Religious Art and Iconography

Historical prints depicting biblical scenes, including Christ's life and passion, showcasing intricate woodcuts and engravings from renowned artists.

Hans Wechtlin I, Baptism in Jordan Baptism in Jordan

Christ in the Hof van Olijven, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving Christ and his apostles on the Mount of Olives

The Fall and Redemption of Man: Christ Taking Leave of His Mother before the Passion, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Hans Wechtlin I, Baptism in Jordan Baptism in Jordan

The Ascension, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Only the feet of Christ are seen at the upper center of the composition. The Virgin stands at left, two of the disciples are in the foreground, kneeling, others in background. Monogram of Dürer on tablet, lower left., Germany, ca. 1509-1511, Print, Print

Graphing of Christ; Passion of Christ.

Christ in the court of Getemane; The little passion. Christ prays in the court of Getemane, while his disciples around him are sleeping. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Entry into Jerusalem, Jacob Cornelisz van Oostsanen, 1520 - 1521 print From series of 66 prints. Proef pressure, no text on Verso. paper entry into Jerusalem: people spreading their clothes before Christ on the ass, and waving palm branches (Matthew 21:1-11, 21:14-16; Mark 11:1-11; Luke 19:28-40; John 12:12-19)

Sebald Beham, Christ on the Cross, 1521 Christ on the Cross

Albrecht Dürer, The Angel with the Key to the Bottomless Pit, 1498 The Angel with the Key to the Bottomless Pit

A woodcut from around 1505-1507 by Hans Baldung depicting Christ supported by Mary, John, and Mary Magdalene, showing detailed figures and early 16th-century German woodcut techniques.

Urs Graf I, Christ and the Apostles and the Holy Women Christ and the Apostles and the Holy Women

Christ appearing to Mary who is kneeling in prayer, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Christ appearing to Mary who is kneeling in prayer, after Dürer 342737

Christ for Herod. King Herod intersects Christ, but it doesn't answer him. Herod and his soldiers mocked in Christ.

The stigmatization of the Holy Francis. The Saint Francis receives the stigmata of a crucifix, floating in the air to three pairs of wings. On the left is a man sleeping. In the background a town. Under the representation two lines of Latin text.

Christus in het voorgeborchte; Passie van Christus; Passio Domini Nostri Iesv Christi.After his death, Christ descends in the pre-borne. At the gates of hell, he presents the hand to anonymous figures. A man and woman walk on the left. Devils watch. In the margin a three-legged bible quote from SIR. 24 in Latin.

The Stigmatization of Saint Francis, Albrecht Dürer, 1503 - 1504 print Saint Francis receives the stigmata of a crucifix, which floats on three pairs of wings in the air. A man is sleeping on the left. A town in the background. Under the show two lines of Latin text. Nuremberg paper stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

The Fall and Redemption of Man: The Lamentation beneath the Cross, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Albrecht Dürer, Christ on the Cross with Mary and Saint John, 1510 Christ on the Cross with Mary and Saint John

Application of Antonius. The recluse Antonius, dressed in his monk trij, prays kneeling for a crucifix. He is attacked by demons in various forms. A diabolical woman offers him a pot of gold. In the background a burning city. In the margin a two-legged caption in Latin.

An angel throws a dragon in a well; An angel shows John the Evangelist the new Jerusalem, Albrecht Dürer, 1511 print In the foreground, an angel with a large key makes a diabolical dragon disappear into a well. On the right in the middle plan, an angel shows John the Evangelist from a mountain top the new Jerusalem, which can be seen on the left in the background. Nuremberg paper an angel with a key and a chain binds the dragon (Satan) and casts him into the pit. an angel shows John the New (Heavenly) Jerusalem coming down from heaven; sometimes Christ is shown leading his lambs to the city

Christ on the Olives Mount, Albrecht Dürer, 1511 print Christ prays in the court of Getsemane, while his disciples are sleeping around him. Latin text printed on the fresh side. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper Christ's prayer in the Garden of Gethsemane during the night

