Religious Ascension Artwork

Detailed engravings depicting significant religious ascensions, including Christ and Mary, surrounded by angels and apostles, showcasing dramatic compositions and spiritual themes.

Noord-Nederland, Wandelaar, Jan, Ascension of Christ, verso bottom left - stamped, Christ is supported by clouds and surrounded by a beam of rays. Only the contours of his head are visible. Below him the apostles and Mary. Top right: page: 315., print, book illustration, prints, height 148 mm, width 82 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Hemelvaart van Christus.Christ is supported by clouds and surrounded by a ray bundle. From his head, only the contours are visible. Among him the apostles and Mary. At the top right state: p .: 315.

Ascension of Maria, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print This print is part of an album. print maker: Southern Netherlandspublisher: Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Resurrection of Christ, Caspar Luyken, William Broedelet, 1700

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Sebastian, Saint Francis of Assisi, a Franciscan, Saint Peter the Apostle, Saint Augustine of Hippo and Saint Catherine of Alexandria. Engraving by Johann Gottfried Seuter after V. Lefebvre after Titian.

Holy Trinity. Christ is hanging on the cross, surrounded by angels. Above him God the Father and the Holy Spirit in the form of a pigeon.

Noord-Nederland, Wandelaar, Jan, Ascension of Christ, verso bottom left - stamped, Christ is supported by clouds and surrounded by a beam of rays. Only the contours of his head are visible. Below him the apostles and Mary. Top right: page: 315., print, book illustration, prints, height 148 mm, width 82 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Opstanding van Christus; De Passie.Christ floats at the entrance to his grave with a victory banner in hand. The three Maria's are located at the entrance to the grave and sitting an angel on the roadside stone. A few soldiers are scared and a couple are sleeping on the ground.

Christ on the Olives Mount, Anonymous, After Cornelis Cort, After Federico Zuccaro, After 1569 - c. 1619 print Christ prays on the Mount of Olives at night. An angel appears in front of him with a cross and a chalice. Christ disciples fell asleep. In the background you can see a procession of soldiers with torches who are looking for Christ to imprison him. Rome paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Margarete of Cortona, Holy.

Christ in the Hof van Olives, Joseph Antoine Cochet, after Peter Paul Rubens, c. 1660 - 1678 print In the night of his betrayal, Christ prays in the Hof of Olives. An angel brings him a miscarriage to support him. The disciples fell asleep and on the left you can see the soldiers who get out to capture Christ. paper engraving Christ's prayer in the Garden of Gethsemane during the night. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

The Annunciation (after Pierre Dulin) 1700-56 Jean Audran. The Annunciation (after Pierre Dulin). Jean Audran (French, Lyons 1667-1756 Paris). 1700-56. Etching. Prints

Christ defends the personalized soul against hell and death; Jesus defends the soul against hell and death.

H. Franciscus receives the Stigmata, Lucas Vorsterman (I), after Peter Paul Rubens, 1620 print The Holy Francis of Assisi receives the stigmata. Franciscus is kneeling and has extended both arms, with the wounds in his palms. To his right are his sandals and a skull. The crucified Christ appears for him like a Serafin, with three pairs of wings, next to him in the air cherubins. Brother Leo, Franciscus' companion is in the foreground. This print is part of an album. Antwerp paper engraving founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata - portrait of male saint. stigmatization, stigmata

. The Virgin Mary is sitting on a cloud and is led by angels towards heaven. The twelve apostles are bending over the empty grave. The print is part of a series of scenes from the old and New Testament.

Ascension of Maria, Theodoor Galle (Possible), after Peter Paul Rubens, c. 1612 - c. 1616 print The Virgin Mary is sitting on a cloud and is led by angels to the sky. The twelve apostles bend over the empty grave. The print is part of a series with scenes from the old and New Testament. Antwerp paper engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Transfiguration of Christ on the Tabor mountain; Christ Verheerlyt on the mountain. Transfiguration of Christ on the mountain tabor with Moses and Elijah on his sides, Christ shows himself in his divine form to the apostles that are inhisting. The performance is among the performance in six languages.

The Annunciation Carlo Maratti Italian. The Annunciation 400808

Christ en H. Anthony, Michel Dorigny, after Simon Vouet, 1640 print France paper engraving / etching temptations of St. Antony Abbot

Louis XIV kneeling before the cross and the crown of thorns, historical, digitally restored reproduction from a model from the past.

Proclamation to the shepherds. An angel proclaims the birth of Christ to the shepherds who are for an antique ruin. In heaven sing angels between clouds and light rays. Under the show a Latin Bible verse from Luc. 2.

