837-1911

The orangiste, 1695; ProCUL ITE PROFANI; The general joy to the intake of names by Stadholder Willem III, King of England, September 1695. The Orangiste. Dancing woman with an orangist pamphlet in hand. Under the show a Latin title and a Dutch verse of four rules. Part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695.

Burying the dead during the plague of 1665. Etching by C. Grignion after S. Wale.

Huyberts, Cornelis, Northern Netherlands, Image of the Abused Bodies on the Groene Sootje in The Hague. 20 August 1672, The mutilated bodies of the De Witt brothers hanging from the seesaw, 1672, Night scene of the mutilated bodies of Johan and Cornelis de Witt, hanging from the seesaw on the Groene Zoodje, 20 August 1672. On the right in the foreground a man with a burning torch. Marked at the top right: Pag. 40., print, history print, prints, Frederik Muller History plates, height 136 mm, width 214 mm, print maker, printmaker, 1680 - 1749, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1669 - 1712

When every rood of ground maintain’d its man…” - from Oliver Goldsmith’s The Deserted Village (London and New York: 1902), p. 13. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Nuremberg, Solis, Virgil, Lot and his Daughters, verso - handwritten in brown ink, print, prints, verso - stamped, 157, height 72 mm, width 112 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, etching, etchings, engraving, engraving (printing process)

Young man with walking stick, 1596 - 1600 print A man with clothing on who waves in the wind and a walking stick in the left hand, standing at a house or building. paper the (nude) human figure; 'Corpo humano' (Ripa) (+ young male (human being))

Leonardo da Vinci, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Man holding up a shield before a fighting dragon and unicorn, verso - stamped, Numbered top right: 146., print, prent, prints, prenten, height 103 mm, width 124 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1452-04-15 - 1519-05-02, intermediary draughtsman

Jonatan and Achimaäs are hidden in a well / death of Absalon, Caspar Luyken, 1698 print Two performances of a plate. Numbered at the top right: 371 and 374. Amsterdam paper etching pursued by Absalom's soldiers Ahimaaz and Jonathan hide in a pit in a house at Baharim; a woman spreads a cover with corn over the pit. Joab stabs Absalom with three spears

Illustration for Ehrenberg's 'Pocketbook for 1796'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1795. Prints; etchings. Etching

My soul desired you at night, Christoffel van Sichem (2), after Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1628 print An angel with a lantern and a woman walk in the night (Isa. 26). print maker: Amsterdampublisher: Antwerp paper letterpress printing the book of Isaiah

Noah and the Animals Entering the Ark. Dated: c. 1630. Dimensions: plate: 13.6 x 9.3 cm (5 3/8 x 3 11/16 in.) sheet: 13.7 x 9.4 cm (5 3/8 x 3 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Winter's Tale, Act 3, Scene 3, John Neagle, 1796-1865, American, after Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), 1803, Engraving

The Creation of Eve. Artist: Lucas Cranach the Younger and Workshop (German, Wittenberg 1515-1586 Wittenberg). Dimensions: Sheet: 10 5/16 × 6 5/16 in. (26.2 × 16 cm). Museum: Metropolitan Museum of Art, New York, USA.

Death and the Woodcutter, 1881. Alphonse Legros (French, 1837-1911). Etching and drypoint; sheet: 42.7 x 32.9 cm (16 13/16 x 12 15/16 in.); platemark: 37.1 x 27.1 cm (14 5/8 x 10 11/16 in.).

