Religious Art Depicting Crucifixion

Historical paintings showcasing religious themes, including Christ carrying the cross and scenes from the Last Judgment, rich in detail and color.

Religious illustration with Jesus Christ by anonymous artist, painting, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 46x37

Joseph sold by his brothers, painted board, detail from the cabinets of the Old Sacristy, Church of St Mary the Gracious (UNESCO World Heritage List,1980), Milan. Italy, 15th century.

Christ Bearing the Cross by North Netherlandish Painter; Oil on wood; Circa 1470

Hell with the demons organising the damned, detail from The Last Judgement, 1431, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood, 105x210 cm.

The ascent to Calvary, predella of the Madonna of the pergola, 1447, altarpiece by Giovanni di Pier Matteo Boccati da Camerino (born ca 1420-1486), tempera on panel.

Scotland,Central Region,Stirling,Stirling Castle,Tapestry in the Chapel Royal

The Tree of Jesse by Jan Mostaert, oil on wood, 1510, 1472/73-1555/56, Holland, Amsterdam, Rijksmuseum, 89x59

Religious illustration with Jesus Christ by anonymous artist, painting, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 46x37

Calvary. Christ between the two thieves. Pieter Pietersz (1450-1603). Oil on wood.

Detail from altar of 1513 center with crucifixion; entry; resurrection. (Jacobus trajectensis claessens; about 1480-ca. 1530)

Christ Bearing the Cross North Netherlandish (Utrecht) Painter Netherlandish Set against the backdrop of a contemporary townscape, this theatrical portrayal of Christ’s Way to Calvary recalls an annual civic celebration in Bruges, the Procession of the Holy Blood, which included a reenactment of the episodes shown: Christ carrying the cross aided by Simon of Cyrene, Veronica receiving the icon of the Holy Face, and the Virgin and Saint John waiting for Christ. The procession was the responsibility of the Confraternity of the Holy Blood, whose members follow the armored horseman carrying the group's official standard.The painting reflects a lost work by Van Eyck, known from copies.. Christ Bearing the Cross. North Netherlandish (Utrecht) Painter (ca. 1470). Oil on wood. Paintings

The Field of the Cloth of Gold (Camp du Drap d'Or) in Balinghem, France; hosted a meeting from 7 to 24 June 1520, between King Henry VIII of England and King Francis I of France.

Christ Presented to the People Copy after Lucas van Leyden Netherlandish. Christ Presented to the People. Copy after Lucas van Leyden (German, probably late 16th century). Oil, gold, and silver on linden. Paintings

The Crucifixion, 1501, by Michele Da Verona (1470-1544), 335x720 cm. Detail.

The Martyrdom of Saint Catherine' by Bernaert van Orley, 16th century.

Christ Stripped of his Garments, by Martini Francesco di Giorgio, workshop Martini Francesco di Giorgio, 1501, 16th Century, tempera on panel. Italy: Tuscany: Siena: National Gallery of Art: inv. n. 428. Whole artwork. Passion of Christ stripped Jesus Virgin Madonna cross crucifixion robbers Golgotha Calvary soldiers red light blue/azure dress/garment stripping/disrobing

Adoration of the Kings After an original work by Francesco di Gentile da Fabriano Color lithograph

ORLEY, Bernard van (1488-1542). Road to Calvary. Flemish art. Oil. CZECH Rep.. Prague. National Gallery in Prague.

'Descent from the Cross', ca. 1560, Oil on copper, 70 cm x 54 cm, P00511. Author: ALESSANDRO ALLORI. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. CRISTO MUERTO. BUEN LADRON. MAL LADRON.

Calvary, detail from the Passion of Christ, 1471, by Hans Memling (ca 1430-1494), oil on panel, 57x92 cm.

North Netherlandish 15th Century, The Adoration of the Magi, fourth quarter 15th century The Adoration of the Magi

fine arts, Bouts, Aelbert (circa 1460 - 1549), altarpiece, ""way of the Cross"", Christ carrying the cross, end 15th century, Cistercian monastery, Wettingen-Mehrerau, religious art, altar, painting, religion, christianity, Austria, Vorarlberg, Wettingen, Mehrerau, gothic, Jesus, cross, passion,

The crucifixion by Master of Delft, Tempera and oil on wood, circa 1510, active 16th century, Great Britain, London, National Gallery, 98, 2x105

Atilius Regulus advising the Romans not to make peace with the Carthaginians, by Jacopo Ripanda (active ca 1500-1516). First Punic War,3rd century BC.

