Religious Communion Art

Prints illustrating significant moments in Christian faith, including the Last Communion and the descent of the Holy Spirit, featuring intricate details.

Mellin, Charles, Poussin, Nicolas, Italy, Po, Pietro del, The Presentation of Christ in the Temple, verso - stamped, In front of a temple, Mary presents the Christ Child to the high priest, who stands ready to receive him. Other figures look on. Above hover angels and the Holy Ghost in the form of a dove., print, prints, height 521 mm, width 378 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, engraving, engraving (printing process), etching, 1597 - 1649-09-21, Work conception, French, 1594-06 - 1665-11-19, after a design by

Last Communion by H. Hieronymus, Jakob Frey (I), After Domenichino, 1729 print With caption in Latin. San Girolamo della Carità paper etching / engraving last communion, administering of the Holy Viaticum. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Exit of the Holy Spirit, Anonymous, 1700 - 1799 print paper engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

Birth of Maria. .

Worship of kings; Offering the Oostersche ways. Three kings bring gifts and respectfully before the Christ child sitting at Maria on his lap. The present point shows the subject in six languages and reference is made to the Bible text Matthew 2:11.

Ascension of Maria; Paintings and sculptures in Rome. Mary rises to heaven in a cloud of angels; The apostles look after her from the ground. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print.

Holy Family with John the Baptist. In a landscape, Maria is standing against a tree with the Christ child on her shot. On the right, John is the Baptist as a child with animal skin. The left is Joseph and in the foreground are antique remains.

The priests call on Baal and pray for fire; History of Elijah and the Baalpriests. The Baalpries scream and dance around their altar and call on their God Baäl and pray to fire for the burnt offering. In the background you can see how Elia late the old altar on top of twelve large stone blocks.

Johannes de Boper says goodbye to his parents, Pietro Leone Bombelli, after Desiderio de Angelis, after Andrea Sacchi, 1747 - 1809 print John the Baptist says goodbye to his parents before withdrawing into the desert. On the left, mother the holy Elisabet and on the right his father are the high priest Zacharias. Two young women in the background. Bible text as a title in STUDMARGE. Italy paper engraving / etching John the Baptist leaves his parents to go into the wilderness

Marriage of Maria and Jozef, Michel File, After Jouvenet, 1694 - 1738 print publisher: ParisFrance paper engraving / etching Mary and Joseph

Mellin, Charles, Poussin, Nicolas, Italy, Po, Pietro del, The Presentation of Christ in the Temple, verso - stamped, In front of a temple, Mary presents the Christ Child to the high priest, who stands ready to receive him. Other figures look on. Above hover angels and the Holy Ghost in the form of a dove., print, prints, height 521 mm, width 378 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, engraving, engraving (printing process), etching, 1597 - 1649-09-21, Work conception, French, 1594-06 - 1665-11-19, after a design by

Petrus denominated Christ. .

Saint Gregory of Nyssa beholds an angel sitting on the back of a demonic beast and restraining it with chains. Gregory stands on a pedestal. On the obverse the scene in which he prays to God with his deacon as they are chased by Roman soldiers., St. Gregory of Nyssa, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 275 mm × w 174 mm

Personification of Faith gives angel a book, Claude Mellan (Attributed to), 1643 print print maker: Francepublisher: Paris paper engraving Faith, 'Faith'; "Fed ',' Fede Catholic ',' Feddre Christian ',' Fedde Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues. Insignia of the Pope, e.g. tiara

Jona in Nineve, Joseph Mulder, after Gerard Picart, 1720 - 1728 print Jonah predicts the population of the city of Nineve that God will wipe out the city in 40 days. The people kneel from horror and repentance. At the bottom of the margin a reference to the Bible text and the title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper engraving / etching when Jonah arrives in the city of Nineveh he foretells its destruction in forty days

Saint Francis and Jakobus the superior for Mary with the Christ Jind, Giovanni Girolamo Frezza, After Carlo Maratta, 1686 - 1748 print With the Christ child, Mary stands on her arm on an elevation. A level lower kneels the Holy Francis. Jacobus the superior is on the right with a staff and a book. print maker: Italyafter design by: ItalyVaticaanstad paper engraving Madonna: i.e. Mary with the Christ-child. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword

H. Ignatius van Loyola Geneest possessed, Marinus Robyn van der Goes, after Peter Paul Rubens, 1630 - 1639 print The holy Ignatius of Loyola heals a possessed man and wife. Demons disappear in the background. Antwerp paper engraving miraculous healings of St. Ignatius of Loyola (+ devil(s))

Copper engraving by Paulus Pontius from 1631 depicting the Adoration of the Kings, showing the three Magi presenting gifts to the infant Jesus with Mary and Joseph.

