Religious Art Prints

Intricate etchings of religious subjects, featuring the Virgin and Child, showcasing emotional depth and detailed line work prevalent in Renaissance art.

Love (Caritas), Jacob Matham, Franco Estius, 1593

Ventura Salimbeni after Guido Reni (Italian, 1568 - 1613), Virgin and Child, etching

Love (Caritas), Jacob Matham, Franco Estius, 1593

Agostino Carracci, The Holy Family, 1597 The Holy Family

Liefde (Caritas), Jacob Matham, after Hendrick Goltzius, 1593 print Personification of love, with two children on their arm, standing in niche. Haarlem paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Annibale Carracci, The Madonna of the Swallow (La Madonna Della Rondinella), 1587 The Madonna of the Swallow (La Madonna Della Rondinella)

Liefde (Caritas), Jacob Matham, after Hendrick Goltzius, 1597 print A female figure surrounded by children as personification of love (caritas). Haarlem paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

The Holy Family with St. John, 1620-1642, by Pierre Brebiette, Andrea del Sarto. Gift of Sir John Ilott, 1970.

Rillaer, Jan van (I), Madonna and Child, verso lower left - stamped, Mary with Christ Child on her lap, gives him a drink from a bottle., print, prent, prints, height 104 mm, width 62 mm, South Netherlandish, 1500 - 1568, print maker, printmaker, 1510 - 1568, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process)

Depicts 'Mary with Long Hair and Child of Jesus' by Albrecht Altdorfer, created as a copper engraving print in 1509, showing figure and composition.

Etching and copper engraving by Jacques Bellange depicting the Holy Family with Mary Magdalene, showing figures, garments, and symbolic elements, created in the first quarter of the 17th century.

Maria with Christuskind, Jan van Stalburch, after Albrecht Dürer, 1556 print Mary gives the chest the chest. She's on a wall. Louvain paper engraving / etching Mary sitting or enthroned, the Christ-child in front of her in her lap (or in front of her bosom). Christ-child suckling, or beginning to suckle, e.g. Mary uncovering her breast ~ Madonna-representations

Vatican City, Papal Court, Rome, Rossi, Giovanni Battista de', Italy, Raphael, Verdura, Nicola, Holy Family with John the Baptist, verso - handwritten in brown ink, Mary and Joseph in a landscape. In front of Mary are Christ and the young John the Baptist. Two-line Latin text and dedication in bottom margin., print, prints, verso - stamped, 32, height 438 mm, width 288 mm, print maker, printmaker, 1632 - 1632, paper, papier, etching, etchings, plaattoon, Work conception, Italian, after print by, 1483-04-07 - 1520-04-07, after design by, Publication (Event), Publication, 1601 - 1678, publisher, uitgever van privilege

Madonna and Child ca. 1518-20 Agostino Veneziano (Agostino dei Musi) Italian. Madonna and Child. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1518-20. Engraving. Prints

Madonna met kind.

This 1522 copper engraving by Jan Gossaert depicts the Madonna reaching an apple to the Christ child, showing figures, gestures, clothing, and religious iconography in early 16th-century printmaking.

Andrea Andreani after Francesco Vanni, Madonna and Child, 1591 93 Madonna and Child

The Virgin and Child with thePear. Artist: Albrecht Dürer, German, 1471-1528

Perzische Sibille, Adam Sculptors, After Michelangelo, c. 1585 print The Persian Sibille sitting with a book and two small figures. One of the Sibilles of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 31. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Persian sibyl

The Holy Family with the Infant John the Baptist. Dated: c. 1546. Dimensions: overall: 41.4 x 25.3 cm (16 5/16 x 9 15/16 in.). Medium: pen and brown ink with brown wash and white gouache over black chalk, squared with black chalk on green-gray laid paper (originally blue), with a part of the lower edge replaced. Museum: National Gallery of Art, Washington DC. Author: Pellegrino Tibaldi.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin and the Child Jesus, round room. (A. de Vesme 6; Dutuit 150) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Madonna and Child on Clouds Artist's working dates 1546-1612 Italy. Federico Barocciís tender etching is one of the first the artist completed. The intimate scale makes the work ideal for personal devotion. The infant Christís direct, beatific gaze at the viewer gently contrasts with the rapt adoration lavished on him by his sweet, youthful mother. The flying putto heads in the cloudburst on either side exude a sense of calm and protection, while the detail of the Virginís sandaled foot anchors the pyramidal group on what would otherwise be an insubstantial wisp of cloud. This print may reproduce a painting by the artist that has long since been lost.. Etching in black on cream laid paper . Federico Barocci

Madonna and Child on clouds 17th century Attributed to Simone Cantarini Italian. Madonna and Child on clouds 341414

Arthur Pond, ca. 1705-1758, British, Untitled: Classical scene, 1740.

