Religious Art from the 14th-17th Century

A collection of religious artwork featuring saints, including St. Andrew and Moses, characterized by rich colors, detailed expressions, and traditional clothing within ornate frames.

Portrait of Moses by Juan Gascó (1500-1529) painter of the kingdom of Navarre. Dated 16th Century

'St Andrew the Apostle'. Italy, 1370s. Dimensions: 122x42 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni di Bartolomeo Cristiani.

Triptych of St Nicholas, ca 1440, by Giovanni di Paolo (ca 1403-1482).

Portrait of Moses by Juan Gascó (1500-1529) painter of the kingdom of Navarre. Dated 16th Century

Bartalomé Tutxó / Retablo de Santa María de Salas, hacia 1367. Museo Diocesano de Huesca. Author: BARTOLOME TUTXO (S. XIV).

'Saint Catherine', ca. 1608, Spanish Baroque, Oil on panel, 103,5 cm x 43,5 cm, P01023. Author: FRANCISCO PACHECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

TRIPTICO DE SAN ESTEBAN - DETALLE DEL AMA DE LLAVES - TERMINADO EN 1506 POR RAFAEL VERGOS Y SU PADRE JAIME EL JOVEN - RETABLO PROCEDENTE DE GRANOLLERS. Author: PABLO VERGOS. Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Jaume Serra (active in Barcelona, 1358-d.1389/1395). Spanish painter. Altarpiece of the Virgin, ca.1367-1381. Detail. Gothic. From the Monastery of Santa Maria de Sigena (Villanueva de Sigena, Huesca province). National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Eldora P Lorenzini, Retablo, 1938 Retablo

St Christopher the Bearer, 15th-16th fresco in the Baptistery of St John of the Church of Santa Maria Extra Moenia, Antrodoco. Italy, 15th-16th century.

Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus. Dating: 1350. Place: Florence. Measurements: h 146 cm × w 119.5 cm × t 8 cm; h 91 cm × w 47.5 cm; h 82.5 cm × w 30.5 cm; h 82 cm × w 24.5 cm. Museum: Rijksmuseum, Amsterdam. Author: genaamd Orcagna Andrea di Cione.

SAN NICOLAS DE BARI - SIGLO XV - GOTICO ESPAÑOL. Author: PEDRO DE CORDOBA (1482-1521). Location: MUSEUM OF FINE ARTS. CORDOBA. SPAIN.

Saint Michael. Artist: Pietro di Giovanni d'Ambrogio (Italian, Siena 1410-1449 Siena). Dimensions: Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm)Painted Surface: 9 5/8 x 2 15/16 in. (24.5 x 7.5 cm.). Date: mid-1430s. Museum: Metropolitan Museum of Art, New York, USA.

Falconara Marittima, località Castelferretti (Italia, Marche - provincia di Ancona), chiesa di Santa Maria della Misericordia. Parete di fondo, San Pietro, affreschi metà del XV secolo (1450-55), Maestro di Castelferretti (Giambono di Corrado da Ragusa)

SALON DE CORTES - DETALLE DE UN OLEO QUE REPRESENTA EL BRAZO NOBLE DE LAS CORTES DE VALENCIA - ESCUDO DEL REINO DE VALENCIA - SIGLO XVI. Author: VICENTE MESTRE (S XVI-S XVII). Location: PALACIO DE LA GENERALITAT. Valencia. SPAIN.

Saint Matthew and Saint Sebastian; about 1499; Tempera on panel Cristoforo Caselli; Italian; about 1460-1521

Virgin Milk by Second Master Estopanyà, Italian painter. Dated 15th Century

Abruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, Europe

Artist: Luca di Tommè, Italian,active Siena, 1355-89, Virgin and Child withSaints, ca.1370-75, Tempera on panel, 78.6 × 50.2 × 4.3 cm (30 15/16 × 19 3/4 × 1 11/16in.), Made in Siena, Italy, Italian,Siena, 14thcentury, Paintings

The Flémalle Panels. Date/Period: 1428/1430. Width: 61 cm. Height: 151.8 cm (Complete). Author: Master of Flémalle (Workshop of Robert Campin).

