Religious Copper Engravings

Historical copper engravings illustrating biblical narratives and saints, characterized by detailed compositions from the late Renaissance.

Hieronymus Wierix created a copper engraving between 1573 and 1619 depicting St. Hieronymus, showing the saint with traditional iconography and gestures.

Woodcut by Hans Weiditz showing devotional meditations without text, created after 1515, depicting religious figures and symbolic scenes.

Copper engraving by Jan van der Straet showing Passion scenes from the life of Christ, created between 1580 and 1587, illustrating the crucifixion and related episodes.

Copper engraving by Adriaen Collaert depicting Moses presenting the Ten Commandments on legislative boards, with figures, gestures, and drapery, created between 1587 and 1676.

Copper engraving by Christophe Jegher depicting Christ with Johns boy and a lamb, and the Virgin Mary with child, illustrating religious figures and Christian iconography in 17th-century Europe.

Watch case with the presentation of Christ in the Temple, Anonymous, After Jacques Vauquer, c. 1650 - 1676 print Both left and right of the watch case: a bouquet and flowers in a vase. This print is part of an album. paper etching / engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Book binding with Maria and Kind and Pieter and Paul from the Onze-Lieve-Vrouwebasiliek in Tongeren, prepared at an exhibition about religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print book-cover, binding. Mary standing (or half-length), the Christ-child sitting on her arm (Christ-child to Mary's left) Mechelen

Copper engraving by Nicolaes de Bruyn depicting Joseph interpreting the dreams of Pharaoh and being celebrated in Egypt, created in 1629.

Copper engraving by Gerard Edelinck, 1660-1707, depicting a saint, showing attire, gestures, and composition in a devotional religious scene.

Copper engraving by Jan Wierix, created between 1570 and 1620, depicting Pilate washing his hands and Christ carrying the cross, showing biblical events from the Passion.

Copper engraving by an unknown engraver showing the Resurrection of Christ, 1600-1652.

Copper engraving by Zacharias Dolendo depicting an apostle, produced around 1596, showing detailed religious figure representation and Flemish engraving techniques.

"Copper engraving and etching by Alexis Loir depicting Maria with Child, produced between 1660 and 1703, showing the Virgin Mary holding the infant Jesus in a religious setting."

Holy Agatha, Sacred Dorothea, Holy Romuald by Camaldoli, Holy Paul van Verdun (5-8 February), Jacques Callot, 1632 - 1636 print Sheet with four oval representations, each with inscription and date in Latin: at the top left of the holy agatha whose breasts are cut off by a executioner, at the top right the saint Dorothea bound on a pole, below the holy romuald with a walking stick and a book in your hands, At the bottom left the Holy Paul of Verdun with a palm branch in hand. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. Four scenes of one plate are always printed on one leaf. Including accompanying title page and frontispiece, it concerns a total of 124 plates (490 performances). The three plates with the last 12 scenes (the changeable Christian holidays) were cut into 12 small pictures in the third state, and with a separate title page. print maker: Nancypublisher: Paris paper etching the breasts of St. Agatha are c

Woodcut from mid-15th to early 19th century illustrating Christian scenes, showing figures, religious events, and symbolic elements with detailed composition.

Etching by Cornelis Ploos van Amstel showing Maria with the Christ Child, created in 1769, depicting religious iconography and devotional imagery.

Copper engraving and etching by Jacob Matthias Schmutzer depicting Mary Teresa with a papal bull, including portrait features, attire, and symbolic elements from 1748 to 1811.

Copper engraving by Hieronymus Wierix depicting the Passion of Christ. Created before 1619, illustrating key events leading to the crucifixion and religious figures.

Copper engraving by Antonie Wierix II, created between 1570 and 1620, showing Mary with the infant Jesus, depicted in clouds above a landscape, with detailed figures and gestures.

Copper engraving and etching from the 17th century depicting the triumph of the church through the Eucharist, showing figures, altar, chalice, and composition.

Copper engraving by Louis Cossin depicting the Christ child wearing a crown of thorns, created between 1647 and 1706, exemplifying 17th-century religious engraving.

Copper engraving depicting the Annunciation to Mary, created by Nicolas Beatrizet between 1530 and 1565, showing the angel Gabriel and Mary in a religious setting.

Copper engraving and etching by an unidentified engraver from 1520-1650 depicting Christ with the apostles, showing detailed figures, gestures, and composition in a religious scene.