Christ touches his bride, Johann Sadeler (I), After Maerten de Vos, 1560 - 1600 print With eight -line caption in Latin. paper engraving Song of Solomon, Song of Songs (with BOOK CHAPTER:VERSE) (+ Christ bearded). Tabernacle, Temple, Synagogue, and other sanctuaries ~ Jewish religion. 'Ecclesia' as bride of Christ (the Lamb), 'Ecclesia sponsa Dei', 'sponsus-sponsa'

Mary worshiped with child by the Saints Thomas and Cecilia, Raffaello Schiaminossi, After Paolo Veronese, 1613 - 1627 print Mary with the Christ child in the midst of clouds and cherubins. Below that, the Holy Thomas and Saint Cecilia kneel with a palm branch and a portative organ. Assignment and three lines of Latin text in the end margin. Print Maker: Italyvatican City paper etching the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. cherubs, i.e. children's heads with wings

Adoration of the Kings, Anonymous, After Theodoor Galle, After Cornelis Galle (I), After Peter Paul Rubens, 1614 - 1683 print Mary and Joseph show the Christ child to the three sages. The three offer the child their gifts. In the background members of their entourage. In the distance, the star shining them led them to the stable in Bethlehem. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

H. Antonius van Padua adores the Christkind, Cornelis Bloemaert (II), After Ciro Ferri, 1678 print Saint Antonius of Padua kneels at a table. A book is a cross and a lily on the table. Antonius looks at the Christ child that floats in the clouds surrounded by angels. Under the performance an assignment in Latin, printed from a second album. Rome paper engraving the infant Christ appears to St. Antony of Padua; he embraces or worships the child

Allegorical show with an old man who points to heaven, Bernard Picart (workshop or), After Bernard Picart, 1716 print Allegorical representation with an old man who points to heaven on an elevation. A young nobleman embraces him and points to the Bible that is held by faith. They are surrounded by the seven free arts. At the back left a river goddess, justice and mars. On the left in the foreground genealogy and chronology. Right in the foreground history and father time that fell asleep. In the background a face on some monuments from Rome. In the margin a motto in Latin (Trahat Sua Quemque Voluptas). Amsterdam paper etching / engraving Father Time, man with wings and scythe. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. 'Historia'; 'Historia' (Ripa). family lineage, pedigree, genealogical tree or table. the liberal arts together with other disciplines Rome

Maria and the Christ child visit a dying. Maria stands with the Christ child in her arms next to the bed of a sick man. Christ stretches his arms to the man. There are several other figures around the bed that come to visit the sick man. Cherubs and putti float above the bed.

Apostle Filippus, Jan Luyken, After Jan Goeree, 1698 print The Apostle Filippus makes a blessing gesture over an angel that is baptized. Philip is on a pedestal where the baptism of the chamberling is portrayed on the front. Print in the middle of it marked: ii part fol: 60. Amsterdam paper etching / engraving the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword. Philip baptizes the Eunuch

Adoration of the Magi, Jacob Matham, Cornelius Schonaeus, Claes Jansz. Visscher (II), 1592 - 1596

Tombination of Christ, 1585 print Christ is placed in the rock grave by Josef of Arimatea and Nikodemus. Around the grave the grieving holy women. In the foreground the passion tools. Under the show a four -line verse in Latin. This print is part of an album. paper engraving Christ's entombment (possibly by angels)

Holy Martina at the feet of Maria, Gerard Edelinck, after Pietro da Cortona, 1666 - 1707 print Saint Martina kneels a book to Mary with the Christ child on her lap. Next to Maria three other people and above her two putti. Under the performance a caption in Latin. print maker: Parisafter design by: unknownpublisher: ParisFrance paper engraving Madonna (i.e. Mary with the Christ-child) accompanied or surrounded by others

Saint with angels. A male saint is kneeling and is flanked by two angels. Above him the Holy Spirit as pigeon and more angels. On the right a papal tiara with a crucifix.