The Sixth Generation, Friedrich Derrer VI. Unknown

SANTO DOMINGO - 1605 - BARROCO ESPAÑOL. Author: FRANCISCO PACHECO. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. SANTO DOMINGO DE GUZMÁN (1170-1221).

Mary Magdalene. Dating: c. 1480. Place: Ascoli Piceno. Measurements: h 152 cm × w 49 cm. Museum: Rijksmuseum, Amsterdam. Author: Carlo Crivelli.

St Telmo, detail from the Virgin of the Navigators, 1531-1536, by Alejo Fernandez (1470-ca 1543), oil on canvas, 225x135 cm.

Saint Vincent Ferrer Giovanni Bellini (ca.1430-1516 Italian) Tempera on wood San Giovanni e Paolo, Venice, Italy

The Virgin and Child with Crown and Sceptre on a Crescent 1455-1465 Germany. This simple, luminous image of the Madonna and Child must have been printed in hundreds of impressions to justify the time and expense of cutting the block from which it was made. Yet only this one impression survives. Rather than being produced in a press, it was made through hand-rubbing, perhaps by monks or nuns who lacked a book-printing press.. Woodcut printed in dark brown through rubbing, hand-colored in red lacquer, yellow, and green, on cream laid paper .

Lisbon, Portugal. Traditional Portuguese Azulejo ceramic tiles.

The Philosophers, c. 1611-1627, Central design and cartoon by a painter active in France, about 1610-1617; Artist: Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche, H.159 x W.124-1/4 in. (irregular), Wool, silk; tapestry weave, France, 17th century, This tapestry depicting philosophers gathered in a refined court is part of a series that tells the ancient story of Artemesia, queen of Caria (southwest region of modern-day Turkey). She was exceptional for ruling without a husband when many believed only kings should rule.

D.Ghirlandaio;Lorenzo Medici a.o., C15

FRAGMENTO DEL RETABLO DE SAN JORGE Y LA PRINCESA - 1459/1475 - SUPUESTO RETRATO DEL PRINCIPE DE VIANA - TEMPLE/TABLA - 92x58 - GOTICO ESPAÑOL. Author: JAIME HUGUET (1414-1492). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN.

Jupiter in Sagittarius Artist Unknown (Italian) Palazzo della Ragione, Padua, Italy

Saint George and Saint Sebastian. Culture: German, Rhineland. Dimensions: each panel: 29 1/4 in. x 13 1/2 in. (74.3 x 34.3 cm). Date: ca. 1480. Museum: Metropolitan Museum of Art, New York, USA.

SANTA CELIA - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: CONVENTO DE SANTA CLARA. CARMONA. Seville. SPAIN.

Pedro Berruguete / 'Saint Peter Martyr', 1493-1499, Spanish School, Oil on panel, 177 cm x 90 cm, P00617. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

fine arts, Alpine folk art, painting on wood, allegory, spring, rural wardrobe, late 19th century,

Stories of Christ of The Wedding at Cana/The Marriage Feast at Cana, by Giotto, 1304 - 1305, 14th Century, fresco. Italy, Veneto, Padua, Scrovegni Chapel. Detail. Female figure at the center of banquet. Pink orange laid table headgear: headdress brown beige tones: hues.

Polyptych of St. Anthony (or of Perugia), by Pietro di Benedetto dei Franceschi known as Piero della Francesca, 15th Century, 1478-1485, oil and tempera, cm 338 x 230

Dante Alighieri - ca. 1450 - 247x153 cm - fresco laid on canvas. Author: ANDREA CASTAGNO (1419-1457). Location: GALERIA DE LOS UFFIZI. Florenz. ITALIA. Dante Alighieri (1265-1321).

Saint Silvester Gozzolini. Artist: Segna di Buonaventura (Italian, active Siena by 1298-died 1326/31). Dimensions: Overall, with framing elements, 49 x 21 in. (124.5 x 53.3 cm); Saint Silvester, painted surface 27 7/8 x 16 1/4 in. (70.8 X 41.3 cm); pinnacle, painted surface 10 x 15 5/8 in. (25.4 x 39.7 cm). Date: 1320s. Museum: Metropolitan Museum of Art, New York, USA.

