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Religious Artworks and Frescoes

Frescoes depicting religious scenes with dramatic expressions, rich textures, and intricate details, highlighting spiritual themes through varied compositions.

Lazio Roma Rome S. Caterina dei Funari. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Lazio Roma Rome S. Caterina dei Funari. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, fresco, sculpture. In the vicinity of Palazzo Mattei in Jewish quarter German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
165 assets in this story
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Wszyscy Święci w MNK Clerter, Gregorio (1813 1873), Bigioli, Filippo (1798 1878)
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Umbria Perugia Vallo di Nera S. Maria7. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Onderboezem, Cornelis Danckerts (I), after Pierre Bullet, c. 1675 - c. 1686 print Above the tablet of the chimney seal hangs a Frisian with a combat scene; A portrait medallion from Louis XIV hangs above that. print maker: Netherlands (possibly)after design by: France (possibly)printer: Amsterdampublisher: Amsterdam paper etching chimney-piece, mantelpiece
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The Virgin and the Child. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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Tuscany Siena Montalcino Museo Diocesano55. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Cushion cover with Adoration of Christ-child by shepherds. unknown c. 1575-1650 Tapestry Dimensions: H 19.5" x W 22" Tapestry Materials/Techniques: unknown Culture: German Weaving Center: unknown Ownership History: French & Co. purchased from Arnold Seligmann, Rey & Co., Inc., invoiced 1/23/1929. In roundel; carnation & other flowers in French & Co. made this into a cushion. French & Co. stock sheet in archive, 16513-f also lists: 33980 Related Works: Panels in set: GCPA 0184766-0184768, 0184770, 0244869, 0244871
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Den Haag, Nijhoff, Martinus, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Election in the Princess City, Cartoon on the elections in Delft, 1883, The Hague, 1883. Choirboys wave incense burners. Plate published in the weekly De Nederlandsche Spectator, no. 26, 1883., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1883 - 1883, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher
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Umbria Terni Acquasparta Palazzo Cesi4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Marches Macerata Castelsantangelo sul Nera S. Martino7. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century); campanile with bifora windows; architectural sculpture: capitals, etc.; tabernacle carved with lion heads; gothic altar. Post-medieval: Frescos (15th and 16th centuries); sculpture in wood (16th century); terracotta bust of a bishop (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Bliżej Kultury Unknown, Carpeaux, Jean Baptiste (1827 1875)
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Engraving by Gustave DorA© (1832-1883)
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Lazio Rieti Rieti Museo Civico. Hutzel, Max 1960-1990 Some wooden statues, mostly of the Madonna & Child. In most part, paintings, including the Madonna & Child with SS. Domenico. Peter, Paul and Peter Martyr by Lucca di Tomme. There is also a tryptich of the Resurrection, with predella scenes of the Passion, and other Renaissance and Baroque paintings. Owner: Palazzo Comunale Antiquities: Antique statues and busts. Object Notes: Two Hutzel photo campaign dates, one December 22, 1982, the other date is not legible. There are two sets of prints, one with numbers and an "A" set with its own numbers. At this time, the "A" set matches to the negatives we have; however, the negatives are missing for the numbered set. Since the two sets are virtually identical, it would in most cases be possible to find an image in the "A" set that would have a negative. Numbered set: 72 prints; "A" set: 94 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear
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Lazio Viterbo Caprarola S. Teresa0. Hutzel, Max 1960-1990 Post-medieval: 17th century architecture (1620), architectural sculpture sculpture, woodworking, stucco, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-30168973
Te atua (The God), from the Suite of Late Wood-Block Prints 1898-1899 France. Second-state impression laid down on first-state impressionWood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper . Paul Gauguin
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. An old woman is sitting in front of a mirror, in which her mirror image is visible, while two ladies help her make her toilet. The woman holds flowers, for her lying gloves, a pearl necklace at two perfume bottles. The woman behind her sticks a feather into the hairstyle.
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Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)05. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Viterbo Viterbo Museo Civico5. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1
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Italy, Salimbeni, Ventura, Schiaminossi, Raffaello, Joachim and Anna, verso - stamped, Joachim and Anna standing in a landscape, both connected by a leafy branch to Mary who stands above them among the clouds., print, prent, prints, height 204 mm, width 156 mm, Italian, 1572 - 1622, print maker, printmaker, 1595 - 1595, paper, papier, etching, etchings, Work conception, 1568-02 - 1613
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The Tribute Money. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1629-1639. Dimensions: 72 x 102 mm (image/plate, sight); 76 x 106 mm (sheet, sight). Etching in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.
