Religious Art and Iconography

Historical prints depicting biblical scenes and figures, including the Holy Family, Christ in prayer, and saints, rendered in intricate detail.

De boetvaardige Maria Magdalena, anonymous, after Hendrick Goltzius, 1616 print Saint Mary Magdalena, leaning out, leaning on a skull. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Latin rule in margin under print. Netherlands (possibly) paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Holy family with Johannes de Baptist and Elisabet, Anonymous, 1550 - 1649 print The kneeling Mary holds the hands of the Christ child that stands for her. On the left the young John the Baptist with his mother Elisabet and behind them Joseph and the donkey. Two -line Latin text in the lower margin. Italy paper engraving / etching Holy Family with John the Baptist, Elisabeth present. city-view, and landscape with man-made constructions

Christ in the Mount of Olives. Rosso Fiorentino, 1494-1540. 1547. Alberti, Cherubino, 1553-1615. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ in the court of Getemane; Life and passion of Christ; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Christ prays in the court of Getemane. An angel appears from heaven with a chalice. Petrus, Johannes and Jacobus sleep in the foreground. In the background, Judas leads a group of soldiers through the gate inside. Under the show a four-line verse in Latin. This print is part of an album.

Carlo Innocenzo Carlone, San Carlo Borromeo Giving Last Communion to Victims of the Plague San Carlo Borromeo Giving Last Communion to Victims of the Plague

H. Cecilia with organ in hand. Saint Cecilia sitting under a tree with an organ in hand, surrounded by angels with different musical instruments.

The Virgin Enthroned with Three Saints 1668 Giuseppe Maria Mitelli Italian. The Virgin Enthroned with Three Saints. Giuseppe Maria Mitelli (Italian, Bologna () 1634-1718 Bologna). 1668. Etching. Prints

De boetvaardige Maria Magdalena, anonymous, after Hendrick Goltzius, 1616 print Saint Mary Magdalena, leaning out, leaning on a skull. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Latin rule in margin under print. Netherlands (possibly) paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Christ in the Hof van Getsemane, Anonymous, After Maerten de Vos, 1560 - 1600 print Christ prays on the Mount of Olives at night. An angel appears to him with a cross and a chalice. Christ's disciples Peter, Jakobus and John fell asleep in the foreground. In the background, men are looking for Christ to capture him. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving agony of Christ; three (or eleven) apostles sleeping

. Christ in the Hof van Getsemane. Three sleeping apostles in the foreground. Behind it Christ that is supported by an angel.

Doop van Christ, Ventura Salimbeni, 1589 print Christ is baptized by John the Baptist in the Jordaan River. There are two angels behind John. On the right two men on their backs. Italy paper etching baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Christ being laid into the sepulcher as the Virgin stands weeping behind 1600-30 Pasquale Ottino (Pasqualotto). Christ being laid into the sepulcher as the Virgin stands weeping behind. Pasquale Ottino (Pasqualotto) (Italian, Verona 1578-1630 Verona). 1600-30. Etching. Prints

The Wise Virgins Received by the Bridegroom, Christ, pl. 6 of 8 from the series Parable of the Five Wise and FoolishVirgins. Publisher: Crispijn de Passe the Elder, Dutch, 1565-1637 After: Maarten de Vos, Flemish, 1532-1603

Christ in the court of Getsemane, Jacob Matham, after Jacopo Palma, c. 1594 - 1598 print Christ in the court of Getsemane. Three sleeping apostles in the foreground. Behind it Christ who is supported by an angel. Haarlem paper engraving Christ's prayer in the Garden of Gethsemane during the night. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

The Entombment 1589 Philippe Thomassin. The Entombment. Philippe Thomassin (French, Troyes 1562-1622 Rome). 1589. Engraving. Prints

Hemelvaart van Maria.Around the grave of Maria de collected apostles. In the clouds above them Maria is carried by angels to heaven.

Saint Hieronymus with the angel. Saint Hieronymus sitting in the wilderness, a pen in hand and his books around him. He looks forward to an angel that blows on a trumpet.

