Religious Copper Engravings

A collection of historic copper engravings depicting biblical scenes featuring figures, symbols, and intricate details. Engravings span various religious narratives.

Copper engraving by Josef von Führich from 1836 showing the fourteenth Station of the Cross, depicting the burial of Jesus with mourners, figures in varied poses, and draped garments.

Copper engraving by Cornelis Galle the Elder showing the title page for Balthasar Cordiers work depicting sixty-five Greek Church Fathers in St. Luke, including figures, symbols, and decorative elements, created in 1628.

Copper engraving by Egbert van Panderen showing the three Marys at Christ's grave and the risen Christ, created 1595-1637. The print depicts the biblical scene with figures in a religious narrative.

Copper engraving by Crispin van de Passe from 1584-1637 depicting the Adoration of the Magi, showing figures, gifts, gestures, and biblical context.

Copper engraving by Josef von Führich from 1836 showing the fourteenth Station of the Cross, depicting the burial of Jesus with mourners, figures in varied poses, and draped garments.

Copper engraving by Crispin van de Passe from 1584-1670 depicting the temptation and baptism of Christ, showing figures, gestures, and biblical context.

Copper engraving by Hieronymus Wierix depicting Saints Cecilia and Lidwina, created between 1573 and 1619, illustrating detailed religious iconography in the Flemish engraving tradition.

Zacharias Dolendo produced a copper engraving between 1596 and 1598 illustrating the Passion of Christ, including key scenes from the crucifixion.

Etching by Sisto Badalocchio depicting the Holy Family with John the Baptist as a child and the Holy Family with the mystical wedding of St. Katharina, created 1605-1620.

Etching by Vespasiano Strada depicting angels carrying the dead body of Christ alongside the Holy Virgin with child, created between 1600 and 1622.

Copper engraving and etching by Cornelis Cort depicting Maria Lactans, showing the Virgin Mary breastfeeding the infant Jesus, created between 1540 and 1570.

Etching by Dirck van Baburen depicting the grave of Christ, created between 1617 and 1624, showing the burial scene and religious figures in early 17th-century Dutch printmaking.

Copper engraving by an unknown artist from 1618-1650 depicting Saint Dionysius of Paris with religious iconography and figure.

Copper engraving and etching by Gijsbert van Veen depicting the Holy Family with John the Baptist as a child, angels, and grapes, illustrating religious symbolism and devotion.

Etching by Michael Willmann depicting the family tree of Christ, created in 1675, showing genealogical connections with figures and symbolic elements.

Copper engraving and etching by Crispin van de Passe, created between 1584 and 1647, depicting Mary with the Christ child and John the Baptist child, representing the Holy Family.

Copper engraving by Johann Sadeler d. Ä. from 1576 depicting the death of the Virgin Mary, showing figures mourning around her bed in a devotional setting.

Copper engraving by Jan van der Straet depicting the Passion, death, and resurrection of Jesus. Produced between 1580 and 1587, it illustrates crucifixion, resurrection, biblical figures, and Christian religious iconography.

Copper engraving and etching by Mattheus Borrekens depicting Saint Henry and Saint Cunegundis, showing two religious figures with robes and symbolic attributes, created between 1630 and 1670.

Lithograph by Josef von Führich from the 19th century depicting the crucifixion and resurrection of Christ, showing figures and setting.

Copper engraving by Philipp Galle, 1563-1564, depicting the birth of Christ and the adoration of the shepherds in biblical scenes.

Copper engraving by Johann Sadeler the Elder depicting King David before an altar with a burnt offering, alongside Solomon and Bathsheba, created in 1586.

Copper engraving and etching by Adriaen Collaert, 1560-1618, showing the crucifixion and resurrection of Christ with figures, gestures, and ornamented frame.

Julius Goltz created a copper engraving between 1575 and 1595 depicting the Assumption of the Virgin Mary and the Rosary Madonna, showing figures in religious iconography.

Etching by Pietro Testa from 1628-1650 depicting Saints Rochus and Nicholas before the Virgin Mary with the child, showing religious figures and gesture.

