Religious and Mythological Scenes

A collection of prints depicting religious and mythological subjects, featuring figures like Hieronymus, Telemachus, and nymphs in detailed landscapes.

Little Thumb and the giant with the seven-mile boots Tales of Mother Goose (series title), Little Thumb pulls the boot off the giant that is sleeping against a tree. This print was made from the story of Little Thumb from 'Tales of Mother Goose - Contes du tems passé de ma mere l'oye' by Charles Perrault, head-gear: turban, giants, colossi, sleeping on the ground - BB - out of doors, boots (undressing, taking off clothes), tales and fairy tales: Little Thumbling, Simon Fokke (mentioned on object), Amsterdam, 1754 - 1784, paper, etching, h 151 mm × w 94 mm

Landscape with reading Hieronymus, Cornelis Cort, After Titian, 1565 print The saint Hieronymus is sitting on a rock in a mountainous landscape. Next to him a book and an hourglass. The lion, his attribute, strolls between the rocks. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Telemachus in conversation with Mentor, Simon Fokke, 1775 print Telemachus has a conversation with the acclaimed mentor for a tent. In the background are soldiers at a city gate. Print at the top left marked: Page 174. Amsterdam paper etching (story of) Telemachus

Pan a Syrinx Met Dancing Putti, Dancker Danckerts, After Cornelis Holsteyn, 1633 - 1666 print Amsterdam paper etching single named nymphs (with NAME). cupids: 'amores', 'amoretti', 'putti'. (story of) Pan

Cassandra, Frontispiece, Vol. 4 1725 William Hogarth British. Cassandra, Frontispiece, Vol. 4 396289

Little Thumb and the giant with the seven-mile boots Tales of Mother Goose (series title), Little Thumb pulls the boot off the giant that is sleeping against a tree. This print was made from the story of Little Thumb from 'Tales of Mother Goose - Contes du tems passé de ma mere l'oye' by Charles Perrault, head-gear: turban, giants, colossi, sleeping on the ground - BB - out of doors, boots (undressing, taking off clothes), tales and fairy tales: Little Thumbling, Simon Fokke (mentioned on object), Amsterdam, 1754 - 1784, paper, etching, h 151 mm × w 94 mm

Four historical figures in conversation, Simon Fokke, 1722 - 1784 print Frederik I in the open air in conversation with Karel Martel, Willem Boreel and Jac. Harrington. Under the image a text with the date of January 1756. Amsterdam paper etching

On the battlefield Telemachus has overpowered the king Adrastus. The king lies on the ground and Telemachus lashes out with his dagger. In the background are soldiers with bows and arrows on the right, a warrior with arms raised on the left. Print marked top left: Page 359. Telemachus kills Adrastus T, print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1775, paper, etching, h 144 mm × w 94 mm

Claude Lorrain, The Ford (Le passage du gué), 1634 The Ford (Le passage du gué)

Cassandra, Frontispiece, Vol. 1. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

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A young woman who has been tending goats is embraced by an older woman while a young man is on his knees in front of his father. Etching by R. Delaunay, 1786, after Etienne Aubry.

History of the city of Rome, Pieter Tanjé, After Louis Fabritius Dubourg, 1743 print Allegory of the history of the city of Rome. In the foreground is history with a pen in her hand. She is looking up to a statue of Emperor Antoninus Pius. Truth and father have time on the clouds. In the background the city of Rome. In the foreground the power god of the Tiber and Romulus and Remus in the reeds. Probably a title page for a book about the city of Rome. Amsterdam paper etching / engraving 'Historia'; 'Historia' (Ripa). Father Time, man with wings and scythe. Truth; 'Verití' (Ripa). cities represented allegorically or symbolically. river-gods Rome

Moses is found by the daughter of the Pharaoh, John Baptist Jackson, after Paolo Veronese, 1745 print paper Moses is pulled out of the water by the servants

Amsterdam, Picart, Bernard, Telemachus kills a lion, verso lower left - stamped, Telemachus kills the lion that has just devoured some sheep from his flock. In the background farmers look on in horror. In the margin a two-line caption in French., print, book illustration, prints, height 236 mm, width 182 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1732 - 1732, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Jean-Baptiste Leprince, The Russian Dance, 1769, aquatint on paper.