Przeszo Przyszoci unknown

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). The Triumph of Saint Thomas Aquinas. 1470-1475. Central detail. The Saint between Aristotle and Plato, and above the Arab philosopher Averroes. Renaissance art. Quattrocento. Tempera on wood. FRANCE. LE-DE-FRANCE. Paris. Louvre Museum.

Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: Saint Anne. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Chretien Chretienne, sketch, Notre-Dame-de-Bonne-Nouvelle, holy, oil on canvas

Warrior Saint. Spanish (Catalan); 15th century. Date: 1490-1500. Dimensions: 72 × 42 7/16 in. (183 × 97.8 cm); painted surface: 66 × 32 3/4 in. (167.5 × 83.2 cm). Tempera and oil on panel. Origin: Banyoles. Museum: The Chicago Art Institute, USA. Author: Master of the Visitation.

TRIPTICO DE SAN MIGUEL - DETALLE DEL APOSTOL SANTIAGO PEREGRINO - HACIA 1505 - RENACIMIENTO HISPANO-FLAMENCO - CONJUNTO 63657. Author: JUAN DE FLANDES (1465-1519). Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

Saint Apollonia by Piero della Francesca (1416-1492) - Umbrian - painted on wood, apparently formed part of a polyptych. Date: 1462

Przeszłość Przyszłości unknown

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. Theodelinda Legend of Theodelinda ordering the destruction of the idols worshiped by Agilulf. Scene 35 gold light blue/azure green

Ritratto di Adelaide di Susa moglie di Oddone. Date/Period: 1700/1799. Painting. Oil painting. Width: 117 cm. Height: 202 cm. Author: UNKNOWN.

'Madonna and Child with St John the Baptist and St Bartholomew'. Italy, 14th century. Dimensions: 66,5x42 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the Pisan School. 14th century.

Santo Domingo mosaic . Granada. Spain.

Initial B: The Trinity. Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479)

Pomona (From Flora and Pomona) Made 1906 England. Cotton, wool, and silk, slit and double interlocking tapestry weave . William Morris (Designer)

P.Berruguete, Adoration of the Kings.

Muenchner Kindl, Neues Rathaus, New Town Hall, Munich, Bavaria, Germany, Europe

'Madonna from the Annunciation Scene'. Italy, Between 1340 and 1344. Dimensions: 30,5x21,5 cm. Museum: State Hermitage, St. Petersburg. Author: Simone Martini (Simone di Memmi).

St Lawrence, by Dei Pietro d'Antonio know as Bartolomeo della Gatta, 1467, 15th Century, fresco. Italy, Tuscany, Arezzo, Cathedral. Niche saint St Stephen gridiron book palm.

fine arts, Weyden, Rogier van der (circa 1399 / 1400 - 1464), painting, ""Saint Columba Altarpiece"", detail, ""Presentation at the Temple"", circa 1455, oil on wood panel, 138 cm x 70 cm, Alte Pinakothek, Munich, Germany,

Noli me tangere, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, fresco. Italy, Tuscany, Florence, San Marco Convent, cell 1. Detail. Face of the Magdalene pious woman halo: aureole pink gold green leaf bush.

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. The Prophet Zacharias, detail from the exterior of the left wing. Flemish art. Oil on wood.

St. Andrew and St. Bernadino, Polyptych of the Misericordia, Piero della Francesca, 1445-1462, Museo Civico, Sansepolcro, Tuscany, Italy

Presentation. Dated: c. 1490. Medium: hand-colored woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Leaf from the Hours of Louis XII. Jean Bourdichon (French, 1457 - 1521)

