Religious Artistic Representations

Artworks depicting religious figures in solemn poses, using classic techniques to convey emotion and spirituality within historical contexts.

Philosopher with a passer and a book, Bernard Vaillant, After Jusepe de Ribera, 1672 print Amsterdam paper scholar, philosopher. book. compasses

Lazio Roma Rome S. Ignazio di Loyola07. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Man with turban and high-raised collar; Man in contemplation; Collection of heads; Raccolta di test.

S. Andreas, Print made by Johann Jacobus Haid, 1704-1767, after Johann Kupezky, 1667-1740, Hungarian, undated, Mezzotint on moderately thick, moderately textured, cream wove paper, Sheet: 21 3/16 x 14 7/16 inches (53.8 x 36.7 cm), Plate: 16 x 10 3/4 inches (40.7 x 27.3 cm), and Image: 14 7/16 x 10 3/4 inches (36.7 x 27.3 cm), apostle, beard, Christian, Christianity, cloak, cross (motif), historical subject, leaning, man, religious, religious and mythological subject, saint, solemn, thoughtful, wood

Lazio Roma Rome S. Ignazio di Loyola97. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

St. Paul, Print made by John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), Published by Robert Sayer, 1725-1794, British, 1741, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 14 7/8 × 10 9/16 inches (37.8 × 26.8 cm), Plate: 12 7/8 × 8 13/16 inches (32.7 × 22.4 cm), and Image: 11 7/16 × 8 3/4 inches (29.1 × 22.2 cm), beard, book, cloak, man, religious and mythological subject

Umbria Terni Terni Palazzo Montani4. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Philosopher with a passer and a book, Bernard Vaillant, After Jusepe de Ribera, 1672 print Amsterdam paper scholar, philosopher. book. compasses

Lazio Roma Rome S. Stefano del Cacco4. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting, frescoes, reliquary objects, high reliefs, iconostasis (15th century). Minor church found in vicinity of Piazza Argentina. Small basilica of early middle ages, enclosed by Baroque palaces. basilica of early middle ages, enclosed by Baroque palaces. Oratorium, small museum with Roman and early medieval sculpture of 9th century basilica is found. Photos show restoration process of retrieved statues from copper iconostasis which was stolen about 40 years ago and rediscovered in the early 1960's. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church6. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Brush drawing by Peter Paul Rubens depicting God the Father in brown, reddish-brown, and ocher washes on brownish tinted paper, with traces of white highlights, emphasizing figure and posture.

Tete de Vieillard. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Dürer, Albrecht (1471-1528), draughtsman, cartoonist, Hautecoeur, Jules (fl. 1885-1902), publisher

Old Man Sleeping in an Armchair. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Salomon Koninck.

LLULL, RAMON. TEOLOGO Y ESCRITOR ESPAÑOL. PALMA DE MALLORCA. 1235-1315.. OLEO DE RICARD ANCRERMAN.. AYUNTAMIENTO DE PALMA. Author: Ricardo Ankermann.

Dr, Smolka, Dr, Franciszek Smolka, Polish politician, as a souffleur title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

Tuscany Grosseto Seggiano S. Rocco4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bust of an old man with beard.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"2. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Man in Meditation, Giovanni Vitalba, Italian, 1783 - 1792, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on white paper, The man, with a large beard, faces frontally. His right elbow is on a table; he rests his head on his right palm., London, England, ca. 1765-1785, Print, Print

Study of the Palisian Fajk; Pluma, Feliks (1804-1862); after. 19th century (1845-00-00-1855-00-00);Fiorentini - collection, school, gift (provenance)

Umbria Terni Acquasparta Chiesa del Crocefisso1. Hutzel, Max 1960-1990 Post-medieval: Architecture (1606); wall painting (16-17th century); wooden altar (16th century). Object Notes: Structure now used as a youth club German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Feather drawing by Giovanni Francesco Barbieri, known as Guercino, showing a godfather in half-figure, focusing on posture, facial expression, and hands.