The Crucifixion by Cranach, Lucas, the Elder (1472-1553) Statens Museum for Kunst, Copenhagen 1506-1520 Oil on wood 67x46,5 Germany Renaissance Bible Painting

laceration and death laceration and death, predella of Santa Margarita, Joan Rosat, year 1456, tempera on panel, church of the monastery of Santa Margalida, Palma, Mallorca, Balearic Islands, Spain Copyright: xZoonar.com/Tolox 21853212

Dutch School (Master of the Manna, 15th century) Manna. Israelites in the wilderness receiving manna from heaven

Christ's entry into Jerusalem, from predella, Montepulciano Cathedral, Italy

Ramon de Mur / El infierno, detalle del 'Retablo de Guimerá', 1412, siglo XV, proveniente de Guimera, Urgell. Museu Episcopal de Vic, Barcelona.

The Martyrdom of Saint Ursula and the Eleven Thousand Virgins of Cologne, Master of 1456 (active in Cologne Mid of 15th cen.)

Valerian's baptism, 1506, by Amico Aspertini(1474 or 1475-1552), fresco, Oratory of Santa Cecilia (St Cecilia), Bologna, Emilia-Romagna. Italy, 16th century.

The Procession to Calvary by Ghirlandaio, Ridolfo (1483-1561)/ National Gallery, London/ c. 1505/ Italy, Florentine School/ Oil on canvas/ Renaissance/ 166,3x161/ Bible

the crucifixion of christ. ( Netherlands 1520)

Martyrdom of ten thousand Christians 1 , Fine Art

The Adoration of the Magi Bernardino Butinone (Italian, Milanese, ca. 1450-1510). The Adoration of the Magi, ca. 1485-1495. Tempera on panel, 9 3/4 x 8 1/2 in. (24.8 x 21.6 cm). By the late 1400s, Black African people were increasingly visible in Europe. Some arrived as church delegates or as part of diplomatic retinues; many more were brought as a result of the European slave trade in Africa, which intensified during this time. They began to appear in European art as well, particularly in images of the three Magi paying homage to the Christ Child. Written sources described the Magi as bearing gifts from the known continents of the timeAfrica, Asia, and Europe. By the end of the fifteenth century, one of the Magi (Caspar or Balthazar) more regularly began to be depicted with the skin color and generalized facial features of a Black African man, underscoring the European dream of Christian sovereignty around the world. Here, the Black Magus is last in line, his head aligned with the c

The Adoration of the Magi, by Robusti Jacopo known as Tintoretto, 1583, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Ground Floor Hall. Whole artwork. Adoration of the Magi Virgin Mary Madonna Joseph Jesus Christ above and angels and adoring figures in foreground anonymous beings in the background.

Benvenuto di Giovanni, Christ Carrying the Cross, Italian, 1436-before 1517, probably 1491, tempera on panel

Works of charity

The Way to Calvary, by Polidoro Da Caravaggio (ca 1499-ca 1543).

Grape Harvest, the Month of September

Oratorio dei disciplini, clusone, Italy

Harvesting Grapes, tapestry

Christ Driving the Traders from the Temple' (detail), by Pieter Brueghel the Younger, c1584-1638. From the collection of the Art Museum of Estonia, Tallinn, Estonia.

The Adoration of the Magi (Medici Tondo) by Veneziano, Domenico (ca 1410-1461) / Staatliche Museen, Berlin / c. 1440 / Italy, Florentine School / Tempera on panel / Bible / D 84

preaching of St. Stephen in Jerusalem, vittore Carpaccio, Louvre Museum, Paris, France

Tabula Cebetis (The Tabula of Cebes or The Journey of Human Life), anonymous, 1573 painting Tabula Cebetis. Allegorical representation of the path of life as the passage through concentric rings to the temple of happiness on a mountain in the middle. Detailed performance with countless persons and allegorical figures with inscriptions. Low Countries panel. oil paint (paint) 'Map of Cebetis'

Virgin of Montserrat with donors, (the Moreneta) painting on canvas, 17th century, anonymous, Museum of Baroque of Catalonia, Manresa, Spain.

