Religious Engravings and Annunciations

Historical engravings depicting biblical scenes such as the Annunciation and the Ascension of Mary, featuring angels and divine light.

Annunciation, Theodoor Galle, after Peter Paul Rubens, c. 1612 - c. 1616 print Maria is sitting on a chair. She is visited by the angel Gabriël. He tells her that she will give birth to a son, called Christ. Different angels at the top of the clouds. The Holy Spirit (a pigeon) drops from heaven. The print is part of a series with scenes from the old and New Testament. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Annunciatie, Jacob Matham, after Giuseppe Valerian, 1594 - 1598 print The Archangel Gabriël appears with a lily branch to Maria to tell her that she will have a child. He points up where the Holy Spirit throws a beam of light on her in the form of a pigeon. They are surrounded by cherubies. Haarlem paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Ascension of Maria. Maria is accompanied by angels on a cloud to heaven. An angel crown her with a laurel wreath. Mary's grave collects his men and women. A number look at the empty grave the other half to Mary in heaven.

Blasius, holy.

Annunciation, Theodoor Galle, after Peter Paul Rubens, c. 1612 - c. 1616 print Maria is sitting on a chair. She is visited by the angel Gabriël. He tells her that she will give birth to a son, called Christ. Different angels at the top of the clouds. The Holy Spirit (a pigeon) drops from heaven. The print is part of a series with scenes from the old and New Testament. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Three Saints, the Virgin and Child in the Clouds, Francesco Bartolozzi, Italian, active England, 1727-1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Engraving in brown ink on white paper, The three saints in religious habits kneel on the floor, with pillars beyond. Between them, in smoke, an angel is drawing up souls. Above their heads, the Virgin sits on a cloud, with Christ beside her and putti around. She reaches down to the saints., Italy, ca. 1760-1770, Print, Print

Transfiguration of Christ on the Berg Tabor, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Resurrection. Christ, a staff with a vane in hand, floats above his grave. A number of soldiers are shocked. Under the show a blank margin.

Resurrection of Christ ..

Virgin and Child in the Clouds, Michel Lasne, French, ca. 1590 - 1667, Simon Voüet, 1590 - 1649, Engraving on laid paper, The Virgin and Child, upper left, in the clouds, with four putti. Below, under a tree, Saint Anthony looks up at them. A book lies open, to his right. Below, the inscription: 'Sactore ANTONI quem nos superanimus hostem / Quod superas Coelo parta corna tibi est / Non mea sed vestia est victoria parta quod illa est / Lacte tuo Mater Sanguine Nate tuo'. The artists' names below, and date., France, 1637, religion, Print, Print

After Jacques Callot, The Annunciation, etching on laid paper.

Francesco Bartolozzi (Italian, 1727-1815) after Guercino (Italian, 1591 - 1666). Madonna and Child Adored by Three Monks, 1764. From Raccolta di alcuni disegni del Barbieri detto Il Guercino. Etching printed in two colors.

The Annunciation, Bernard Picart, 1673-1733, Guido Reni, (Italian, 1575-1642), Engraving on paper, Saint Mary kneeling at the left, the angel kneeling on a cloud at the right, with the lily. Above, five putti with joined hands, circling above the dove in the rays of light. Below, the artist's names. Top right corner: '22'., France, ca. 1700, Print, Print

The Holy Family with Saint Elizabeth and angels ca. 1729 Nicolas Dauphin de Beauvais. The Holy Family with Saint Elizabeth and angels. Nicolas Dauphin de Beauvais (French, Paris 1687-1763 Paris). ca. 1729. Etching and engraving. Prints

After Pietro da Cortona, Virgin and Child with Martyrs, c 1660 Virgin and Child with Martyrs

Louis XIV kneeling in front of the Cross and Crown of Thorns, Historical, digitally restored reproduction from an original from the past

Annunciatie, Giovanni Battista Pasqualini, After Guercino, 1629 print The angel Gabriël with a branch with lilies in his hand appears to Mary and announces her pregnancy. At the top right the Holy Spirit as a pigeon. print maker: Italyafter design by: ItalyVaticaanstad paper engraving the Annunciation: Mary kneeling - AA - Mary to the left, the angel to the right. flowers: lily

Virgin appears on H. Antonius, Michel Lasne, After Simon Vouet, 1637 print paper engraving St. Antony Abbot retreats into the desert, after having given away his possessions to the poor

Ledesma, Jacopo.