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Pen drawing in brown with brown and gray wash by Josef von Führich depicting Paul with five assessors.
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Lazio Viterbo Vitorchiano Madonna di S. Nicola3. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Basilicata Matera Matera S. Francesco d'Assisi1. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Wszyscy wici w MNK Oleszczyczki, Antoni (1794-1879), Wilcza SKI, Jan Kazimierz (1806 1885), Lekszycki, Franciszek (1600 1668)
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Saint Peter. Stipple engraving by E. Scriven, 1814, after H. Corbould after B. West.
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In catacombs; Bili Ska-Bohdanowiczowa, Anna (1854-1893); around 1884 (1885-00-00-1893-00-00);academic (style), gift (provenance), figural scenes, antiquity, sketches
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Flooring, Verdina.
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Abruzzo Teramo Atri S. Maria di Propezzano4. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior, with emphasis on the interior frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Choristers, 1st plate (Le lutrin). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.
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Ostatnia komunia umierającej. Tegazzo, Franciszek (1829-1879), draughtsman, cartoonist
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Three standing figures. .
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Red chalk and ink drawing by Johann Christoph Handke depicting the death of St. Josef, showing figures, posture, and composition on paper.
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Etching and aquatint from 1775 by Giovanni David depicting Habits des Nobles, showing noble figures and period costumes.
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'Illustration for Villon's Ballade Des Femmes De Paris', 1919. Artist: Emile Bernard.
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Woman Undressing, Print made by John Smith, 1652-1743, British, after Isaac Beckett, 1652/3-1719, British, undated, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 9 5/16 × 7 9/16 inches (23.7 × 19.2 cm) and Image: 9 × 7 7/16 inches (22.9 × 18.9 cm)
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Marches Macerata Matelica S. Francesco3. Hutzel, Max 1960-1990 Exterior views of the Baroque architecture of the church; interior views of the 15th-century painted altarpieces (ie. Madonna and Child with Saints, the Last Supper, the Crucifixion and the Deposition from the Cross), sculpture and decorative arts. Object Notes: Hutzel photo campaign date: March 19, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)09. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u
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Black and White Illustration: "The Bench". Caracature of Judges. An Engraving after William Hogarth (1697 - 1764) intended to show the difference between caracter and caracature.
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Engraving by Gustave DorA© (1832-1883)
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Hommage a Berlioz by Fantin-Latour, Henri (1836-1904) / Rijksmuseum, Amsterdam / c. 1900 / France / Oil on canvas / Mythology, Allegory and Literature / 28x29 / Symbolism
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Judith mit dem Kopf des des assyrischen Generals Holofernes, den sie mit seinem eigenen Schwert enthauptet hat, Stahlstich nach einem Gemälde von Alessandro Allori, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903199
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Umbria Perugia Paterno Parrocchiale4. Hutzel, Max 1960-1990 Post-medieval: Painting, baptismal font by Rocco da Vicenza (school) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Humorous Wine Illustration 1946, Illustration by Julien Pavil, (1895-1952), French 20th century illustrator, humourist and poster artist. He illustrated several books between 1929 and 1945.
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Totentanz II
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Repudiation of Hagar by Moritz Daniel Oppenheim, (1800-1882)
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Allegories of Faith, Hope, and Charity. Artist: Heinrich Maria von Hess (German, Dusseldorf 1798-1863 Munich). Dimensions: sheet: 12 1/2 x 14 1/16 in. (31.8 x 35.7 cm). Date: 1819. Museum: Metropolitan Museum of Art, New York, USA.
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Esmeralda and Quasimodo Tony Johannot. "Esmeralda and Quasimodo". "Deaf" (Notre-Dame de Paris, IX Book, Ch III). Oil on cardboard. 1836. Paris, Victor Hugo House.
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Umbria Terni Narni S. Giovenale, Cathedral04. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,
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The Briar Rose Series - The Council Chamber (II),1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company
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The Blind of Capernaum (Les aveugles de Capharnum) James Tissot (French, 1836-1902). The Blind of Capernaum (Les aveugles de Capharnum), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 10 1/2 x 5 3/8 in. (26.7 x 13.7 cm). European Art 1886-1896
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Group picture.