Retablo de San Miguel de Castelló d'Empúries, 1448. Sucesos en el Monte Gargano. El caballero Argan es herido por la misma flecha que acaba de disparar a la bestia endemoniada (buey). Procesión con cruz alzada que preside el obispo con un séquito de clérigos dirección a la cueva donde ha sucedido el echo insólito del caballero Argan para construir una iglesia, idea inspirada por San Miguel arcángel. Museu d'Art de Girona.Girona. Author: MESTRE CASTELLÓ D'EMPURIES.

Shrine (Reliquary) of St Ursula, 1489. Gilded, painted wood. Hans Memling (1430/1440-1494) South Netherlandish painter. St Ursula (4th century) at Basle leading 10,000 virgins. Pilgrimage Christian Boat Ship Sail

Spanish school. Conquest of Mexico: Friar Bartolomé Preaching Before Moctezuma and His Warriors. 1689. Madrid, Museum of America. Author: JUAN y MIGUEL GONZALEZ PINTORES siglo XVII. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN. BARTOLOME DE LAS CASAS. MOCTEZUMA II. OLMEDO FRAY BARTOLOME. FRAY BARTOLOME OLMEDO. FRAY BARTOLOME DE LAS CASAS. CASAS FRAY BARTOLOME.

Giotto, The Kiss of Judas (Padua)

The Seven Works of Mercy. Panel of a polyptych with the seven works of charity: feeding the hungry. Dating: 1504. Measurements: support: h 103.5 cm × w 55 cm. Museum: Rijksmuseum, Amsterdam. Author: MASTER OF ALKMAAR.

The Seven Joys of the Virgin, Hans Memling, 1480, Alte Pinakothek, Munich, Germany, Europe

Predella of the high altar, St., Saint, Saint

The Crucifixion, 1593

Fra Angelico / Armadio degli Argenti

The Annunciation to Joachim and Anna, by Ferrari Gaudenzio, 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera art gallery, formerly in Nativita della Vergine Chapel in Santa Maria della Pace, Milan. Annunciation of Mary's birth flock sheep city: town walls towers domes angels.

Worship by the shepherds; Qui Conceptus est the spiriten sācto natvs ex maria virgine; Apostolic creed. Illustration of the third faith article (Christ who is received from the Holy Spirit, born from the Virgin Mary) of the apostolic creed. The shepherds kneel and worship the Christ child in the manger. Joseph and Maria are at the manger. In the background on the left the annunciation to Mary and in the background, on the right the proclamation to the shepherds. Above the show a reference to the Bible text in Luc. 2: 7. Under the show two Bible texts and the third belief item from the apostolic creed in Latin. This print is part of an album.

'The Temptation of Saint Anthony', 16th century. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

The Adoration of the Magi, the Nativity and the Annunciation to the Shepherds, oil on panel, c.1485-90, Master of the Fiesole Epiphany, late 15th century

RETABLO DE SAN JUAN BAUTISTA - 1490-1500 - TECNICA MIXTA/TABLA - ESTILO HISPANO-FLAMENCO. Author: MAESTRO DE MIRAFLORES. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. SALOME. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA. PADRE ETERNO. SAINT ELIZABETH. SAN JUAN BAUTISTA. SAN JUAN BAUTISTA NIÑO / SAN JUANITO.

French manuscript the twelve churches in honour of the twelve Apostles. The construction of the large church in the foreground started at the east end, whilst the chancel is already finished, consecrated and in use. Dated 15th Century

Christ & samaritan woman / Cranach t.E

MARTIRIO DE SAN MAURICIO - 1583 - RENACIMIENTO ITALIANO/MANIERISMO ITALIANO. Author: ROMULO CINCINATO (1540-1597). Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SAINT MAURICE. DIOS PADRE.

Carrying of the Cross, Way to Calvary, by Raffaello Sanzio da Urbino, also Raphael da Urbino, Raffaello Santi, Raffaello Sanzio, Raphael, Italian painter, Italy, digitally restored reproduction of a work of art (public domain) from c. 1500, Europe

Parable of the great banquet. nieznany malarz niderlandzki, painter

The month of May: The tree festival, illuminated page from the Grimani Breviary manuscript, Italy 15th Century.

Jews crossing the Red Sea (Exodus 14:21-28). Jordaens, Hans, III (ca 1595-1643), painter

The Baptism of Constantine, by Vanni Francesco, 16th Century, oil on canvas. Italy, Tuscany, Siena, Sant'Agostino Church. Whole artwork. Sacrament baptism ceremony emperor baptized Constantine baldachin pontiff Pope Sylvester tiara Dalmatian ministrant miter bishops soldier armor Ampullae water clouds musicians angels twilight.