Christ in the Hof van Getsemane, Cornelis Galle (I), 1586 - 1650 print Just before his capture, Christ prays for help in the court of Getsemane. An angel appears in front of him with a chalice in his hands. In the background on the left the sleeping disciples, on the right the approaching soldiers. Third print from a series of 13, with performances from the suffering story of Christ. Southern Netherlands paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross. agony of Christ; three (or eleven) apostles sleeping

Crucifixion, Andreas Massinger, 1769 - 1808 print The three crosses on Golgota, the cross of Christ in the middle. Under the cross Johannes, Maria and Maria Magdalena. Soldiers in the background. paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Alphonse Charles Masson, Assumption of the Virgin, engraving.

The martyrdom of the priest Henricus Turck. In the foreground the priest is tied to a tree. On the left a soldier fires his musket at him. In the background, the priest is then killed by soldiers armed with swords and lances. The print has a Dutch caption: 'P. Henricus Turch friar, first shot by the Geusen with a musquet, and having gained his virtue, is afterwards murdered with pikes and swords for hatred of the religion not far from Ypre.', Martyrdom of Henricus Turck Famous Catholic Martyrs , print maker: Gaspar Bouttats, (mentioned on object), Antwerp, 1650 - 1695, paper, engraving, h 279 mm × w 186 mm

Angels announcing the birth of Christ to the shepherds (). Ink drawing.

Christ in the Garden, from The Passion of Christ, plate 7 1664 Grégoire Huret French. Christ in the Garden, from The Passion of Christ, plate 7 645239

. The praying Christ and the sleeping apostles in the garden of Getsemane. In the top right corner a vision with a luminous chalice. In the background, Judas enters with the soldiers Getsemane. The print has a Latin caption with a text from the Bible and is the second print of a fourteen-part series about the passion of Christ.

The Ecstasy of Saint Catherine of Siena, kneeling on a cloud carried by angels, one of whom holds a lily 1729-40 Simon Francis Ravenet, the elder. The Ecstasy of Saint Catherine of Siena, kneeling on a cloud carried by angels, one of whom holds a lily. Simon Francis Ravenet, the elder (French, 1706-1774). 1729-40. Etching. Prints

Amsterdam, Luyken, Jan, Christ Opening a Scroll for the Personification of Repentance and Humanity, verso - stamped, print, prints, height 213 mm, width 157 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, etching, etchings

Child with guardian angel; S. Angelvs Cvstos. An angel holds a little boy at the arm and points him the right way.

Ascension of Christ, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Ascension of Christ in the presence of Mary and John and the apostles. Under Quote Acts 1, verse 9. paper engraving Christ ascends into heaven; apostles (and Mary) beneath

Mary with Saints, Pieter Nolpe, Titiaan, 1623 - 1653

Resurrection of Christ, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), Amsterdam, 1712, paper, etching, h 137 mm × w 80 mm

The church preaches, Hendrik Bary, 1665 print The personification of the church is on a pedestal and preached. An angel with laurel wreath on his head, kneels in front of her and keeps a book open for her. print maker: Netherlandspublisher: Amsterdam paper engraving allegorical and symbolical representations ~ the Church and Religion. preaching (in general)

Exit of the Holy Spirit, Theodoor Galle (Possible), after Peter Paul Rubens, c. 1612 - c. 1616 print Maria and the students of Christ are in a room. The pigeon of the Holy Spirit appears in the middle of the group. Above the heads of the apostles and Mary are fiery tongues, symbol of the outpouring of the Holy Spirit in their hearts. The print is part of a series with scenes from the old and the New Testament. Antwerp paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Venice, Senate of Venice, Pasquali, Giovanni Battista, Italy, Cattini, Giovanni, Beatae Mariae virginis officium, Adoration by the shepherds, verso - stamped, The adoration of the Christ Child by Joseph, Mary, shepherds and an angel., print, prints, height 109 mm, width 65 mm, 1725 - 1800, print maker, 1740 - 1740, paper, etching, engraving, engraving (printing process), Publication (Event), Publication, Italian, publisher, grantor of privilege

. At the grave of Christ an angel appears to the three holy women who come to the Christ. One of them has the ointment pot in her hands. In the background the three crosses. In the margin a two-legged caption in Latin.