Hemelvaart, Virgil, 1552 print Nuremberg paper Christ almost vanished: only feet visible ~ Ascension. Christ ascends into heaven; apostles (and Mary) beneath

Albrecht Dürer, The Ascension, probably c 1509 1510 The Ascension

Coronation of Maria Vita Deiparae Virginis Mariae (series title) Life of the Virgin Mary (series title), Mary is crowned in heaven by the Trinity, Christ, the Holy Spirit, respectively as a dove and God the Father. Christ and God together put the crown on her head. In the margin a caption in Latin. In the margin a six-line caption, in two columns, in Latin. The print is part of an album, coronation of Mary by God the Father and Christ (Holy Trinity), Jean Matheus (mentioned on object), Paris, 1590 - 1649, paper, engraving, h 103 mm × w 66 mm

Gideon and Het Vlies, Anonymous, After Lucas van Leyden, 1525 - 1530 print Fragment of a leaf from a Biblia pauperum. Printed from two blocks. An angel points Gideon to the fleece. Frame with two prophets. paper twice Gideon asks the Lord to show him a sign with a sheep's fleece before his raid against the Midianites. other groups of prophets

Hans Burgkmair I, The Holy Family with Saint Anne and Saint Joachim, 1512 The Holy Family with Saint Anne and Saint Joachim

Christ on the Mount of Olives, from The Small Passion ca. 1510 Albrecht Dürer German. Christ on the Mount of Olives, from The Small Passion 388046

Saint Candida and Saint Gelasia as an angless with angel; SS. Candida et Gelasia. .

Ranking of Christ. Christ is placed in a cave by a number of men in a grave. Maria, Johannes and Maria Magdalena are grieved around his body.

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Baptism of Christ, Cornelisz van Oostsanen, Christ is baptized by John the Baptist in the Jordan. God the Father and the dove of the Holy Spirit appear in the sky. On the left an angel holding Christ's garment. Print is part of a book., print, book illustration, prints, height 112 mm, width 79 mm, height 141 mm, width 98 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Holy women at the grave; The little passion. The three holy women or Maria's come to the grave of Christ to take care of his body. The grave is empty and they meet an angel who tells them that Christ has risen. Print is part of a book.

Albrecht Altdorfer, Christ Taking Leave of Mary before the Passion, c 1513 Christ Taking Leave of Mary before the Passion

The Deposition of Christ, from The Large Passion 1511 Albrecht Dürer German. The Deposition of Christ, from The Large Passion 388029

Virtu is no more than a word, anonymous, 1520 - 1560 print One of eight moralizing spells depicted: rich young man points to young woman to Christ, sitting in heaven on rainbow with sword and lily. Another man follows a nar. Text under print. paper proverbs, sayings, etc.

Birth of Christ. Maria stands with the Christ child in her arms in the stable with the OS and the donkey. Joseph is praying next to the manger. Two angels hold a large cross above the Christ child.

The Feeding of the Five Thousand. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ in the court of olives; Passion of Christ ..

Christ on the Mount of Olives, from The Passion 1508 Albrecht Dürer German. Christ on the Mount of Olives, from The Passion 391394

Woodcut by Hans Wechtlin, early 16th century, depicting the Resurrection of Christ, showing tomb, figures, and religious symbolism in German Renaissance printmaking.

Albrecht Dürer (1471-1528). The apocalypse (German edition): the four angels holding the four winds of the earth (Bartsch 66). 1497. Museum of Fine Arts of the City of Paris, Petit Palais. 77217-7 Angel, Apocalypse, Catholic art, Chretian art, religious art, Christianity, Epee, Gospel according to Saint John, Ailee figure, sword, Holy History, Human, Humanite, Chretian iconography, Religious Iconography, New Testament, Aile character, Biblical character, Prophety , Biblical story, Christian religion, revelation, Renaissance, blow, wind, vision, engraving

A woodcut by Hans Baldung from around 1505-1507 depicting Christ on the cross with Mary, John, Mary Magdalene, and Stephaton, showing detailed figures and early 16th-century German print style.

