Religious Engravings

Intricate engravings representing biblical stories and allegorical scenes, emphasizing spiritual themes and dramatic expressions.

Personification of the soul with faith, hope and love, Cornelis van Caukercken, after Anthony van Dyck, c. 1640 - 1680 print A woman, the personification of the soul, with three naked children who symbolize the cardinal virtues, hope and love. The children climb on her lap and back. Under the show a verse in Dutch. paper engraving the Three Theological Virtues

La walse,' 1810, by Hannah Humphrey. Published in London by chez H. Humphrey, St. James Street. The engraving measures 21.2 x 28.7 cm and depicts a waltz dance, featuring caricatures and cartoon elements

Gerhard Ludvig Lahde (1765-1833); Guercino (1591-1666), Terpsichore et KalliPe, (1791)

Image reproduction: Antoni Brodowski (1784-1832), Saul's anger on David; early 20th century (1784-00-00-1809-00-00);

Libyan Sibille; Sibylla Libyca; Ten sibilles; Sibillaru decem. The Libyan Sibille standing with a sheet of paper in hand. On the right a look through a landscape. Title in undermarge and numbered at the bottom left: 2.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Elegia Elegy (from the collection of Karol Lilpop); from: `Kłosy` 1876, no. 598 (December 14), p. 377. Gorazdowski, Edward (1843-1901), graphic artist, Maszyński, Julian (1847-1901), draughtsman, cartoonist, Kłosy (Warszawa ; drzeworytnia ; 1865-1890), publisher

History. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 330 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Cadmus and Hermione metamorphosed into serpents from Ovid's Metamorphoses. Copperplate engraving by W. Walker after an illustration by Charles Eisen from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Celebrating company for a prince No uncommon Treasure can give true pleasure (title on object), A man with a winch and a kneeled figure with a basket for a female prince. In the background a company with musical instruments, ruler, sovereign - BB - female ruler, lyre, cithara, psaltery, more than one musician with instrument, kneeling figure (left side visible, left - (left hand, left foot, etc.) )), Willem van Senus (mentioned on object), Netherlands, 1811, paper, h 99 mm × w 137 mm

La Coaltion n.d. Esprit Antoine Gibelin French. La Coaltion 385448

A Tale of Love.. Unknown

London, Poggi, Antonio, Kauffmann, Angelica, Italy, Bartolozzi, Francesco, Shakespeariana, Birth of Shakespeare, verso - handwritten in brown ink, The young William Shakespeare together with a Muse in a landscape. On the right are two masks (tragedy and comedy)., print, engraving, prints, engravings, verso - stamped, N. 282., height 435 mm, width 344 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1782-01-08 - 1782-01-08, paper, etching, etchings, stippelgravure, kleurdruk, 1741-10-30 - 1807-11-05, after, after painting by, Publication (Event), Publication, publisher

Jupiter en Sémélé, Jean Baptiste Haussard, After Giulio Romano, After Perino del Vaga, 1729 - c. 1740 print Numbered below: 59. paper etching / engraving Jupiter wooing Semele

A Berlioz (grande planche) , Composers, Supernatural beings, Trumpets, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jan Gerritsz van Bronckhorst after Cornelis van Poelenburch, Venus and Cupid, 1636 Venus and Cupid

Gehoor, Élisabeth Lépicié, After Hendrick Goltzius, 1741 print paper engraving hearing, listening (one of the five senses)

Pyramus and Thisbe. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 2 3/16 in. (5.5 cm). Date: ca. 1529. Museum: Metropolitan Museum of Art, New York, USA.

Wenzel Hollar etching showing Colonnola Colonna, created 1650, depicting architectural or sculptural elements with precise lines and composition.

L'oeuvre d'Antoine Watteau (volume I). Dated: c. 1740. Medium: 1 vol: ill: engravings by various artists after Watteau. Museum: National Gallery of Art, Washington DC.

CONTRAPORTADA - GRABADO DE JUAN IRIARTE DEL LIBRO "OBRAS SUELTAS" DE JUAN DE IRIARTE - MADRID - 1774. Author: MANUEL SALVADOR CARMONA (1734/1820). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

Two Muses, Leo Paul Johannes Stracké, After Polidoro Da Caravaggio, 1869 print Two standing women or muses, one with a roll of paper in their hands, the other with a tablet. Netherlands paper engraving single Muses

Le jeune malade , Dancers. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Coronation of a soldier (in box with 43 drawings). .

Woman with winged children in a meadow, Hans Thoma, 1915 print Karlsruhe (possibly) paper etching / drypoint meadow, pasture. adolescent, young woman, maiden. wind instruments - CC - out of doors

Allegory of faith, Jacobus Buys, 1775 drawing Design for a painting. paper. watercolor (paint) brush Christian religion

Menalcus Watching Women Dance, from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 7/16 x 3 1/8 in. (3.7 x 7.9 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.