Flight to Egypt, Frans van den Wijngaerde, after Jan Thomas, 1636 - 1679 print The Holy Family flees to Egypt. Joseph leads the way with the donkey on the reins. Maria follows with the Christ child. Two angels kneel before Christ and offer him a basket with fruit. In the margin two lines in Latin and a caption with an assignment in Latin. Antwerp paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass (+ angel(s))

Adoration by De Herders, Cornelis Schut (I), 1618 - 1655 print Maria changes the winds of the Christ child. Josef stands behind her and looks up to a few putti in the air. The shepherds kneel down at the crib. On the left the donkey. paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Christ in the Hof van Getsemane, Jacob Matham, after Jacopo Palma, 1594 - 1598 print Christ in the court of Getsemane. Three sleeping apostles in the foreground. Behind it Christ who is supported by an angel. paper engraving Christ's prayer in the Garden of Gethsemane during the night. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Madonna with child and John the Baptist. In a landscape, Mary is on the floor with the Christ child on your lap. He sticks out his hand to the young John the Baptist who kneeling in front of him. His arm rests on a lamb; In the other hand he holds a victory barrel. Above Mary a putto that provides her a flower wreath. In the background a fence overgrown with roses.

The worship of the kings. Maria with the Christ child in her arms receives the gifts of the three kings.

Annunciation, Magdalena van de Passe, After Crispijn van de Passe (I), 1610 - 1638 print Departing with the Virgin Mary who looks up from her book when the angel Gabriël visits her to announce the birth of Christ. Above her a pigeon flies as a symbol of the Holy Spirit. There is a cat on her feet. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation) - AA - Mary to the left, the angel to the right

Saint Hieronymus with the angel. Saint Hieronymus sitting in the wilderness, a pen in hand and his books around him. He looks forward to an angel that blows on a trumpet.

Ascension of Christ; HIC EST FILIUS MEUS DILECTUS.GOD The father and two angels wear Christ on a cloud to heaven. Above them, the Holy Spirit floats in the form of a pigeon in a ray wreath. Besides Christ on the cloud there are thorns crown and the cross nails.

Temptation of Christ. Landscape with Christ and the Devil with Wings and Tail. Devil holds stone. In the background someone from mountain falls.

Proclamation to the shepherds; Quia Natvs Est Vobis Hodie Salvator. An angel proclaims the birth of Christ to the shepherds. The print has a Latin caption with explanation.

Inhabitants of Nazareth Verwore Christ from the city, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print The inhabitants of Nazareth shift Christ out of the city, to the edge of the mountain on which their city was built to put him into the abyss. Antwerp paper letterpress printing rejection of Christ's preaching in Nazareth: 'a prophet is not without honour except in his own country ...' (Matthew 13:54-57; Mark 6:1-4; Luke 4:22-24; John 4:44)

Resurrection of Christ, anonymous, in or after c. 1530 - c. 1580, draughtsman: anonymous, draughtsman: Lucas van Leyden, (after), in or after c. 1530 - c. 1580, paper, pen, brush, h 256 mm × w 201 mm

Maria Magdalena repented with Crucifix in her arms in cave.

Hieronymus with two angels, Cornelis Cort, after Jacopo Zanguidi Beroja, 1577 print The saint Hieronymus kneels with a crucifix in his hands by a river. There are two angels behind him. An angel points with his hand on the body of Christ on the Crucifix. paper engraving the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Pietro dal Monte, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. Pietro dal Monte, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

John the Baptist points people to Christ, Adriaen Collaert, After Maerten de Vos, 1583 - 1588 print Christ is identified by John the Baptist with the Lamb of God (John 1:29). In the background the baptism of Christ. The print has a Latin caption. The print is part of a series about the life of Christ. paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends. John the Baptist identifies Christ as the Lamb of God ('Ecce Agnus Dei') (John 1:29, 1:36)

Virgin and Child with a Pear, copy n.d. After Albrecht Dürer German. Virgin and Child with a Pear, copy 396539

The holy hieronymus in the desert. An angel and a putto appear on the holy hieronymus. Hieronymus is kneeling in the wilderness with a crucifix in hand. There is a lion for him.