Christ runs over the water, Jacques Callot, 1608 - 1611 print Christ stands on the water and gives Peter, who threatens to sink in the waves, a hand. The other disciples watch from a boat. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print. Rome paper engraving Christ saves Peter from drowning

Resurrection of Christ, Anonymous, After Theodoor Galle, After Cornelis Galle (I), After Peter Paul Rubens, 1614 - 1676 print Christ rises from his grave. Angels around him. The sleeping soldiers wake up and fled. The print has a Latin caption. Antwerp paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Sadeler, Raphaël (I), Winghe, Joos van, München, Christ on the Cross, verso under - stamped, Christ on the Cross. On the left the Virgin Mary and the apostle John. Mary Magdalene sits under the cross and cries. On the right a soldier offers Christ a sponge soaked in vinegar., print, prent, prints, height 411 mm, width 280 mm, Zuid-Nederlands, 1560, print maker, printmaker, 1590 - 1590, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1544 - 1603-12-18, after a design by, Publication (Event), Publication, publisher

Liberation from Petrus from prison ..

Saint Catharina of Alexandria with palm branch, sword and broken wheel; Candida Quam Fuerit (...) Corpore SANGIS ERAT; Three Holy Martyrs. Saint Catharina of Alexandria kneels with palm branch at attributes of her martyrdom, the sword and broken wheel. A little angel places a wreath on her head.

Christ en H. Anthony, Michel Dorigny, after Simon Vouet, 1640 print France paper engraving / etching temptations of St. Antony Abbot

Saint Francis Receiving the Stigmata. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Lucas Emil Vorsterman after Sir Peter Paul Rubens.

Emblem with man who teaches that he pleases God with good works, Anonymous, After Boëtius Adamsz. Bolswert, after Hendrik Aertssens (II), 1649 print An angel shows a kneeling man to do his good works as a godly person in order to please God. The devil tries to keep him from it. paper engraving the life of man

Ascension of Christ, Theodoor Galle (Possible), after Peter Paul Rubens, c. 1612 - c. 1616 print Christ is led to heaven. There are students and Maria around him. The print is part of a series with scenes from the old and New Testament. Antwerp paper engraving the Ascension (Christ surrounded by radiant light or in a mandorla)

H. Nicolaas appears on Emperor Constantine in a dream. Emperor Constantijn de Great is in bed. The Saint Nicolaas from Myra appears in a dream for him. The saint commands him the three army officers who are innocent to death in innocent. In the background you can see how they are in prison. In the air angels, cherubs and an angel with a flaming sword. In the margin a four-line caption with an assignment in Latin.

Wszyscy Święci w MNK Mochetti, Alessandro (Ca 1760 po 1812), Manno, Francesco (1752 1831)

The Annunciation. Designer: Peter Candid (Pieter de Witte, Pietro Candido) (Netherlandish, Bruges ca. 1548-1628 Munich). Printmaker: Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice). Date: 1587 or later.This accomplished engraving reproduces what is arguably the most important altarpiece painted by Candid for Munich's Church of Saint Michael. At the center of the dramatic composition is Saint Ursula accompanied by virgins. While the print cannot convey the painter's brushwork and use of color, the engraver captured the refinement and intricacy of Candid's style. Museum: Metropolitan Museum of Art, New York, USA.

Vision of Petrus. Peter is wearing a rock in a mountainous landscape. Next to him is a sloped book and above him three angels hold a sheet with all kinds of unclean animals.

Resurrection of Christ ..

Establishment of the cross. Establishment of the cross. Under the representation quote from Luke 23, verse 33.

The Witch of Endor conjures up the spirit of Samuel at the request of Saul.

Christ in the Hof van Gethsemane, Balthasar Bernards, After Bernard Picart, c. 1711 - c. 1720 print Christ pray for his students on the Mount of Olives and is supported by an angel. His students sleep in the background. Amsterdam paper engraving agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Resurrection. Christ, a staff with a vane in hand, floats above his grave. A number of soldiers are shocked. Under the show a caption in Latin.

Martyrdom of the Jesuits in Japan, Schelte Adamsz. Bolswert, After Abraham Van Diepenbeeck, 1628 - 1659 print Martyrdom through crucifixion of the Jesuits Jacobus Ghisai, Paulus Michi and Johannes Gotho in Japan. The text under the show reverses these three martyrs for their beliefs and refers to their canonization on February 5, 1628 by Pope Urbanus VIII. paper engraving Martyrs of Japan. violent death, being killed; being mishandled and maltreated; seeking death (+ death by martyrdom)

Saint Francis of Assisi receiving the stigmata of Christ from the seraph. Engraving by C. Bloemaert, 16--.