Etching by François Perrier from 1610-1650 depicting St. Augustine in front of Mary holding the child Jesus, emphasizing figures, gestures, and composition.

A copper engraving by Paulus Pontius from 1620-1658 depicting the Annunciation to Mary, showing angel, Mary, and architectural interior elements.

Copper engraving by Adriaen Collaert, circa 1598, depicting the Passion of Christ, including crucifixion, carrying the cross, and other biblical events showing suffering and devotion.

Copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting the Holy Family with Jesus, Mary, and Joseph, including figures, gestures, and symbolic elements.

Copper engraving by Jérôme David in the 17th century depicting the Circumcision of Jesus and the outpouring of the Holy Spirit, showing figures, religious setting, and details.

Copper engraving by Cornelis Galle the Younger depicting the martyrdom of St. Agatha and St. Mary Magdalene of Pazzi, dated 1627-1678.

This 16th-century etching titled 'Announcement to Maria' portrays the Annunciation, illustrating the angel Gabriel's message to the Virgin Mary.

Pilatus washes his hands, Adriaen Collaert, c. 1580 - c. 1590 print Pilatus washes his hands. Part of the press series about the passion of Christ: Passio et Resurrectio D.N. Esu Christi. Edita et Excusa Ab Ad. Collaert. In Prentalbum with two series of 34 and 24 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving Pilate washing his hands (in innocence)

Copper engraving and etching by Hans von Aachen from 1588 depicting the Adoration of the Shepherds, showing the infant Christ, Mary, Joseph, shepherds, and animals in a detailed 16th-century European religious composition.

This copper engraving by Nicolaes Lauwers, created around 1638, depicts the burial of Christ, showing figures in mourning and emphasizing religious context and detailed composition.

Copper engraving by Johann Sadeler the Elder depicting the flagellation of Christ, accompanied by representations of the four evangelists. Created between 1570 and 1600, the print shows Christ being scourged with detailed figures and biblical symbolism.

An etching by Michel Dorigny, created between 1637 and 1665, depicting the Adoration of the Kings, showing the biblical Magi presenting gifts to the infant Jesus, with detailed figures and compositional arrangement.

Etching by Cornelis Schut showing 'Amor Dei' with Mary and the child, made between 1615 and 1655. The artwork portrays divine love through the maternal and infant figures.

Copper engraving and etching by Jean Audran made between 1687 and 1722 portraying the Savior with precise religious depiction in European baroque print style.

This copper engraving and etching by Crispin van de Passe, created between 1584 and 1637, depicts the three crosses and various Passion scenes, illustrating Christ's crucifixion and surrounding figures.

Copper engraving by Pierre Dufour from 1565-1610 depicting the Holy Family with St. Elisabeth and young John the Baptist, illustrating a biblical proclamation.

Copper engraving by Theodor Galle showing the Annunciation to Mary, circa 1614, as a book illustration.

Copper engraving by Hieronymus Wierix from 1570-1620 depicting the birth of Christ and worshipping figures, showing gestures, setting, and religious symbols.

Copper engraving by Cornelis Cort, 1568, illustrating 'The Cross Acceptance', with figures supporting and witnessing Christ carrying the cross.

Copper engraving and etching by an unknown artist depicting the Holy Family, created between 1700 and 1800, illustrating Mary, Joseph, and the child Jesus in domestic setting.

Etching and copper engraving by Alphonse François depicting the mystical marriage of St. Catharine. Produced between 1840 and 1888, it shows figures, gestures, and religious symbolism.

Copper engraving and etching by Johann Matthias Kager from the 16th-17th century depicting St. Hieronymus and Christ appearing to St. Franz with figures and symbolic elements.

An etching by Wenzel Hollar showing a generic saint, created between 1627 and 1677, illustrating religious dress and symbolic attributes.

Copper engraving by Cornelis Galle the Elder depicting the Adoration of the Kings, created between 1596 and 1650, showing the three Magi presenting gifts to the Christ child.

