Religious Artwork Reproductions

Prints depicting religious figures and scenes, focusing on detailed illustrations from historic artworks in various churches.

Image reproduction: Józef Buchbinder (1839-1909), Saint. Jadwiga; Z: "Wędrowiec" 1906, No. 14 (April 14), p. 261 (title page); Wanderer (Warsaw; magazine; 1863-1906); 1906 (1906-00-00-1906-00-00);

Image reproduction: Józef Buchbinder (1839-1909), Saint. Jadwiga; Z: "Wędrowiec" 1906, No. 14 (April 14), p. 261 (title page); Wanderer (Warsaw; magazine; 1863-1906); 1906 (1906-00-00-1906-00-00);

Bliżej Kultury Hohneck, W. (fl. 1832 1835), Leopolski, Wilhelm (1828 1892)

A 1514-1516 wooden print by Leonhard Beck showing the old white king dismissing a legation intended to arrange a wife, part of the 'Weißkunig' series of Emperor Maximilian I.

. Penelope, Odysseus's wife, is behind her loom. She makes a shroud for her father-in-law late, but at night she gets out what she has woven during the day. An angel helps her. In the margin the title in French, English, German and Dutch. The show is decorated with an ornamental edge.

Viva La Madonna. Artist: Thomas Joseph Clérian (French, Aix 1796-1842 Avignon). Dimensions: Sheet: 9 15/16 × 7 1/16 in. (25.3 × 17.9 cm). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA.

Caught loved ones, Pierre Philippe Choffard, After Pierre Antoine Baudouin, 1767 print Numbered at the top IV. B. Paris paper engraving / etching / steel engraving hay-stack. barn. couple of lovers. armorial bearing, heraldry

This 1833 etching in punctuation manner by Carl Spindler, after Moritz von Schwinds design, depicts 'Nenuphar II', illustrating Austrian 19th-century book illustration and etching techniques.

Lazio Roma Rome S. Caterina dei Funari7. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing by Paul Troger depicting the Marriage of Mary, executed with dark brown pen and black and white chalk on green-gray paper.

Pencil drawing by Josef Danhauser around 1840 depicting the blind Belisar receiving alms, showing the figure, gesture, and surrounding composition in detail.

Umbria Perugia Trevi Palazzo Communale, Pinacoteca7. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Statuette. A porcelain statuette of three women in front of the Cross, on a short pedestal with a platform.. (Recto, mount) upper right, printed in black ink: "PLATE CCXXIV." Lower center, printed in black ink: "CHELSEA. / 460. GROUP OF THE THREE MARIES. / Lady C. Schreiber. italicized"

Karel shares his students. On the basis of the quality of the poems written by his students, Charles divides them into two groups.

Marches Ancona Sassoferrato Pinacoteca8. Hutzel, Max 1960-1990 Two coats-of-arms (of Sassoferrato and the Bishop Aldobrandini; a polyptych of saints Anthony, Sebastian, Roch and Martin; the Madonna of Sassoferrato; a portrait of Sentinensi; ceramic fragments (15th-16th centuries); a renaissance ciborium, a mosaic of St. Demetrius in a wood and silver frame (10th-11th centuries); an Umbrian processional cross (15th century); a wooden statue of the Madonna di Loreto; reliquaries; a saint's wooden shoe; an ivory diptych; silver medallions (13th century) and various paintings. Antiquities: A Roman altar, gravestone, urn and torso. (1st-3rd centuries). Object Notes: Hutzel photo campaign date: March 17, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includi

Antwerp, Snijders, Michael, Rubens, Peter Paul, Galle, Cornelis (I), Theodoor, Nascitvr in stabvlo, Adoration of the Shepherds, verso center bottom - stamped, Shepherds and women visit the Holy Family in the stable and kneel before the Christ Child. Mary and Joseph stand behind the manger. In the background lie the ox and the donkey. Mirrored copy. The print has a Latin caption., print, prints, height 290 mm, width 194 mm, print maker, printmaker, 1596 - 1672, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1571 - 1633, after print by, 1576 - 1650-03-29, 1577-06-28 - 1640-05-30, after design by, Publication (Event), Publication, 1586-09-08 - 1672-12-18, publisher

Wooden panel by Leonhard Beck depicting Emperor Maximilian I.'s Weißkunig, showing the comparison of the young White King with the Green King, completed in Vienna by councils between 1514 and 1516.