Christ in the court of olives. Christ kneels in the court of olives and sees which suffering remains to him by the loose life of humanity. An angel reaches him a chalice. There is a quote from Matthew 26 under the show.

Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti 1760-80 Giuliano Traballesi. Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti. Giuliano Traballesi (Italian, Florence 1727-1812 Milan). 1760-80. Etching and engraving. Prints

Allegorical figures near the hill Golgota. A raised woman is dressed in a star rack and holds a roll of paper and a winch in her hands. Her foot is based on a globe while she has a conversation with the veiled woman who stands next to her. Above the head of the veiled woman burns a flame, a symbol of belief. She points to the Golgota hill in the distance, where Christ hangs on the cross. In the foreground are next to the globe books, a crown and money.

The Holy Trinity surrounded by angels, print maker: Justus van den Nijpoort, (mentioned on object), 1680 - 1691, paper, h 264 mm × w 186 mm

The Annunciation. Artist: Carlo Maratti (Italian, Camerano 1625-1713 Rome). Dimensions: sheet: 8 3/8 x 5 11/16 in. (21.2 x 14.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Resurrection of Christ ..

Christ in the Hof van Getsemane, Charles Howard Hodges, after Peter Paul Rubens, 1808 print Christ prays to God in the court of Getsemane and gets a vision. An angel with a miscarriage appears in the cloud sky. Two of his students are sleeping in the background. London paper sleeping; unconsciousness. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Eliezer promises that he will find a woman for Isaac. Eliezer, the servant of Abraham, swears an oath and promises that he will find a woman for Isaac (Gen. 24: 9). In the background, other servants make camels ready for the journey. The print has a Hebrew, Latin, French, English, German and Dutch caption.

Abraham, with a knife in hand, is about to sacrifice his son Isaac, but an angel prevents him from it. Right a ram in the bushes, which will be sacrificed in Isaak. Left in the landscape The donkey and servants, which abraham had left behind. At the bottom of the margin a reference to the Bible text and the title in Hebrew, English, German, Latin, French and Dutch.

The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.

Divine inspiration looking up to heaven, Noah van der Meer (II), 1775 print The divine inspiration, with a flame on her head, looks up to heaven at Lamb of God, which is sitting on a throne. The lamb is flanked by angels and saints. On either side of the Divine Inspiration a standing woman who reads the Ten Commandments and a sitting woman with the Bible on her lap. In the foreground three putti. Amsterdam paper etching Holy Ghost represented as flames. lamb bearing cross or banner, 'Agnus Dei' ~ symbol of Christ. the seven gifts of the Holy Ghost represented as seven flames. reading the Bible or other religious books. cupids: 'amores', 'amoretti', 'putti'

Kneeld man sees a heavenly vision, Jan Luyken, 1700 print A man is kneeling in a landscape. He sees dark clouds in the sky that are broken by a heavenly light. Behind the kneeling man a globe, symbol for the worldly things he leaves behind. In the background a deer at a stream. Amsterdam paper etching light shining out of the heavens. kneeling figure. 'Mondo', 'Machina del mondo' (Ripa). hoofed animals: deer

Christ captured in the court of Gethsemane. .

Jacques Callot, French (1592-1635), The Burial of the Virgin, in or after 1630, etching

Three men (really angels in disguise) tell Abraham that his ageing wife Sarah will have a child. She is incredulous, but surprises herself by bearing Isaac.

Martyrdom of the Jesuites in Japan. Martyrdom by crucifixion of the Jesuites Jacobus Ghisai, Paulus Michi and Johannes Gotho in Japan. The text under the show honors these three martyrs for their beliefs and refers to their canonization on 5 February 1628 by Pope Urbanus VIII.

The Annunciation. Carlo Maratta (Italy, Camerano, 1625-1713). Italy, circa 1645-1650. Prints; etchings. Etching

Saint Antony of Padua. Engraving by F. Bartolozzi after A. Balestra.

Ascension of Christ ..

The Sacred Bruno. The sacred bruno, founder of the order of the cartrivers, kneels for a appearance of a crucifix in the sky. The crucifix is caught in a monstrans decorated with leaves and is surrounded by seven stars. Angels and putti worship the cross on the clouds. Bruno is kneeling for a tomb and there are a miter and a staff, palm leaves and a skull. In the background, Bruno knebs for an altar with an image of the beheading of John the Baptist. Right right Bruno reads standing from a book. At the bottom of the margin the assignment in Latin.

