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Religious Art Depicting Christ's Passion

Dramatic paintings illustrating scenes from Christ's crucifixion and lamentation, capturing deep emotions with rich colors and classical styles.

The Mocking of Christ by Jusepe de Ribera, 1591-1652, Italy, Milan, Pinacoteca Di Brera
The Mocking of Christ by Jusepe de Ribera, 1591-1652, Italy, Milan, Pinacoteca Di Brera
244 assets in this story
4409-20921139
PIEDAD (COBRE S XVII). Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPAIN. VIRGIN MARY. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.
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St Zenobius bringing a child back to life, detail from the Stories of St Zenobius, Bishop of Florence, by Ridolfo Ghirlandaio (1483-1561).
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Fresco detail, apse, Church of St Anthony of Padua on Via Merulana, Rome. Italy, 19th century.
1899-18308647
The Pieta, Roberti, Ercole Grandi d'Anton, 1490.
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Memorial Triptych, Formerly Called The Gertz Memorial Triptych, With The Lamentation (Central Panel), Nine Male Donor Portraits with Saint John The Evangelist (Left Wing, Inner), Nine Female Donor Portraits with the Virgin and Child (Right Wing, Inner), Saint Peter (Left Wing, Outer) and Saint Mary Magdalene (Right Wing, Outer). The Gertz memo table. Triptych with the cross-handling or commanding on the center panel (copy to a lost original from Hugo van der Goes), with the body of Christ worn by Jozef van Arimathea and Nicodemus. Maria, Johannes and Maria Magdalena (all attack figures). On the inside of the right side panel the founder Willem Gertz with his sons and the Holy John, on the left side panel his wife Styntgen Dirck Claesgens with her daughters and Maria with child. On the outside of the grisailles of the Saints Petrus and Mary Magdalene. With integrated list.
4069-1225
Moses defending the seven daughters of Jethro
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PACHECO, Francisco (1564-1654). Saint Peter Nolasco embarkining. Baroque art. Oil on canvas. SPAIN. ANDALUSIA. Sevilla. Fine Arts Museum.
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Tortura altarpiece, San Sebastian with arrows and St. James the Apostle, 16th century, tempera on panel, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain
1899-75264
St. Jerome Penitent, by Antonio da Carpena known as Carpenino, 16th Century, 1530-1552, board,
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Christ Kissing the Cross Zinc, Florian Stanis AW (1838 1912)
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Mexico, Baja California Sur, San Ignacio, Mission San Ignacio Kadakaanman
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Deposition of Christ supported by angels, 1471, Marco Zoppo (1433-1478), tempera on canvas, 120x95 cm.
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'The Supper at Emmaus'. Italy. Dimensions: 86x126 cm. Museum: State Hermitage, St. Petersburg. Author: Jacopo Chimenti (Jacopo da Empoli) ( ).
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The Pieta or Lamentation c. 1460
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Colored skiolet icon image with religious theme. Jesus when taken off from the cross.
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10. Kreuzweg, Jesus wird seines Gewandes entkleidet, Kirche Mariä Heimsuchung in Sisak, Kroatien 10th Stations of the Cross, Jesus is stripped of His garments, Church of Visitation of the Virgin Mary in Sisak, Croatia Copyright: xZoonar.com/ZvonimirxAtletix 21145654
1788-45173
Deposition of Christ in the tomb, 1566, by Giovanni Battista Moroni (ca 1525-1578), oil on canvas, 185x215 cm.
1788-44267
Figures of angels, detail from Our Lady of Mercy or The Seven Acts of Mercy, 1606-1607, by Michelangelo Merisi da Caravaggio (1571-1610), oil on canvas, 390x260 cm.
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The Sermon of St. John the Baptist. Date/Period: Ca. 1644. Painting. Height: 1,350 mm (53.14 in); Width: 1,200 mm (47.24 in). Author: Bernardo Strozzi.
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Predela del retablo del Espíritu Santo, 1394. Lamento sobre Cristo muerto. Obra añadida posteriormente y realizada por Lluis Borrassà. Pintura al temple sobre tabla. 146 x 96 cm. Pintura al temple sobre tabla. Colegiata Basílica de Santa María, Manresa.
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11th Stations of the Cross, Crucifixion: Jesus is nailed to the cross, church of St. Agatha in Schmerlenbach, Germany 11th Stations of the Cross, Crucifixion: Jesus is nailed to the cross, church of St. Agatha in Schmerlenbach, Germany Copyright: xZoonar.com/ZvonimirxAtletix 20931657
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RETABLO MAYOR-LAVATORIO. Author: Francisco Ribalta. Location: Iglesia parroquial. Algemesí. Valencia. SPAIN. JESUS. APOSTLE PETER.
1899-31916
Crucifixion, by Romani Girolamo known as Romanino, 1534 - 1534, 16th Century, fresco. Italy, Lombardy, Pisogne, Brescia, Santa Maria della Neve Church. Detail. The figures on the ground playing dice beard dresses: garments dice hat sword plume horses white pink beige gray armor.