Widow gives a gift, Albrecht de Vriendt, 1871 print paper. ETCHING / ROUCH widow. offertory-box, offertory-bag

Figure Uit of Commedia dell'Arte, Louis Surugue, After Jean Antoine Watteau, 1719 print Company of actors including Harlequin, Pierrot and Scapino. Paris paper etching / engraving group of actors, troupe; actors on the stage. 'commedia dell'arte'. types in 'commedia dell'arte': Harlequin. types in 'commedia dell'arte': Pierrot

Scene in an Italian City with Figures Near a Fountain (in Sketch Book With Drawings on Twenty-six Leaves). Artist: Frederic, Lord Leighton (British, Scarborough 1830-1896 London). Dimensions: Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm). Date: ca. 1849. Museum: Metropolitan Museum of Art, New York, USA.

Ecce Homo 1700-1799 Austria. Pen and brown ink, with brush and gray wash,and black chalk, on blue laid paper .

Print made by James Neagle, 1760-1822, British, Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions, 1810. Etching and line engraving on thin, slightly textured, cream wove paper.

Second state with the address of Motte Eug�ne Delacroix (1798-1863). Marguerite at the church. Lithograph on vellum.

A good Samaritan according to the image of Edmund L. Dupain. A clip from a Russian magazine. Vallette, Maurice (1852 1880), Dupain, Edmond Louis (1847 1933)

Weigel, Christoph, Nuremberg, Luyken, Caspar, Parable of the wise and foolish virgins, verso - stamped, print, prints, height 251 mm, width 198 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne. Honoré Victorin Daumier; French, 1808-1879. Date: 1842. Dimensions: 240 × 198 mm (image); 359 × 247 mm (sheet). Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

St. Bernard Presenting the Rule. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: sheet: 9 5/8 x 13 3/8 in. (24.5 x 33.9 cm). Series/Portfolio: Vie de saint Bernard, no. 2. Museum: Metropolitan Museum of Art, New York, USA.

14th century. Landowner and builder. Drawing taken from the Department of Queen Jadwiga, from: Tygodnik Ilustrowany, 8.02.1862, No. 124 Unknown, Kossak, Juliusz (1824 1899)

Two men in an alley look around the corner of a building, Guillaume Joseph Vertommen, 1825 - 1863 print Bovenaan: Revue de Belgique; 5 Year 2nd SERIE TOME V. paper. etching lane, alley. adult man (+ two persons). walking-stick, staff

Leonhard Beck's wooden stick drawing (1514-1516) depicts the marriage of the young White King with the Queen of Fire Iron in the Weißkunig series.

A lithograph by Eugène Delacroix titled 'The Queen Strives to Console Hamlet', created in 1834, illustrating a scene from Shakespeare's play with expressive figures.

Jacques Callot, French (1592-1635), Marriage of Margaret of Austria and Philip III, 1612, etching on laid paper restrike

Love and Riches, Photogravure Print from the Original Painting by Anatole Vély The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

The Confirmation. Pierre Charles Trémolières; French, 1703-1739. Date: 1723-1739. Dimensions: 262 × 425 mm (image); 288 × 440 mm (sheet, trimmed within plate mark). Etching in black on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome S. Caterina dei Funari1. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A 1833 steel engraving and etching by Moritz von Schwind for Carl Spindler's book illustration 'Die Mohrin von Toledo I', depicting narrative figures and scenes.