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They Are Hot (Estan calientes) Francisco de Goya y Lucientes (Spanish, 1746-1828). They Are Hot (Estan calientes), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 13/16 x 7 15/16 in. (30 x 20.2 cm). European Art 1797-1798
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Lazio Roma Carpineto Romano S. Pietro3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Title-page and Six Coloured Plates to 'Household Stories' by the Brothers Grimm. Routledge., J. M. Kronheim, 1877
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Study of Patience, Obedience and Docility, 1875. Artist: Edward Burne-Jones (d. 1898)
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Bliżej Kultury Mytti, Giuseppe (FUR. 1814 ca. 1905), Mannne, Francescie (1752 1831)
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Figures of martyrs above a cloud edge. Draughtsman: anonymous. Dating: 1500 - 1510. Place: Lombardije. Measurements: h 184 mm × w 241 mm. Museum: Rijksmuseum, Amsterdam.
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Rijn, Rembrandt van, Amsterdam, Kesteren, Christiaan Lodewijk van, Portrait of a couple as Old Testament figures, called 'The Jewish bride', verso - stamped, Portrait of a couple as Isaac and Rebecca or other Old Testament figures, known under the title 'The Jewish bride' or 'The Jewish bride'. The couple is portrayed standing, up to their knees, in front of a wall., print, prent, prints, height 215 mm, width 301 mm, 1832-08-09 - 1897-06-25, print maker, printmaker, 1861 - 1861, paper, papier, chine collé, etching, etchings, Northern Netherlands, 1606-07-15 - 1669-10-08
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unknown, Antwerp, Vorsterman, Lucas (I), Seghers, Gerard, Maria with the instruments of the passion, verso lower left - stamped, print, prints, height 290 mm, width 218 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1619 - 1675, paper, papier, engraving, engraving (printing process), Work conception, 1591 - 1651-03-18, after a design by, Publication (Event), Publication, publisher, uitgever van privilege
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Abruzzo L'Aquila Luco dei Marsi S. Maria delle Grazie. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Portrait of Caravaggio. Full name, Michelangelo Merisi da Caravaggio, 1571 to 1610. Italian artist. After an 18th century engraving by Henri Simon Thomassin.
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Inn sign, Tyrol, 1804 made of wood
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Abruzzo L'Aquila Fossa Convent of S. Angelo d'Ocre8. Hutzel, Max 1960-1990 The convent was built in 1242 for the Benedictines and enlarged in the 15th century by the Franciscans. Prints include exterior or general views of convent and surrounding countryside, interior hallways showing vaulting, portal frames and lunettes decorated with frescoes, courtyard and frescoed ceiling. Other fresco decoration includes 'The Last Supper'. Five more photos are being put with this monument which are identified by Hutzel as being the Convento di S. Angelo d'Ocre. They show a modest exterior and an interior in the late Renaissance or early Baroque style. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medi
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Shakespeare Sacrificed; or, The Offering to Avarice, Print made by James Gillray, 1757-1815, British, 1789, Etching with coloring on medium, slightly textured, cream wove paper, Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), Plate: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), and Image: 18 5/8 x 14 7/8 inches (47.3 x 37.8 cm), A Midsummer Night's Dream, play by William Shakespeare, altar, avarice, babies, bellows, book, boys, brushes, bubble, buckle, burin, buttons, caricature, children, chimneys, cloak, columns, devil, dome, engraver (printmaker), fire, fur, grave, grave digger, Hamlet, play by William Shakespeare, hell, Henry VI, part I by William Shakespeare, Henry VI, part II by William Shakespeare, horn, immortality, King Lear, play by William Shakespeare, literary theme, Macbeth, play by William Shakespeare, moneybags, mother, offering, palette, plays, portfolios, printseller, Royal Academy of Arts, sacrifice, satire, shirts, shoes, shovel, skeleton, smoke, snail, socks, spirits, st
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Sketch sheet with various studies of a standing woman. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 581 mm × w 467 mm. Museum: Rijksmuseum, Amsterdam.
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Ugolino della Gherardesca, 1220, 1289, Count of Donoratico, a Tuscan nobleman of Sardinian origin, in the Hunger Tower of Pisa, Italy, Historical, digitally restored reproduction from a 19th century original, coloured, Count of Donoratico, a Tuscan nobleman of Sardinian origin, in the Hunger Tower of Pisa, Italy, Historical, digitally restored reproduction from a 19th century original, coloured, Europe