Religious and Mythological Prints

Engravings portraying biblical and mythological scenes, rich in detail, featuring angels, figures and dramatic narratives.

chased from the garden of Eden by an angel with a fiery sword, accompanied by Death

The Last Judgment. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd () 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 10 15/16 × 8 1/4 in. (27.8 × 21 cm). Date: 1505. Museum: Metropolitan Museum of Art, New York, USA.

The Babylonian Whore, from The Apocalypse 1498 Albrecht Dürer German. The Babylonian Whore, from The Apocalypse 388126

Albrecht Dürer, The Seven Angels with the Trumpets, probably c 1496 1498 The Seven Angels with the Trumpets

Judas kisses Christ on the cheek. The soldiers surround and arrest him. Peter is about to cut off Malchus' ear. The scene is framed in a frame decorated with various animals and insects and the sacred Lamb, Judas kiss and arrest of Christ Passion of Christ (series title), print maker: Antonie Wierix (II), (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1582 - 1586, paper, engraving, h 189 mm × w 157 mm

The Expulsion from Paradise. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Germany, Altdorfer, Albrecht, The Fall and Redemption of Mankind, Christ Nailed to the Cross, verso bottom center - handwritten, Christ is nailed to the cross, lying on the ground. On the left a man drives a nail through Christ's hand. Twenty-eighth print from a series of forty., print, prent, prints, prenten, 58, height 72 mm, width 48 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

chased from the garden of Eden by an angel with a fiery sword, accompanied by Death

The Lamentation, from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528

Adam and Eve in Paradise, 1509. Lucas Cranach (German, 1472-1553). Woodcut; image: 33.5 x 23 cm (13 3/16 x 9 1/16 in.); sheet: 33.5 x 23 cm (13 3/16 x 9 1/16 in.).

Ain Man Schoss seinen nagsten ... Dated: c. 1503. Dimensions: sheet: 26.6 × 18 cm (10 1/2 × 7 1/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Master of the Miracles of Mariazell.

Hercules andAntaeus. Artist, attributed to: Gabriel Salmon, French, 1504-1542

Woodcut by Hans Baldung Grien from around 1505-1507 depicting the Last Judgement.

Albrecht Dürer, The Martyrdom of the Ten Thousand, c 1496 1497 The Martyrdom of the Ten Thousand

The four avenge angels, Albrecht Dürer, 1511 print God ensures from heaven how four angels with swords are tackling rulers and ordinary people. On Versozijde Latin Bible text in Gothic script in two columns. Nuremberg paper letterpress printing Revelation 6-11

Germany, Cranach, Lucas (I), Rest on the Flight into Egypt, verso lower right - stamped, Mary with Christ and Joseph resting by a tree during their flight into Egypt. Joseph holds the grazing donkey by a leash. Putti are sitting all around them. A putto is blowing a trumpet with a banner on which are two small shields with the electoral and ducal arms of Saxony., print, prints, height 289 mm, width 193 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1509 - 1509, first quarter 16th century, paper, woodcut

The Whore of Babylon, from The Apocalypse, Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, Dense and dramatic outdoor scene; billowing clouds part to reveal winged angels guiding a crowd mid-air, led by the horsemen of the apocalypse (), upper left. At lower left, an ornately dressed crowd is gathered, standing opposite a horned, seven-headed, long-necked, fantastic beast, ridden by a woman holding aloft an ornate vessel. Signed AD, lower center., Germany, ca.1496-97, religion, Print, Print

The Apocalypse: St. Michael and the Dragon, 1546-1556. Jean Duvet (French, 1485-1561). Engraving;