Roman General Nero Claudius Drusus commissioned the digging of a channel, Anonymous, 1809 - 1899 print Claudius Drusus stands on the right and overlooks the digging soldiers. The exact location of the canal, also known as the Drususgracht, has been lost. It would have been laid out near Doesburg. paper construction of canal

Venice, Monaco, Pietro, Netherlands, Berchem, Nicolaes Pietersz., Italy, New and Old Testament, Donne Israelite che pascono la greggia, Israelite women tending the flock, verso - stamped, Three Israelite women with a child and a flock in a landscape. One of the women is milking a cow. Text in bottom margin., print, prints, height 503 mm, width 361 mm, 1707 - 1763, print maker, printmaker, 1717 - 1763, paper, papier, etching, etchings, Noord-Nederlands, 1620 - 1683-02-18, after, after painting by, supervised

Wooded Landscape with Gypsies Gathered Round a Fire. Thomas Gainsborough; English, 1727-1788. Date: 1752-1754. Dimensions: 471 x 419 mm (image); 505 x 450 mm (sheet). Etching on ivory wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, USA.

Choice of Songs put into Music by M. de la Borde ca.1773 François Denis Née. Choice of Songs put into Music by M. de la Borde. François Denis Née (French, Paris 1732-1817 Paris). ca.1773. Etching and engraving. Prints

Traveller refuels himself before a straw hut at a spring that springs to life Who has wandered only through ignorance, Is brought back by God, print maker: Jan Luyken, publisher: weduwe Pieter Arentsz (II), Amsterdam, 1689, paper, etching, letterpress printing, h 91 mm × w 79 mm

Tobias scares the fish, Moyses van Wtenbrouck, Abraham van Waesberge (I), 1620

Le Comte Roger ; Saint Bruno's meeting with Prince Roger in Sicily. (According to Eustache le Sueura) Duplessis Bertaux, Lingée, Charles Luis (1748 1800), Bourdon, Le Sueur, Eustache (1616 1655)

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Holy Family Disembarking, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 188 mm x 246 mm (7.4 in. x 9.69 in.).

Romulus and Remus found by shepherds, Antoinette Bouzonnet, After Antoine Bouzonnet-Stella, 1676 print paper etching The Herdsman Faustulus Discovers Roomulus and Remus

Tobias is shocked by the fish; The story of Tobias. Tobias sits along the side of the water and reinstall if he sees the fish in the water. The angel is behind him. Numbered as II in the lower right corner.

La Rencontre Dangereuse 18th century After Pierre Antoine Baudouin. La Rencontre Dangereuse. After Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). 18th century. Engraving. Prints

Landscape with kneeled woman and putti. A kneeled woman is about to be raised by a putto with palm branch that floats above her in the air. Left in the foreground reads a putto a book, a second putto looks at a painting.

Artist, workshop of: Johann Sadeler I, Flemish, 1550-1600, After: Cornelis Cort, Dutch, 1533-1578, After: Girolamo Muziano, Italian, 1528/32-1592, Saint. Onuphrius in the Wilderness, ca. 1574, Engraving, reduced copy in reverse, sheet: 26.5 × 19.5 cm (10 7/16 × 7 11/16 in.), Made in Flanders, Flemish, 16th century, Works on Paper - Prints

Aurora and Cephalus; Metamorphoses from Ovid. Aurora walks with cephalus, whom she is in love with the forest. Cephalus is accompanied by his hunting dog and holds the magical spear that he had received procris from his wife.

Flight to Egypt.

Elegant company plays the game Pied de Boeuf, Bernard Picart (workshop or), After Bernard Picart, 1709 print A company of two men and two women plays the game Pied de Boeuf. It was originally a child's play in which the players put their hands on top of each other. In the margin a six -line poem, in two columns, in French. Paris paper etching / engraving party games with erotic implications, e.g.: kissing contest

Numa en de Stergent Tatius, Jean Dambrun, After François Marie Isidore Queverdo, 1786 print The dying Tatius lies against a tree. Numa kneels next to him. The dead killers in the background. print maker: Francepublisher: Parispublisher: Paris paper etching male literary characters (with NAME). deathbed. murderer. male literary characters (with NAME)

AAM van der Burcht offers the count of Holland his sons, approx. 1475. AAM van der Burcht offers the count of Holland, Karel De Stoute, his twelve sons, approx. 1475.

The Botany Lesson. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 7 1/2 × 5 3/8 in. (19 × 13.6 cm). Date: 1804. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

Triumphal arch; Les Soireés de Rome; Roman faces. Three men at a Roman ruin, one standing on a fragment of a decorative frame. In the background a Roman triumphal arch. Eighth print from a series of ten.

