Religious Art and Iconography

A collection of historical religious artworks, including frescoes, paintings, and woodcuts depicting saints and biblical themes, showcasing medieval and post-medieval styles.

Lazio Viterbo Ronciglione S. Eusebio0. Hutzel, Max 1960-1990 Medieval: Architecture, painting, architectural sculpture, inscription fragments. This church was built by monks fleeing Palestine in the 7th to 8th centuries. The walls are covered with frescoes, some (The Tree of Jesse, The Last Supper, and Christ with Four Saints) date from the 12th century, others (The Madonna enthroned with S. Stephen, and S. Eusebio) date from the 13th century. Post-medieval: Architecture, painting. The portal of the church dates from the 15th century, and in the apse is a fresco of the Madonna and Child from the 15th century as well. Antiquities: Sculpture. Roman sarcophagus placed next to the main portal outside the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, in
Lazio Viterbo Ronciglione S. Eusebio0. Hutzel, Max 1960-1990 Medieval: Architecture, painting, architectural sculpture, inscription fragments. This church was built by monks fleeing Palestine in the 7th to 8th centuries. The walls are covered with frescoes, some (The Tree of Jesse, The Last Supper, and Christ with Four Saints) date from the 12th century, others (The Madonna enthroned with S. Stephen, and S. Eusebio) date from the 13th century. Post-medieval: Architecture, painting. The portal of the church dates from the 15th century, and in the apse is a fresco of the Madonna and Child from the 15th century as well. Antiquities: Sculpture. Roman sarcophagus placed next to the main portal outside the church. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, in