Joseph of Arimathaea (Joseph d'Arimathie) James Tissot (French, 1836-1902). Joseph of Arimathaea (Joseph d'Arimathie), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 5 11/16 x 4 5/16 in. (14.4 x 11 cm). European Art 1886-1894

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra1. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Kale man, Wallerant Vaillant, 1658 - 1706 print A bald man with a book in hand. Amsterdam paper book

Sitting old man, Charles Phillips, After Rembrandt van Rijn, 1747 - 1773 print paper etching old man. scholar, philosopher (+ portrait of scholar, scientist)

Saint Joseph with the Flowering Rod Jusepe de Ribera (Spanish, 1591-1652). Saint Joseph with the Flowering Rod, early 1630s. Oil on panel, 46 x 35 3/4 in. (116.8 x 90.8 cm). Called Lo Spagnoletto” (the little Spaniard) by his Italian clientele, the Spanish-born and trained Ribera made his career in Naples, where his major patron, the Duke of Osuna, served as viceroy to the Spanish Bourbon rulers of southern Italy. Following a Spanish tradition initiated by the famed painter El Greco (1541-1614), Ribera painted individual portraits of Christ’s intimates, including his father Saint Joseph and his disciples. According to apocryphal sources, suitors for the Virgin Mary’s hand were to present rods to the high priest of the Temple. When Joseph’s rod bloomed, he was identified as her betrothed. Ribera conveys the unexpected wonder of the moment with the lighting from above and the aged Joseph’s questioning hand gesture. European Art early 1630s

The Apostle Paul at his Desk, Rembrandt, Circle of, 1657.

Lazio Viterbo Caprarola Palazzo Farnese291. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

An old man in a pipe stands by a table. In his left hand he holds a book and in his right hand a compass. By the book is a square., Portrait of a Mathematician, print maker: anonymous, Jusepe de Ribera, Low Countries, 1603 - 1706, paper, etching, h 270 mm, 270

Portrait of Jan Aguna; unknown Polish painter; horse. 19th century (1880-00-00-1900-00-00);

Tuscany Grosseto Massa Marittima S. Agostino04. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese300. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

God the Father and Eleven of the Twelve Apostles Artist's working dates 1722-1786 Italy. Engraving in black on paper . Giovanni Marco Pitteri

Caritas(Charity). Artist: Francisco Goya, Spanish, 1746-1828

The most of Franciszek Seraficki; Lekszycki, Franciszek (ante 1625-1668); before 1668 (1650-00-00-1668-00-00);Library of the Krasińskich Ordinance (Warsaw - 1844-1944) - collection, deposit

Lazio Frosinone Casamari Abbazia di Casamari3. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

Caritas. Dimensions: plate: 13.1 x 9.5 cm (5 3/16 x 3 3/4 in.) sheet: 27 x 19.2 cm (10 5/8 x 7 9/16 in.). Medium: etching and drypoint on thin laid paper second edition impression probably printed circa 1920-1930. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

Leonardo da Vinci (1452-1519). Italian artist. Engraving in The Spanish and American Illustration, 1872.

Saint Hieronim; Pencz, Georg (CA 1500-1550), Urd Löhle remote controls (Munich; Publisher; Ca 1817-1890); XIXW. (1801-00-00-1900-00-00), before 1859 (1820-00-00-1859-00-00);

Saint Paul. Line engraving by M. Pitteri after G.B. Piazzetta.

Leonardo da Vinci (1452-1519). Italian artist. Engraving in The Spanish and American Illustration, 1872.

Ink and feather drawing by Anonym depicting the prophet Isaiah pointing to a scroll with the inscription 'Ecce Virgo C'.

Black chalk drawing by Wolfgang Huber depicting the head of John the Baptist on yellowish lavated paper, created around 1550, focusing on facial features and expression.

Borststuk van een oude man / Portrait of an Old Man. Date/Period: 1632. Painting. Oil on oak. Height: 66.9 cm (26.3 in); Width: 50.7 cm (19.9 in). Author: HARMENSZOON VAN RIJN REMBRANDT.

Print made by Johann Jacobus Haid, 1704-1767, S. Matthaeus, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

The sculpture Strömkarlen located on Strömkarlsbron, which crosses the Göta River and works at the same time as a dam for the Trollhättefallen.

Pencil study by Elisabeth Brinclaire from 1760-1800 depicting a man wearing a turban, showing facial features, clothing, and posture.

Umbria Perugia Bettona Palazzo Podesta4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of David Herlitz

SAN MATEO. Author: EL GRECO. Location: CASA MUSEO DEL GRECO-COLECCION. Toledo. SPAIN. SAN MATEO APOSTOL Y EVANGELISTA.

Portrait of an unknown man, Jacobus Ludovicus Cornet, After Jonkheer Isaac Lambertus Cremer van den Berch van Heemstede, 1851 print Portrait of an unknown man with a beard. He holds a book. Bust to the left. paper etching adult man

God the Father (recto); Standing Christ (verso). Vittore Carpaccio (Italian, about 1460 - 1526)

Print made by Johann Lorenz Haid, 1702-1750, German, S. Jacobus Major, early 1750s. Mezzotint on moderately thick, slightly textured, beige laid paper.