Holy Medicus of Autun, Saint John the Baptist, Sacred Fiacrius of Brie, Gordel by Maria (29-31 Augustus); All saints and the Christian holidays of the year. Leaf with four oval performances, each with inscription and date in Latin: at the top left of the holy musician of Autun who speaks to three monks, at the top right of the holy John the Baptist, the bottom right The Sacred Fiacrius of Brie that surrounds a garden, at the bottom left one Bishop with a belt in hand on a stage. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the third, and spent with a separate title page.

Copper engraving by Johann Sadeler d. Ä. from 1570-1600 depicting Mary holding the Christ Child, showing their figures, gestures, and devotional context.

Heilige Maximilianus van Pongau, Heilige Garpus, Heilige Daniël en Heilige Angelus, Heilige Fortunatus van Todi (12-14 oktober); Alle heiligen en de Christelijke feestdagen van het jaar.Leaf with four oval performances, each with inscription and date in Latin: at the top left of the holy Maximilian of Pongau in bishopskleding, at the top right of the Holy Garpus with miter on kneeling for a light in the sky, bottom left of the Holy Daniel and Saint Angelus during their decapitation , At the bottom right The holy fortunatus of Todi dispensing with a cross diabolical beings. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the third, and spent with

Bible histories from the Old Testament. Leaf with 4 performances of stories from the Old Testament. The Garden of Eden, the expulsion of Adam and Eve from Paradise, Cain and Abel with sheep in a meadow and Cain that shows repentance after the murder of Abel. Under each image the corresponding bible text. Numbered upper left: No. 5.

Holy Philippus and Holy Jakobus De Minneere, Sacred Athanasius The Great, Cruising Experience, Saint Pelagia of Tarsus (1-4 May); All saints and the Christian holidays of the year. Leaf with four oval performances, each with inscription and date in Latin: top left the apostles Philip with cross staff and Jacobus the lesser with a bat side by side, at the top right the holy Anastasius on horseback at a gate, bottom left of the Holy Helena with the cross and the three Nails, the right-hand pelagia in a bull standing above a fire. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the third, and spent with a separate title page.

Saint Benignus van Dijon, Christ with Mary and many saints (All Saints), angels pull the sky into the sky (All Souls), Saint Hubertus van Liège (1-3 November); All saints and the Christian holidays of the year. Leaf with four oval performances, each with inscription and date in Latin: Above the holy Benignus of Dijon that lets a pagan image broken, top right Christ with Mary and many saints, lower angels that revoke the sky from a fiery, hellish place , Bottom left the Holy Hubert who sees a crucifix in the antlers of a deer. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the third, and spent with a separate title page.

Face on betania; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. View of the village of Betania, with an emerging or setting sun on the right. Christ is among the wall with some disciples. The print is part of an album.

Raphael Sadeler the Elder created a copper engraving between 1580 and 1632 illustrating female saints and martyrs with halos, garments, and symbolic attributes for a book.

Copper engraving by Cornelis Galle the Elder depicting Jesus Christ on a title page, created around 1674, showing Flemish engraving techniques and religious imagery.

After his resurrection, Christ shows himself to Semida and Cidli, C. Forsfell, 1804 print The print is part of an album. Haarlem paper etching / engraving raising from the dead. appearances of Christ after the Resurrection

Copper engraving print by Philipp Galle, created 1575-1582, depicting the actions of the apostles with biblical scenes, figures, and religious context of the 16th century.

Musicerende Englen, Giovanni Cattini (Attributed to), 1740 print A group of music -making angels on clouds. print maker: Italypublisher: VeniceVenice paper engraving angels. angels singing, making music. lute, and special forms of lute, e.g.: theorbo. organ. flute, aulos, tibia

Copper engraving and etching by Pieter de Bailliu depicting Christ, the Virgin, twelve apostles, Paul, and Joseph, created between 1650 and 1684, showing multiple religious figures in a narrative composition.

Bible histories from the New Testament. Leaf with 4 performances of stories from the New Testament. John the Baptist preaches to the crowd, worship by the shepherds, the three points at Herodes and the flight to Egypt. Under each image the corresponding bible text. Numbered upper left: No. 1.