Martin Schongauer, The Flight into Egypt, c 1470 1475 The Flight into Egypt

Zeus as an eagle, abducting Ganymede 1500-1510 Giovanni Battista Palumba Italian Among Jupiter's many loves was the boy Ganymede, whom the god, in the guise of an eagle, carried off to Olympus to serve as his cupbearer. Palumba's woodcut follows Virgil's description (Aeneid 5.250-57) of a cloak embroidered with a depiction of the Trojan prince's abduction while hunting on Mount Ida. As Virgil writes, as the beautiful youth is born aloft in the eagle's talons, his guardians stretch their hands in vain to Heaven and the barking of his dogs rises to the skies.. Zeus as an eagle, abducting Ganymede 360017

German 16th or 19th Century, Saint Christopher Saint Christopher

Wrestling Party between personifications of Equanimity and self-will, print maker: Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys II, 1710

Albrecht Dürer (German, 1471-1528), Christ in Limbo, probably c. 1509-1510, woodcut

This circa 1504 woodcut by Albrecht Dürer depicts Joachim in the field from Marienleben, showing figure, attire, gestures, and early 16th-century landscape composition.

The Martyrdom of the TenThousand. Artist: Albrecht Dürer, German, 1471-1528

Marteld death of Mattias by beheading, Lucas Cranach (I), 1510 - 1514 print The apostle Mattias is kneeling on the floor with his hands tied and put his head through the opening of a fall ax (precursor guillotine). Soldiers are concerned with his execution. Men on horseback look at torture death. There is a hilly landscape in the background. Above are two shields with the Electoral and Ducal Wapen van Saxony. Germany paper Matthias stoned and beheaded

Etcher: Jean Mignon, French, active 1535-ca. 1555, After: Luca Penni, Italian, ca. 1505-1556, Abraham SacrificingIsaac, Possibly1546-1547, Etching, 31.8 × 41.3 cm (12 1/2 × 16 1/4in.), French, 16thcentury, Works on Paper -Prints

Revelation of St. John: Opening of the Sixth Seal, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

Revelation of St. John: Seven Angels with Trumpets, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

Hans Wechtlin I, Knight and the Servant Knight and the Servant

Saint Francis Receiving the Stigmata ca. 1503 Albrecht Dürer German. Saint Francis Receiving the Stigmata 388148

Samson Rending the Lion, 1450-67. Master ES (German, active 1450-67). Engraving;

A King Pursued by a Unicorn, from the Unicorn Series. Artist: Jean Duvet (French, ca. 1485-after 1561). Dimensions: sheet: 9 1/16 x 14 13/16 in. (23 x 37.6 cm). Date: ca. 1555. Museum: Metropolitan Museum of Art, New York, USA.

Creation of Eva, Hans Holbein (II), 1538 print God creates Eva from Adam's rib in paradise. In the margin above the print is the text Gen I & II. paper Eve is fashioned from Adam's rib

Agony in the Garden, from The Large Passion Made 1496-1497 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

Woodcut and type print by Lucas Cranach the Elder from around 1509 depicting the martyrdom of Saint Barbara, showing figure, gesture, instruments of martyrdom, and composition.

Man with a Fish. Artist: Dirck Vellert (Netherlandish, Amsterdam () ca. 1480/85-ca. 1547). Dimensions: sheet: 2 7/16 x 1 5/8 in. (6.2 x 4.2 cm). Date: August 16, 1522. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer (1471-1528). "The angel holding the key to the abyss Bartsch 75; Latin edition". Wood engraving, around 1496-1497. Museum of Fine Arts of the City of Paris, Petit Palais. Abime, Angel, Revelation, Bible, Catholic, Christian, Key, Wood Engraving, New Testament

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Judah and Tamar, Judah gives Tamar his signet ring, Under a tree sits the veiled Tamar with her father-in-law Judah, who does not recognize her and thinks she is a prostitute. He gives her his signet ring and staff as a pledge for the kid with which he will pay her. On the right in the background the sheep and shepherds of Judah and on the left a city. At the bottom in the margin a reference in Latin to the Bible text in Gen. 38:15. This print is part of an album., print, album sheet, prints, height 210 mm, width 260 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

The Fall and Redemption of Man: The Expulsion from Eden, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Oval with the Olympic gods in the clouds; Konstbüchlein den goldschmiden Dienstlich.ve left to the right: Mars, Juno and Jupiter, Bacchus and Diana. At the top of musicing putti. Leaf from series consisting of a title page and 11 sheets with designs for watch covers.