A chalk and feather study by Sigismondo Caula depicting St. Helena testing the cross, with laved details, created at the end of the 17th century.

Sacred Christoffel with Christ child. Christoffel gets out of the water on the riverside with the Christ child on his shoulder. The child holds a globe with a cross. On the other side of the river is the hermit with a lantern. Two shields hang in the tree with the judiciary and ducal weapon of Saxony.

Sacred family with Maria reading. The holy family in a landscape. Maria reads a book. The Christ child sits on her lap and gesture to the viewer that it must be quiet.

Albrecht Dürer (German, 1471-1528), Christ in Limbo, 1510, woodcut

Three saints as a conveyor for victims of the plague. Three saints kneel for Mary and the Christ child. In the foreground victims of the plague. In the background a landscape with buildings, possibly the city of Lucca.

Singing Women, Anonymous, 1685 print In a landscape there is a group of singing women with books on their lap. On the left, one of the women plays a harp. In the middle a woman with her arm is raised. Angels blow on trumps in the air on clouds. paper engraving / etching singing of psalms, hymns, etc.

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Fall and the Redemption of Mankind through the Life and Passion of Christ, Christ in the Garden of Gethsemane, Christ prays to God in the Garden of Olives. His three disciples are asleep in the meantime. An angel appears in the clouds to comfort him. In the background, Judas shows the soldiers the spot where Christ is praying. The print is part of a thirty-part series of prints about the Fall and Christ's Passion., print, prints, width 195 mm, height, 249 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

The Personification conscience (Conciosacra). She blows on the trumpet of truth (Veritas). In her left hand the rod of punishment and an olive branch of reward (Poena et Primium). She tramples the personification of false prophets (pseudo prophetae), a man with indulgences, relics, a horn and two handbells.

Transfiguration of Christ on the Berg Tabor, Master of the Dice (attributed to), After Rafaël, c. 1530 - c. 1560 print Transfiguration of Christ on the Tabor Mountain with Moses and Elijah on his sides. In his divine form, Christ shows himself to the apostles that are shocked. On the left in the foreground a sitting apostle with a book. Italy paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Take of Christ, Christoffel Jegher, after Peter Paul Rubens, 1587 - 1640 print Satan offers Christ a stone and asks him to turn the stone into a bread. Southern Netherlands paper 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

Maria with child, Sebastiaan and a bishop, Ugo da Carpi (Possible), After Parmigianino, After Federico Barocci, 1608 print Mary with the Christ child in the clouds, surrounded by angels. On the right the holy Sebastiaan, tied to a column and his arm with an arrow pierced. On the left a bishop with miter and a model of a church in hand. print maker: Italyafter drawing by: Italyafter design by: Italypublisher: Mantua paper archbishop, bishop, etc. (Roman Catholic). the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds (+ angels floating in the air). model ~ architecture

Graphing of Christ.

Landscape with the vision of the Holy Francis of Assisi, 1575 print On the Monte Alverna, Franciscus has a vision of a Serafijn with six wings. Franciscus dressed in a simple monk food kneels down and looks at the Serafijn. In the background a landscape with the San Damianokerk in Assisi. paper engraving martyrdom, suffering, misfortune, death of St. Francis of Assisi

Judaskus and Arrest of Christ; Fall and redemption of humanity through the life and passion of Christ. Judas coast Christ on the cheek. The soldiers surround and arrest him. Petrus tries to defend Christ and falls into one of the soldiers .. The print is part of a thirty-part series with prints about the fall and Christ's passion.

Pietro Testa, The Infant Christ at the Foot of the Cross, 1635 1637 The Infant Christ at the Foot of the Cross

Italy, Raphael, Transfiguration of Christ on Mount Tabor, verso - stamped, Transfiguration of Christ on Mount Tabor with Moses and Elijah at his sides. Christ shows himself in his divine form to the apostles who shrink back in fear. On the right in the foreground a seated apostle with a book. Latin text in bottom margin., print, prints, height 335 mm, width 238 mm, print maker, printmaker, 1493 - 1570, paper, papier, engraving, engraving (printing process), 1483-04-07 - 1520-04-07

Worship by the shepherds. A group of shepherds and Maria and Joseph around the manger with the Christ child.