Truth and faith for a relief with the worship by the Shepherds, Jacob van der Schley, 1741 print For a relief of worship by the shepherds, personalies and faith and five putti represent. There are a winch and a trumpet in the foreground. paper engraving / etching adoration of the Christ-child by the shepherds; Mary and Joseph present. Fides (faith) as Roman personification. Truth; 'Verití' (Ripa)

UitsTorting van de Heilige Geest, Gérard Audran, After Charles Le Brun, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving Pentecost: the Holy Ghost descends upon (Mary and) the apostles, sometimes Paul and/or representatives of the nations present (Acts 2:1-4)

The Annunciation 1639 Gabriel Hornstain German. The Annunciation 372034

Bewening, Jean Boulanger, after Sébastien Bourdon, 1670 - 1680 print France paper engraving lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Worship by the shepherds. The holy family in the stable, the shepherds stand and kneel for the child. In the sky angels in the clouds with a spell band: Gloria in Excelsis Deo.

. Anna, the mother of Mary, on her deathbed surrounded by attendees including Maria with the Christ child. Anna looks up to two angel heads and three putti holding a curtain.

The Last Supper, Louis Surugue, After Peter Paul Rubens, 1691 - 1767 print Paris paper engraving / etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Petrus denies Christ, Reinier Vinkeles (I), After Jacobus Buys, 1797 print Amsterdam paper etching / engraving Peter denies Christ, usually before a girl-servant and some soldiers

Assumption and Coronation of the Virgin, from The Life of the Virgin Made 1510 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Saint Francis Receiving the Palm from the Christ Child. Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Wierix after Denys Calvaert.

Peter liberated by an angel from prison, Joseph Mulder, After Bernard Picart, 1720 - 1728 print An angel appears to Peter in prison and tells him he has to get up. The two soldiers next to Peter sleep. At the bottom of the margin a reference to the Bible text and the title in Greek, English, German, Latin, French and Dutch. Amsterdam paper engraving / etching an angel appears, summoning Peter to wake up ~ Peter in prison

The crossing; La Discesa della Croce. The body of Christ is taken by a group of men on Ladders from the Cross. The Maria's mourns at the foot of the cross. Title in Italian in undermarge.

Figures for an altar to which a goddess appears, François Denis Née, After Charles Monnet, 1749 - 1817 print Numbered below: Chant II. paper etching / engraving altar ~ non-Christian religions. sacrifice ~ Roman religion

Saint Theresia of Ávila, founder of the order of the Discalced Carmelites, with folded hands in prayer. She is enveloped in the habit of the Carmelites and is surrounded by putti. An angel has appeared on the left who has pointed an arrow at the praying Theresia. In the sky above the angel stands a triangle, the symbol of God the Father, the foundress of the reformed (Discalced) Carmelites, T (h) eres (i) a or Avila, possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow), triangle (within circle), with eye or tetragram, Trinity (variant), Pieter van den Berge (mentioned on object), Amsterdam, 1675 - 1737, paper, engraving, h 358 mm × w 253 mm

Christ in De Kribbe with saints, Schiavone, 1532 - 1563 print The Christ child lies in a manger and is surrounded by male and female saints. On the left is John the Evangelist with a chalice with a snake on the lid. Italy paper etching Christ-child together with others. saints. female saints

Judit with the head of Holofernes; History of Judit and Holofernes; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Judit with the sword in one hand and the head of Holofernes in the other hand. Her maid keeps a bag open to the head. Behind her the beheaded holofernes in his tent. On the right in the background the army camp of the Assyrians. Under the show a reference in Latin to the Bible text in Judit 13: 9. This print is part of an album.

Aanbidding der herders, Antoine Garnier, anonymous (rejected attribution), after Jacques Blanchard, 1645 - 1694 print France paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Christ and the Canaanite woman. A Canaanitary woman throws himself before Christ healed her daughter, who is tied by a demon.

The Saint Francis and James the Multiple for Mary with the Christ child; Virgini deiparae Iacobo Apostolo et Francisco Assisiati Patronis. Maria stands with the Christ child on her arm on an increase. A level lower kneels the Holy Francis. On the right, James is the superior with a staff and a book.

King David receives his harp, Jan Luyken, 1712 print Amsterdam paper etching David as harpist at Saul's court (1 Samuel 16:14-23)

This copper engraving by Giacopo Giovannini depicts the Virgin Mary preaching, created between 1687 and 1717. The work emphasizes religious teaching and devotional figures.

Copper engraving by Justus Sadeler from the late 16th to early 17th century showing the adoration of the kings, with detailed figures, religious symbolism, and classical composition.