Allegorical representation made on the occasion of the marriage of Gijsbert Antwerpen Verbrugge van Freyhoff and Maria Hooft, married in Amsterdam on December 1, 1741 Garden with a bridal couple, accompanied by the river gods of the Maas and the IJ The man hands his bride a ring On the grass are two putti with a sheet of paper bearing the names of the bride and groom On a cloud Love Caritas, holding a laurel wreath to crown the bride and groom, and a putto holding a portrait medallion and a coat of arms On the right, two putti holding a coat of arms on which the bride and groom's intertwined initials are hanging from a tree In the background a temple, where a putto approaches to light a flame on the altar, Allegorical representation to mark the marriage of Gijsbert Antwerpen Verbrugge van Freyhoff and Maria Hooft, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), publisher: Isaak Tirion, (mentioned on object), Amsterdam, 1742, paper, etc

Woman sitting in the shade under a tree, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing shadow of an object. trees

Amsterdam, Luyken, Jan, Men search by a tree looking for fruits, recto - manuscript in brown ink, print, prints, verso - stamped, 28, height 117 mm, width 153 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Rijn, Rembrandt van, Chichester, Smith of Chichester, John, Shepherd and his family, verso - stamped, print, prints, height 95 mm, width 68 mm, English, 1717 - 1764-07-29, print maker, printmaker, 1727 - 1764, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Schoolmaster punished by Camillus, Ludwig Gottlieb Portman, after Jacobus Buys, 1794 print The Roman statesman Marcus Furius Camillus has the schoolmaster of the Falerii punishment. His own students scour him and drive him back to their own city. Amsterdam paper Marcus Furius Camillus has the schoolmaster of Falerii chastised by his pupils: he is stripped and the children drive him back to their city with sticks

Humiliation of Nero. Nero is looking for a resort at Phaon. He proposes that Nero is hidden in a hole in the ground to a passage in the wall. Nero refuses and creates water from the ditch to drink.

Simson beats the lion.

Het Wonder Van Pietro Dal Monte, Jacques Callot, After Matteo Rosselli, 1614 print A man shoots from behind a tree another man. In the background a castle or city. Under the performance three lines of Latin text. Florence paper engraving firearms: rifle

Apollo descends from the Parnassus; Title page for: P. Orville, Poëmata, 1740. A man surrounded by muses looks at how Apollo descends from the parnassus to laurel him. There are three muses and a crossing Pegasus on the Parnassus. In the foreground putti with attributes of science and arts, on the right, Hercules brings forward to the three scratch goddesses that are in front of the tartar entrance. In the air, in the company of Putti, is being pulled on her victory bar by two pigeons.

Abraham Entertaining the Angels. Dated: 1610/1620. Dimensions: Overall: 33.6 x 23.7 cm (13 1/4 x 9 5/16 in.) support: 39.8 x 29.5 cm (15 11/16 x 11 5/8 in.). Medium: pen and brown ink with wash over black chalk and graphite on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Jan Tengnagel.

Print at the top right labeled: i part. PAG. 104.

Design for a wallpaper painting with children and a dog. Draughtsman: Dirk van der Aa. Dating: c. 1741 - c. 1809. Measurements: h 275 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Hot hunting; Hunting scenes; In Quibus Omnen Genus Venationis, Aucupij, Piscatusque. In the foreground, hunters lure partridges in the field by means of a lok flute. Nets are then tensioned over the fields. Thus catch hunters collecting prices. The print has a Latin caption and is part of a 43-part series about hunting.

Rest during the Flight into Egypt, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Patie Rebukes Roger, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, moderately textured, cream wove paper, Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm), Plate: 10 3/8 x 8 1/8 inches (26.4 x 20.7 cm), and Image: 8 3/4 x 7 inches (22.3 x 17.8 cm), canes, cattle, comedy, costume, dogs (animals), genre subject, gesture, hills, houses, illustration, jackets, men, pastoral, peasants, plaid, poem, recorder, resting, river, sash, sheep, shepherds, tams, trees, waterfall, Europe, Scotland, United Kingdom

Elegant company in the forest, Claes Jansz. Visscher (II), 1615 print View in an open space in the forest with an elegant looking young man in the foreground. In the background, an elegant company entertains itself. Amsterdam paper etching / engraving wood and park (as places of recreation). clothes, costume (+ men's clothes). head-gear: hat (+ men's clothes)

Mercury at the sleeping argus; Metamorphoses from Ovid. Argus had been commissioned by Juno to monitor the cow io. However, he fell asleep by the flute game of Mercury. Mercury bends over Argus. On the left the herd of Argus.