Last Judgment, Simon Fokke, 1722 - 1784 print Christ drives as a judge on a rainbow in heaven; His feet rest on a globe. Under Him the souls are led to heaven or hell. On earth the dead stand out from their grave to be divided between angels and devils. Amsterdam paper etching Last Judgement

Spiritual kneelt for Maria with child. A spiritual kneels for Maria who sits with the Christ child and surrounded by littlejes on a cloud. His miter, a bishop's staff and cross staff are in the foreground on a pillow.

The apostles around the empty tomb watch the Assumption of the Virgin. Engraving.

Rest on the Flight Into Egypt, Fabio Berardi, After Giovanni Battista Tiepolo, 1738 - 1800 print The Holy Family rests under a palm tree during the flight to Egypt. Joseph shows the Christ child to two angels. Reference to Bible text in Submarga. print maker: Italyafter painting by: Italypublisher: Venice paper etching / engraving rest on the flight into Egypt. angels

Saint Mary Magdalen. Engraving by L. Kilian after H. von Aachen.

Ascension of Christ in the presence of Mary and John and the apostles Two angels look on from the clouds Beneath the scene the title in Latin, four four-line verses in Dutch and a reference to the biblical text in Acts 1:9, Hemelvaart Et quum haec dixisset, aspicientibus ipsis elevatus est: et nubes susceptum eum abstulit ab oculis eorum Passion, Resurrection and Ascension of Christ Royaalbijbel , print maker: anonymous, Abraham van Diepenbeeck, (rejected attribution), Schelte Adamsz. Bolswert, Amsterdam, 1630 - 1652 and/or 1630 - 1702, paper, etching, engraving, h 409 mm × w 514 mm

Christ in the wilderness; Dominica I. Qvadragesimæ. Christ is tested by the devil in the wilderness. The devil asks him to change stones in loaves. In the background, Christ prays to God the Father in heaven, the Holy Spirit drops on him. At different elements from the show are letters that correspond to the legend in the margin.

Lazio Frosinone Vico nel Lazio S. Maria2. Hutzel, Max 1960-1990 Medieval: Architecture, painting, sculpture. The church possesses a late-Romanesque portal and a small campanile. The interior of the church consists of one nave, with a marble main altar and fresco decoration in the church and in the crypt. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anhaght, David .

Vision of the Holy Hieronymus. Maria and the Christ child float in the air. John kneop the Baptist on the ground and points upwards. On the right lies the holy hieronymus to sleep with a crucifix in his hand.

Lot's wife looks back at the flames pouring from Heaven upon Sodom; Lot and his daughters go on ahead. Engraving by R. Sadeler after M. de Vos, 1583.

Maria with child appears to H. Aloysius Gonzaga, Cornelis Galle (II) (Possible), After Abraham van Diepenbeeck, 1625 - 1678 print H. Aloysius Gonzaga kneels for the vision of Mary and Child in heaven. He hands them a lily and points to the ground, where the symbols of secular power (crown, beret and rich apple) lie. In a cartouche under the print the Latin caption "Ego Dilecto Meo, et ad me conversio Eivs. Cant. 7". Antwerp (possibly) paper engraving saints. Madonna: i.e. Mary with the Christ-child. angels. crown (symbol of sovereignty). orb (symbol of sovereignty; sphere with cross on top)

Saul at the Witch of Endor.

Lucia, Saint.

Christ as a twelve -year -old walking between his parents, 1596 - 1659 print Christ as a child runs between Mary and Joseph in the presence of God the Father and the Holy Spirit (Holy Trinity). Under the show is a quote from the Bible text Lucas 2. Antwerp paper engraving Christ returning with his parents. Holy Trinity in which one, two or all figures are represented in human shape. God the Father represented as human being, usually with crown or tiara or sceptre and/or globe. Holy Ghost represented as a dove (in flames)

Saul at the Witch of Endor.

Maria with the dead body of Christ on his lap, sitting under the cross, Pieter de Bailliu (I), After Annibale Carracci, 1639 print Mary with the dead body of Christ on his lap, sitting under the cross. In the margin under a verse in six lines Latin. paper engraving 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary

Christ in the Garden of Olives 17th century Claude Mellan French. Christ in the Garden of Olives 392322

Ark des Covenant, Anonymous, After Jan Luyken, 1683 - 1762 print paper etching Ark of the Covenant ~ Jewish religion

Cross out. The body of Christ is taken from the cross by Nikodemus and Joseph. Maria and Maria Magdalena help them. The thorns crown is located at the foot of the cross. In the margin a three-legged caption with a command in Latin.

Ascension of Christ, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the Ascension (Christ surrounded by radiant light or in a mandorla)

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