The marriage of Tobias and Sara, Anonymous, After Chrispijn van den Broeck, 1570 - 1580 print Raguel gives Tobias his daughter Sara to wife: they both stand in front of him and he holds both hands. Left front his wife; The angel is the angel at the left. . paper engraving Raguel gives Sarah to Tobias as his wife

Holy family with saints. The Holy Family is sitting on an increase. The Christ child is at Maria on the arm. In the foreground the young Johannes are the Baptist, the Holy Hieronymus, the Saint Francis and the Saint Justina. Numbered at the bottom right: AB. No 5.

Sacred Trinity Troning on the Clouds, Anonymous, 1650 - 1750 print Christ, God the Father and the pigeon of the Holy Spirit thrown on the clouds in heaven. On the left a man and a woman kneel before them. In the foreground different female saints, including Catharina with the Rad and Agnes with the Lamb. Behind it are the church fathers, and behind it the evangelists with their animals. Netherlands paper etching / engraving Holy Trinity in which one, two or all figures are represented in human shape. heaven, celestial paradise, New Earth. the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel. the virgin martyr Agnes of Rome; possible attributes: lamb, ring. the four Latin (Western) Fathers of the Church together: Ambrose (usually as bishop), Jerome (usually as cardinal), Augustine (usually as bishop), Gregory the Great (usually as pope). evangelists, usually with books or scrolls (not in biblical context)

French Reformed Church attacked by man with Gesel, Adriaen Haelwegh, after Jan Luyken, 1694 - 1696 print Two performances of one plate. Above: The personification of the French Reformed Church, the Huguenots, is attacked by a wild man with a scourge. This takes place under approval by personifications of the French kingship and the French Catholic Church. Below a narrow representation of the persecution and expulsion of the Huguenots. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving persecution of believers. the Roman Catholic Church vs. Protestantism; (Reformation and Counter Reformation)

Outpouring of the Holy Spirit; Life and the passion of Christ and of the Virgin Mary. Maria and the students of Christ are in a room to pray. The pigeon of the Holy Spirit appears in the midst of the group. Above the heads of the apostles and Maria fiery tongues, signs of the outpouring of the Holy Spirit in their hearts. The print has a Latin Bible quote as a caption and is the thirteenth print of a fifteenthous series about the life of Christ and the Virgin Mary.

Holy family with angels, Pierre Daret, after Simon Vouet, 1640 - 1678 print France paper engraving Holy Family, and derived representations (+ angel(s))

Adoration by the Kings, Jakob Frey (I), After Carlo Maratta, 1736 print With caption in Latin. Rome paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Etching by Giovanni Battista Bolognini from 1640-1688 depicting Christ giving the keys of heaven to St. Peter, highlighting biblical figures and religious symbolism.

Christ in the manger with saints. The Christ child is in a manger and is surrounded by male and female saints. Left Johannes is the evangelist with a chalice with a snake on the lid.

Isabelle De Bragance. Isabelle de Bragance (1669-1690), Princess of Portugal, sitting down between three female personnifications of faith, hope and love. From above, the personification of religion is increasing and the stairs are in the foreground two angels, one of which holds the weapon of the princess.

De Kruisafneming, Paolo Toschi, After Daniele da Volterra, 1843 print The body of Christ is taken off the cross by a group of men on ladders. At the foot of the cross, the Maria's mourns. Title, assignment and weapon in STUDMARGE. print maker: Parmaafter painting by: Italypublisher: Mannheim paper etching / engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Grégoire Huret from 1664 depicting the doubting Thomas scene, showing biblical narrative and religious figures.

David plays the harp for Saul. In a army camp David plays his harp for King Saul and two other kings.

Meeting of clergy, Jacob Folkema, After Charles Nicolas Cochin (II), 1725 - 1767 print Around a table are clergymen, sheltered by a bundle of heavenly light, busy writing. To the right of this room protected by clouds is a second group of writing clergymen. Anxiously they look at the air filled with lightning bolts above them. paper etching organization, functionaries and dignitaries in Roman Catholic church; clergy in general. light shining out of the heavens. lightning, flash of lightning, thunderbolt

Annunciation, Sciled Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the Annunciation: Mary kneeling

Graphing of Christ. .