Illustration No. 10 (from 12) to the Older, Newer and Latest History, Posted in: Gothaischer Hof Calender for the benefit and pleasure of 1791. Gotha, Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

La charité , Beggars, Charity, Alphonse Legros (1837-1911)

La Mère de la Débutante Honoré Daumier (French, 1808-1879). , July 2, 1864. Lithograph on newsprint, Sheet: 12 1/16 x 11 1/4 in. (30.6 x 28.6 cm). European Art July 2, 1864

Tuscany Grosseto Massa Marittima Museo Civico5. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paysannes des Environs de Boulogne (Peasant Women in the Neighborhood ofBoulogne). Artist: Alphonse Legros, French, 1837-1911

Bruno and his daughter Laura, Johan Bernhard Wittkamp, 1857 print After the death of her husband, Laura throws her father the remaining dowry. Amsterdam paper etching dowry. widow

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Donne di Frascati, ed Eremita, Two women from Frascati and a hermit, The print is part of an album., print, album sheet, prints, height 199 mm, width 275 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1819, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Expression creation

Judgment at Matejk; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893); 1901-1902 (1901-00-00-1902-00-00);Kraków (Lesser Poland Voivodeship), Matejko, Jan (1838-1893)-iconography, reading, Polish graphics, Poland (culture), bonuses of the Society of encouragement of Fine Arts, Satyra, Łopieński, Ignacy (1865-1944), Łopieński, Ignacy (1865 -1944) - collection

The birth of Louis de France surrounded by Louis XIV and Marie-Thérèse of Austria. (TF)

Wasti is rejected. Two women take off her good clothing a third woman. The print is part of an album.

...être fiches au violon comme des rien du tou! deux - femmes comme il faut...vingt Dieu! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc., Isaac Taylor, 1759-1829, British, after Thomas Stothard, 1755-1834, British, 1803, Engraving, Sheet: 17 7/16 x 23 1/2in. (44.3 x 59.7cm)

The Cijntning.

This copper engraving by Marcantonio Raimondi, circa 1514-1516, depicts Saint Cecilia playing a musical instrument in a devotional scene.

Entrance of the Florentine army, from Act III, Scene v, Alls Well That Ends Well. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Offering in the case; Geyer, Conrad (1816-1893), Caliari, Carlo (1570-1696), Payne, Albert Henry (Leipzig, Dresden; Publisher; 1838-1920); 1851 (1850-00-00-1851-00-00);

Reproduction of the illustrations of Stanis Aawa Kaczora-Batowski (1866-1946) to the "Jan Bielecki" saying; Z: "W Drowiec" 1902, No. 42, p. 830; Wierzbicki B. and S-ka (Warsaw; Graphic Zaki; 1897-1944), W Drowiec (Warsaw; magazine; 1863-1906); 1902 (1902-00-00-1902-00-00);

Rome, Domenichino, Italy, Judith Showing the Head of Holofernes to the People, verso - stamped, Judith shows the head of Holofernes to the people, next to her stands her maid. She holds open the bag in which the head was stored. Latin text in bottom margin., print, prints, height 234 mm, width 190 mm, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, plate tone, Italian, 1581-10-21 - 1641-04-06, after painting by

Margaretha van Parma hands over the city keys to the Antwerp magistrate in the town hall, Jean Baptiste Pierre Michiels, after Henri Leys (Baron), after 1863 - 1890 print paper. etching townhall. key. interior ~ representation of a building

A drawing by Johannes Lingelbach depicting a table scene with company, executed using lead handle and gray brush with wash.

Tuscany Grosseto Massa Marittima S. Agostino6. Hutzel, Max 1960-1990 Post-medieval: Includes views of neighboring Cappella di S. Lucia (1348) Architecture, architectural sculpture (14th century, restored 1958), sculpture, stained glass, frescoes, painting, Object Notes: Bibliographic material included and housed in the Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Figures inside a church; page 41 from the 'Images of Spain' Album (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish. Figures inside a church; page 41 from the 'Images of Spain' Album (F). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1812-20. Brush, gray and brown wash, with scraping on laid paper. Drawings

Marches Macerata Camerino Museo Diocesano9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico61. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Shakspeare. Merry wives of Windsor, act III, scene III , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merry wives of Windsor. Thomas Pennant Barton Collection