The History of Adam and Eve, 1580, Woodcuts, 10 13/16 x 7 1/2 in. (27.5 x 19 cm), Paper / Sheet 10 7/8 x 7 5/8 in. (27.7 x 19.4 cm), Material Cream laid paper

Italy, Romano, Giulio, Mantuana, Diana, Leto after the birth of Apollo and Diana, verso - stamped, Leto after the birth of her children Apollo and Diana on the island of Delos to which she was banished by Juno., print, prent, prints, height 260 mm, width 382 mm, Italian, 1547 - 1612, print maker, printmaker, 1557 - 1612, paper, papier, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11

A 1523 woodcut by Hans Burgkmair depicting Satan confined in the abyss, illustrating detailed figures and early 16th-century German printmaking techniques.

The Four Horsemen of the Apocalypse, from The Apocalypse Made 1496-1498 Germany. Woodcut in black on ivory laid paper . Albrecht Dürer

The French Admiral, 1692; L'Amiral de France / de France Admiraal. The French Admiral. Cartoon on the burning of French ships by the Dutch and English after the victory in the battle at Kaap La Hogue, May 29 to June 3, 1692. Phaëthon falls into the sea with the solar car in the sea. Two verses in French and Dutch in the caption.

Woodcut by Hans Springinklee depicting Maximilian Is wars in the triumphal procession, showing soldiers, banners, and ceremonial figures.

The Last Judgment. Dimensions: Overall: 8.7 x 5.5 cm (3 7/16 x 2 3/16 in.) support: 15.6 x 12.3 cm (6 1/8 x 4 13/16 in.). Medium: pen and black and violet ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Virgil Solis.

Rad van Fortuin, Anonymous, Hans Weiditz (II), 1514 - 1532 print Text in Latin in the margins. Print is part of an album. paper letterpress printing Turn of Fate, Wheel of Fortune

Hans Holbein the Younger (German, 1497-1498 - 1543), The Creation, woodcut

Flight into Egypt. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Torture: hang between two tense trees and nails under nails, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 133. paper etching torture. violent death ~ maltreatment, torture

The seven-headed, seven-headed dragon and the beast with the horns of lamb, from The Secret Revelation of John by Albrecht Dürer, 1498, Historic, digi...

Print, Democritus in Meditation; Print Maker: Salvator Rosa (1615-73); Italy; etching with drypoint on paper; 46.3 × 28.1 cm (18 1/4 × 11 1/16 in.); 1896-31-47

Woodcut by Hans Schäufelin depicting the Last Judgement, created in 1513.

The identification of the wicked and their descent into hell. Engraving by A. Collaert.

Italy, Boldrini, Nicolò, Venice, Titian, Saint Francis receiving the stigmata, verso - stamped, Saint Francis of Assisi receiving the wounds of the cross. On the right a companion., print, prints, height 294 mm, width 437 mm, print maker, 1530 - 1530, second quarter 16th century, paper, woodcut, Work conception, Italian, 1488 - 1576-08-27, after print by, 1500

City coat of arms of Basel, Nikolaus Solis, 1568 print paper engraving armorial bearing, heraldry. dragon. the soldier; the soldier's life Basel

Christ Carrying the Cross, from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528

The Flight Into Egypt, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca.1513 Albrecht Altdorfer German. The Flight Into Egypt, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429630