The Temptation of Saint Anthony; Lelio Orsi, Italian, 1511 - 1587; 1570s; Oil on canvas; Unframed: 44.1 x 36.4 cm (17 3/8 x 14 5/16 in.), Framed: 59.7 x 52.4 x 3.2 cm (23 1/2 x 20 5/8 x 1 1/4 in.)

Saint Paul; Giovanni Girolamo Savoldo, Italian (Lombard), active about 1480 - after 1548; Italy, Europe; 1533; Black, white and red chalk on blue paper; top corners trimmed; 28.4 x 22.5 cm (11 3/16 x 8 7/8 in.)

Burghers, Michael, Monogrammist TC (engraver), Poet in the Wilderness, A poet with a laurel wreath (possibly Orpheus) sits on a rock in the wilderness. Around him are all kinds of animals such as a snake, a rabbit, a ram, a bear, an elephant and a unicorn. The poet points with his left hand towards the sun, whose rays descend on him. On the sun is written 'casus'., print, engraving, book illustration, prints, height 160 mm, width 101 mm, 1640 - 1723, print maker, printmaker, 1650 - 1723, paper, papier, engraving (printing process), Work conception, Dutch, after a design by, intermediary draughtsman

Juan de Barroeta y Anguisolea / 'Chindasuinth'. 1854. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Head of a Pharisee, Pen and ink, circa 1504, drawing by Leonardo da Vinci (1452-1519), Italian artist and polymath

Campania Napoli Naples S. Lorenzo Maggiore119. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Saint Paul (1619) oil on canvas, Diego Velázquez (Sevilla 1599-Madrid 1660).

Jose Jimenez Aranda (1837-1903). Spanish painter. Copy of a painting by himself.

Creator; Thoma, Hans (1839-1924); 1919 (1880-00-00-1900-00-00);

Artist: Carlo Crivelli, Italian, ca. 1430-1495, SaintPeter, ca.1470, Tempera on panel, 29.3 × 21.5 × 2.2 cm (11 9/16 × 8 7/16 × 7/8 in.), Onview, Italian,Venetian, 15thcentury, Paintings

Emilia-Romagna Ferrara Ferrara S. Francesco53. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Diocesano34. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Philosopher with a book (copy from a lost original)'. Spain, 17th century. Dimensions: 99,5x81 cm. Museum: State Hermitage, St. Petersburg. Author: Jusepe de Ribera (after).

Lazio Roma Rome S. Croce in Gerusalemme46. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollonio Massa, Doctor of Medicine probably 19th century Imitator of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian This bust may be compared with two other busts of Apollonio Massa by Vittoria. One, a marble formerly in the cloister of the Church of San Domenico, Venice, was probably set up during Apollonio's lifetime, in 1572 (the date on the bust's inscription). The second bust, a terracotta, originally in the Church of the Convertite, Giudecca, once bore an inscription with the date of 1587. The terracotta, however, which closely resembles 61.239, may in fact be earlier in date than the marble.. Apollonio Massa, Doctor of Medicine 202599

Saint Joseph with the Flowering Rod Jusepe de Ribera (Spanish, 1591-1652). Saint Joseph with the Flowering Rod, early 1630s. Oil on panel, 46 x 35 3/4 in. (116.8 x 90.8 cm). Called Lo Spagnoletto” (the little Spaniard) by his Italian clientele, the Spanish-born and trained Ribera made his career in Naples, where his major patron, the Duke of Osuna, served as viceroy to the Spanish Bourbon rulers of southern Italy. Following a Spanish tradition initiated by the famed painter El Greco (1541-1614), Ribera painted individual portraits of Christ’s intimates, including his father Saint Joseph and his disciples. According to apocryphal sources, suitors for the Virgin Mary’s hand were to present rods to the high priest of the Temple. When Joseph’s rod bloomed, he was identified as her betrothed. Ribera conveys the unexpected wonder of the moment with the lighting from above and the aged Joseph’s questioning hand gesture. European Art early 1630s

SAN FRANCISCO DE ASIS - PINTADO ALREDEDOR DEL AÑO 1600. Author: ESCUELA PADANA (S XVII). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Guido Reni / 'Saint Jerome'. 1623 - 1633. Oil on canvas. Museum: Museo del Prado, Madrid, España.

El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. Saint Simon. Portrait by el Greco and workship. Oil on canvas, ca. 1600-1614. El Greco Museum. Toledo, Spain. Loan from private collection.