A copper engraving by Jean Leclerc illustrating scenes from the life of Saint Ignatius of Loyola, created in 1612.

Etching by Giovanni Maria Viani depicting the vision of Saint Anthony between 1660 and 1700, showing figure, gesture, religious symbols, and visionary elements.

This 1618-1619 copper engraving by Nicolaes de Bruyn depicts the Passion of Christ, emphasizing detailed figures, composition, and narrative of the biblical event.

Copper engraving by Johann Sadeler the Elder created between 1570-1600 depicting a saint in traditional Christian iconography, showing devotional gestures and holy attributes.

Copper engraving by Aegidius Sadeler the Younger, 1593, depicting the Holy Family with John the Baptist as a child and Saint Barbara, with figures, gestures, and symbolic elements.

Copper engraving by Johann Sadeler the Elder, 1570-1600, showing the sacrament of the Eucharist and scenes from the Last Judgement with religious figures.

Copper engraving by Jacob Matham depicting the burial of Christ, created in 1594.

Copper engraving by Harmen Jansz. Muller depicting Saint Augustine, created around 1585, showing the figure, pose, and religious attributes.

Etching by Gérard Audran between 1680 and 1703 depicting Saint Bruno, showing the saint in traditional religious iconography.

Copper engraving and etching by Raphael Sadeler the Elder created between 1580 and 1632 depicting St. Francis in the wasteland and St. Johannes Capistranus, showing human figures, landscape, and religious context in late 16th- and early 17th-century style.

Copper engraving by Jan Pietersz. Saenredam depicting the daughters of Israel singing praises to King David, created in 1600.

Copper engraving by Jan Witdoeck depicting Mary with the child Jesus and John the Baptist in a landscape, produced between 1620 and 1662, showing biblical figures in natural surroundings.

Copper engraving by Philipp Galle created around 1577 depicting the preparation to identify sinners, showing human figures, gestures, and religious context in 16th-century style.

Copper engraving by Marten de Vos depicting a village festival, created between 1620 and 1676. The print illustrates social gathering, rural setting, and festivities in detailed line work.

Copper engraving by Johannes Galle depicting the Holy Trinity, circa 1614.

Copper engraving by Claude Goyrand from the 17th century depicting Maria Magdalena and Saint Teresa, showing figures, gestures, and religious elements in a traditional Christian setting.

Copper engraving and etching by Lucas Kilian from the 16th-17th century depicting Christs Passion, emphasizing sorrow and pity through detailed figures.

This book illustration etching by an unknown engraver, created between 1780 and 1840, depicts a cross application, highlighting composition, gesture, and religious symbolism.

Copper engraving by Johann Sadeler d. Ä. from 1570-1600 depicting St. Peter, showing his figure, attributes, and gestures in a biblical setting.

Copper engraving by Johann Sadeler the Elder depicting Saints Blasius and Quiriaco, created in the 17th century, illustrating religious figures, attire, and 17th-century devotional context.

Giovanni Battista Franco's etching 'Cross Acceptance of Christ' depicts Christ's crucifixion, showcasing Franco's skill in capturing dramatic religious scenes.

Maria Magdalena Oints the feet of Christ, Adriaen Collaert, After Cornelis Galle (I), After Maerten de Vos, c. 1580 - c. 1590 print Maria Magdalena is anointing the feet of Christ. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving Christ's feet are anointed by Mary (Magdalene)

Christ heals the blindborn; Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. Christ heals a man who was blindly born. Part of the print series about the life of Christ: Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. In PrentalBum with two series of 34 and 25 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving by Adriaen Collaert, circa 1598, depicting major events in the life of Jesus, including baptism, miracles, and interactions with disciples.

Woodcut by Albrecht Dürer after 1508 depicting the crowning of Christ and Pontius Pilate washing his hands, showing figures, gestures, and architectural elements.

Etching and copper engraving by Dominicus Custos from the 16th-17th century depicting the Crucifixion and Maria at the grave of Christ, with figures, gestures, and landscape elements.