Leeuwarden, Rintjes, Hendrick, Amsterdam, Luyken, Jan, Title page for: SA Gabbema, Friesche lvst-gaarde ofte Boom-heester-bloem- en kruid-waarande, bestaan uyt der bouwen beschrĳvinge, 1686, Woman sits with garden tools and a flower pot on lap under a tree, A woman sits with garden tools and a flower pot on her lap under a tree. Her head is decorated with a wreath of oak leaves. In the foreground, putti study an image of a richly landscaped garden. In the distance, riders and walkers in nature. At the very top a cartouche with an image of figures harvesting fruit., print, title page, prints, height 185 mm, width 142 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1686 - 1686, paper, papier, engraving, engraving (printing process), etching, Publication (Event), Publication, publisher

The Temptation of St. Anthony. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: sheet: 16 1/16 x 11 in. (40.8 x 28 cm). Date: 1506. Museum: Metropolitan Museum of Art, New York, USA.

Adam and Eve surrounded by animals in paradise; Fall. Eva picks an apple from the tree of knowledge of good and evil. Adam is sitting next to her under the tree with an apple in his hand. The snake curls around a branch. Around the tree and are animals including red deer with large antlers but also a lion. Right right a deer and a Hinde are accompanied by horses, sheep and a boar. At the top left of the branch of a tree two shields hang with the judicial and ducal weapon of Saxony.

Albrecht Dürer (German, 1471 - 1528), Saint John Devouring the Book, probably c. 1496-1498, woodcut

Copper engraving by Marcantonio Raimondi, 1506, depicting John the Evangelist with Saint Hieronymus, illustrating biblical narrative and Christian scholarship.

Samson Rending the Lion ca. 1497-98 Albrecht Dürer German. Samson Rending the Lion 397048

Woodcut and type print by Lucas Cranach the Elder from 1522 depicting the Antichrist and his prophet from the New Testament (Revelation 13), showing figures, gestures, and symbolic elements.

Nibelungenlied. 13th century. Anonymous german epic poem based on the legends of Siegfried and the people of the Nibelungs. First part. Chant XVI. Siegfried killed by Hagen while hunting. Engraving, 19th century.

Woodcut 'Saint Michael as a Soul Mate' by Lucas Cranach the Elder, 1506, depicting Saint Michael with angelic features in a protective or guiding role.

Mvsica (Music). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Virgil Solis.

Samson Rending the Lion ca. 1497-98 Albrecht Dürer German. Samson Rending the Lion 387375

Attributed to Hans Springinklee, The Embrace (A Couple of Lovers by a Tree) The Embrace (A Couple of Lovers by a Tree)

The Marriage of Henry IV, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper, On clouds, at upper section of drawing, royal couple in guise of Jupiter and Juno are married by Hymen. Below, chariot with female figure wearing mural crown representing the City of Lyons., Italy, Italy, 1812-23, figures, Sketchbook folio, Sketchbook folio

Woodcut by Lucas Cranach the Elder from around 1512 depicting the martyrdom of St. Matthias, showing detailed figures, gestures, and narrative composition.

Albrecht Dürer (1471-1528). "The Apocalypse - Saint John before God and the 24 old men", B 63 - 2nd Latin edition. Engraved wood. Museum of Fine Arts of the City of Paris, Petit Palais. 35442-1 Apocalypse, apotre, bible, serious wood, Catholic, Christian, God, end of the world, biblical scene, saint, old man, engraving

Joab kills Amasa; Joab kills Abner. Joab surprised amasa who wants to greet him by putting him dead with a sword. Also used as an image of Abner's death. The print is part of an album.

Copper engraving by an anonymous artist depicting Minerva and another goddess, created 1500-1520. The print shows mythological figures in a classical scene.

God Creating the Animals. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 13 1/4 × 17 15/16 in. (33.6 × 45.6 cm). Date: ca. 1590-1630. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Barthel Beham depicting a figure sitting in front of a container, viewed from the back.

Woodcut by Hans Holbein the Younger depicting an old woman, created around 1525-1540.