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Scourging at the Pillar, Basilica of St. Vitus in Ellwangen, Germany Scourging at the Pillar, Basilica of St. Vitus in Ellwangen, Germany Copyright: xZoonar.com/ZvonimirxAtletix 20956816
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Scenes from the Passion of Christ, ca. 1470. Detail of Christ carrying the cross. Anonymous. Haarlem. Catharijneconvent Museum. Utrecht. Netherlands.
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Biblical scene, Bible depicting Salome with the Head of Saint John, the biblical story of Salome, the daughter of Herodias, demanding the head of John the Baptist at her mother's request, illustration, reproduction from a 19th-century model. Authentic, file restored for optimal use, exact date of submission unknown, historical
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Hieronymus Bosch, born Jheronimus van Aken, around 1450, until August 1516, was a Dutch painter of the late Gothic or Renaissance period, here the painting The Carrying of the Cross, Historic, digitally restored reproduction of an original from the 19th century, exact original date not known
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Mary Magdalene, copy after Guido Reni, 1627 - 1720
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Christ After the Flagellation Bartolome Esteban Murillo (1617-1682 Spanish) Oil on canvas Krannert Art Museum, University of Illinois, Champaigne, IL, USA
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Plaque with the Raising of Lazarus, Jean Penicaud (I) (attributed to), c. 1500 - c. 1525 Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a tomb. To the left of that, Jesus and to the right are two women, the sisters Martha and Mary. In the background, more people are depicted and a church building. Limoges copper (metal). Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a tomb. To the left of that, Jesus and to the right are two women, the sisters Martha and Mary. In the background, more people are depicted and a church building. Limoges copper (metal).
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Crucifixion of St Peter' coloured, c1600-1642. Artist: Guido Reni. Guido Reni (1575-1642) was an Italian painter of the Baroque period.
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Predella of the altarpiece of the saints Abdón and Senén, 1460. Miracle of the gangrenous leg, San Cosme and San Damián. Tempera painting of egg on board. 301x225 cm. Church of Santa María, Terrasa. Author: Jaume Huguet.
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Jesus Mocked by the Soldiers 1865 France. Throughout his career, douard Manet managed to shock and confound the public with his bold technique and unorthodox approach to subject matter. The most startling feature of his great religious composition Jesus Mocked by the Soldiers is that it was painted at all. After the advent of the Realist movement in earlier nineteenth-century French painting, grounded in the here and now, avant-garde artists in France did not pursue religious themes. Yet, while Manet was most certainly a painter of secular subjectsóindeed, he was particularly urbane in his themes and lifestyleóhe was also interested in the biblical narratives that had compelled artists for many centuries. It is likely that there was a connection between this interest and the popular 1863 biography Vie de JÈsus (Life of Jesus) by the French philosopher and historian Joseph-Ernest Renan, a controversial work that emphasizes Christís humanity.In this painting, Manet portrayed Jesus as ve
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Plaque with the Raising of Lazarus. Enamel is a mixture of molten glass that is applied to a metal support. Here the copper plate is provided with a layer of silver, which heightens the luminosity of the translucent enamel colour. Lazarus was brought back to life by Christ four days after his death. The onlookers hold their noses against the 0smell of his decomposing body.
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Città della Pieve (Italy, Umbria, province of Perugia), Cathedral of Saints Gervasio and Protasio. Perugino, Baptism of Christ, painted on wood. Detail
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Madrid, 06/20/2016. Report on churches in Madrid. In the image, the church of San Ginés. Photo: Maya Balanya ARCHDC.
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SS. Cosmas and Damian dressing a chest wound. Oil painting.
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Biblical story, At Gods command Eve prayerfully ascends from Adams side, after Michelangelo, Historical, digitally restored reproduction from a 19th century original
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Print made by William Blake, 1757-1827, British, Christ Appearing to the Apostles after the Resurrection, 1795 to 1805. Color monotype with watercolor and pen and black ink, varnished on moderately textured wove paper.
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The Agony of Christ, Battistello, Giovanni, 1615.
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Enthroned Madonna and Child with Saints Giuseppe and Jerome, the central panel of the Altarpiece of San Francesco al Monte, ca 1525, by Lorenzo Lotto (1480 ca- 1556), oil on canvas, 155x160 cm.
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Europe, France, Cher, Bourges, Saint Etienne cathedral, in the gothic crypt, the Burial of Jesus, in polychrome stone, 16th,17th century in the bishop's rotunda
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Atala's Funeral or Burial of Atala, 1799, by Anne-Louis Girodet de Roucy-Trioson (1767-1824), oil on canvas, 207x267 cm.
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The Last Supper' (1803) Michael Kock (1765-1825) copy of the picture by Leonardo da Vinci. Private Collection