The Virgin with the Swaddled Child. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 5 1/2 × 3 3/4 in. (14 × 9.5 cm). Date: 1520. Museum: Metropolitan Museum of Art, New York, USA.

Schut, Cornelis (I), Madonna and Child, verso lower left - stamped, Mary holds the Christ Child, who is sitting on her lap. He reaches for her hair with his hand., print, prints, height 73 mm, width 62 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings

Spranger, Bartholomeus, Goltzius, Hendrick, Mary with the Christ Child, verso - stamped, Mary with the Christ Child on her arm. In her hand she holds a pear., print, prints, recto - stamped, height 75 mm, width 53 mm, print maker, printmaker, 1589 - 1667, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01, after print by, Southern Netherlands, 1546-03-21 - 1611-08

Madonna and Child seated on clouds and surrounded by angels. Artist: Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet (Trimmed): 5 9/16 × 4 1/2 in. (14.1 × 11.5 cm). Date: ca. 1639. Museum: Metropolitan Museum of Art, New York, USA.

Spaanse kroon, Berti, J. de, Rubens, Peter Paul, Witdoeck, Hans, Gekroonde Maria met Christuskind, verso lower left - stamped, print, prints, images, height 292 mm, width 215 mm, South Netherlandish, 1615, print maker, printmaker, 1625 - 1642, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Holbein, Hans (II), Antwerp, Goltzius, Julius, Maria met kind, verso middle bottom - stamped, Maria half-length. On her left arm the Christ child. In her right hand an apple. In the background a landscape with a castle and a town. The print has a Latin caption., print, prints, OSWALD STEIN, width 211 mm, height, 163 mm, - 1595, print maker, 1593 - 1593, paper, engraving, engraving (printing process), Work conception, German, 1498 - 1543-11-29

Virgin and Child. Artist: After Ludovico Carracci (Italian, Bologna 1555-1619 Bologna); Attributed to Pierre Brebiette (French, Mantes-sur-Seine ca. 1598-1642 Paris). Dimensions: Sheet: 6 3/16 x 4 13/16 in. (15.7 x 12.2cm)Plate: 6 x 4 5/8 in. (15.3 x 11.8cm). Date: 1555-1619. Museum: Metropolitan Museum of Art, New York, USA.

A woman's figure as a nature personification with a putto with his hands full of flowers next to her. Under her arm a vase that acts as a watering can. In the background a man with a child with a sacrifice column and a herme. Print from a series of 41 symbols.

Zittomgend The Mom The Madonna Men Kind, Nicolò Giaolfino (I), 1525 - 15502 - 1550 drawing Verona ink pen / brush / brush

Rome, Aelst, Nicolaus van, Italy, Strada, Vespasiano, Maria with Child on Crescent Moon, verso sheet - stamped, print, prints, height 189 mm, width 126 mm, Italian, 1582 - 1622-08-05, print maker, printmaker, 1592 - 1613, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Antwerp, Diepenbeeck, Abraham van, Dyck, Anthony van, Snyers, Hendrik, Madonna and child during the flight into Egypt, verso bottom center - handwritten in pencil, Mary sits with the Christ child on her lap in a mountain landscape. The Christ child stretches out his arm to her face. In the background Joseph with the donkey. Below the print eight lines of verse in Latin., print, prints, verso bottom left - stamped, no. 22 f. 1-10-, height 432 mm, width 327 mm, 1613, print maker, printmaker, 1642 - 1644, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, South Netherlands, 1596-05-09 - 1675, publisher

Jacopo de' Barbari, Holy Family, c 1508 1509 Holy Familytitle QS:P1476,en:Holy Family label QS:Len,Holy Family label QS:Lde,Heilige Familie

Print made by John Smith, 1652-1743, British, Doctor Parvulorum, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

The Virgin and Child with TwoAngels. Artist: Lucas van Leyden, Netherlandish, 1494-1533

Maria with child sitting on the floor and John as a child and three small angels.