Albrecht Dürer (1471-1528). "The apocalypse (the 7 Apocalypse trumpets) 7 angels with trumpets, B 68" - 1st German edition. Engraved wood. Museum of Fine Arts of the City of Paris, Petit Palais. 35442-7 Angel, apocalypse, bible, serious wood, Catholic, Christian, end of the world, biblical scene, trumpet, engraving

Master E.S. (German, active c. 1450-active 1467), Coat of Arms of the Passion, c. 1455-1460, engraving

The Triumphal Chariot of Maximilian I (The Great Triumphal Car) plate 1 of 8. Dated: 1522. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Albrecht Dürer.

Albrecht Dürer, The Apocalypse: Saint John Devouring the Book, 1498, woodcut on paper.

Ornamental Engraving with the Tree of Jesse Israhel van Meckenem German. Ornamental Engraving with the Tree of Jesse 641796

Knight and Landsknecht, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

bekend, Augsburg, Engelbrecht, Martin, Baur, Johann, Pastoral scenes, Shepherdess and a shepherd with a midwinter horn, unknown, verso - stamped, Three rocailles with representations. At the bottom a shepherd couple with a cow and a dog in a landscape. The shepherd is blowing a midwinter horn. Above two rocailles with cattle; left a goat and a buck, right a ram and a ewe., print, ornament print, prints, ornament prints, height 240 mm, width 169 mm, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, German, 1701 - 1800, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Christ on the Mount of Olives Albrecht Dürer (German, 1471-1528). Christ on the Mount of Olives, 1509-1511; edition of 1511. Woodcut on laid paper, Sheet: 5 3/16 x 4 in. (13.2 x 10.2 cm). European Art 1509-1511; edition of 1511

Henry II as the Victorious Saint Michael. Dated: probably 1548. Dimensions: sheet: 38.6 x 26 cm (15 3/16 x 10 1/4 in.) plate: 29.5 x 20.7 cm (11 5/8 x 8 1/8 in.) irregular. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Duvet.

The Ascension, from The Fall and Redemption of Man Made 1510-1518 Germany. Woodcut in black on ivory laid paper . Albrecht Altdorfer

Artist: Hans Baldung, German 1484/85-1545, Christ Carried to Heaven byAngels, ca.1515-17, Woodcut, image: 22.1 × 15.1 cm (8 11/16 × 5 15/16 in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

The Knight and Lansquenet, c. 1512. Hans Wechtlin (German, 1480/85-aft 1526). Chiaroscuro woodcut (in blue and black); sheet: 27 x 18 cm (10 5/8 x 7 1/16 in.).

Illustration for ""Baldus"" by Teofilo Folengo

Fortuna on a globe with a big sail, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching Fortuna as Roman personification. Cupid using his weapons as a boat; 'Navis Amoris'. scrollwork, strapwork ~ ornament. sail

Venus, accompanied by Cupid and Death, a donkey and monkeys, keeps the people in tow. From Sebastian Brant's Ship of Fools, 1494, Historical, digital reproduction of an original from the 19th century

Saint Jerome in Penitence. Dated: c. 1500/1515. Dimensions: sheet (trimmed to plate mark): 21.4 x 17 cm (8 7/16 x 6 11/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

Albrecht Altdorfer (German, 1480 or before-1538), The Entry into Jerusalem, c. 1513, woodcut

Allegorical Scene. Artist: Anonymous, German, 16th century. Dimensions: 6 3/16 x 3 7/8 in. (15.7 x 9.8 cm). Former Attribution: Formerly attributed to Anonymous, Netherlandish, 16th century. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Saturn in his triumphal wagon, including his planet children, Anonymous, Hans Sebald Beham, 1510 - 1550 print paper Saturn and his children ('Planetenkinder')

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Bishop and Death, The bishop is taken by the arm by Death as they walk between a flock of sheep and shepherds in a landscape. In the margin above the print is the text Mat. XXVI. Mar. XIIII., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

. A landscape with the hunting goddess Diana in the foreground with five hunting dogs, a graceful flighty garment and a lance. In the background there are a farm with tower on the left and a herd of grazing cows near two tree stumps.

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