Liberation of Peter from prison, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1712

Ascension of Christ ..

Ascension of Maria. Maria is worn in the sky by angels on clouds. She floats above hair grave, around which the apostles and women are.

The annunciation; The early life of Mary; Master pieces. The angel Gabriel announces the birth of Christ from Mary, which is on the knees at a guy. From heaven a pigeon drops down, surrounded by angels. At the bottom left of the show an assignment in Latin; Under the show four Latin fresh rules. This print is part of a series of six prints with scenes from the early life of Mary. They are called the 'masterpieces' because Goldzius has simulated the work of different illustrious predecessors.

Ascension of Christ, Cornelis Bloemaert (II), After Ciro Ferri, 1656 - 1692 print The appearance of Christ to the apostles after his resurrection, the moment he is fed to heaven in a cloud. Under the apostles is also Mary. paper engraving Christ ascends into heaven; apostles (and Mary) beneath

The apostles around the empty tomb watch the Assumption of the Virgin. Engraving after J. Boeckhorst.

. Christ is being held to heaven. Around him are students and Maria.

Female personification of geography on triumph cart and world parts America, Africa, Asia and Europe; Title page for: Joan Blaeu, Geographia, Qvæ est Cosmographiæ blavianæ pars great, Amsterdam 1665. Female personification of geography on triumphar drawn by lions. Personifications of the America, Africa, Asia and Europe with their attributes, such as dromedary and elephant, participate. Remarkable is the attribute of America, at her feet a seat belt rather than the more conventional crocodile or caiman. Small angels in the air hold a cloth on which the title of the edition appears at a later state.

The risen Christ asks Mary Magdalene not to touch him. Etching by F. Parr after C. Le Brun.

Black chalk drawing by François Verdier of the Ascension of Christ, with gray wash, white highlights, and edge lines.

Annunciatie.

Paulina, Saint.

Liberation from Petrus from prison ..

Christ in the court of olives. In the night of his betrayal, Christ prays in the court of olives. An angel brings him a goal to support him. The disciples have fallen asleep and left behind all the soldiers to see expressing to capture Christ.

Christ in the court of Gethsemane.

Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Barberi Giovanni Girolamo Frezza Italian Intermediary draughtsman Giovanni Battista Calandrucci Italian After Pietro Andrea Pucciardi Barberi ca. 1702-1741 View more. Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Barberi. Giovanni Girolamo Frezza (Italian, Canemorto 1671-ca. 1748 Rome). ca. 1702-1741. Etching and engraving. Prints

The Annunciation, from The Life of the Virgin Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Angel prays to God with arms spread Title page for: J. Molinaeus, Key of Heaven or Christian Prayer Book, 1714, print maker: Jan Luyken, publisher: Barent Bos, (mentioned on object), print maker: Amsterdam, publisher: Rotterdam, 1714, paper, etching, h 116 mm × w 66 mm

Resurrection of Christ. Christ rises from the tomb, opened by two angels. Awaking soldier for the Tomb. This print is part of an album.

