Religious and Mythological Scenes

Engravings depicting religious and mythological themes, showcasing figures like angels and deities in ornate compositions with rich symbolism.

Rolling with a herme around which leaf vines and eleven birds, c. 1550 - c. 1555 print Left and right at the bottom of a dog that jumps out of the chalice of a flower. Leaf from series of 6 blades with grotesque flat decorations with rolling, candelabers, saters, fruitenguirles, birds and fantasy bows. paper engraving scrollwork, strapwork ~ ornament. ornament ~ grotesque. Herm: pillar with the head of Mercury, patron of travellers. birds. dog

Mary Magdalene Carried to Heaven mid-16th century Léon Davent French. Mary Magdalene Carried to Heaven 337463

Two Angels with a Peapod 1533 Master HL. Two Angels with a Peapod 690411

Sebald Beham, Venus Venus

The Pea Pod, 1533. Master H. L. (German). Engraving;

Woodcut by Albrecht Dürer, circa 1497, depicting a sunny pasture with the seven-headed dragon, Apocalypse series figure IX, showing landscape, figures, and dragon in a detailed composition.

Man with fire pot on a rocaille; L'Hyver / der Winter; The four Seasons. On a Rocaille a man with a fire pot is depicted as a winter personification. The Rocaille is decorated with a bellows, skating and tools. Around birds. At the top right 154 numbered.

Leaf rank with two children and Sositness; Disegni Varii. The Sosit Chief has a vase where snakes come true. From series of 10 sheets.

Rolling with a herme around which leaf vines and eleven birds, c. 1550 - c. 1555 print Left and right at the bottom of a dog that jumps out of the chalice of a flower. Leaf from series of 6 blades with grotesque flat decorations with rolling, candelabers, saters, fruitenguirles, birds and fantasy bows. paper engraving scrollwork, strapwork ~ ornament. ornament ~ grotesque. Herm: pillar with the head of Mercury, patron of travellers. birds. dog

Trofee met pijlkoker en pijlen; Trofeeën.There are shells, coral, a crab, a lobster, two torches and leaves under the arrow sleeve. With parallel shading in the background.

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel filled with a meandering acanthus rinceau. In the middle a male figure whose lower body consists of acanthus leaves, interacts with two fantastical creatures sprouting from the acanthus rinceau.. Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau 410844

The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni 1600-1640 Anonymous, 17th century After a painting by Reni. Verso not visible as print is laid to another sheet of paper.. The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni 396976

Rocaille with astronomy personification (astronomy); L'astronomy / that starmesser art; The seven free arts. Astronomy or astronomy is Sitting With a Passer and a Globe in Her Right Hand. Two putti at a sky globe for re. One of Them Looks Through a Star Glass. At the Top Right 218 Numbered.

Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. Christ in Limbo, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429653

Romulus and Remus suckled by De Wolvin, Anonymous, Jost Amman, 1580 print paper

Trophy. Artist: Master FG (Italian, active mid-16th century). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Christ Trampling Satan. Dimensions: plate: 31.5 x 16.4 cm (12 3/8 x 6 7/16 in.) sheet: 33.5 x 21.4 cm (13 3/16 x 8 7/16 in.). Medium: engraving in black on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Jr. after William Blake Thomas Butts.

This 1520-1550 Clair-obscur woodcut by Antonio da Trento illustrates the choleric temperament, showing a seated figure with expressive gestures, intense gaze, and symbolic attributes across two plates.

Copper engraving by the Master of the Berlin Passion, created 1450-1470, depicting a large male figure integrated into an ornamental design.

Portrait of Gaston Jean -Baptiste van Orléans, on horseback, Crispijn van de Passe (II), in Or after 1627 - 1630 print Portrait of Gaston Jean-Baptiste, Duke of Orléans, on horseback. He is flanked by a trumpet -blowing woman with Anjou's coat of arms and a kneeling woman with a palm branch, laurel wreath and banderol with a motto in Latin. In the top left of the coat of arms of Orléans. In the foreground a cartouche with the siege of La Rochelle. The cartouche is flanked by prisoners. Paris paper engraving attack ~ siege. prisoner of war (after the battle). riding a horse, ass, or mule; rider, horseman La Rochelle

