Religious Art and Iconography

Displays stained glass and painted works featuring saints and biblical figures, representing medieval and Renaissance religious themes.

Nativity, 16th century, Nardon Penicaud, active 1493-d. 1541, 5 3/4 x 4 3/4 in. (14.61 x 12.07 cm) (outer frame), Enamel on copper, France, 16th century

'St Nicholas'. Switzerland, Circa 1510. Dimensions: 55,8x45,8 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous master.

RETABLO VALENCIANO DE SANTA BARBARA - SIGLO XV - GOTICO. Author: GONZALO PEREZ SARRIA (1380-1451) GONÇAL PERIS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. SANTA BARBARA (273-306) BARBARA DE NICOMEDIA.

Maestà. Date/Period: 1317. Painting. Fresco. Author: LIPPO MEMMI.

Fragment of an aurifries, with embroidery of silk and gold council ,, c. 1500 - c. 1525 Fragment of an aurifries, with embroidery. The pattern has an image of a canopy under which Bartholomeus () With a knife and a book. Bartholomeus wears a blue cloak and a cover. The fragment includes two fragments with invnr. BK-NM-4165-C-1 and BK-NM-4165-C-2. Southern Netherlands (possibly) silk. embroidering Fragment of an aurifries, with embroidery. The pattern has an image of a canopy under which Bartholomeus () With a knife and a book. Bartholomeus wears a blue cloak and a cover. The fragment includes two fragments with invnr. BK-NM-4165-C-1 and BK-NM-4165-C-2. Southern Netherlands (possibly) silk. embroidering

Plaque with Saint John the Evangelist ca. 1175-1200 French. Plaque with Saint John the Evangelist 464631

la Verónica, bajorrelieve de alabastro policromado, claustro, Monasterio de San Juan de los Reyes, Toledo, Castilla-La Mancha, Spain.

Nativity, 16th century, Nardon Penicaud, active 1493-d. 1541, 5 3/4 x 4 3/4 in. (14.61 x 12.07 cm) (outer frame), Enamel on copper, France, 16th century

Maestro de Sant Mateu (activo último tercio del siglo XIV). Relieves del Retablo de San Miguel. Finales del siglo XIV. Detalle del Milagro del Mont Saint-Michel. Bajorrelieve. Piedra caliza con restos de policromía. Procede de la Iglesia de Sant Miquel de Canet lo Roig, Castellón. Museo Nacional de Arte de Cataluña (MNAC). Barcelona. Cataluña. España.

Panel with Christ Carrying the Cross early 16th century French Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1-38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.. Panel with Christ Carrying the Cross. French. early 16th century

Grave slab of the founders Wernher von Reichersberg and his wife Dietbirga, Reichersberg, Upper Austria, Austria, Europe

SALON DE EMBAJADORES - RETRATOS DE LOS REYES DE CASTILLA - DETALLE DE DON RODRIGO ULTIMO REY VISIGODO - 1599. Author: DIEGO ESQUIVEL (SIGLO XVI). Location: REALES ALCAZARES. Sevilla. Seville. SPAIN. RODRIGO REY DE ESPAÑA ENTRE EL.

policromia of Sant cabrit policromia of Sant cabrit, Baroque altarpiece, 1622, designed by Francesc Ferrer, Oratory, ,Alaro Castle, 14th century, Mallorca, Balearic Islands, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21424083

Saint Michael the Archangel with Two Donors. Circle of Juan Rius (documented between 1457-1482) and Domingo Ram (documented between 1462-1496). Ca.1465-1480. Aragonese School. Lazaro Galdiano Museum. Madrid. Spain.

Book-Cover Plaque with Christ in Majesty ca. 1200 French While the format of this book cover is typical of Limoges work, the lilac color of the footstool is distinctive.. Book-Cover Plaque with Christ in Majesty. French. ca. 1200. Copper: engraved, chased, scraped, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, translucent red, translucent rose, and white.. Made in Limoges, France. Enamels-Champlevé

Fragment of embroidery. unknown, author

Romanesque art. Spain. 13th century. Berbegal Front (Aragon). Polychromed wood. Diocesan Museum of Lleida. Catalonia.

Przeszo Przyszoci unknown

Two Evangelists.Starnina was a widely travelled artist who developed an elegant and highly coloured style in Spain. After he returned to Florence in 1403, his work exerted a profound influence on the artistic development of Lorenzo Monaco and other Florentine painters. These two panels, which are in excellent condition, probably served as wings of a large altarpiece.