Boetvaardige Maria Magdalena, Frédérique Émile Auguste O'Connell -Methe, 1833 - 1885 print paper. etching / drypoint the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - portrait of female saint

Woman from Port des Francais, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Mocking of Ceres, Jacques Louis Copia, After Pierre Prud'hon, in or after 1795 print paper etching / engraving Ascalabus (Stellio, Abas) changed into a lizard: Ceres changes the boy into a lizard as punishment for mocking her, when quenching her thirst too avidly (Ovid, Metamorphoses V 456)

Study by Franz von Bayros for Dante's Divine Comedy, illustrating Purgatorio XI, 135, created with pencil, gold accents, and fede technique around 1920.

Photo production of a mosaic from (to) Rafaël (Vatican Museums), Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print

Etching by Carl Adolph Heinrich Heß from 1785-1849 depicting a portrait of Rubens and Isabella Brant, showing two figures in 18th-century European style with detailed features.

Psyche and the sleeping amor; Story of Amor and Psyche. Three scenes with amor and psyche depicted in one room. Amor is sleeping in the middle in the middle. Psyche is on the edge of the bed and holds an oil lamp above amor. On the right sits psyche with the arrivals of Amor. On the left is psyche, amor at his leg gripping while he plots the window. Italian text in two cartouches in undermarge. Numbered bottom left: 13.

Portrait of Francesco Sforza; Dranker player; Two caricatural men's heads; Caricature of two old women with a salami; Di Questa Sorte, Sono I Buon Salami; Portraits of European rulers. Leaf with four prints. Top left: Portrait of Francesco Sforza and Profil to the right in a manneristic decorative frame. At the top right: man on a rock, for a tree, plays on a drailer. Top left: two men's heads. The front man sticks tongue to the rear. At the bottom right: two ugly old women look at each other. The judge keeps a salami for himself.

Generosity; Liberalitas; Virtues; Septem Virutes Vitiis Suis Oppositae. The personification of generosity is in a landscape and gives a kneeling man drinking. Left in the background The healing of a paralyzed man, which is being helped by Peter. The man asked for an alms, but Petrus has no money. He gives him what he does: healing. Under the show a four-line verse in Latin. This print is part of an album.

Helen presenting Telemachus, with the Veil, William Nutter, 1754-1802, British, after Samuel Shelley, 1750-1808, British, 1789, Stipple engraving, Sheet: 8 x 8in. (20.3 x 20.3cm), Greek mythology, religious and mythological subject, Telemachus and Pisistratus, son of Nestor, in Sparta with Menelaus and Helen, Telemachus in strife with the suitors

Jean Antoine Pierron (Engraver) (After Ribera, Jusepe de, lo Spagnoletto); Manuel de la Cruz Vázquez (Drafstman) / 'Saint Mary of Egypt'. 1797. Taille douce: etching and engraving on laid paper; 1797. Taille douce: etching and engraving on laid paper. Museum: Museo del Prado, Madrid, España.

Venus und Amor Venus and Cupid Reni, Guido, 1575-1642. still image. Reproductive prints. 1870 - 1879. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Venus (Roman deity), Nudes, Cupid (Roman deity), Wings (Anatomy), Mythology, Greek, Aphrodite (Greek deity), Female nude in art, Drapery in art, Mythology, Roman

Visitation of Maria and Elisabeth, François de Meersman, after Mariotto Albertinelli, 1840 - 1869 print paper. pencil engraving / etching triumphal arch. Mary and Elisabeth shaking hands

Turning the leaf. Mount, William Sidney, 1807-1868. 1878. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art reproductions

Etching by Rudolf Jettmar from 1901 depicting a violinist playing, showing posture, instrument, gesture, and interior details.

Tombstele of Alessandro de Souza Holstein. Sculpted grave monument by Antonio Canova for Alessandro de Souza Holstein, with a grieving woman at the Grafstele of the Souza Holstein.

Artist signs to a nude model; L'Atelier de Rembrandt. At an increase, a feminine nude model is seen on the back with a palm branch in her hand and a cloth over her arm draped. Left is a mantelpiece to see and right rembrandt with drawing utensils in his hand.

The text reads: To him, at last, the three goddesses entrusted the judgment and the golden apple and the person entrusted is the god Hermes. In Greek legend, Paris was a Trojan prince, the son of Priam and Hecuba. When Eris, the Greek goddess of discord, was not invited to the marriage of the Greek leader Achilles, she threw a golden apple into the festivities, with the words 'for the fairest' written on it. The goddesses Hera, Aphrodite, and Athena each claimed the apple, and Zeus, the king of the gods, had Paris choose which one should get it. Hermes, the messenger god, acts as a guide, arranging the meeting between the goddesses and Paris as seen in this 1907 illustration. Aphrodite promised Paris Helen, queen of Sparta, if he picked her, and so he did. The result was the Trojan War, as the Greeks fought to return Helen to Menelaus, the ruler of Sparta.

Birth of Shakspeare / Shakespeare's birth Phillips, S. (fl. 1796 1801), Westall, Richard (1765 1836)

. Juno with a scepter in hand, sitting on a cloud. Behind her is her attribute the peacock. She looks at Mercury. The show is caught in a round frame. Third print from a series of three with goddesses.