Rubens, Peter Paul, Zuidelijke Nederlanden, Galle, Cornelis (I), Enthroned Christ with two men, Southern Netherlands, verso - stamped, Christ enthroned on a cloud. Two angels hold a white cloth. On either side of the cloth two seated figures. On the left the author of the biblical book Jesus Sirach, an old man with a beard writing in a book. On the right a younger man reading a book., print, title page, prints, height 322 mm, width 208 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1634 - 1634, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Assignment of the Blessed Virgin Mary, Philip Fruytiers, 1620 - 1666 print The parents of Maria, Joachim and Anna, are kneeling on either side of a manger. Together they keep the child Mary in the air to dedicate her to the temple and to fulfill her with the Holy Spirit that flies above her in the form of a pigeon. Fulfilled with the Holy Spirit, Mary, from her immaculate conception, is entirely dedicated to the Lord. The pigeon is flanked left and right by God the Father who makes a blessing gesture. Above Joachim and Anna, angels fly a banderol for a sphere with the text: Nativitas Tua Virgo Mar Gaudium Universo Mundo. In the margin a four -line text in Latin. Antwerp paper etching devout Mary together with her parents; angels, and perhaps God the Father present

Maria with Christkind and Engelen, Gaspar Huybrechts, 1661 - 1684 print Maria with the Christ child in the clouds, on the globe, surrounded by two music -making angels. The snake is trampled under the globe. Antwerp paper engraving Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds (+ angel(s))

Mary protects the Jesuits, Michel Dorigny, after Simon Vouet, 1642 print Paris paper engraving / etching Quaternity (i.e. Trinity with Mary). regular clerics, e.g. Jesuits, Redemptorists

Meal in Emmaus, Bernard Verschoot, After Matthias de Visch, 1738 - 1783 print Christ at a table with two disciples. He is recognized because he blesses the bread and will disappear in front of the students. Imagination of the Bible text: Luc. 24: 30. paper etching the journey to Emmaus: two disciples (Cleopas and Peter) under way. Christ vanishes ~ supper at Emmaus

A 1518 copper engraving by Agostino Veneziano depicting Saint Mark, showing the saint with traditional iconography and detailed attire in early 16th-century European art.

Ascension of Christ ..

Annunciation, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Judith and her maid put the head of Holofernes into a bag. Engraving by A. Smith.

Ascension of Maria, Jacques Callot, 1621 - 1635 print The apostles are around a grave and look up, where Mary is absorbed in heaven by angels. Nancy paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Child on earth is in light rays of throne angel in heaven, Boëtius Adamsz. Bolswert, 1624 print paper engraving angels

Maria with the Christ child on the crescent moon. The crowned virgin Mary with scepter stands on a crescent nickel. The Christ child with the migger in the hands.

Vatican City, Papal Court, Rome, Tempesta, Antonio, Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis, The Life of Philippus Benitius, Saint Philip praying for the souls of two brothers, verso - stamped, Saint Philip praying to Mary for the souls of two brothers. The bodies of the two brothers lie in a landscape. Two angels bring their souls to Mary. Text in Latin in the bottom margin. Numbered lower right: 12., print, prent, prints, prenten, height 115 mm, width 80 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, verlener van privilege

Vision of the H. Francis of Assisi; CVPIO DISSOLVI, ETSE CVM Christo. The Saint Francis of Assisi is in a rocky landscape and has a vision that Maria hands him the Christ child so that he can keep it in his arms.

The Annunciation. Dated: in or after 1630. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Piety, Willem Isaacsz. van Swanenburg, Petrus Scriverius, Johannes Janssonius, 1610

Portrait of Huibert Duifhuis, Jan Lamsvelt, 1696 - 1743 print Portrait of the pastor Huibert Duifhuis involved in the Reformation. He is bare -headed, dressed in a choir shirt and holds a Bible in his hands. In the margin an eight -line verse in Dutch. Duifhuis worked in Rotterdam and later in Utrecht. Amsterdam paper etching / engraving historical persons

Allegorical figures near the Golgota hill, 1722 - 1784 print A louwed woman is dressed in a star dress and keeps a roll of paper and a winch in her hands sitting. Her foot supports a globe while she has a conversation with the veiled woman who stands next to her. A flame burns above the head of the veiled woman, a symbol of faith. She points to the hill walgota in the distance, where Christ hangs on the cross. In the foreground are books next to the globe, a crown and money. paper etching / engraving the cross(es) in the background. lyre, cithara, psaltery