Vertical Panel with a Man and Woman ca. 1631 Hans Janssen Dutch This design for a vertical panel. filled with meandering branches and vegetal scrollwork reminds of late fifteenth century prints by Martin Schongauer and Israel von Meckenem. Interspersed between the scrollwork are various birds and other animals. The bottom half of the design shows a man and a woman taking a stroll, accompanied by a dog. The size of the print and its technique indicate that it is meant as a decoration for a small rectangular metal surface, like the lid of a box for example. The fact that Hans Jansen is mainly known through designs for decoration of gold- and silversmithswork, underwrites this impression.. Vertical Panel with a Man and Woman 420942

Bound Volume, Frontispiece for Book 4, in Eight books of Ornament, 1741-47; William Delacour (French, 1741 - 1767); Engraved by François Vivares (French, 1709 - 1782); France; engravings on white laid paper, bound in half-calf and marbled boards; Open: 41.4 x 48.1 x 11.7 cm (16 5/16 x 18 15/16 x 4 5/8 in.)

Lucas Cranach the Elder, The Temptation of Saint Anthony, 1506 The Temptation of Saint Anthony

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Design for the rear of a state little carriage, anonymous, c. 1700 - c. 1720 Rome paper drawing

Triton and Cherubijn on sea horse, anonymous, c. 1688 print At the top a triton with two tails, a cherub with a stick in hand at the bottom. From series of vignettes with sea codes and allegories, used as an illustration in the book Histoire Metallique de la République de Hollande by P. Bizot. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam (possibly) paper etching

Cherub with coat of arms. The coat of arms is a lion.

Triton with a woman in fight with a sea monster, Jean Lepautre (attributed to), after Adam Philippon, 1628 - 1682 print Numbered below: 4 9. paper etching (story of) Triton - aggressive, unfriendly activities and relationships. monsters of the sea

A young girl, seen from behind, lifting a rabbit into the air for a dog above to grasp, another dog at her feet, from'Ornaments or Grotesques' (Ornamenti o Grottesche) ca. 1650-56 Stefano della Bella Italian. A young girl, seen from behind, lifting a rabbit into the air for a dog above to grasp, another dog at her feet, from'Ornaments or Grotesques' (Ornamenti o Grottesche) 397832

Hercules catches the Ketenzian Bull, 1519 - 1591 print One of 9 sheets from a series of 12. In the frame is in the middle of an owl. Shaded background. Netherlands (possibly) paper engraving

Ornamental Design with a Couple of Satyrs, Children and a Trophy Made 1550 Germany. Engraving in black on ivory laid paper . Heinrich Aldegrever

Putti. Leaf 8 Recto from a sketchbook with 105 sheets.

Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux. Artist: Anonymous, Italian, Venetian, 17th century; In the manner of Polifilo Giancarli (active in Venice ca. 1600-1625). Dimensions: Sheet: 7 1/4 x 10 5/16 in. (18.4 x 26.2 cm). Date: 17th century (first half).Design for a horizontal panel filled with a meandering acanthus rinceau. Two male figures, whose lower bodies consist of leaves and rinceaux are playing long, curved horns. In between them a putto is seated on the rinceau. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Jan Claudius de Cock depicting a throne with lion and royal insignia, accompanied by a female allegorical figure. Executed in brown pen and gray wash.

Depicts a coat of arms of a king by Meister E.S., created as a copper engraving in the second third of the 15th century, showing heraldic symbols and detailing.

Drawing, Archangel Michael; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and brown wash on paper; 21.8 x 15.4 cm (8 9/16 x 6 1/16 in.)

Italy, Raphael, Flight into Egypt, verso - stamped, Mary and the Christ Child are seated on a donkey and Joseph walks in front. Two angels bend a tree towards Mary and the Child so that they can pick fruit., print, prent, prints, prenten, height 278 mm, width 205 mm, print maker, prentmaker, 1493 - 1570, paper, papier, engraving, engraving (printing process), plaattoon, 1483-04-07 - 1520-04-07

Woman with ears of corn, a showing peacock and a family crest in cartouche.