Ascension and Coronation of Maria, Albrecht Dürer, 1511 print The apostles are around an empty grave and look up, where Mary is crowned in heaven by Christ and God. Latin text printed on the fresh side. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper letterpress printing assumption of Mary combined with her coronation

Stenigen van Stefanus. Stefanus is stoned by five men. Stefanus sees the Father on the clouds in a vision. Under the show a line text in Latin.

Christ says goodbye to Maria, Albrecht Dürer, 1511 print Maria kneels with grief left face before Christ, who says goodbye to her. Two women (Martha and Maria Magdalena) are behind Maria. In the background a castle or city. Latin text printed on the fresh side. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper letterpress printing Christ taking leave of Mary, usually Mary Magdalene present

Apostle James De Minerere. The apostle James De Meere with a hatmaking arch ().

Albrecht Dürer, Christ on the Mount of Olives, probably c 1509 1510 Christ on the Mount of Olives

Birth of Christ, Anonymous, After Giorgio Ghisi, After Angelo Bronzino, 1530 - 1582 print The Christkind lies in the straw for a stable. Mary, Joseph, Engelen and Shepherds are around. Putti floating above the clouds. A wide landscape in the background. print maker: Italyafter print by: Italyafter painting by: Italypublisher: Rome paper engraving Mary, Joseph and the new-born Christ (Nativity)

Netherlands, Master of the Virgo inter Virgines, Master of Delft, Master of the Delbecq-Schreiber Passion, The Descent from the Cross, Mary with John, and Christ being taken down from the Cross by three men., print, book illustration, prints, height 90 mm, width 68 mm, Southern Netherlands, unknown, 1490 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Northern Netherlands

A 1510 woodcut by Albrecht Dürer depicting Christ on the cross with Maria and Johannes, with sheet cut to the plate edge, including devotional motifs for the seven praying hours, showing detailed figures and composition.

Depicts the Ascension of Christ, part of Albrecht Dürer's Small Passion series, created around 1510 as a woodcut. Shows Christ ascending with surrounding figures observing.

The Ascension and Christ for God the Father; The credo. Printed of two blocks. Ornamental picture frame around the show with Mary, Johannes and Apostles looking up to Christ whose feet and cloak visible. On a cloud of Christ with spread hands for God the Father, cross between them.

Worship by the shepherds. Maria, Joseph and the shepherds kneel in worship for the Christ child that lies in his manger in the stable. Two dogs in the foreground. With various elements from the show are letters. The print is part of an album.

Descent into the pre -borter, Philippe van Mallery, 1608 - c. 1639 print Christ, with the banner of the resurrection in his hand, breaks the locked doors of the pre -borter and frees the souls of the Old Testament saints. Bottom left and at the top defeated devils. Left in a doorway Adam and Eva. Under the performance three lines in Latin. Antwerp paper engraving / etching Christ in the underworld, harrowing of hell, Christ in Limbo, 'descensus ad inferos', 'Anastasis'

This 1520-1523 woodcut by Jacob Cornelisz van Oostsanen depicts the Nativity, emphasizing figures, religious iconography, and Northern Renaissance woodcut techniques.

Christind helps Joseph saw; Youth of Christ; De Kindsheyd Onses Heeren Iesu Christi. Together with his father Jozef, the Christ Child. Two angels in the foreground lifting a bar. Maria is spinning yarn.

A woodcut by Hans Wechtlin from around 1508, edition 1522, showing Christ appearing to his mother, depicting figures, gestures, and early 16th-century German printmaking style.