Destroy the dragon without sword; (Dan. 14.25); Virgin and Child on hemisphere Johann Jakob Frey the Elder Swiss. Destroy the dragon without sword; (Dan. 14.25); Virgin and Child on hemisphere 400609

Marcus de Evangelist, Anonymous, After Agostino Venetian, After Giulio Romano, 1500 - c. 1536 print The evangelist Marcus, sitting on a cloud with a banderole in his hands. The lion among him. paper engraving Mark (Marcus) the evangelist, and bishop of Alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll

Drie Dominicaanse Heiligen, Francesco Bartolozzi, After Giovanni Battista Piazzetta, 1739 - 1780 print The Holy Louis Beltrán with chalice and book, the Holy Vincent Ferrier with a flame above his head and the holy Hyacinthus of Poland with an image of Mary with child. An angel is floating upstairs. print maker: Italyafter painting by: Italypublisher: VeniceVeniceVenice paper etching / engraving saints. angels

Martyrdom of Saint Eurosia. Line engraving by Bonaveri.

Resurrection of Christ; Passion of Christ ..

Ascension of Christ, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the Ascension (Christ surrounded by radiant light or in a mandorla)

Diepenbeeck, Abraham van, Antwerp, Galle, Cornelis (II), Annunciation, verso - stamped, Mary kneels before a lectern, her finger in a book. The angel announces the birth of her son. He points to the Holy Spirit in the form of a dove hovering above him. Angels sprinkle rose petals on Mary., print, book illustration, prints, height 300 mm, width 199 mm, Southern Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1650 - 1653, paper, engraving, engraving (printing process), Work conception, 1596-05-09 - 1675

Knelted Christ surrounded by angels with the passion tools, Wencslaus Hollar, After Claudine Stella, 1670 print London paper etching Army Christmas'

Thaddëus Kuntz / 'The Assumption of the Virgin'. Mid-XVIIIcentury. Grey wash, Pencil, Grey-brown ink on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Ascension of Maria, Remoldus Eynhoudts, After Cornelis Schut (I), 1626 - 1680 print Antwerp paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Saint Catherine of Ricci. Engraving by J. and J. Klauber.

Annanciatie, Louis Desplaces, after Louis de Boullonge (the young), 1710 - 1739 print Versailles paper etching / engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Transfiguration of Christ to the Berg Tabor, Abraham de Blois, After Bernard Picart, 1728 print Transfiguration of Christ on the Tabor Mountain with Moses and Elijah on His sides, Christ shows himself in His Divine form to the apostles that shock frightened. Under the show is the title in six languages. print maker: Amsterdampublisher: The Hague paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

God with musical angels and cherubim 1774 Violante Vanni. God with musical angels and cherubim. Violante Vanni (Italian, 1732-1776). 1774. Etching and engraving. Prints

The Assumption of Christ a powerful baroque stitch by Gregoire Huret The Ascension of Christ a powerful baroque stitch by Gregoire Huret

Southern Netherlands, Galle, Cornelis (I), Standing Mary with Child, B. Maria d bono svccessv, Mary with Child on a cloud, verso - stamped, Crowned Mary with Child standing on a cloud with cherubs. Four angels on either side. Below the representation a Latin text and a verse in two stanzas. The text refers to the St. Augustine Church in Brussels., print, prent, prints, prenten, height 248 mm, width 156 mm, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1650, paper, papier, engraving, engraving (printing process)

Sacrifice of Abraham; Abrahams heaviest belief test. Abraham raises his sword to kill his son Isaac, who is buried on the altar. However, an angel stops him and points to the RAM that has appeared behind the tree.

Ascension of Maria. Mary, sitting on clouds, is taken by angels to heaven.