St. george church: polyptych by giovan battista moroni, fiorano al serio, Italy

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

The Entombment. Artist: Master of Forlì (Italian, Romagna, active first half 14th century). Culture: Italian, Romagna. Dimensions: Overall: 8 x 5 1/8 in. (20.3 x 13 cm); Painted Surface (excluding painted borders): 7 3/8 x 4 7/8 in. (18.7 x 12.4 cm). Date: first half 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Saint Cecilia, right wing of a triptych, Master of the Brunswick Diptych (attributed to), 1490 - 1500 painting The outside of a hatch of a triptych. Saint Cecilia, standing in a stone niche, to the right, a pigeon on the right hand, an organ at her feet. Pendant of SK-A-3305. panel. oil paint (paint) the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies

DETALLE DE LA PREDELA IZQUIERDA - CRISTO RESUCITADO VISITA A SU MADRE EN COMPAÑIA DE LOS PATRIARCAS - 1505 - POLIPTICO - 96x98 cm. Author: FRANCISCO DE OSONA EL JOVEN (1465-1514). Location: MUSEO DE BELLAS ARTES-COLEGIO PIO V. Valencia. SPANIEN.

Turkey, Istanbul (municipality of Fatih), district of Sultanahmet, Sainte sophie basilica (Aya Sofya museum), the upper gallery, mosaic of the 11th century representing the emperor Constantin IX

Saints Catherine of Alexandria, Barbara, Agatha, and Margaret ca. 1470 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian Together with two other female saints, these panels were originally stacked in two groups of three, one above the other, to form the piers flanking the main panels of an altarpiece. By this date Giovanni di Paolos work must have begun to seem out of step with the naturalism of Renaissance style. For more information about these four paintings, including the other panels of the altarpiece, visit metmuseum.org.. Saints Catherine of Alexandria, Barbara, Agatha, and Margaret 436514

Military Parade at Campo di Marte, by Duccio di Buoninsegna, 1308 - 1311, 14th Century, tempera on panel, with gold ground. Italy. Tuscany. Siena. Cathedral. Front, main register. Detail of Child's face with golden halo/aureole

Italy, Varallo, painting of Saint Roch

Saint Bernard of Clairvaux. Artist: Workshop of Fra Filippo Lippi (Italian, Florence ca. 1406-1469 Spoleto). Culture: Italian, Florence. Dimensions: 19 x 5 in. (48.3 x 12.7 cm). Date: ca. 1447-1469.This painting and another depicting an unidentified male saint, which also belongs to the Lehman Collection (1975.1.70A), formed part of a group of eighteen panels depicting saints (now in the Courtauld Institute Gallery, London; Worcester Art Museum, Massachusetts; Fogg Art Museum, Cambridge, Massachusetts; Honolulu Academy of Arts, Hawaii; University of Georgia, Athens, Georgia; and on the art market, 1985), which may have adorned a sacristy cupboard. The figures in the series appear to have been executed by three different hands, several of which may derive from drawings by the early fifteenth-century Florentine artist Fra Filippo Lippi. The two Lehman panels are the most distinguished in the series, although the artist responsible for them -- a member of Lippi's workshop -- cannot be ide

Alejo Ferna_ndez (c. 1475- c. 1545). Spanish painter. Virgin of the Sailors. Alcazar of Seville. Andalusia. Spain.

Initial E: Saint Jerome in His Study. Attributed to the Master of the Birago Hours (Italian, active about 1460 - about 1480)

The National Gallery. St Elisabeth. 15 th century. Ljubljana. Slovenia.

The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506.These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of northern and Italian artistic modes that perhaps reflect the patron's ties to both regions. Museum: Metropolitan Museum of Art, New York, USA.

Saint Augustine in His Study, fresco, Sandro Botticelli, circa 1480, Chiesa di Ognissanti, Church of All Saints, Florence, Tuscany, Italy, Europe

King Melchior, one of the Three Magi, Pointing at the Star, fragment from An Adoration of the Magi. Dating: c. 1480 - c. 1490. Place: Nijmegen. Measurements: support: h 24.1 cm × w 19.1 cm; t 1.2 cm; d 6.4 cm. Museum: Rijksmuseum, Amsterdam.

Niccolo di Tommaso (1346-1376). Italian painter. Trentino. Sant Antonio Abate. Triptych, 1371. Tempera and gold on wood. Detail. Italy. National Museum of Capodimonte. Naples. Italy.