Copper engraving and etching by Johann Matthias Kager from the 16th-17th century depicting the adoration of the shepherds and the baptism of Christ in the Jordan, showing figures, gestures, and religious symbolism.

Copper engraving by Adriaen Collaert depicting the life of Jesus, created around 1598. The work shows biblical figures, events, and composition details.

Moving of Christ; Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. Moving of Christ. Part of the print series about the passion of Christ: Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. In PrentalBum with two series of 34 and 24 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving and etching by Charles Simonneau between 1665 and 1722 depicting Jesus attached to the cross with detailed crucifixion imagery of the European baroque period.

This copper engraving by Nicolaes Lauwers, created around 1638, depicts Mary with the child Jesus as the Holy Family, emphasizing religious significance and detailed figure work.

Copper engraving by Cornelis Galle the Younger II from 1627-1678 depicting a saint. The print shows the figure, attire, posture, and symbolic attributes in 17th-century European style.

Flogging; Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. Shooting of Christ. Part of the print series about the passion of Christ: Passio et Resurrectio D.n. Iesu Christi. Edita et Excusa ab Ad. Collaert. In PrentalBum with two series of 34 and 24 engravings respectively with scenes from the life and breast story of Christ.

This etching by Odoardo Fialetti, 1590-1638, depicts Mary with the Christ child, showing figures, gestures, drapery, and devotional setting.

Etching and aquatint by Karl Russ, 1801, depicting the Holy Family with Jesus, Mary, and Joseph, illustrating biblical figures in interior setting.

Copper engraving by Adriaen Collaert depicting the Passion, death, and resurrection of Jesus. Produced between 1580 and 1587, it shows biblical figures, crucifixion, resurrection, and religious iconography.

Copper engraving by Theodor Galle depicting Saint Catherine of Alexandria and Saint Ursula, created between 1591 and 1633. The print shows the saints with traditional iconography and symbolic attributes.

An etching by Pietro del Pò produced between 1650 and 1670 known as 'Spring Christ,' depicting a biblical theme.

Copper engraving by Adriaen Collaert, created around 1598, showing key moments from the life of Jesus with figures, gestures, and symbolic religious elements.

Woodcut by Leonhard Beck from the early 16th-18th century depicting Saint Lucius and Saint Rupertus, showing their figures, poses, attributes, and religious symbolism.

Copper engraving by Johann Sadeler the Elder from 1598 depicting a saint, showing figure, pose, garments, and religious symbolism.

Etching by Pietro Antonio de Pietri depicting the Madonna and a saint interceding for penitents in purgatory, created in 1694, showing figures, gestures, and religious symbolism.

Copper engraving by Claude Mellan from 1620-1688 depicting multiple female saints in religious iconography.

Copper engraving and etching by Jean Couvay, created between 1620 and 1694, depicting Mary with the child Jesus as part of the Holy Family.

A copper engraving by Sébastien Bourdon depicting Jesus healing those possessed by demons, produced in the mid-17th to 18th century.

The woodcut by Niclas Stör after 1500 depicts the Seven Sorrows of Mary, showing the Virgin Mary, sorrowful events, figures, gestures, and background in early 16th-century European religious art.

Copper engraving by Cornelis Cort from 1566-1575 depicting the Holy Family with young John the Baptist, showing figures, gestures, and interior or landscape setting.

Copper engraving depicting Saint Jerome, showing the saint in religious attire with symbolic objects, created between 1550 and 1600.

Copper engraving by Hieronymus Wierix showing a man taking up his cross to follow Christ during a sermon in a church, created between 1570 and 1572.

Copper engraving by Schelte Adamsz. Bolswert from 1630-1659 depicting the Holy Family with a goldfinch, showing figures, gestures, and religious symbolism.

Copper engraving by Hieronymus Wierix, created between 1573 and 1612, depicting Mary with the infant Jesus, Saint Anna, Saint Elisabeth, and John the Baptist as a child, with devotional gestures and drapery.

Copper engraving by Pieter de Bailliu depicting the burial of St. Peter, produced between 1633 and 1660.

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