Panel with the Garden of Gesthemane early 16th century French Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1-38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.. Panel with the Garden of Gesthemane 471411

One of a pair of pilaster panels 1385 Florentine Spinello Aretino (1350/52-1410) painted these two panels depiciting Saints Philip and James the Greater() for an altarpiece for Monte Oliveto Maggiore near Siena. Other panels from the same polyptych survive in the Pinacoteca Nazionale, Siena; the Szépmuvészeti Múzeum, Budapest; and the Fogg Art Museum, Cambridge, Massachusetts. Another pilaster panel like the two in the Robert Lehman Collection was sold at Sotheby's in London in 1982. An inscription across the base of the altarpiece frame, recorded by Giorgio Vasari when it was still intact, memorialized the frame carver and the gilder alongside the painter: "Simone Cini Fiorentino fece l'intaglio, Gabriello Saracini la messe d'oro e Spinello di Luca d'Arezzo la dipinse l'anno 1385." The three artists received equal payments for their work. The pastiglia Solomonic columns on these two panels are not as well defined as those on 1975.1.23b, which are subtly delineated with punching. The

Saint Michael; Above, Angel Gabriel. Date/Period: 1420/1425. Painting. Tempera and gold leaf on wood. Width: 35.2 cm. Height: 117.5 cm (left panel). Author: Workshop of Lorenzo Monaco.

Plaque of St. Bartholomew mid-12th century Lower Rhenish or Saxon. Plaque of St. Bartholomew. Lower Rhenish or Saxon. mid-12th century. Champlevé enamel, copper-gilt. Enamels-Champlevé

Ensemble with a Lute-Playing Angel. Unknown maker, English and Netherlandish

Fragment of the predella of the altarpiece of Santa Ursula Fragment of the predella of the altarpiece of Santa Ursula, 1406-1415, tempera on panel, Master of Montesión, Guillem Arnau, Mallorca Cathedral, Museu de Mallorca, Palma, Majorca, Balearic Islands, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 21489478

Maesta / Cimabue / 1272-74

Italy. Tuscany. Siena. Cathedral. Crypt. Frescos.

retrato del rey Jaume I, pintado en 1623 por Andreu Reus, salon de plenos del ayuntamiento de Palma, siglo XIX, plaza de Cort, Palma, mallorca, islas baleares, Spain, europa.

Przeszłość Przyszłości Ugolino di Neri (fl. 1317 1327)

Panel, c.1200-1225. France, early 13th century. Pot-metal and white glass, silver stain; overall: 34.3 x 86.4 cm (13 1/2 x 34 in.).

Man of Sorrows with Saints, by Fra Angelico, 1422, England, London, Courtauld Institute and Galleries, 1400-1455

Golden parlour, detail of the tiled stove

MISAL MS.11 ARCHIVO CAPITULAR DE TORTOSA.MAIESTAS.

Hanging Made 1801-1900 Europe. Wool and gold metal thread, tapestry weave .

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 219v, Funeral Service, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Stained glass window. Creator: Unknown.

'St Christopher'. Italy. Dimensions: 108x46 cm. Museum: State Hermitage, St. Petersburg. Author: Lorenzo di Bicci ( ).

Two Angels,1862. Sir Edward Burne-Jones (d.1898) .

Archangel Michael by Edward Burne-Jones, Cattistock, Dorset, England

The stairs of life, 1922 drawing cardboard. chalk brush

Welcome Panel of Mayer and Meyer. Switzerland, possibly Zurich, 1578. Architecture; Architectural Elements. Pot metal; white glass with silver stain and enamel; flashed glass, abraded

Bartomeu Robió / Retablo de Santa Llúcia , siglo XIV. Museum: Església de Sant Llorenç, Lleida.

Mural, fresco, Villa dei Misteri (Mystery Villa), excavation of the Roman city of Pompeii, Naples, Campania, Italy, Europe

Virgin and Child with FourAngels. Artist: Donatello (Donato di Niccolò di Betto Bardi), Italian, Florence, 1386/87-1466

Saint Michael. Date/Period: Ca. 1455-1460. Painting. Tempera, stucco reliefs and gold leaf on wood. Height: 2,140 mm (84.25 in); Width: 1,360 mm (53.54 in). Author: JAUME HUGUET.

Limoges enamel reliquary, 1190 AD, Angels with censors, France.

Study forSaturn. Artist: Elihu Vedder, American, 1836-1923

The Madonna Enthroned with Eighteen Holy Women. Dated: c. 1480/1490. Dimensions: image: 32.8 x 24.8 cm (12 15/16 x 9 3/4 in.) sheet: 42.2 x 26 cm (16 5/8 x 10 1/4 in.). Medium: metalcut, hand-colored in green, yellow, and red. Museum: National Gallery of Art, Washington DC. Author: German 15th Century or Master with the Mountain-Like Clouds.