Saint Abundius of Cordoba, Saint John Gualbertus, Holy Marciana of Toledo / Caesarea, Saint Anacletus (11-13 July); All saints and the Christian holidays of the year. Leaf with four oval performances, each with inscription and date in Latin: Above left the sacred abundial of Cordoba being robbed by two men with turbans on the head, at the top right of the sacred Johannes Gualbertus kneeling for a cross to which a Christ image that tends to John, At the bottom left of the Holy Marciana that is attacked by a bull in an arena, the right of the Holy Pope Anacletus opposite a group of audience. This print is part of a series of prints with representations of the saints and the Christian holidays of the year. There are always four scenes of one plate printed on one sheet. Including associated title page and frontispiece it goes in total to 124 plates (490 performances). The three plates with the last 12 scenes (the variable Christian holidays) have been cut into 12 small pictures in the thir

This 17th-century etching depicts the Cross of Christ, focusing on its symbolic and religious significance.

Picture frame with tree from jesse. A picture frame with the Jesse tree. In the middle of Jesse or Isaï. A tree grows from him in which various Royal Front Fathers of Christ sit. The tree is awarded Mary with the Christ child in the middle of the above.

Communion of the Apostles, Giovanni Cattini (attributed to), 1740 print Christ offers bread and wine to the apostles. print maker: Italypublisher: VeniceVenice paper etching / engraving communion of the apostles: Christ giving bread (host) and/or wine to the (standing) apostles

Photo production of a print by Eduard Mandel of the Madonna Colonna by Rafaël, Joseph Cundall (Possible), After Eduard Mandel, c. 1859 - in or before 1869 photograph photographic support albumen print Madonna: i.e. Mary with the Christ-child

A copper engraving print by Nicolas Bazin created between 1653 and 1710 depicting Christ on the cross, showing crucifixion, figure, and religious composition.

Copper engraving and etching by Pieter de Bailliu depicting Christ, the Virgin Mary, the twelve apostles, Paul, and Joseph, created between 1650 and 1684.

Watch case, bouquets and flower vases, anonymous, After Jacques Vauquer, 1631 - 1736 print Watchcase with the presentation of Christ in the temple. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Netherlands (possibly) paper engraving

Woodcut by Leonhard Beck from the early 16th-18th century depicting Saints Modicus and Modoaldus, showing figures, attire, gestures, and composition.

A woodcut by Leonhard Beck depicting Saint Aldegundis and Saint Chlodulphus from the Sipp family related to Emperor Maximilian I., showing detailed saintly figures and devotional iconography from the early 16th to 18th century.

Doornenkring van Christus, Jan Harmensz. Muller, after Lucas van Leyden, 1800 - in or before 1891 print Is part of a cover with fourteen prints. paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Descent into the pre-assigned, cross-taking, standing, burial laying; The little passion. The seventh series of four scenes from the prents series 'De Kleine Passie', here yet failed with 4 images on 1 leaf. Top left: Christ frees souls from the pre-borne. At the top right: the body of Christ is taken from the cross. Bottom left: Died Christ is grown by his mother, Maria Magdalena and Johannes de evangelist. Bottom right: the body of Christ is laid in a grave.

Woodcut by Hans Weiditz from 1520 depicting devotional meditations, showing figures, gestures, and religious composition.

Last Judgment, Cornelis Visscher (II), After Peter Paul Rubens, 1640 - 1650 print Christ sits troning as a judge on a cloud in heaven in the Last Judgment. He makes a gesture and is surrounded by angels, kings, church fathers and his apostles. Above him a pigeon flies and God lies with the globe on a cloud. Among the angels, women and men are attacked by all kinds of devils and animals and taken to hell. Haarlem paper engraving Last Judgement

Reproduction of four prints of angels by Crispijn van de Passe, Anonymous, After Crispijn van de Passe (I), After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography angels

Copper engraving by Antonie Wierix II from 1570-1620 depicting Christ and Mary, showing figures, gestures, garments, and religious symbolism.

Watch case, bouquets and flower vases; Watch cabinets: lids and sides. Watch case with the presentation of Christ in the temple.

Copper engraving by Jean Boulanger depicting the Holy Virgin Maria, created between 1628 and 1680. The print shows her figure, attire, and posture.

Copper engraving by Claude Mellan, 1625, depicting Saint Katharina of Alexandria with religious attributes and detailed figure.

Lithograph by Bartholomeus Breenbergh depicting St. Francis, showing figure, attire, pose, and religious context.