Mercury at the sleeping Argus, Crispijn van de Passe (II), After Claes Moeyaert, 1630 - 1702 print Argus had been commissioned by Juno to guard the cow io. However, he fell asleep due to the flute game of Mercury. Mercury bends over Argus with a sword in his hand. He is about to behead him. On the left the herd of Argus. paper engraving Mercury beheads Argus

Rabbit Yacht, Richard Gaywood (Possible), After Francis Barlow, 1671 print London paper etching hare-hunting, rabbit-hunting. hunting dogs

The discovery of Romulus and Remus, with the she-wolf. 1677. Stella, Antoinette, 1641-1676. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Man in a doorway gesturing a tired traveler to continue.

Mercury in conversation with Argus, Moyses van Wtenbrouck, Claes Jansz. Visscher (II), 1621.

Shepherd and shepherdess; Le Ptre et la Bergère. A shepherd and a shepherdess with two cows and a goat in a landscape.

. Landscape with a battle. In the foreground history with a painting in hand and a medallion on which the portraits of King Clovis and his wife clotilde. Right putti with the coat of arms and a map of France and a rooster as a symbol for France. On a Piothing the title in Dutch.

Of Meleager Enalanta, François Chuveau, 1623 - An AREFOR 1670 print print maker: Francepublisher: ParisFrance paper etching / engraving (story of) Meleager. Meleager gives the head of the boar to Atalanta

Dorinda and Silvio, Richard van Orley (II), c. 1695 - c. 1705 print Dorinda gives Silvio back his dog Melampo. During the hunt it was lost and Dorinda and her servant found him. Silvio kneels on the floor and hugs the dog. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 2nd scene from the 2nd deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido

Joseph Wagner (publisher) after Giuseppe Zocchi, Lot and His Daughters, c 1745 Lot and His Daughters

The Pool of Bethesda. Dated: 1772. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Simon Francois Ravenet I and Victor Marie Picot after William Hogarth.

Thomas Ryder, 1746-1810, Irish, King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff, 1796. Engraving.

Putti with fruits at a garden; Emblemes d'Amour. Four putti at two baskets with fruits for a garden with fruit trees. In the middle of the garden an image of a woman's figure with a fish on a base. Allgory on luck in love. Thirty-first emblem from emblemata amatoria.

Venetian Set: Entombment of Christ, 1739-43. John Baptist Jackson (British, 1701-c. 1780). Chiaroscuro woodcut; Jackson is the best known 18th-century specialist in chiaroscuro woodcuts. Woodcuts were not popular at this time, and the chiaroscuro technique never took hold in England, but he may have developed his interest in the medium from the Italian nobleman and printmaker Antonio Zanetti who reproduced his collection of Parmigianino drawings as chiaroscuros when in England around 1720. Jackson moved to Venice, where, in 1739, the great English patron Consul Joseph Smith and two other supporters commissioned him to produce chiaroscuro woodcuts after 17 paintings by the Venetian masters Titian, Paolo Veronese, Tintoretto, and Jacobo Bassano. Jackson completed the series in 1743, which was published by J. B. Pasquali in 1745 as a bound volume. These reproductions of masterpieces were meant as souvenirs for the tourist trade and the young gentlemen taking the Grand Tour of the Contine

Amsterdam, Luyken, Jan, Parable of the Treasure in the Field, recto - manuscript in brown ink, print, prints, verso - stamped, 39, height 118 mm, width 152 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Golden Age. Dated: 1665. Dimensions: overall: 14.8 x 13.9 cm (5 13/16 x 5 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Europe, Johann Sadeler (I), after Dirck Barendsz., 1570 - 1650, Female figure with horn of plenty in a landscape., Johann Sadeler (I), intermediary draughtsman: Dirck Barendsz., draughtsman: anonymous, 1570 - 1650, paper, pen, brush, h 170 mm × w 228 mm

D'Estrée, Europe, Print, Print

Civilis and Cerialis negotiate on the broken bridge, 69-70. Civilis and Cerialis negotiate and close peace on the broken bridge.

Fabel of the stalled farmer's cart, Johann Heinrich Meil (der ältere), after Jean-Baptiste Oudy, 1758 print paper etching fables of Lafontaine : Use 85(...). hay-wagon

Afternoon: Shepherd family Rest with herd, Dancker Danckerts, After Nicolaes Pietersz Berchem, 1660 - 1666 print Shepherd family rest with herd cows near trees. Herderin is sitting on your lap with child. Print number 2 from series of four prints with times of the day. paper etching afternoon ~ other concepts. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Jean Jacques François Lebarbiers 1800 drawing shows a young couple with a child, executed in pen, black ink, and brown wash.