Italy, Apulia, Gravina in Puglia, Fresco of San Vito Vecchio Church Crypt

Augustus I of Saxony (1526-1586) 1550 Woven under the direction of Seger Bombeck German Tapestry portraits are rare. This one has the name and age of the sitter, his coat of arms, the date, and the initials of the weaver, S. B. (in lower right corner).. Augustus I of Saxony (1526-1586) 229156

The three Tyches 323 BC. Tyche is the Greek goddess of Fortune

Spain, Castile-Leon region, Burgos. Gothic Burgos Cathedral (aka Catedral de Burgos) UNESCO. Medival tapestry made with gold thread.

Costume of a German bishop, early 13th century, from Worms Cathedral. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Portrait of Isaiah by Juan Gascó (1500-1529) painter of the kingdom of Navarre. Dated 16th Century

Stained Glass Panel with St. Bernard ca. 1505-08 German These four scenes are probably part of the glazing from the Cistercian church at Mariawald, located southwest of Cologne. Here, the Cologne glass painters adapted color to the traditional fondness for colorless glass, so that large areas of saturated color are combined with equally large sections of grisaille (monochrome painting). These windows are stylistically related to the windows in the north aisle of Cologne Cathedral.. Stained Glass Panel with St. Bernard. German. ca. 1505-08. Pot-metal, white glass, vitreous paint, silver stain. Glass-Stained

The Prague Astronomical Clock.The calendar, added to the clock in 1870. The twelve medallions represent the twelve months of the year made by Czech painter Josef Manes (1820-1871). Czech Republic.

Good Samaritan, Good Samaritan and Adam and Eve window, 13th century, Chartres Cathedral

fine arts, religious art, Saint Mary, annunciation, painting, Castilian, 1st half of the 15th century, Museo de Arte Anigio, Barcelona,

Wooden Frame from an Entombment Group. Culture: French. Dimensions: 14 ft. 9 in. × 12 ft. 1 in. × 11 3/4 in. (449.6 × 368.3 × 29.8 cm)Opening: 9 ft. 6 in. × 10 ft. 1 3/4 in. (289.6 × 309.2 cm)Other (both uprights): 13 ft. 5 1/2 in. × 8 1/2 in. × 11 1/4 in. (410.2 × 21.6 × 28.6 cm)Other (entablature): 18 1/2 in. × 12 ft. 1 in. × 13 1/2 in. (47 × 368.3 × 34.3 cm)Other (bottom sill): 4 in. × 10 ft. 4 1/4 in. × 3 3/4 in. (10.2 × 315.6 × 9.5 cm). Date: 16th century or later. Museum: Metropolitan Museum of Art, New York, USA.

Madonna and Child with Saints Catherine and John the Baptist, c. 1340-1350. Giovanni di Agostino (Italian, c. 1310-1370). Marble with traces of polychromy and gilding; overall: 70.5 x 52.5 x 5.9 cm (27 3/4 x 20 11/16 x 2 5/16 in.).

Fresco in Maretsch castle, Bolzano, Trentino-Alto Adige, Italy, 16th century.

Silver, enamel and copper plaque titled 'Armor Mundi' made by Nelson Dawson (1859-1941) English artist and member of the Arts and Crafts movement. Dated 19th Century

Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island, Francis Augustus Lathrop, American, 1849 - 1909, Brush and black and grey watercolor, white gouache, graphite on brown paper, A draped figure stands in an archway, holding a cross in the left hand and lilies in the right hand., USA, ca. 1889, architecture, interiors, Drawing, Drawing

Emperor Lothair I or Lothar I, 795-855. Wearing a distinctive crown, chlamys or mantle, tunic, laced boots, holding a sceptre. Seated on a purple throne with his squires holding his sword, lance and buckler. L'Empereur Lothaire, France, IXe siecle. Taken from the Gospels of Lothair, 9th century, MS 256, Bibliotheque Imperiale. Chromolithograph by Mathieu after an illustration by Gsell from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Fragment of embroidery. unknown, author

Mangkunegara Palace in Solo, Java, Indonesia, Southeast Asia, Asia

Abruzzo, L'Aquila, Vittorito, S. Michele Arcangelo, Italy, 20th century, photo, photography, Europe

Design for Minerva Congressional Library - digital file from original item | Library of Congress

'Relief: Madonna and Child'. Italy. Florence, Early 1500s. Dimensions: 128,0x95,0 cm. Museum: State Hermitage, St. Petersburg.

Jaume Ferrer Bassa / Pinnacle, 14th century. Museum: Museu Episcopal de Vic.