Jacques Callot, St Mary of Mont Carmel; St Raineldis; St Alexis; St Arnold of Metz St. Mary of Mont Carmel; St. Raineldis; St. Alexis; St. Arnold of Metz

Copper engraving by Natale Bonifacio depicting the Tree of the Three Religions associated with St. Francis, created between 1555 and 1592

Reproduction of the Sixtine Madonna by Rafaël, in the Gemäldegalerie Alte Meister in Dresden, Photographic Gesellschaft Berlin, after Rafaël, c. 1890 - in or before 1895 photomechanical print Berlin paper Mary standing (or half-length), the Christ-child in front of her, close to her bosom; sitting Gemäldegalerie Alte Master

Copper engraving by Gilles Rousselet from 1620-1686 depicting Christ presented to the people, emphasizing figure, gesture, and religious context.

Copper engraving and etching involving Georg Friedrich Schmidt depicting church dignitaries, produced in the 18th century.

Biblical histories from the New Testament, 1866 - 1871 print Leaf with 4 performances of stories from the New Testament. The Kananese wife, the blind Bartimeüs, the food of five thousand and Zacheüs in a fig tree. The corresponding Bible text under each image. Numbered in the top left: No. 5. Amsterdam paper letterpress printing New Testament. a Canaanite woman kneels before Christ, asking him to heal her daughter; the metaphor of the dogs and bread (Matthew 15:21-28; Mark 7:24-30). healing of two blind men, or one (Bartimaeus), sitting near Jericho (Matthew 20:29-34; Mark 10:46-52; Luke 18:35-43). multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14). calling of Zacchaeus, who is sitting in a fig-tree (Christ passing through Jericho)

Photo production of a drawing, representing a sermon of John the Baptist. .

Worship by the shepherds; Title page for: J. Sybrandi, Follow Me! Words from foundation for Christian life, 1854. Maria is next to the Christ child that lies in a manger. On the left are the three shepherds. In the background Jozef at the OS and Donkey. Above the whole a crowd of angels.

A copper engraving by Jacob Matham, circa 1601, depicting the Holy Family with a sleeping child Jesus in a round composition with detailed figures and symbolic elements.

Jacques Callot, St Simeon; St Gabinius; St Eucharius; St Silvanus St. Simeon; St. Gabinius; St. Eucharius; St. Silvanus

Etching by Albert Flamen from 1637-1692 showing emblems of the Eucharist for book illustration, featuring symbolic religious figures and motifs.

Copper engraving by Johann Gotthard von Müller between 1762-1830 depicting Saint Katharina, showing figure, attributes, and compositional elements.

Copper engraving and etching by Jean Marie Leroux depicting 'The Virgin with the Star,' created around 1840.

Exodus of the Remonstrant Priekants, 1619. Exodus of the Remonstrant pastors. Presents from cars with remonstrant pastors who leave after their exile on the Synod of Dordrecht from The Hague to Waalwijk, July 6, 1619.

Copper engraving by Adriaen Lommelin from 1654-1673 depicting the four evangelists, each with their symbolic attributes, illustrating religious figures and iconography.

Copper engraving and etching by Virgil Solis depicting biblical scenes from the Gospels, including figures, gestures, and settings.

Easter cards depicting flowers and angels.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Flowers, Angels, Christianity

Bible child prints. Leaf with 4 performances of stories from the Old Testament. An angel appears at Elijah, the Ascension of Elia, Jonah is thrown on dry land and the prophet Amos in a landscape. A Bible text under every image. Numbered at the top right: No. 10.

Portrait of Jowalla Nath, a Pandit from Saharanpur, c. 1859 - in or before 1869 photograph Saharanpur photographic support albumen print human races; peoples; nationalities

Nicolas de Larmessin IV's etching and copper engraving (1735-1741) depicts John Tillotson, Archbishop, showing formal attire, clerical symbols, and religious context in classical composition.

Christmas and New Year's wish for 1948-1949 by Mansueto Fenini, Pietro Francovich, 1948 print Worship by the kings. With the text: 'Gloria in altissimis deo et in Terra Pax hominibus Bonae Voluntatis'. At the bottom of the text: 'Natale 1948' and 'Capodanno 1949', as well as the name of the sender. paper printing block adoration of the Christ-child ~ Christ's birth. Christmas card

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