Venus and Cupid. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: 6 3/8 × 4 15/16 in. (16.2 × 12.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Virgin in a Landscape, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Engraving;

The Holy Family with Saint Elizabeth and John the Baptist as a Child 1620 Lucas Vorsterman I Flemish. The Holy Family with Saint Elizabeth and John the Baptist as a Child. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). 1620. Engraving; third state of five (Hollstein). Prints

Saint Dorothea, master of the Amsterdam cabinet, 1485 - 1490 print Dorothea with palm branch and on her left hand basket with flowers and apples, held by a child. Germany paper drypoint the virgin martyr Dorothea of Caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap

Matham, Jacob, Sovius, Simon, Bloemaert, Abraham, Haarlem, Birth of Christ, verso lower left - stamped, print, prints, height 230 mm, width 152 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, papier, engraving, engraving (printing process), 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, writer, Publication (Event), Publication, publisher

Copper engraving by Martin Schongauer, late 15th century, showing the Madonna on a crescent moon with two angels, emphasizing celestial figures and composition.

Antwerp, Hendricx, Gilles, Rubens, Peter Paul, Pontius, Paulus, Coronatio divæ virginis, Coronation of Mary, verso lower left - stamped, Mary is laureated by the Trinity, respectively Christ, the dove and God the Father. They are accompanied by angels., print, prints, height 360 mm, width 263 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

The Ecstasy of the Blessed Pietro Gambacorti of Pisa. Federico Bencovich (Italy, Dalmatia or Venice, 1677-1753). Italy, circa 1725-1728. Prints; etchings. Etching

Albrecht Altdorfer, Mary with Child and Two Boys, 1507 Mary with Child and Two Boys

Copper engraving by Martin Schongauer from the late 15th century depicting a proclamation scene.

Block, Johanna .

Drawing, The Persian Sibyl; After Michelangelo Buonarroti (Italian, 1475-1564); Italy; red crayon on paper

Madonna with the Monkey Made 1493-1503 Germany. Albrecht D¸rerís touchingly delicate landscape engraving of the Madonna with the Christ Child in her arms and a domesticated monkey has been the subject of many subsequent interpretations. One of the earliest, broadly rethought by the Master M. Z., is also on display nearby, while the background reappears in another Art Institute work, Giulio Campagnolaís Ganymede. In contrast, Agostino Veneziano in Italy and the Wierix brothers in the Netherlands would try their hand at reproducing the composition exactly.. Engraving in black on ivory laid paper . Albrecht Dürer

Marches Pesaro e Urbino Pergola S. Giacomo9. Hutzel, Max 1960-1990 Medieval: 12th century architecture; architectural sculpture; wooden crucifix. Post-medieval: Baroque interior (18th century); wooden altar; 15th century polyptych (Marchigian school); fresco; paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso) 1505-6() Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian This sheet likely served as an exploratory idea for a composition rather than a preparatory study for a particular painting. This drawing sheds light upon Fra Bartolomeo’s practice of employing wooden models or puppets, revealed in the Virgin’s unarticulated hands and the arm of the Child which is truncated at the wrist. In his biography of the artist, the sixteenth-century biographer Giorgio Vasari stated that "in order to depict draperies and weapons and other such things," Fra Bartolomeo "had a life-sized wooden model made which had movable joints; and this he clothed with real draperies, from which he painted the most beautiful things, being able to keep them in position as long as he wished, until he brought his work to perfection.". Madonna and Child with th

Antonio Daniele Bertoli's drawing depicts Saint Elisabeth extending her arm, executed in graphite.

Luca Antonio Bistegas red chalk drawing depicts a holy martyr positioned in a niche, highlighting the figures posture and attire.

A suckling woman, Bernard Picart, After Ludovico Carracci, 1683 - 1733 print A woman with a turban on the head sucks her child (Hagar and Ismael) In a mountainous landscape. paper etching breasts giving milk. Hagar and Ishmael in the wilderness

Brown ink drawing by Joseph Anton Koch depicting Count Ugolino and Archbishop Roger trapped in ice, representing the scene of traitors, executed over pencil or coal.

Madonna by the Tree Made 1513 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Madonna and Child in Glory. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona); Anonymous, 17th century. Dimensions: sheet: 9 3/4 x 8 3/16 in. (24.7 x 20.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Mary sitting with the Christ child on her lap. Behind her Joseph supporting his head with his hand. Holy Family, print maker: Cornelis Galle (II), (mentioned on object), print maker: Cornelis Galle (III), (mentioned on object), Antwerp, 1638 - 1678, paper, engraving, h 120 mm × w 88 mm

Bartolomeo Biscaino (Italian, 1632 - 1657). The Circumcision, 17th century. Etching.