Saint George and Saint Sebastian ca. 1480 German, Rhineland. Saint George and Saint Sebastian 34016

Bliżej Kultury unknown

Cartoon for window, Saint Anselm, St. John's Chapel Episcopal Divinity School, Cambridge, Massachusetts. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York); Frederick Wilson (American (born Ireland) Dublin 1858-1932 Los Angeles, California). Culture: American. Dimensions: Overall: 34 3/4 x 20 1/4in. (88.3 x 51.4cm). Maker: Tiffany Studios (1902-32). Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Orphrey Band Made 1501-1600 France. Silk, plain weave; underlaid with linen, plain weave; appliquÈd with hemp, plain weave; embroidered with silk, gilt-metal-strip-wrapped silk, and linen in bullion, satin, single satin, split, and stem stitches; laid work, couching, and padded couching .

Switzerland, Basel. Barfusserkirche Historical Museum, collection housed in the Gothic Barfusser Church since 1894. Stained glass collection, circa 16th century.

16th century Flemish tapestry, detail.

Nineteenth-century style votive tile, ceramic, Alessi manufacture, Caltagirone, Sicily. Italy, 20th century.

Assisi (Italia, Umbria - provincia di Perugia), Oratorio dei Pellegrini. Affresco di Matteo da Gualdo, (scuola peruginesca). Parete dell'altare, Madonna con il Bambino e i due santi Antonio e Giacomo, XV secolo

Altarpiece by the Master of Estopanya; Italian painter, active in Aragon and Catalonia, around the second half of the XIV century. Around 1350-1370. Tempera and gold on wood with gold leaf

Lady & the Unicorn - Sense of Hearing 15th Century Tapestry (Flemish) Musee National du Moyen Age, Thermes & Hotel de Cluny, Paris, France

Attributed to Giovanni da Taranto (documented in 1304). Italian painter. Saint Dominic and the history of his life, about 1305. Triptych. Tempera on table. National Museum of Capodimonte. Naples. Italy.

GSELL-Laurent workshop. Album n ° 4; stained glass project for Védrin-les-Namur; Two -spans window: transverbed the heart of Saint Thérèse d'Avila. Ink, wash, gouache. Paris, Carnavalet museum. Album number 4, angel, ink, windows two travees, gouache, wash, stained glass project, nun, heart transverberation, vedrine-les-namur

Album # 2; Stained glass project: Saint Paul Gsell-Laurent workshop. Album # 2; Stained glass project: Saint Paul. Pencil, blue lavis, white gouache.

Maria with child, knee piece, Luca della Robbia (school of), c. 1450 - c. 1500 stucco stucco

Miniature from the Manuscript Liber Floridus, Lambert de Saint-Omer (active ca 1120)

Unknown painter of Campania. Santa Maria de Flumine, around 1290. Tempera on table. National Museum of Capodimonte. Naples. Italy.

Romanesque art in the National Art Museum of Catalonia,Barcrelona,Apse of Estaon (mid-12th century).

Altarbild von Sant Miquel de Cruilles altarpiece of Sant Miquel de Cruilles, 1416, Lluis Borrassà, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/Tolox 22283156

Elijah and the Widow of Zarephath, c. 1525. North Netherlands, 16th century. Pot-metal and white glass, and silver stain; overall: 70.6 x 50.2 cm (27 13/16 x 19 3/4 in.).

German 15th Century, Saint Maurice, c. 1480-1490, engraving, hand-colored

Ladies preparing the bath of poet Jakob von Warte. Codex Manesse (ca.1300) by Rudiger Manesse and his son Johannes. University of Heidelberg. Library. Germany.

Louis IX (St Louis) 1215-1270, king of France from 1226. 19th century French coloured woodcut.

Scenes from a carved wooden altarpiece, 16th century. Artist: Unknown

Portrait of Lysbeth van Duvenvoorde. Portrait of Lysbeth van Duvenvoirde (-1472). Dating: c. 1430. Place: Keulen. Measurements: support: h 32 cm × w 20 cm; h 42 cm × w 29.3 cm × t 5.9 cm. Museum: Rijksmuseum, Amsterdam.

Historic illustration, German ornaments, glass painting

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Panel (Switzerland); Client: Hanns Brenisa; glass, enamel, stain, lead; 44.2 x 33.5 cm (17 3/8 x 13 3/16 in.)

Joab killing Amase, Strasbourg, 13c.

Bartolomé Ordóñez / Detail of the screens of the access to the set of chairs, Barcelona Cathedral, 1517.

A Premonstratensian Canon. Possibly after Hans Holbein the Younger (German, 1497/1498 - 1543)

DET-PANEL-MISA DE SAN GREGORIO-ALTORRELIEVE DEL RETABLO DE SAN BENITO-MANIERISMO ESPAÑOL. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SAN GREGORIO MAGNO. PAPA GREGORIO I MAGNO.

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