H. Justinus de Philosopher, Apologist, Jan Luyken, After Jan Goeree, 1698 print Saint apologet Justinus The philosopher is given a scroll of an angel. Justinus stands on a pedestal where his decapitation has been portrayed on the front. Print in the middle of it marked: II. Part page: 179. Amsterdam paper etching / engraving male saints (with NAME). violent death by beheading

Marriage of The Virgin 16th century Pierre Woeiriot de Bouzey II In Mariette Album, folio 96. Marriage of The Virgin 632428

Maria with child with the client, the apostle Andreas and the archangel Michael, Paulus Constantijn La Fargue, after Anthonie Blocklandt, 1759 print Part of a print to the triptych to Anthony van Blocklandt. The center panel shows the Ascension of Maria, the left panel the worship by the shepherds and the right panel the annunciation. The rear sides of the side panels show Maria with child and on the right the client with the Apostle Andreas and the Archangel Michael. paper etching / engraving Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. the Archangel Michael fighting the dragon (devil, Satan). the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Holy family in a garden, Antonie Wierix (III), After Hieronymus Wierix, 1606 - Before 1619 print Joseph and Mary are kneeling in front of the Christ child and give him flowers. Angels in the background work in the garden. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving Holy Family, and derived representations (+ angel(s)). garden. gardening

Christ and the Samaritan woman, Hans Collaert (I), after Ambrosius Francken (I), 1643 print Christ rests at the Jakobsbron, after he has sent his disciples to the city. On the left they leave for the city. A Samaritan woman comes to draw water and speaks with Christ. Under the show a reference in Latin to the Bible text in John. 4: 6. Amsterdam paper engraving Christ resting at Jacob's well, after having sent his disciples to Sychar. Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug. utilitarian, public pump or water fountain

Tobias and his father give money to the angel; Story of Tobias. Tobit is kneeling for a coffin with finishes and offers it to the angel. Tobias and Anna are behind him.

Allegorical title page with patriarch Abraham and truth; Title page for: Arnold Hoogvliet, Abraham the patriarch, in XII books, S.A .. Truth, a radiant sun above her head, sacrifices a lamb on an altar. In her hands she holds a sacrifice scale and a knife. In addition to her the patriarch Abraham, which holds the chained vanity, idolatry and a man with sentence. For his feet, moderation kneel, with a horse steam to her arm. She grabs to his winged foot. On the left in the background Three shepherds with their herd of sheep.

Abraham and the three angels; History of Abraham; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The three angels visit Abraham and sit at the table, which he has covered for them. They promise him that he and Sara will get a son. Abraham hears the news kneeling. Sara listens in the doorway. Under the show a reference in Latin to the Bible text in Gen. 18.

. The Queen of Sheba (Sheba) visits King Solomon in his throne room. The queen points to her servants. They wear pots with gifts.

H. Cyprianus van Carthage, Jan Luyken, after Jan Goeree, 1698 print The Holy Cyprianus of Carthage points an angel with a miter in his hands on a passage in a book. Cyprian is on a pedestal where his decapitation has been portrayed on the front. Amsterdam paper etching / engraving male saints (with NAME). male saints (with NAME) - martyrdom, suffering, misfortune, death of male saint. violent death by beheading

Church fathers in consideration about the Immaculate Conception, Jakob Frey (I), After Guido Reni, c. 1728 print Rome paper etching / engraving (immaculate) conception of Mary represented symbolically. Doctors (Fathers) of the Church. tetragram (in Hebrew script) ~ Jewish religion

Ascension of Maria, Jacques Callot, 1633 - 1634 print The apostles are around an empty grave and look up, where Mary is received by Christ in heaven. Under the performance a caption in Latin. This print is part of a series of prints around the life of Maria, consisting of a title print and thirteen narrative performances. print maker: Nancypublisher: Paris paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Priests in a round temple, with a woman in a water basin, Daniel Rabel, 1588 - 1637 print A woman comes from a cave on the right in the background. paper etching temple, shrine ~ Greek religion

Saint Carl Borromäus Giving Extreme Unction to the Plague-Stricken. 1700-1754 Johann Daniel Herz the Elder German. Saint Carl Borromäus Giving Extreme Unction to the Plague-Stricken. 368565

Allegory of the Primacy of the True Faith in England, 1688 - 1689 print Allegory on the restoration of true religion in England with the arrival of the Prince of Orange, 1688. Allegory in which a Roman general, William III, accompanied by the Dutch Lion a sealed Bible hand over to the English Virgin, leaving her Lord lying in bed. The English Lord and Burger kneel at the foot. In the air the angel of the revenge of God with lightning bolts and trumpet and the throne truth. In the foreground two women's figures sitting on either side of a Frisian with a performance of Hercules crowned. Northern Netherlands paper etching personifications of countries, nations, states, districts, etc.. Truth; 'Verití' (Ripa) England

Maria with child worshiped by angels. Maria and the Christ child, sitting at a garden vase, get a basket with flowers and fruits offered by two angels. Above left a putto holds a curtain. On the right a parrot.