SAN PABLO APOSTOL - 1610-1614 - OLEO/LIENZO - 97 x 77 cm - MANIERISMO. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: PRIVATE COLLECTION. MADRID. SPAIN. SAN PABLO APOSTOL-PABLO DE TARSO.

Portrait of Philip the Bold (1342-1404) Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. Dated 15th century

Pedro Pablo Rubens / 'Saint Peter', 1610-1612, Flemish School, Oil on panel, 107 cm x 82 cm, P01646. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

Study for "Visit of the Emperor Napoleon III and the Empress to Algeria" 1861 Isidore Pils After achieving success with paintings of Crimean War subjects, Pils received a commission for a monumental work commemorating Napoleon IIIs visit to Algeria in 1860. Though the painting is now lost, an oil sketch reveals that this drawing is a study for the central figure of the composition, one of the Kabyle leaders who received the Emperor. Pils spent two years in Kabylie, a northern region of Algeria, sketching the landscape and people. In this accomplished study, he effectively combines black and white chalks to convey the light hitting the burnous, a garment traditionally worn for important events by high-ranking individuals.. Study for "Visit of the Emperor Napoleon III and the Empress to Algeria". Isidore Pils (French, Paris 1813/15-1875 Douarnenez). 1861. Black and white chalk on gray paper. Drawings

Manskop.

Study of a Veteran Czajkowska Kozicka (Czaykowska), Maria (1878 1963)

Saint Jerome. Etching by B. Maura, 1874, after A. de Pereda, 1643.

Dudelsackspieler, Dudelsackpfeifer, Stahlstich nach einem Gemälde von David Teniers, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903227

Edward John Gregory (1850-1909). British painter. Self-portrait. Engraving by F. Babisage. "La Ilustracion Iberica", 1886.

Old man with cone-shaped hat with incised edge; Collection of heads; Raccolta di test.

Rembrandt (to). The burial detail: head of an old man

Juan de Echevarria, Valle-Inclan standing, 1930, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain.

'Saint Mark', First half 17th century, Oil on panel, 64 cm x 49 cm, P01937. Author: ARTUS WOLFFORT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN MARCO EVANGELISTA.

Euclid; Jusepe de Ribera (Spanish , Italian, 1591 - 1652); Spain; about 1630 - 1635; Oil on canvas; 125.1 × 92.4 cm (49 1,4 × 36 3,8 in.)

Leon Joseph Florentin Bonnat (20 June 1833 in Bayonne) (until 8 September 1922 in Monchy-Saint-Éloi) was a French painter, here the painting Job, Historic, digitally restored reproduction of an original 19th century painting, exact original date not known

EMPEDOCLES DE AGRIGENTO (h.483/482 a 430 a.C.). Filósofo, profeta y taumaturgo griego.

Claude Galien. Claude Galien Claudio Galeno or Claudius Galenus c. 131-c. 201, greek physician. Chromolithography after La Ciencia y sus Hombres by Louis Figuier, 1881, Barcelona Spain

A Study of a Man's Head and Shoulders with his Right Hand Raised. Jacob Jordaens (C.1595-C.1643). Oil on panel, 63.5 x 46cm.

F. Hodler. Emil Orlik; German, born Czech Republic, 1870-1932. Date: 1904. Dimensions: 350 × 225 mm (image); 410 × 280 mm (sheet). Woodcut in black on blue-gray wove paper. Origin: Czech Republic. Museum: The Chicago Art Institute, Chicago, USA.

Joseph Jefferson. oil on canvas. Date: 1871. Museum: NATIONAL PORTRAIT GALLERY.

Hippocrate. Considered as the greatest doctor of the Antiquity, he diffused his conception of medicine at the time of Pericles (V century BC). He is the first to apply clinical observation. He is considered as the father of medicine.

Belvedere Museum in Vienna, Painting, An old man at his window by Samuel van Hoogstraeten, vintage engraved illustration. Magasin Pittoresque 1878.

Isaiah Jean-Fran�ois BREMOND (1807-1868). Sketch for the Saint-Jacques-Saint-Christophe-de-la-Villette church: Isaiah . Oil on canvas, circa 1843.

St. Coloman, patron of the Austrian nation, Austria / St. Coloman, Schutzpatron der österreichischen Nation, Österreich, Holzschnitt von Albrecht Dürer, 1513, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

The Chinese mushroom. Illustrator Walter Molino (1915-1997), from La Domenica del Corriere, 19th December 1954.

Diogenes of Sinope.

Stained glass window depicting the Building of the Tower of Babel. Dated 17th Century

Two heads of men with headwear, Jacopo Ripanda (attributed to), 1500 - 1525 drawing prepared paper. ink pen / brush

of 2