Exit of the Holy Spirit, Jacob Cornelisz van Oostsanen, 1507 print Fragment of a print with four performances, from a series of seven. Maria surrounded by twelve apostles with flame above head. Holy Spirit in cloud above them. Low Countries paper Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

This circa 1530-1540 woodcut by an anonymous artist depicts Christ interacting with Herod, showing a biblical scene.

Hans Baldung Grien, Lamentation for Christ, 1510 Lamentation for Christ

Parable of the splinter and the beam in the eye, Anonymous, Anonymous, 1536 print paper the mote and the beam in the eye ~ doctrine of Christ on love, etc. (Matthew 7:4; Luke 6:42)

The Lamentation. Dated: in or before 1509. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Lucas Cranach the Elder.

Virtu is no more than a word; Calls is molds / doing is one thing; Destruction of images image Scripture or Height letters that is. Hieroglifa. One of eight moralizing spells represented: rich young man points young woman on Christ, sitting in the sky on rainbow with sword and lily. Another man follows a jester. Text under print.

Christ child sleeps in the crib, Hieronymus Wierix, 1563 - before 1619

Woodcut by Urs Graf the Elder representing the biblical miracle of Jesus multiplying fish and bread, produced between 1505 and 1528, highlighting religious narrative and figures in detailed composition.

Christ in the pre-assigned; The little passion. From series of 66 prints. Proof, no text on verso.

A woodcut from around 1505-1507 by Hans Baldung depicting Christ on the cross with Mary, John, Mary Magdalene, and Stephaton, illustrating detailed figures and early German woodcut techniques.

Last Judgment. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Copper engraving by Dirk Jakobsz. Vellert depicting apostles Peter and Andreas making an appeal, created in 1523.

Christ op de Olijf Mount, Albrecht Dürer, 1496 - 1497 print Christ prays in the court of Getsemane, while his disciples are sleeping around him. This print is part of the press series 'The Great Passion', consisting of a title print and 11 scenes from the suffering story. Nuremberg paper Christ's prayer in the Garden of Gethsemane during the night

June; The twelve months; IVING. In a landscape in which farmers are haying, Christ rejects his bystanders on a resting man. At a farm there are beehants and a pigeon. In the air the symbol for the constellation lobster. Under the print of four fresh rules in French with a reference to Luc. 12. A print mark on either side of the text. Print is part of a series with the months of the year, on which scenes are depicted from the New Testament. On the back in red and black a calendar of the relevant month in letterpress.

The Nativity. Master I.I.C.A.; Italian, active c. 1500. Date: 1495-1515. Dimensions: 290 x 238 mm. Engraving, on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

This woodcut from around 1530-1540 depicts Judas, showing the figure, posture, facial expression, and surrounding elements.

Birth of Christ, Monogramist Iica, After Andrea Mantgla, 1495 - 1505 print Italy paper engraving Mary, Joseph and the new-born Christ (Nativity)

Christ and the Samaritan woman. Christ rests at the Jakobsbron, after he sent his disciples to the city. A Samaritan woman is coming to draw water and speaks with Christ.

The Three Christian Heroines (Drei Gut Kristin), from Heroes and Heroines 1516 Hans Burgkmair German At left, Saint Helena wearing the imperial crown and holding up a cross; at center, Saint Brigit holding a processional cross; at right, Saint Elisabeth with a stein. Below, three coats of arms. From a series of six woodcuts with Heroes and Heroines, each with three figures.. The Three Christian Heroines (Drei Gut Kristin), from Heroes and Heroines 430728

Christ in the Hof van Getsemane, Lucas van Leyden, 1521 print Three apostles sleeping, Christ praying on the mountain. Angel with a chalice in the sky. Low Countries paper engraving agony of Christ; three (or eleven) apostles sleeping