Boas marries Ruth. In the gate of Bethlehem, a family member of Boaz is releasing from the ten seniors away from his right as a looser by pulling out his shoe. He carries the rights to Boaz. The shoe was the symbol of rule and control. Whoever bought a piece of land did that by putting his foot, his shot foot. Illustration of the Bible text Ruth IV: 1-13 under the show the title in Hebrew, English, German, Latin, French and Dutch.

Destination of the Virgin Maria, Anonymous, After Ventura Salimbeni, in or after 1590 print God the Father and Angels appear on the Blessed Virgin Mary on clouds. Title in Latin in STUDMARGE. print maker: Italyafter print by: Italypublisher: Rome paper etching the Virgin Mary. God the Father. angels. cupids: 'amores', 'amoretti', 'putti'

Copper engraving by Hieronymus Wierix depicting the evangelist Matthew, created between 1573 and 1619, illustrating 16th- and early 17th-century European religious art and New Testament iconography.

Izebel attacked by a personification of piety (Piétas), Abraham Bosse, 1635 print paper etching / engraving Jezebel (not in a biblical context). 'Piety'; "Pieta '(Ripa)

Christ shown to the people (ECCE gay). Christ is presented by Pilatus on a stage to a group of people. Under the show a few lines of Latin text.

Christ Before Pilate: Large Plate, Rembrandt van Rijn, 1635 print paper etching Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Copper engraving by Jan Harmensz. Muller, created around 1600, depicting the adoration of the shepherds with figures, the infant Jesus, Mary, Joseph, and surrounding landscape.

Gravestone of Christ; Christ buried. Christ Dead body is wrapped in cloths after it is anointed by the women at the open grave in the cave. The performance is among the performance in six different languages.

Saint Cyprian of Carthage points an angel with a mitre in his hands to a passage in a book. Cyprian stands on a pedestal where his beheading is depicted on the front, St. Cyprian of Carthage, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 171 mm

Tobits blindness; History of Tobias; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. On the left in the background, Tobit buried the murdered man, who was found on the street by Tobias. After the funeral, Tobit falls asleep against the wall of his house. One of the birds in the litter above his head drops his bird poop on Tobits eyes, making it blind. Under the show a reference in Latin to the Bible text in Tobit 2:10. This print is part of an album.

Islamic men; Of the God's service and the Krygs law of the Mahometers; Title page for: Adriaan Reloand, Treatism of the Mahometanese religion, as part of the Krygs-Regt, 1718.Three Men, Including One With Turban, Stand on a Stage. A Kneeed Man With Turban, Arrow Sleeve And Staff, is seen on the back for the stage. On The Left Are Two Heads.

. Two biblical performances from Luc. 1 and 2. The birth of John the Baptist, and Mary and Joseph report to the census in Bethlehem. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 3.

The Madonna of Saint George

Joseph and the woman of Potifar. Potifar's wife, sitting on her bed, grabs the cloak of the running Joseph.

Abraham and De Drie Engelen, Adriaen Collaert (attributed to), After Maerten de Vos, 1585 print The three angels visit Abraham and sit at the table, which he has covered for them. They promise him that he and Sara will have a son. Abraham belongs to the news. Sara listens in the doorway. Under the performance a reference in Latin to the Bible text in Gen. 18. Antwerp paper engraving the promise of a son is renewed; Sarah, overhearing it, laughs incredulously. Abraham kneels before the angels

Cross instration. Christ on his knees with the cross on the shoulders, pre-pulled to a rope around his waist. In the crowd there are styling women, including Maria and in the foreground Veronica keeps the sweat cloth. The procession is accompanied by a Roman soldier and men on horseback.

Allegorical show with history, father time and a woman with cross and anchor; Title page for: Gerard Brandt, History of Reformation, and Andre Kerkellyke Histories, in and Ontrent the Netherlands, 1671. At an increase is a half-naked woman with a cross and an anchor. Around her a number of putti with a freedom hat, firewood and buoys. Above her an angel with laurel wreath and lightning bolts. For the increase, father is time with oil lamp, sois and hourglass. He holds a book in which history writes. On the left are a woman with book and sickle and two other allegorical figures.

Abraham receives the three angels. At the oak forest of Mamre suddenly three men appear for Abraham's tent. He recognizes them as envoys of God and receives hospitable. Biblical performance from Gen. 18: 8 with the title of the show in six languages in the margin.

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