Heinrich Aldegrever (German, 1502 - 1555-1561), Three Cupids and a Bear, 1529

Ornament with two fantasy stations and a winged man. Pedestal with a platform on which a winged man is sitting between two winged female fantasy stations with volutes of leaf refines as tails, shaded background.

The letter R, sheet from the episode "Nova Alphati Effictio Historiis". The letter R from Schweigwerk formed, with rehabeam, faun and grotesque elements, leaf from the episode "Nova Alphati Effictio Historiis ad Singulas Literas Correspondetiose, et Toreumate Brynaeo Artificiosis in Aes Incisis Illustrata: Nejw artificial alphabet, taught with Schören Figns whose Iede find his letter accomodirt; novel JN Kupffer stabbed through the Brye, even with Latinese verses and teutschen ruths funny. Fr. Ad Moe. A °. MDXCV.

Woodcut by Hans Baldung Grien titled 'The Holy Christophorus,' created around 1510-1511, depicting Saint Christophorus carrying the Christ child.

Cartouche with man with sword and bird. Left on a cartouche is a man, he lights up his sword to a bird right on clouds. Under the cartouche are weapons and a jug that flows water. On the right lies a man at a gun and a drum. Right above A numbered.

Cleph, King of Lombards.

Cartouche with Triumph, Livre de Cartouches à divers usages (Book of Cartouches for Different Uses), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Blank cartouche in Rococo style framed with an allegorical winged figure of Triumph at top blowing a horn. A winged putto at left holds a banner. Below, a dolphin, lion, and a shield and military weapons. Seascape in the background, a stork or pelican at lower right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

The Incantation of Medea. Dated: 1563. Dimensions: sheet (cut to platemark): 15.6 x 23.2 cm (6 1/8 x 9 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: René Boyvin after Leonard Thiry.

Lucretia of Merida, saints.

Print, Decorated Capital Letter S; Jakob Frey; After Giovanni Passari (Italian); Switzerland; paper; Overall: 5.3 x 5.4 cm (2 1/16 x 2 1/8 in.); 1907-7-28-b

Albrecht Altdorfer (German, 1480 or before-1538), Christ Descending into Hell, c. 1513, woodcut

Nemesis, Albrecht Dürer, 1499 - 1503 print A winged woman with a cup in one hand and a spread in the other, standing on a sphere, floating above a river valley with a village. Nuremberg paper engraving Nemesis (Adrastea). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Three putti with dolphins ..

Ludwig XIII., King of France.

Roof of ganymedes. Ganymedes is abducted by an eagle. A dog looks. A coastal landscape in the background.

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Copper engraving by Barthel Beham, 1525, depicting a Delphinreiter, emphasizing figure, posture, and dolphin interaction.

Letter S in a picture frame with a representation of Christ and the Samaritan woman. .

Allegory of May. Thoma, Hans (1839-1924), draughtsman, cartoonist

Nemesis (The Great Fortune) ca. 1501 Albrecht Dürer German. Nemesis (The Great Fortune) 391111

Print at the top right labeled: fol: 137.

Piping sitting man, next to him a standing woman with jar on a rococo ornament; Smokers on rococo ornament. .

Putto sitting on a goat. Putto with a vase in his arms, sitting on a goat.

Taddeo Zuccaro, Italian (1529-1566), Mythological Figures, c. 1561, pen and brown ink and brown wash over red chalk, heightened with white, on laid paper; laid down

Aeneas Saving his Father from BurningTroy. Woodcutter: Ludwig Büsinck, German, 1590-1650 After: Georges Lallemand, French, ca. 1580-1636

Christ in Limbo, from Passion of Christ. Jan Sadeler, the Elder (Flemish, 1550-1600); after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590). Date: 1570-1600. Dimensions: 162 × 113 mm (plate); 172 × 124 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, FLORENCIA, USA.