Antwerp, Rockox, Adriaen, Galle, Philips, Vos, Maerten de, Collaert, Jan (II), Mary with child, verso middle - stamped, Seated Mary with the Christ child on her lap in an oval frame with a rosary. Flowers around the rosary. The print has a Latin caption., print, prints, width 190 mm, height, 255 mm, South Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1576 - 1628, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher, 1520 - 1570, writer

Wijngaerde, Frans van den, Rubens, Peter Paul, Antwerp, Panneels, Willem, The Holy Family with John the Baptist and an angel, recto lower left - handwritten in brown ink, Mary sits on the ground with the Christ child on her lap. An angel hands her a bowl. John the Baptist sits on his lamb and Joseph leans on a tree stump., print, engraving, etching, engraving (printing process), Work conception, South Netherlands, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Albrecht Dürer, The Holy Family, 1512 1513 The Holy Family

Italy, Cantarini, Simone, Holy Family, verso - stamped, The Holy Family in an interior. The Christ Child sits on Mary's lap and has a rosary in his hands., print, prints, height 130 mm, width 82 mm, Work conception, Italian, 1612-08-21 - 1648-10-15, after a print by, 1622 - 1648, paper, papier, etching, etchings, print maker, printmaker

Hieronymus Wierix (Flemish, c. 1553 - 1619), Ecce tu pulcher es Dilecte, engraving

Portrait of Johanna Koerten.

This late 15th-early 16th-century copper engraving by Girolamo Mocetto depicts Judith holding Holofernes' head, highlighting figures, composition, and Northern Italian Renaissance engraving technique.

Virgin and Child with Two Boys. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 2 13/16 × 2 1/16 in. (7.1 × 5.2 cm). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Roboam, Ancestor of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Untitled: Mother with child, Arthur Pond, ca. 1705-1758, British, after Annibale Carracci, 1560-1609, Italian, 1740, Sheet: 10 1/4 x 7 7/8in. (26 x 20cm)

Queen Zenobia. Gilles Rousselet (France, Paris, 1610-1686)Claude Vignon (France, Tours, 1593-1670). France, 1647. Prints; engravings. Engraving and etching

Le chat malade (The SickCat). Etcher: Jean-Étienne Liotard, Swiss, 1702-1789 After: Jean-Antoine Watteau, French, 1684-1721

The Holy Family. Dimensions: sheet (cut within platemark): 22.8 x 17.9 cm (9 x 7 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pierre Brebiette after Andrea del Sarto.

Print made by Henry Bonnart, 1642-1711, French, Mater Purissima, undated. Etching, drypoint prints, and stipple engraving on medium, slightly textured, cream laid paper.

Allegory of the Year, print maker: Christian Bernhard Rode, 1788, paper, etching, h 159 mm - w 119 mm

The Apotheosis of Princes Alfred and Octavius, Print made by Robert Strange, 1721-1792, British, after Benjamin West, 1738-1820, American, active in Britain (from 1763), 1786, Engraving and etching, Plate: 24 3/8 x 18in. (61.9 x 45.7cm)

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, The Seven Deadly Sins, Gluttony (Gula), verso lower left - stamped, Personification of gluttony, depicted as a fat female figure with a pie, standing in a niche., print, prints, height 324 mm, width 167 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1593, paper, papier, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, writer

The Virgin Immaculate with the Christ Child. Artist: Giuseppe Cades (Italian, Rome 1750-1799 Rome). Dimensions: 17 11/16 x 12 1/16in. (44.9 x 30.7cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA.

Valerini, Flamini, Aachen, Hans von, Verona, Sadeler, Aegidius, Holy family with Saint Anne and two angels, verso lower left - stamped, The Holy family with Saint Anne and two angels. One of the angels is holding a lily. In the foreground on the right a bowl of fruit on a table., print, prent, prints, engravings, height 292 mm, width 218 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1593 - 1593, paper, papier, engraving, engraving (printing process), German, 1552 - 1616-01-06, after, after painting by, writer

Mary sits with her hands folded, a sword thrust through her chest, in a landscape. In the margin a two-line caption in Latin., Mary as Mater Dolorosa, print maker: Antonie Wierix (III), Maerten de Vos, (mentioned on object), publisher: Antonie Wierix (III), (mentioned on object), Antwerp, 1606 - before 1624, paper, engraving, h 99 mm × w 68 mm

Saint Catherine. Line engraving after L. Carracci.

unknown, Rubens, Peter Paul, Haarlem, Suyderhoef, Jonas, Maria met het Christuskind lying on a cushion, verso - stamped, Mary is bent over the Christ child who is lying on a cushion. She gives him her breast., print, prints, height 158 mm, width 140 mm, 1613 - 1686-05-09, print maker, printmaker, 1623 - 1686, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, granter of privilege

Hieronymus Wierix, O quam tristis et afflicta O quam tristis et afflicta ...