Virgin and Child with Saints. Domenico Campagnola; Italian, c. 1500-1564. Date: 1517. Dimensions: 140 x 107 mm (sheet, trimmed within platemark). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Christ in the Garden of Gethsemane, Ludovicus Siceram, Hendrick Goltzius, 1623

Birth of Christ with Angels, Bartolomeo Biscoino, 1642 - 1657 print Maria is kneeling for a stable with the Christ child in her arms. Behind her is Joseph and stand the ox and the donkey. Angels and cherubin are floating above her. Italy paper etching Holy Family, and derived representations (+ angel(s)). angels

Saint Zeno; Hermit: Thebani saints; Zenon. Saint Zeno leans with his back against a tree. In addition to him his own property, a book. A cross has been attached to the tree. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Home of the lost son; Parable of the lost son. The lost son returns home. He is met by his father, who welcomes him warmly. In the background a calf is slaughtered for a banquet to celebrate the son's return.

Noah offers to God; Paintings in the Loggia of Rafaël. Noah and his companions bring a sacrifice to God to an altar.

Judaskus and Arrest of Christ; Passion of Christ; Passio Domini Nostri IESV Christi. Judas coast Christ on the cheek. The soldiers surround and arrest him. Petrus is about to chop the ear of Malchus. In the margin a three-legged bible quote from matte. 26 in Latin.

Christ child sleeps in the cradle; Youth of Christ; De Kindsheyd Onses Heeren Iesu Christi. Landscape with the Christ child to sleep in his crib. Two angels watch over him. Maria is next to the cradle and embroidered.

Print, St. John Baptizing Christ, ca. 1600; Netherlands; engraving on laid paper; 31.1 × 21.2 cm (12 1/4 × 8 3/8 in.); Bequest of George Campbell Cooper; 1896-3-110

Black chalk drawing on brownish arched paper depicting two martyrs being freed by an angel from a fountain, with slight damage on edges and lower left.

Tranking of Christ. Christ is placed by Joseph of Arimatea and Nikodemus in the Rock Graf. Around the Tomb a group of mourning women under whom Maria and Maria Magdalena. In the foreground the thorns crown.

. Four angels keep the four winds of the earth with swords. Another angel drops down with a cross from heaven. He then blesses the foreheads of the good Christians with the seal of the living God (at 7: 1-8).

Baptism of Christ in the Jordaan; Life of John the Baptist; Vita b. Ioannis Baptistae Graphicè Descript (...). Christ is in the Jordaan and is baptized by John the Baptist who kneels with a cross in his hand on the shore. The Holy Spirit drops out of heaven. There is a city in the distance. Under the show there is a two-person, Latin text with the description of the scene from Mar. 1.

The Infant Christ at the Foot of the Cross. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.

Maria with child and the Holy Hieronymus and Mary Magdalene. The Christ child is at Maria on Schoot. An angel shows him a book. In the foreground on the left is the holy hieronymus with a lion. On the right, the Saint Mary Magdalena knries and caresses with her cheek along the leg of Christ. On the right a boy with an ointment pot. Latin text in two columns in undermarge.

Sacrifice from Noah after the flood, Raphaël Sadeler (I), After Maerten de Vos, 1580 print After the flood, Noah and his family sacrifice a bull on an altar. God approves the sacrifice and appears in the sky. The fourth print from a nine -part series with scenes from the Old Testament. Cologne paper engraving / etching Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant). God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe

Christ on the olive mountain; The passion. Christ in the Hof van Getsemane. In the foreground three sleeping men. In the background left Christ kneeling for an angel. A group of soldiers arrives by the city gate. This print is part of a series of twelve passengers.

H. Cyprianus van Carthago; Cyprianus, Bisschop van Carthago. Aldaar, op het Veld van Sextus onthalst.The Sacred Cyprianus of Carthago points an angel with a miter in the hands on a passage in a book. Cyprian stands on a base where his decapitation has been introduced on the front. PRENT In the mid top marked: II part Page: 295.