Man at the foot of a tree. 1562. Bertelli, Ferando. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Nox, 1588 - 1590 print The goddess Nox, driving on a car pulled through bats, a torch in hand. This print is part of a series of seven oval prints of classical gods and goddesses. paper Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). Other Primeval Deities: Nox

Rome, Panzera, Battista, Italy, Tempesta, Antonio, printmaker, 1596 - 1596, paper, etching, Work conception, Italian, 1555 - 1630-08-05, own design of, Publication (Event), Publication, publisher

Franse kroon, Parijs, Bourlier, François, Romano, Giulio, Lepautre, Jean, Riviergod beklemd door keien, Paris, verso - gestempeld, print, prent, prints, height 222 mm, width 347 mm, French, print maker, printmaker, 1651 - 1682, paper, papier, etching, etchings, engraving, engraving (printing process), 1618-06-28 - 1682-02-02, intermediary draughtsman, after a drawing by, Work conception, Italian, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, publisher, granter of privilege

Sphinx with a fish tail and a kind of saddle on the back, c. 1526 - 1606 print Germany (possibly) paper engraving

Print (France); Platemark: 23.3 x 17.8 cm (9 3/16 x 7 in.) Sheet: 31.9 x 23.5 cm (12 9/16 x 9 1/4 in.)

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with a king in a triumphal wagon pulled by a lion (the Netherlands), unicorn (England) and an eagle/griffin (Germany). The prince that probably emperor Leopold I (or Stadholder-King Willem III) presents the sign of the Order of the Garter Band. On the left an Oranjeboom with fruits, sting the all -seeing eye between a lamb on a cloud and an arm with clubs from a cloud. Inscription: Patentiâ, Prudentiâ, Fortitudine / Wilhelmus Magnus Cunctando Restituit brake. On the back of a child, including a printing press, by a child. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). chariot, triumphal car. unicorn. beasts of prey, predatory animals: lion (+ heraldic animals). predatory birds: eagle (+ heraldic animals). griffin (lion/eagle); 'Griffo' (Ripa).

Bouquet of tendrils with flowers and leaves; Livre De Fleurs & De Feullies Pour Servir a l'Art d'Orfeveri (...). With mid above an iris and at the bottom of a number of figures to Jacques Callot. Leaf 4 from series with 6 bouquets for gold and silversmiths. Second edition.

The Rape of Ganymede 1542-60 Anonymous. The Rape of Ganymede. Anonymous. 1542-60. Engraving. Philippe Thomassin (French, Troyes 1562-1622 Rome). Prints

Vase with flowers in an arched window, anonymous, after Adriaen Collaert, 1570 - 1618 print There are mountains in the background. On the far right is a castle. Netherlands (possibly) paper engraving flowers in a vase

Man with two fish tails instead of legs. With one hand he holds fish behind his back, with the other he pulls the ear of a mascaron. One of 4 sheets from a series of 8., Flat decorations with merman Small flat decorations with grotesques (series title), print maker: anonymous, Cornelis Bos, (mentioned on object), Netherlands, (possibly), 1548, paper, engraving, h 41 mm × w 57 mm

Slightly curved fries, half a vase on a base at each end; Frisians with grotesken and rollerwork. In the middle a Ster wine serves in the bowl of a river god. Left and right feminine figures that are identical to those in the previous print from this series (RP-P-BI-2813). Sheet from series of 3 sheets.

The Angel with the Sudarium, 1516. Albrecht Dürer (German, 1471-1528). Etching; sheet: 18.5 x 13.5 cm (7 5/16 x 5 5/16 in.).

Heinrich Aldegrever, Ornament with Mask, 1549 Ornament with Mask

Nox, plate seven from Demogorgon and the Dieties. Hendrick Goltzius; Dutch, 1558-1617. Date: 1587-1591. Dimensions: 345 x 263 mm (oval). Chiaroscuro woodcut in black and two shades of gray on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

The Flight intoEgypt. Artist: Martin Schongauer, German, ca. 1440/50-1491

Augsburg, Hertel, Johann Georg (I), Stockmann, Johann Adam, The Four Seasons, Der Somer, L'Ester, Summer, verso - stamped, An allegory of summer in a landscape with rocaille ornaments. The sun is shining at the top left. At the bottom left, two putti are cooling off in the water. On the right, a putto is protecting himself from the sun with a parasol. In the background of the rocaille ornament, a putto is working on the land with a sickle. Publisher's number 18., print, ornament print, prints, ornament prints, height 297 mm, width 193 mm, print maker, printmaker, 1720 - 1799, paper, papier, etching, etchings, German, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Iron wheeling print by Albrecht Dürer, created in 1516, depicting the welding towel held by an angel with detailed composition and trimmed sheet.