Death of Petrus Martyr van Verona, Anonymous, Titian, 1566 - 1589 print Saint Peter Martyr van Verona and a companion are being chased in the forest by a man with a sword. Peter fell to the ground and tries to defend himself. Just before his death, Peter writes the words 'Credo in Deum' in the sand with his blood. paper engraving St. Peter Martyr is murdered (in a forest) by two assassins with a sword; with his blood he writes on the ground 'Credo in Deum' (usually a fellow friar is also attacked or murdered). forest, wood

Abraham and De Drie Engelen, Anonymous, After Lucas van Leyden, in or after 1511 - 1583 print Copy in mirror image. Abraham, kneeling and with folded hands against three angels. Low Countries paper Abraham kneels before the angels

Foolish virgin as a personification of Portugal; Portugal; Manner and foolish virgins as European countries and provinces.

Worship of kings. Printed of three blocks. Maria with Christ child on his lap for the stable. Three kings, one of which kneels BC. Left and right of the show Architectural Ornamentation.

Christ Asking the Disciples About His Identity. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Christ on the cross with dazed Mary and other saints. Christ on the cross. At the foot of the cross, the breeding Maria is supported by John and a woman. Standing and kneeling woman behind. Left for a skull. Rear left the grave. On the right a cartouche with a reference to 1 Joh. 2 and a bible text in Latin.

Christ Appearing to His Mother, from The Small Passion ca. 1510 Albrecht Dürer German. Christ Appearing to His Mother, from The Small Passion 387430

Christ heals a leper. A leper that suffers from skin strey kneels Before Christ. Christ stretches his hand to clean the man. With various elements from the show are letters. The print is part of an album.

Christ on the cross with Maria and John the Evangelist. Maria and John the Evangelist are under the cross of Christ on Mount Golgotha. Maria has folded her hands in prayer and John raises his hands in a desperate gesture. Christ is nailed to the cross with strikingly large nails.

Annunciatie.An angel announces Maria that she will become pregnant. In the middle of the Holy Spirit dropped down like a pigeon. In the foreground is a vase with lilies and its sewing is located.

Woodcut by Albrecht Dürer around 1510 depicting Christ appearing to his mother, part of the Little Passion series, showing figures, gestures, and early 16th-century German religious iconography.

Engel appears to Joachim, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving annunciation of the birth of Mary to Joachim by an angel

Woodcut by Hans Schäufelin titled "The Civilization of Christ under the Cross," depicting Christ on the cross with figures at his feet, 1515.

Revival of Dorkas (TABITA). In the foreground, the apostle Peter is asked to pray for Dorkas (Tabita), a woman who had only died but many good works performed in her community. On the top floor of a house, Peter prays for the corpse of Dorkas and wakes her back to life. The print is part of an album.

The Annunciation, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, The Virgin kneels at right, her hands clasped before her. She turns her head toward the angel who appears at left. God the Father is seen in a ray of light, upper left. Monogram of Dürer, upper right., Germany, ca. 1509, Print, Print

Saint Joachim. Engraving.

The cardinal and death; Dance dance. A cardinal, sitting on a seat, hands a writing with stamps to the man for him. Death is next to him. There is an hourglass on the armrest.

Leonhard Beck, Saint Willibaldus, 1516 1518 Saint Willibaldus

Ascension of Christ; The fall and redemption of humanity. The disciples kneeling around a rock on which the footprints of Christ can be seen. All look up to heaven where in the clouds the feet and the bottom of the robe of Christ are still visible. Seventy first print from a series of forty.

This woodcut by Jacob Cornelisz van Oostsanen, created between 1520 and 1523, depicts the burial of Christ, showing figures placing Christ in the tomb in a religious and solemn scene.

Flight to Egypt. Maria Zoogt the Christ child, while she drives on the donkey. Joseph leads the animal to the reins, he is wearing his tools in a basket over his shoulder. In the background you can see how the holy family is refused at the inn.

Christ replies the messengers of John. John belongs to prison about the performance of Christ. He sends some of his students to him to ask him questions. In their presence, Christ heals blind and moors. With various elements from the show are letters. The print is part of an album.

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