Bosch, Hieronymus (c. 1450-1516) Museu Nacional de Arte Antiga, Lisbon Painting Bible The Temptation of Saint Anthony (Detail of left wing of a triptych)

Woodcut by Georg Lemberger from 1524 depicting the sixth trombone, showing the angel of plague and lion rider in Revelation of John 9:13-21, with figures and symbolic action.

Adoration of the Holy Wood, Procession of the Queen of Sheba, Legend of the True Cross, Fresco Cycle, Piero della Francesca, Bacci Chapel, Cappella Bacci, Cappella Maggiore, 1452-1466, Basilica of St Francis, Basilica di San Francesco, Arezzo, Tuscany, Italy, Europe

St Ursula Shrine, Martyrdom', Detail, 1489, Artist: Hans Memling. Hans Memling was the leading artist in Bruges. His work is strongly influenced by Rogier van der Weyden.

Triptych with the Lamentation of Christ (Center), Flanked by the Male Donor with Saint Benedict (Left, Inner Wing) and Female Donor with Saint Elizabeth of Thuringia (Right, Inner Wing); Tryptich with the Lamentation. Triptych with the possession of Christ. In the middle panel the possession of Christ. The body has just been brought from the cross, Maria, Johannes, Mary Magdalene and others kneel around it. On the left side panel a kneeling male founder, a praying monk, with a standing sacred monk. On the right side panel the kneeling female founderes, a praying non, accompanied by Saint Elisabeth. On the right a beggar.

NEGACION DE SAN PEDRO. Author: Matas. Location: CATEDRAL-MUSEO DIOCESANO. GERONA. SPAIN. APOSTLE PETER.

Decoration of Suardi Oratory. Eucharistic Christ and Stories of St Barbara, St Bridget and Putti harvesting grapes., by Lotto Lorenzo, 1523 - 1524, 16th Century, fresco. Italy. Lombardy. Bergamo. Trescore. Suardi Oratory. Scenes from the Lives of St.Barbara of young woman hung by her arms, tortured with torches, stripped naked, with her breasts cut, protected by an angel, dragged through the city buildings and in the marketplace, among a curious crowd before, then on a hill, the place of her mar

The miraculous mass of St Gregory and Purgatory, detail from the Coronation of the Virgin, 1454, by Enguerrand Quarton (ca 1420-after 1466), tempera on panel, 183x220 cm.

The Elect in the Book of Revelation

Birth of Jesus Christ by Jan Brueghel the Elder, oil on copper, circa 1600, 1568-1625, Russia, St. Petersburg, State Hermitage, 26, 5x35, 2

Joseph interprets the Pharaoh's dreams, painted board, detail from the cabinets of the Old Sacristy, Church of St Mary the Gracious (UNESCO World Heritage List,1980), Milan. Italy, 15th century.

Traditio legis, Christ proclaiming his law to the Apostles, Stories of the Passion of Christ, 1569, fresco by Christopher Baschenis the Elder, Church of the Holy Sepulcher, Astino abbey, Bergamo, Lombardy, Italy, 16th century.

Triumph of St. Thomas Aquinas, 1745. Lower part. Tempera on papel. Group of clergymen between of the pope Sixtus IV) (1414-1484). By Italian painter Benozzo Gozzoli (1420-1497). Renaissance. Louvre Museum. Paris. France.

Dionysius the Areopagite Converting the Pagan Philosophers. Antoine Caron (French, 1521 - 1599)

Predella panel showing Christ on the Road to Calvary c. 1440-45 Tempera and tooled gold on panel by Master of the Osservanza

TAPIZ DE LA CRUCIFIXION - SIGLO XV. Author: TOUNAI. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Nativity, Francesca, Piero della, .

Allegory of Abuses by the Authorities of Church and State. The hay wagon: an allegory on the worldly and spiritual abuses. Central is a haywaking managed by devils. The hay symbolizes the worldly possession. Around the car people try to get hay in their possession from all walks of life. Bottom left death, left of the car is the pope with a cardinal, a bishop and a monk. A procession knights will be hit by the right. On the right a procession in which a model of a church is worn, behind it and beggars. Furthermore: murder and manslaughter, Renovations etc.