Thirteenth to fifteenth century Italian painting. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Painting, Renaissance, Painting, Italian

La Vaisseau-Fantôme: acte III, ravissement de Senta et du Hollandais (The Flying Dutchman: Act III, The Ecstasy of Senta and theDutchman). Artist: Henri Fantin-Latour, French, 1836-1904

A couple in animal skins (Adam and Eve) journeying with three children after the expulsion. Coloured stipple engraving.

Plate 8, Le Lavement Rendu (The Enema Delivered), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 8 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. In an outdoor setting, three monkey figures in human costume. Following the delivery of an enema in 1921-6-319-9, a monkey at left sits upon a circular stand, excreting liquid diarrhea onto the ground. He rests his right foot on a pot of liquid at left and turns toward the viewer. At right, another monkey rushes with a blanket or towel. A third monkey squats on the ground with a concerned expression, facing right., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

Allegory on the power of Great Britain, 1787; The Increasing Grandeur of the British Nation. Allegory on the growing power of Great Britain in the year 1787. Central is a princess like Brittania with the Alliance Convention in her hand with the Republic and a palm branch referring to the recovery of Stadholder Willem V. with three other allegorical women. In the background left the French warship 'Ville de Paris' conquered in the naval battle at Les Saintes (12 April 1782). On the right a scene from the siege of Gibraltar in 1779. In the foreground the British lion beats to enemies as a four-member Hydra. With title, assignment and caption in English and the weapon of Great Britain.

Hieronymus, holy.

Two men in an anvil, Jan Luyken, 1711 print Amsterdam paper etching / letterpress printing tools, aids, implements ~ crafts and industries: anvil

Vrouw puts Duif en Een Slang, Charles Clement Bervic, after Jean François Léonor Mérimée, 1798 print paper etching / engraving Innocence; 'Innocence', 'Innocence or Purité (Ripa). Other Birds: Where. snakes

At Home and Abroad February 28, 1807 Thomas Rowlandson. At Home and Abroad. Thomas Rowlandson (British, London 1757-1827 London). February 28, 1807. Etching. Rudolph Ackermann, London (active 1794-1829). Prints

Tancred im bezauberten Walde. Tancred in the enchanted forest.. Tiarini, Alessandro, 1577-1668. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Armor, Female nude in art, Tancred, ca. 1075-1112

Mocking of Ceres, Jacques Louis Copia, After Pierre Prud'hon, in or after 1795 print Paris paper etching / engraving Ascalabus (Stellio, Abas) changed into a lizard: Ceres changes the boy into a lizard as punishment for mocking her, when quenching her thirst too avidly (Ovid, Metamorphoses V 456)

George Don George Dandin What to four in the bride in my room

Le fantome. Honoré Daumier (1808-1879). Lithographs

Planche 46: deux femmes, Description des bains de Titus, ou, Collection des peintures trouvées dans les ruines des thermes de cet empereur, Félice, Fortuné Barthélemy de, 1723-1789, Ponce, Nicolas, 1746-1831, Engraving, 1786, located on page 79, from an 18th century French edition of Roman mural paintings and decorations.

"O my fair warrior!": plate 5 from Othello (Act 2, Scene 1) etched 1844, reprinted 1900 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, Desdemona and Othello are joyously reunited in Cyprus after a storm delays Othello's arrival.. "O my fair warrior!": plate 5 from Othello (Act 2, Scene 1) 371333

Jupiter holds Danae captive and comes to her in the form of a shower of gold coins which Cupid gathers and puts into his quiver. Engraving by N. Le Mire after A. Borel after Annibale Carracci.

Prospero and Miranda, Mary Hoare, 1753-1820, British, 1781, Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border, Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm), Contemporary drawn border: 23 9/16 x 18 3/8 inches (59.8 x 46.7 cm), and Sheet: 22 11/16 x 17 1/2 inches (57.7 x 44.5 cm), books, cave, cloak, daughter, dress, father, gesturing, literary theme, magic, magician, man, marine art, meteorology, plays by William Shakespeare, pointing, robe, rocks (landforms), sash, science, sea, ship, shipwreck, shouting, sitting, standing, storm, The Tempest, Act I, Scene II, The Tempest, play by William Shakespeare, waves (natural events), woman

MEMORIA DE LAS REINAS CATOLICAS - ISABEL DE FARNESIO - SEGUNDA MUJER DE FELIPE V EN 1714. Author: JERONIMO ANTONIO GIL (1732-1798). Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

Dante Alighieri (1256-1321), Divina Commedia (The Divine Comedy), Illustration by Franz Von Bayros, Dedication to Cangrande della Scala ""Dicendum est quod istius operis non est simplex sensus, immo dici potest polysensus..."" Illustration by Franz Von Bayros. Vienna 1921

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Coriolanus, Act 5, Scene III, 1783. Engraving.

Publisher: Currier & Ives, American, active 1834-1907, The TenVirgins, Lithograph, Sheet: 25.5 × 35.7 cm (10 1/16 × 141/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

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