Baptism of Christ in the Jordaan. Johannes pours water with shell over head Christ, standing in Jordaan. Two angels look. Holy Spirit and God the Father in Heaven.

Paid of Christ. Mary supports the body of Christ. An angel holds Christ's right hand. The front crown is on the ground. Under the margin a four-line caption in Latin.

A male saint kneeling before the Christ child 1679 Carlo Antonio Forti. A male saint kneeling before the Christ child. Carlo Antonio Forti (Italian, Parma 1657-1732 Modena). 1679. Etching. Prints

Exemption from the H. Barbara. Saint Barbara kneels on the ground, her hands are tied to each other. Her father is about to chop her head with a sword. In the background, part of the tower can be seen where Barbara was held by him.

Holy Rochus begs the protection of older nobleman, Francesco Brizio, After Parmigianino, 1584 - 1623 print The Holy Rochus leans on the shoulder of an old nobleman with one hand. He holds his other hand on his chest. He looks at heaven. Behind his legs is a dog. Italy paper etching / engraving the confessor and pilgrim Roch(us) (Rocco, Rock) of Montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet

Saint Gregory the Great and Saint Jerome pray for the souls in purgatory Molte Anime del Purgatorio portate dagli Angeli in Cielo per the pregiere of S. Gregorio I. Pontefice Romano (title on object), Saint Gregory the Great and Saint Jerome pray for the souls in purgatory. Angels bring the dead of purgatory to heaven. Above right Mary and the Christ child on a cloud., Gregory the Great pope, possible attributes: deaf, emperor Trajan, angels, the monk and hermit Jerome (Hieronymus), possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, liberation of the souls from purgatory, Francesco Fontebasso (mentioned on object), 1719 - 1768, paper, etching, h 465 mm × w 314 mm

Italy, Mary Appearing to a Saint, verso - handwritten in brown ink, Right Mary together with the Christ Child, an older woman and a saint with staff and mitre. Left a saint lies on his deathbed. At the top angels and the Holy Spirit as a dove., print, prints, engraving, verso - stamped, recto attachment sheet - stamped, height 216 mm, width 183 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching

Last Supper, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print Christ and his students around a round table. Christ tells his apostles that one of them will betray him. The apostles reject the prediction of Christ and discuss with each other. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Groups of people, including the apostles, saints, bishops, pope and soldiers present at Christ's crucifixion look up at the clouds as two angels crown Mary. The Christ child is sitting on her lap. The figures in the upper right corner represent God and Christ. Below the print two lines of text in Latin from the Litany of Saints, Coronation of Mary., print maker: Cornelis Schut (I), (mentioned on object), Cornelis Schut (I), (mentioned on object), 1618 - 1655, paper, etching, h 302 mm × w 205 mm

Sacred Christoffel on the bank of a river. Christoffel with staff sitting on the bank of the river. On the right in the background the hermit standing by the water with a lantern, on the other side the Christ child.

Birth of Christ with angels. Maria has been kneeling for a stable with the Christ child in her arms. Behind her is Joseph and stand the os and the donkey. Above her floating angels and cherubs.

. H. Notburga van Eben in the foreground, a sickle and two loaves in her hands. In addition to her two beggars to whom they will hand out the bread. In the background the Rattenberg castle. The print has a Latin caption.

Saint John Nepomucen Venerating a Crucifix 1689-1767 Gaspare Diziani Italian. Saint John Nepomucen Venerating a Crucifix 338608

. Maria Magdalena is knockled at an altar in a cave and looks at the angels in the air. In addition to the altar, her ointment is. Left in the foreground The demons that symbolize its old (sinful) life. In the margin a eight-line caption, in two columns, in Latin.

. Christ heals a possessed man in the area of the Graasen. The unclean ghosts leave the man through his mouth and pull in a herd of pigs, which inherit and drown more. Christ's disciples. In the background the continuation of the story is depicted: the pig heafs hit the flight and tell in the city what happened. Then the residents come to Christ and ask him to leave their area. On the left in the background, Christ leaves in a boat and remains the cured man on the scaffolding. Under the show a reference in Latin to the Bible text in Mar. 5. This print is part of an album.