The Painter ca. 1730 After Jan Josef Horemans the Elder This wonderful mezzotint after a painting by Horemans shows an artist at his easel within his busy studio. On the right apprentices grind pigments and sharpen tools while another boy sits and draws. Near the painter, an elegantly dressed couple, presumably his clients, chat while a maid fills the painters glass of wine. Paintings hang on the walls and a violin, a recorder, and music sheet lie on a table on the right, indicating the painters other artistic talents. The composition is typical of the work of the Flemish painter Jan Josef Horemans who produced numerous images of everyday life bustling within shallow, stage-like settings.. The Painter. After Jan Josef Horemans the Elder (Flemish, Antwerp 1682-1759 Antwerp). ca. 1730. Mezzotint. Johann Andreas Pfeffel the Elder (German, Augsburg 1674-1748 Augsburg). Prints

Gustave Doré (1832-1883), designer and Eugène Pred'homme (1813-1886), engraver. "The Sire d'Amboise keen on a grant love." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-13 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Paris, Duchesne, Veuve, Schenau, Johann Eleazar, Scenes from the life of a child, Girl shows children her birdcage, verso - stamped, print, prints, height 135 mm, width 79 mm, German, 1737-11-07 - 1806-08-23, print maker, printmaker, 1765 - 1765, paper, papier, etching, Work conception, after own design by, Publication (Event), Publication, French, publisher

Engraving by Gustave DorA© (1832-1883)

The Judgment of Solomon; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1510 - 1515; Pen and brown ink and gray wash; 27.6 cm (10 7,8 in.)

Fortune teller in a group of five figures, Jacob Duck (attributed to), 1610 - 1660 drawing paper. deck paint brush fortune-teller ~ pleasure fair and circus

The Worship of the Golden Calf, 1866. Sir Edward Burne-Jones (d.1898). Design of Moses throwing Tablets of Law against pillar, which is crowned by a calf.

Shylock: And for these courtesies I’ll lend you thus much money,” from Act I, Scene iii, Merchant of Venice. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Umbria Perugia Cerreto di Spoleto S. Giacomo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Illustration of a young wealthy girl sitting on a couch reading. Dated 1849

Washing Women, Bartolomeo Pinelli, 1820 Three women from the Ciociaria area wash fabrics at a well. The print is part of an album. Rome paper etching Latium Three women from the Ciociaria area wash fabrics at a well. The print is part of an album. Rome paper etching Latium

En Angleterre: Pauvre Jenny!, from "Le Journal Illustré," no. 55 February 26-March 5, 1865 Henry Linton This image first appeared as In the Bitter Cold” in London’s "Illustrated Times" (December 19, 1857), and was reissued in "Le Journal Illustré" in 1865. We are shown a mother and two children evicted into the snow, and related text identifies the subject as 'En Angleterre': Pauvre Jenny!” (In England: Exposure and Starvation--Le froid et la Faim!...Une émouvante nouvelles, cette triste histoire de Jenny et John et de leur deux enfants...a moving novel and sad history of Jenny and John and their two children"). Émile Gigault de Bédollière (1812-1883), who provided the French text, worked for the journal "La Siècle" from 1850, translating stories by Charles Dickens, Sir Walter Scott and Harriet Beecher Stowe. Whether he invented this story, or simply translated it, remains to be determined.. En Angleterre: Pauvre Jenny!, from "Le Journal Illustré," no. 55. After James Abbott Pasquier

Buys, Jacobus, Netherlands, Baptism of Clovis, 496, king of the Franks, in Reims on 25 December in the year 496. Clovis kneeling in a baptismal font is baptized by Saint Remigius., print, historical print, prints, Frederik Muller Historical plates, height 82 mm, width 55 mm, print maker, printmaker, 1780 - 1795, fourth quarter 18th century, paper, etching, etchings, Northern Netherlands, 1724-11-19 - 1801-04-07, intermediary draughtsman

Umbria Perugia Foligno Palazzo Trinci. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Scholar in His Study, Rembrandt van Rijn, c. 1652 print paper etching / drypoint

Matejko sentenced. Łopieński, Ignacy (1865-1941), graphic artist, Matejko, Jan (1838-1893), painter

Diogenes does not ask Alexander to be in his light. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 329 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Les femmes de Bruges , Alphonse Legros (1837-1911)

Bliżej Kultury Mayer, Carl (1798 1868), Vogel von Vogelstein, Carl Christian (1788 1868)

Before the walls of Algiers: Come to thy Grandam, child” - Act II, Scene I, King John. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Copper engraving by Marco Dente from 1510-1527 depicting Saint Cecilia, showing figure, musical instrument, and composition in Renaissance style.