Light of the World, by William Holman Hunt, 1851-1856, Manchester City Art Gallery, Manchester, England, UK, GB

Museu de Mallorca, Palma, Majorca, Spain.

Madonna and Child Enthroned, Redeemer and Angels (Madonna of the People), 1268, by Coppo Di Marcovaldo (ca 1225 - ca 1276), tempera on wood. Italy, 13th century.

Florence, Italy - circa July 2021. Alessandro Botticelli - Fortitude, 1470. Renaissance Art in Uffizi Museum

Filippino Lippi, The Coronation of the Virgin, c 1475 The Coronation of the Virgin

Jaume Ferrer / Retablo de la Mare de Deu, procedente de la Iglesia de la Purísima Sangre de Alcover (Església de la Puríssima Sang de Santa Maria d'Alcover), 1457. Museu Diocesà de Tarragona. Author: JAUME FERRER II (S. XV).

Wszyscy Święci w MNK unknown

Giovanni Francesco da Rimini (1420-1470). Italian Early Renaissance painter. Scenes from the Life of the Virgin, 1445. The Flight into Egypt. Louvre Museum. Paris. France.

On the side walls, depictions of virtues and vices, Cappella degli Scrovegni, with the famous fresco cycle by Giotto, pioneer of the Renaissance, Padua, Treasury in the heart of Veneto, Italy, Padua, Veneto, Italy, Europe

Jaime Mateu (Attribution) / 'La Virgen anunciada', 1410-1420, Spanish School, Tempera on panel, 34 cm x 23 cm, P02721. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: JAIME MATEU (ATRIBUIDO A). VIRGIN MARY.

Romanesque fresco, Saint Jacob in Kastelaz, Tramin, South Tirol, Italy, Europe

Altarpiece titled 'Salvador' by Pere Teixidor (1397-1446) Gothic painter. Dated 15th Century

Francesco del Cossa, Saint Lucy, Italian, c. 1436-1477-1478, c. 1473-1474, tempera on panel

Isabella I (22 April 1451-26 November 1504) was Queen of Castile and Leon. She and her husband Ferdinand II of Aragon (10 March 1452 -23 January 1516) brought stability to both kingdoms that became the basis for the unification of Spain. Later the two laid the foundation for the political unification of Spain under their grandson, Charles V, Holy Roman Emperor. From a painting of 'The Reconquest of Grenada' by Pedro Marcuello.

St. Christopher; c. 1484. ; by Cosimo Tura ; 1430 - 1485

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 264v, Mass of St. Gregory, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Saint Martin Brings a Dead Man to Life 1430-35 Flemish This roundel, together with three others in the Lehman Collection (1975.1.1907, 1975.1.1908, and 1975.1.1909), and two in The Cloisters Collection (47.101.63 and 47.101.64), form part of the same series of early fifteenth-century Franco-Flemish embroideries depicting scenes from the life of Saint Martin. Originally part of a much larger ensemble (thirty-six roundels and panels are now dispersed among public and private collections), the embroideries may have decorated a liturgical vestment, an altar frontal, or possibly a combination thereof, constituting a set of vestments. In the year 361, Martin founded the monastery of Ligugé outside of Poitiers in France, one of the earliest monastic institutions in Europe. The present roundel depicts the saint having returned to the monastery from a journey, when he learned that a man, whom he was instructing in the Christian faith, had died unbaptized. According to a contemporary source, Mar

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra0. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Altarpiece from Thuison-les-Abbeville: The Ascension. French (Picardy). Date: 1490-1500. Dimensions: Panel: 117.4 × 50.8 cm (46 1/4 × 20 in.); Painted Surface: 115.8 × 49.9 cm (45 9/16 × 19 5/8 in.). Oil on panel. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: French school.

St Martin dividing his cloak for a beggar, late 15th century, the Master of Bonnat (active from ca 1475- ca 1530), panel, 107x102 cm.

Italy. Tuscany. Siena. Cathedral. Crypt. Frescos.

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