Hellevaart, AG monogrammist (15th century), 1475 - 1500 print Christ has broken open the gate of hell. Under the door, devils are crushed. Adam and Eva are pulled out of hell by Christ, followed by a group of people. Germany paper engraving Christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them Adam, Eve, Moses, David, and John the Baptist

Maria appears at a saint. On the right Maria along with the Christ child, an older woman and a saint with staff and miter. Left is a saint on his deathbed. Upper angels and the Holy Spirit as a pigeon.

Doornenkroning, Pompeo Ghitti, After Titian, 1641 - 1703 print Christ is in a stone dungeon. The crown of thorns is pressed on his head by soldiers with sticks. Above a bust of Emperor Tiberius paper etching Christ suffering (with crown of thorns, head usually turned sidewards). crown of thorns ~ instruments of the Passion. the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Body of Christ worn up by angels. The dead body of Christ is worn to heaven by small angels in a cloth. On the right, an angel floats with the Doornenkroon as a reference to the passion of Christ. On the original print, God is showing the Father and the Holy Spirit in the Radius Chans above the Angel Chores. This fragment is missing here, possibly it is deliberately removed and replaced by an empty beam wreath with pin in brown on a piece of paper.

Angel sneaks away from a sleeping child; Pia Desideria ..

Judaskus and arrest of Christ, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print Judas kisses Christ on the cheek. The soldiers surround and arrest him. Peter tries to defend Christ and attacks one of the soldiers .. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

H. Cecilia met orgel in de hand, Jan Baptist Herregouts, in or after 1682 - 1721 print Saint Cecilia sitting under a tree with an organ in hand, surrounded by angels with different musical instruments. Used paper etching St. Cecilia as patroness of music. angels. angel(s) represented as child(ren) - GG - lower angel(s) without wings

Annunciation. The angel Gabriel proclaims, from heaven coming on a cloud and accompanied by small angels and through the Holy Spirit in the form of a pigeon, the birth of Christ to Mary, which is in a sleeping room on an increase to a person. In the foreground slippers, a stew and a basket sewing. Under the show four lines of Latin text.

Johann Ladenspelder, Saint John Saint John

Johann Matthias Kager, The Baptism of Christ, c 1610 The Baptism of Christ

H. Hieronymus as a penalty in the desert. The Holy Hieronymus kneels for a crucifix in the wilderness. In his hand he holds a stone. Behind him the lion. At the top right of the air the last judgment. In the context in the margin a two-person caption in Latin.

Christ shown to the people (ECCE gay). Christ is fascinated on a bordes of an antique building, with thorns crown on the head, surrounded by three soldiers. Pilate, right, Christ shows at the people that, in the foreground seen on the back, shouts that he must be crucified. One of the men holds a cross.

Graflegging van Christus, Cornelis Cort, after Giulio Clovio, 1568 print Before the opening in a rock, the body of Christ lies on a stone, supported by Mary and John. Maria Magdalena kneels at his feet. Joseph of Arimatea and Nicodemus are slightly behind them. In the background a hilly landscape with the mountain of Golgotha on the right. Rome paper engraving Christ's entombment (possibly by angels)

Temptation of Saint Antonius. Saint Antonius along with four horned women in a landscape. The women pull him to his rug and attagine him in all sorts of ways. On the right the pig. God appears the Father.

De heilige Jozef en andere heilige met cellospelende engel; Hemelvaart van Maria.The Saint Joseph and another saint on clouds. They are surrounded by angels, one of which plays on a cello.

Baptism of Christ, Egidius Horbeck, After Bartholomeus Spranger, 1582 - 1586 print Christ with the arms crossed on the chest is baptized by John the Baptist in the Jordaan River. God the Father, with a RijksAppel in his hand, lets Holy Spirit descend in the form of a pigeon on Christ. On the left in the foreground, a figure prepares to be baptized by pulling out his sandals and a soldier can be helped out of his weapon skirt. On the right two angels and a figure who dries after baptism. paper engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends (+ angel(s))

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