Mocking of Ceres, Hendrick Gold, After Adam Elsheimer, 1610 print The goddess Ceres, looking for her daughter Proserpina, rests with a hut. She drinks from a jug given to her by an old woman. A small naked boy next to the old woman points to Ceres and laughs her out. The print has a Latin caption. To a painting by Adam Elsheimer. Rome paper engraving a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house

Netherlands, Serné, Adrianus, Houthakker, verso - stamped, print, drawings, height 159 mm, width 113 mm, Northern Netherlands, 1773-07-05 - 1853-09-30, print maker, printmaker, 1783 - 1853, paper, papier, etching, etchings, print drawing, aquatint

Frère Luce 1767 After Gabriel de Saint-Aubin French. Frère Luce 369102

Les faiseurs de fagots , Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Le scarabée d'or , Treasure hunts, Alphonse Legros (1837-1911)

Saturn, from 'Game of Mythology' (Jeu de la Mythologie). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Designed by Jean Desmarets de Saint-Sorlin (French, 1595-1676). Dedicatee: Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Versailles). Dimensions: Sheet: 1 13/16 × 2 1/16 in. (4.6 × 5.3 cm). Patron: Cardinal Jules Mazarin (Italian, Piscina 1602-1661 Vincennes). Publisher: Henri Le Gras (French). Series/Portfolio: 'Game of Mythology' (Jeu de la Mythologie). Date: 1644. Museum: Metropolitan Museum of Art, New York, USA.

Woodcutters, 3rd plate (Les bucherons). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Emotion du docteur Véron ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Frère Luce. Artist: After Gabriel de Saint-Aubin (French, Paris 1724-1780 Paris). Dimensions: sheet: 20 3/8 x 14 15/16 in. (51.8 x 38 cm)image: 15 5/8 x 12 3/8 in. (39.7 x 31.4 cm). Date: 1767. Museum: Metropolitan Museum of Art, New York, USA.

Farming house on the Waterkant, Jan Lauwryn Krafft (I), After David Teniers, 1704 - 1764 print In the doorway of a farmhouse, a woman is watching a man with a walking stick. The house is on the water. The print is part of a series with Flemish landscapes. Southern Netherlands paper etching trees: willow. rural housing, e.g. country-house, villa, cottage. low hill country

Le génie de l'air , Fictitious characters, Schumann, Robert, 1810-1856. Manfred. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

James Howel Standing in a Forest 1641 Claude Mellan French. James Howel Standing in a Forest 393277

The mutilated bodies of the De Witt brothers hanging on the WIP, 1672, 1680 - 1749 print Night presentation of the mutilated bodies of Johan and Cornelis de Witt, hanging on the seesaw on the green Zoodje, August 20, 1672. On the right in the foreground a man with a burning torch. Marked at the top right: p. 40. Northern Netherlands paper etching / engraving mutilation of the corpse Green so

A wounded reclining man with an American () woman on whose knee sits a child, with two men in attitudes of grief. Soft ground etching by Elizabeth Foster after Caroline Stuart-Wortley, Baroness Wharncliffe.

Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox 1650-75 Allart van Everdingen Dutch. Renard Mounted on an Ass from Hendrick van Alcmar's Renard The Fox 429544

Companions of cadmus devoured by a dragon; Metamorphoses from Ovid. For a cave kills a dragon's companions from Cadmus, founder of Thebes. Cadmus kills the dragon in the background.

Interrupted kiss according to the drawing of Kaspar Kögler. A clip from a German magazine unknown, Kögler, Kaspar (1838-1923)

Venus and Cupid at the Forge of Vulcan, Gérard de Lairesse, Dutch, 1641-1711, Engraving on white laid paper, Venus is shown putting arrows into a quiver held by Cupid. Behind her is a pile of warfare implements. In the background, three figures hammer at the forge., Netherlands, ca. 1700, figures, Print, Print

Treasure Chamber, Marius Bauer, 1902 print Two men descend a staircase to a room with different objects in it. Light falls into the space through the doorway. paper etching depository (of valuables)

After Albrecht Dürer, Saint Jerome in Penitence, After 1496, engraving on paper.

Daniels vision of four beasts, Salomon Italia, after Rembrandt van Rijn, in or after 1655 - c. 1665 print paper engraving Daniel's visions (Daniel may be shown having his visions explained, e.g. by the archangel Gabriel)

Elia's servant sees a small rain cloud.

Martianus after Martin of your Raphael Sadeler (said the old, 1560-1632). Martianus after Martin of your. Burin, 17th century.

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