Sky; The four elements. A child with his arms full of grain shelves and fruit drives a team through the clouds.

uitgever" Augsburg, Custos, Raphael, Germany, Kager, Johann Mathias, Frisians with grotesque figures in stylized tendrils, Satyr with woman in hammock, Augsburg, On the left is a table with food and in the middle walks a satyr with a shield above his head holding a hagmat. On the tablecloth is written: MK. F. Sheet from a series of 16 () sheets., print, ornamental print, prints, ornamental prints, height 66 mm, width 228 mm, German, 1575 - 1634, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1590 - 1664-05-11, publisher

Winged angel holding a palm in his right hand and with drapery behind him. Artist: After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 8 7/8 × 6 7/16 in. (22.6 × 16.3 cm). Publisher: Mariette. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornament with a Male Half-Length Between Two Genii 1522-1540 Germany. Engraving in black on ivory laid paper . Barthel Beham

Horatius Cocles on horseback, trampling a fallen soldier. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet: 6 7/8 × 4 1/2 in. (17.4 × 11.4 cm). Date: ca. 1510-27. Museum: Metropolitan Museum of Art, New York, USA.

Roof of ganymedes. Ganymedes is abducted by an eagle. A dog looks. A coastal landscape in the background.

A brown pen drawing on yellowish stained paper by the Master of Gewandstudien depicting a knight and lady with the coats of arms of Bürgiss (St. Gallen) and Gruenberg (Konstanz), with a disc tear, dated 1480-1490.

Sept the character (Bartsch 319) Virgil Solis (1514-1562). Seven Clover (Bartsch 319). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

A gauche, une femme ailée dont le corps se termine en queue de serpent. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Odysseus on the island of Circe, Antonio da Trento (Possible), After Parmigianino, 1602 print Odysseus and his men arrive on the island of sorceress Circe. In the middle is Circe who gives the men a magic drink so that they will change into boar. print maker: Italypublisher: Mantua paper Ulysses on the island of Circe (Homer, Odyssey X). Circe. Ulysses' companions are changed into all kinds of animals

Les quatre parties du monde, Jean-Baptiste Huët, (French, 1745-1811), Medium: cotton Technique: copperplate printed on plain weave, Fragment shows a seated figure representing Europe surrounded by cherubs, roosters, dogs, and a horse., Jouy, France, ca. 1785, printed, dyed & painted textiles, Textile, Textile

Suite of Vases: Plate 17, 1746. Jacques François Saly (French, 1717-1776). Etching;

Triton with two tails, anonymous, c. 1688 print From series of vignettes with sea codes and allegories, used as an illustration in the book Histoire Metallique de la République de Hollande by P. Bizot. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam (possibly) paper etching

Cholerisch temperament, anonymous, after Jost Amman, 1549 - 1591 print Germany paper etching choleric temperament

Parijs, Mariette, Pierre (II), Tavernier, Melchior, Kilian, Lucas, Differents Conpartimens et Chapiteaux, Horizontal cartouche with seated child, Paris, From a series of 22 or 29 sheets with cartouches in Italian auricular style, fourth edition., print, ornament print, prints, ornament prints, height 105 mm, width 160 mm, Work conception, German, 1579 - 1637, after a design by, 1657 - 1685, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), South Netherlands, 1564 - 1641, print maker, printmaker, Publication (Event), Publication, 1634 - 1716, publisher

Virgil Solis (German, 1514 - 1562), Astrologia (Astrology), engraving

Paris, Errard, Charles II, Vignettes, Putto with rectangle and compass, Vignette. The putto sits on a pedestal of leaves, with tendrils ending in winged lions., print, ornamental print, prints, ornamental prints, height 108 mm, width 130 mm, Work conception, 1607 - 1689-05-25, after a design by, 1616 - 1689, first quarter 17th century, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Putti with religious attributes. Draughtsman: anonymous. Dating: 1773. Measurements: h 219 mm × w 140 mm. Museum: Rijksmuseum, Amsterdam.

Shield with Greyhound Held by Wild Man ca. 1435-1491 Martin Schongauer German. Shield with Greyhound Held by Wild Man 336194

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