The Peasant Carrying his Bag, from The Caprices 1617-1627 France. Jacques Callot excelled at integrating colorful, often lowbrow details into his elegant etchings. His humorous series The Caprices includes snippets from the daily life of soldiers and peasants alike.. Etching on ivory laid paper . Jacques Callot

Atalanta en Hippoman, Francesco Bartolozzi, after B. Flora, 1791 print Atalanta and Hippomanes in a landscape with a city and a mountain in the background. London paper etching / engraving Atalante and Hippomenes (or Meilanion)

Fokke, Simon, Amsterdam, Adventures of Telemachus, Minerva and Telemachus before a temple, verso - stamped, Minerva points the kneeling Telemachus to an angel standing before a temple. In the air a second angel blows the trumpet, lower down fly devilish figures. Carved in a stone next to the warrior is: Telemaque., print, engraving, book illustration, prints, engravings, height 167 mm, width 93 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1753 - 1753, paper, papier, etching, etchings, Work conception, after own design by

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Lust is tempting a young man; Title page for: Dirk Smits, Israel's Baälfegorsdienst, or punished lust, 1737. Lust makes a young man going on, and seduces him to deviate from the good path. She gets on the tables of the law with her foot. In the sky the revenge is facing, with a sword and torch in the hands. On the left in the foreground the snake and on a stone the title in Dutch. In the background you can see how the people who venerate Baäl are punished.

Mary, Helped by Two Angels, Follows Joseph with the Donkey, plate 25 from The Flight into Egypt Made 1753 Italy. Etching on paper . Giovanni Domenico Tiepolo

In the year 923, Anonymous, c. 1789 - c. 1810 drawing Charlemagne grants Dirk I the title Count of Holland, 922. Netherlands paper. ink pen / brush installation of a ruler

Pharaoh's daughter and her maids find Moses in a rush basket on the bank of the Nile, Moses rescued from the Nile, print maker: Joaquín Araujo Ruano, (mentioned on object), after: Paolo Veronese, (mentioned on object), printer: Imprimerie Eudes, (mentioned on object), print maker: Spain, after: Italy, printer: Paris, 1860 - 1894, paper, etching, h 235 mm - w 172 mm

Cassandra, Frontispiece, Vol. 2, 1725

Nine figures at the entrance of a house, Jacques Dassonville (attributed to), 1629 - 1670 print France paper etching / engraving beer, ale. sitting figure. gate, entrance

Scherzi di Fantasia: seated Magician, boy and four figures, 1750-60. Giovanni Battista Tiepolo (Italian, 1696-1770). Etching;

Blaise with vin pitcher. (dummy title) | Italian comedy. Blaise the savetier. (title of all)

Stefano Della Bella, Nymph Holding a Large Dog by a Collar Nymph Holding a Large Dog by a Collar

Nicolas Ponce after Pierre Antoine Baudouin, L'enlevement nocturne, 1780 L'enlevement nocturne

Silenus Voor Koning Midas brought, Anonymous, Johann Wilhelm Baur, 1639 - c. 1700 print paper etching (story of) Silenus. Silenus amicably entertained by Midas

The Flight into Egypt. Dated: 1798. Dimensions: plate: 48.2 x 34.5 cm (19 x 13 9/16 in.) sheet: 52.2 x 36 cm (20 9/16 x 14 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Hüet.

Fable 1773-1828 England. Woodcut on paper . Thomas Bewick

Amsterdam, Luyken, Caspar, Manoah and his wife see the angel ascending in the flame of their sacrifice, verso - manuscript in brown ink, print, prints, verso - stamped, 87, height 111 mm, width 148 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Pan, carrying a basket of grapes, preceded by a woman riding a goat, both followed by a young satyr feeding another goat. Etching after S. Della Bella.

Copper engraving and etching by Aegidius Sadeler depicting September and October from his series of monthly pictures, showing seasonal activities and landscapes.

The swallows and the birds. A man sows in a field and a swallow in a tree tells birds that they have to eat the seeds.

. A kneeling figure in an interior is illuminated by a light beam from the air. Angel shields a devil behind him that is in the doorway.

Company in De Duinen, Bernhard Schreuder, After Jacob Esselens, 1767 - 1780 print A man and a woman are sitting with a fence. They speak with a boy who stands with them. In the background is another group of people in the dunes. Netherlands paper etching recreation in the dunes

Antoine Jean Duclos after Jean Michel Moreau, Elle s'élance après lui, 1777 Elle s'élance après lui

Lecon d'amour. Dated: c. 1734. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles Dupuis after Antoine Watteau.

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