Allegory of Christ as Saviour of the World, anonymous, c. 1560 - c. 1570 Rectangular stained glass window with the presentation of Christ all the Savior of humanity. Between John the Baptist and the Faith, suggested by a woman with chalice, a naked man asks Christ, who climbs the cross with different dead on his back and the devil, to show him the right path. Gouda glass.. silver stain. lead (metal) Rectangular stained glass window with the presentation of Christ all the Savior of humanity. Between John the Baptist and the Faith, suggested by a woman with chalice, a naked man asks Christ, who climbs the cross with different dead on his back and the devil, to show him the right path. Gouda glass.. silver stain. lead (metal)

Road to Calvary, detail from a fresco by Giacomo Jaquerio (1375-1453), Abbey of St Anthony of Ranverso , Buttigliera Alta. Italy, 15th century.

Apparition of Virgin Mary to LEOPOLD III, c.1073-1136 Margrave of Austria and saint, during a hunt

Judas, Jesus Fresco, Sanctuary of Jesus Atotonilco, Mexico. Built in the 1700s known as the Sistine Chapel of Mexico with Frescoes of Jesus Stories. Frescoes by Miguel Antonio Martinez between 1740 and 1775.

The Great Martyrdom of Nagasaki, September 10, 1622, painted by an anonymous artist on Japanese paper, 126x170 cm, Church of the Gesu, Rome. Italy, 17th century.

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"", kiss of Judas, circa 1498, oil tempera on fir wood, 88 cm x 86 cm, F™rstlich F™rstenbergische Sammlungen, Donaueschingen, religious art, religion, christianity, Germany, Baden-Wuerttemberg, Baden, Wuerttemberg, painting, gothic, Fuerstlich, Furstlich, Fuerstenbergische, Furstenbergische, Jesus, kissing, capture, treason, traitor,

Entry of the Lord into Jerusalem by Master of the Thuison Altarpiece, Oil on wood, Second Half of the 15th century, active 15th century, Russia, St. Petersburg, State Hermitage, 116, 5x51, 5

JESUCRISTO. MESIAS DE LOS CRISTIANOS. " EXPULSION DE LOS MERCADERES DEL TEMPLO ". CUADRO ENCONCHADO. ANONIMO. MUSEO DE AMERICA. MADRID.

Saint Nicholas of Tolentino Reviving a Child ca. 1530 Garofalo (Benvenuto Tisi da Garofalo) Italian These two scenes from the life of Saint Nicholas of Tolentino, a thirteenth-century Augustinian saint, were part of the predella of an altarpiece in the Muzzarelli chapel in the church of SantAndrea in Ferrara, at the center of which was a sculpture of the saint. They show two of the saints many miracles, one in which he revived a child who had died before being baptized and another in which, despite being bedridden and unwell, he refused to eat cooked partridges that subsequently flew away. The scenes are noteworthy for their effects of light and the beauty of the simple spaces in which the saint carries out his miracles.. Saint Nicholas of Tolentino Reviving a Child 436444

Preaching Of Saint John The Baptist Pieter Bruegel the Elder (ca.1525-1569 Flemish)

Italy, Venice, Scenes from life of Saint Ursula (from Golden Legend by Jacobus de Voragine) Arrival of English Ambassadors, detail harbour

retablo de San Gregorio, fragmento, anonimo, siglo XVI, temple sobre tabla, Museo Diocesano, catedral de la Virgen de las Nieves, catedral de Ibiza, siglo XIII , Ibiza, balearic islands, Spain.

The crucifixion, by Jan van Eyck (1390-1441).

The Crucifixion; The Last Judgment. Artist: Jan van Eyck (Netherlandish, Maaseik ca. 1390-1441 Bruges) and Workshop Assistant. Dimensions: Each 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm). Date: ca. 1440-41.Philip the Good, Duke of Burgundy, considered Van Eyck (his court painter) unequalled in his "art and science." In fact, Van Eyck's expansive yet microcosmic paintings seem observed through both a microscope and a telescope. In <i>The Crucifixion</i>, he evokes a remarkable range of emotions among the crowds, seen against a landscape depicting an imagined Jerusalem; in 1426 he made a trip across the Alps during a diplomatic mission to Italy and the Holy Lands. He gives an equally palpable form to the horrors of the Last Judgment. The frames are original, with damaged inscriptions in Latin and Middle Dutch. Museum: Metropolitan Museum of Art, New York, USA.

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