Rome, Rossi, Giovanni Giacomo de', Italy, Cantarini, Simone, Holy Family with the Young John the Baptist, verso - stamped, The Holy Family with the Young John the Baptist before a curtain. John kisses the hand of the Christ Child., print, prent, prints, height 127 mm, width 91 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etchings, Publication (Event), Publication, 1627 - 1691, publisher, uitgever

Maria met Kind op troon. Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: anonymous. Dating: 1778. Measurements: h 359 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.

'THE REPOSE IN EGYPT,' BY GUIDO, IN THE LOUVRE AT PARIS

Virgin and Child Attended by Angels 1457/58-1504 Attributed to Filippino Lippi Italian This bold, lively sketch of a Madonna and Child, attended by Angels, was probably preparatory for a painted panel of the same subject. Lippis mastery at defining shapes and volumes by controlling the intricate and dense network of lines in pen and ink is clearly evident. Given its similarities to other late drawings by the artist done with a similar technique - see for example the double-sided sheet of studies for a Madonna and Child in the British Museum, London inv. 1946,0713.4 (Popham and Pouncey 1950, no. 63) - the present sheet can be dated to shortly before Filippino died in 1504. When it was still in the Cartwright collection at Aynhoe (United Kingdom), the drawing was originally attributed by Philip Pouncey to Filippino's pupil Raffaellino del Garbo (ca. 1476-1527), an attribution followed by Jacob Bean when the study was acquired by the Museum in 1968. The attribution to Flippino was first

Sadeler, Raphael (I), Winghe, Joos van, Keulen, Frankfurt, Mary Magdalene and the apostles Peter and John the evangelist at the empty tomb, recto lower right - written, Mary Magdalene sits at the empty tomb. Behind her are the apostles Peter and John the Evangelist., print, prints, verso lower left - stamped, 46, height 211 mm, width 150 mm, South Netherlands, 1560, print maker, printmaker, 1591 - 1591, paper, engraving, engraving (printing process), etching, Work conception, North Netherlands, 1544 - 1603-12-18, after a design by, Publication (Event), Publication, publisher

Print made by Allaert van Everdingen, 1621-1675, Dutch, Venus and Cupid, between 1660 and 1675. Mezzotint on thin, slightly textured, cream laid paper.

Louis XIII and Anne of Austria Presenting the Dauphin to the Virgin. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 18 11/16 × 13 1/8 in. (47.5 × 33.3 cm). Date: 1638. Museum: Metropolitan Museum of Art, New York, USA.

Die Heil, Jungfrau mit dem Kinde; Charles Von Bouell (Swiss, active 19th century); Basel, Switzerland; 1861; Salted paper print; 23.4 x 19.8 cm (9 3,16 x 7 13,16 in.)

Carracci, Annibale (dit Carrache) (n.1560-11-03-D.1609-07-16), the Virgin pressing herself to get the baby Jesus. (Dutuit 153) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Sepia feder drawing by Josef Grassi depicting a night scene, showing figures, landscape elements, and shading, dated 1798.

Bliżej Kultury Monogramist L.M., Benedetto da Majano

Bourcoise, Adrien.

Boydell, J., Rubens, Peter Paul, Earlom, Richard, The Holy Family, print, prints, height mm, width mm, British, 1743 - 1822-10-09, print maker, printmaker, 1752 - 1822, paper, papier, mezzotint, South Netherlandish, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Lazio Latina Cori S. Salvatore1. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, wooden crucifix. The church contains frescoes of the Nativity and the Adoration of the Magi by the Tuscan artist Anastasio Fontebuoni (1610). Exterior, altar, crucifix, and paintings. General Notes: There were two sets of prints which have now been integrated into a single numerical sequence. Many of the prints have duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin and the Child Jesus, octagonal piece. (A. de Vesme 5; Dutuit 149) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Reni, Guido, Italy, Coriolano, Bartolommeo, Herodias and Salome with the head of John the Baptist, verso - stamped, print, prints, height 169 mm, width 190 mm, Italian, 1599 - 1676, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, chiaroscuro woodcut, Work conception, 1575-11-04 - 1642-08-18

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