Dame cachetant une lettre (Lady Sealing a Letter). Dated: 1738. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Fessard after Jean Siméon Chardin.

Lithograph depicting Archangel Michael, created by Johann Nepomuk Strixner in 1821.

HENRY'S QUARREL WITH DE MONTFORT

Paysannes des environs de Boulogne , Peasants, Alphonse Legros (1837-1911)

La mère Bridon va-t-en enfer.... Honoré Daumier (1808-1879). Lithographs

Netherlands, Allegory on the invention of printing, 1423, 1423. Woman standing at a monument with a portrait of Laurens Jansz. Coster in the Haarlemmerhout. Published in 1823 on the occasion of the fourth centenary of the invention of printing. With two-line verse., print, picture, prints, pictures, Frederik Muller History plates, height 340 mm, width 240 mm, print maker, printmaker, 1823 - 1823, first quarter 19th century, paper, lithography (technique)

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral0. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Three men at a table, c. 1593 - c. 1662 drawing paper. oil paint (paint) brush

Concours pour le Prix de l'Etude des Têtes et de l'Expression (Portrait of Mlle. Clairon) 1763 Charles Nicolas Cochin II. Concours pour le Prix de l'Etude des Têtes et de l'Expression (Portrait of Mlle. Clairon) 839973

The Tribute Money, c. 1635. Rembrandt van Rijn (Dutch, 1606-1669). Etching with engraving; sheet: 7.5 x 10.3 cm (2 15/16 x 4 1/16 in.).

Artur Grottger, Menschen oder Schakale (Hommes ou chacals) [Ludzie czy szakale [Men or jackals, 1867, sheet VIII from the series `Wojna` [War; sheet from the album: `Im Thale der Tränen. Photographien nach Original-Kreidezeichnungen von Arthur von . Angerer, Ludwig (1827-1879), publisher

Beit-Lehem. Mosaïque de l'église.

Anne Buiret, a French woman pretending to be the Marquise de Champignelles, sits in an armchair next to her advocat, who points to La Salpêtrière in the background, thereby hinting at the fact that he had been instrumental in saving her from a fate in a lunatic asylum. Lithograph by Masse.

This image shows Papirius insulted by the Gauls as drawn by C Maccari. According to the Roman tale, in the 380s B.C., the Gauls invaded Italy and Rome itself. When they entered Rome, the senators refused to flee. The actual details vary, but here the senators are shown in the Senate house. When the Gauls touch the beard of the Senator Papirius, Papirius no longer remains unmoving - rather he hits back. Slaughter ensues. CesareMaccari(1840 -1919) was an Italianpainterand sculptor, most famous for his 1888paintingshowing Cicero Denouncing Catiline.

Braun et Cie, Adolphe, Photographic reproduction of a mosaic by (after) Raphael, photograph, photo, photos, height 475 mm, width 383 mm, Publication (Event), Publication, publisher, 1880 - 1900, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, carbon print, kooldruk

Wooden panel by Hans Burgkmair depicting Emperor Maximilian I. in the Weißkunig, showing the prison of the corpse of the old White King, created between 1514 and 1516.

Alexander the Great before Diogenes Norblin, Jan Piotr (1745 1830)

Aliamet, J. Jacques, work, Departure to the witches' sabbath, (1000 - 2000), copper engraving, graphics, plate width 27.9 cm, plate height 38.2 cm, leaf width 38.8 cm, leaf height 53.1 cm, image width 26.1 cm, image height 32.7 cm

The Heart of the Rose. From the portfolio: The Work of E. Burne-Jones., 1893, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

of 2