Dr. Franklin crowned by freedom The Abb� Saint-Not (1727-1791). "The French doctor franchise darl France in freedz�", 1778. Paris, Mus�e Carnavalet.

The Annunciation, no. 5 from The Life of theVirgin. Artist: Jacques Callot, French, 1592-1635

The Coronation of Mary, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA.

Destination of the Virgin Maria, Anonymous, After Ventura Salimbeni, in or after 1590 print God the Father and Angels appear on the Blessed Virgin Mary on clouds. Title in Latin in STUDMARGE. print maker: Italyafter print by: Italypublisher: Rome paper etching the Virgin Mary. God the Father. angels. cupids: 'amores', 'amoretti', 'putti'

Allegorical show with Christ, Moses and kneeled figure; Title page for: Frans Burman, Debtheit, 1697. Christ is on a stone with the book title. For him, Moses stands with the stones dining, his right hand raised his right. On the left presents a kneeling man, possibly the writer, an open book to Christ. Around a group of men is watching.

. A woman with star dress plays on a harp. Next to her is a second woman with a passer, everyday eye and a tame lion. A kneeling woman with an incense barrel worship the two figures. On the ground are string instruments and sheet music. On the left a pillar with the author and title of the book.

Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death, Print made by John Smith, 1652-1743, British, undated, Mezzotint on medium, moderately textured, blued white, laid paper, Sheet: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm) and Image: 9 × 6 7/8 inches (22.9 × 17.5 cm), agony, building, Christianity, clouds, cup, disciples, Gospels, halo, hill, kneeling, love, moon, New Testament, night, Passion, praying, religious and mythological subject, sacrifice, sleeping, sorrow

Shepherdess Aspasia lies sleeping at her herd while bystanders watching a crown and scepter from heaven; Title page for: Jacob Cats, Koningsklyke Herderin Aspasia, Blyeyndig game, Amsterdam 1656; Koningsklyke Herderin Aspasia, Blyeyndig game.

Holy Peter, Joseph Wagner (possibbly), 1739 - 1780 print Numbered below: no 95. Venice paper etching the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Priester wordt gewijd; Beatae Mariae virginis officium.A priest is devoted to the foreground. Mary appears on a hilltop in the background. Two cherubs float above.

Ascension of Christ, Jan Luyken, 1712 print Amsterdam paper etching the Ascension (Christ surrounded by radiant light or in a mandorla)

Saint Mary (the Blessed Virgin). Engraving by J.M. Marlin, 1850.

Christ appears on the apostles on the Berg Tabor, 1629 print Christ appears in the midst of the apostles on the Berg Tabor in Galilee. The apostles kneel in worship for him. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing appearances of Christ after the Resurrection

Resurrection of Christ, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized

Second vision of Ezra: Ezra comforted by the angel; Visions of Ezra; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The angel Uriël comfort Ezra and helps him up. In addition to Ezra his vision of the radiant woman Zion. If she disappears, Ezra's city built in the background. Under the show a reference in Latin to the Apocrypha Bible text in 4 Ezra 10:25. This print is part of an album.

Persian Sibille, with Maria with child in the background, Gilles Rousselet, After Claude Vignon, 1635 - 1640 print France paper engraving / etching Persian sibyl. Madonna: i.e. Mary with the Christ-child

Sadeler, Johann (I), Vos, Maerten de, München, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Divitiae, Ascension of Christ: divinity, verso under - stamped, Christ on a mountain. He is surrounded by a cloud that will carry him to heaven. Around him kneel his disciples and his mother, the Virgin Mary. The seventh print of an eight-part series with scenes from the life of Christ depicting his principal virtues., print, prints, 60, recto top right - handwritten, height 186 mm, width 135 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1588, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Saint Antoine praadoe adorant book the American J�sus who descend du Cleop d'American d'Apr�s (Dutoit P.33, Lill, L Wrings, Born Cornelis II Blloert, said U Young (1603-1692). Saint Anthony of Padouse Traverse The Severing Jesus Queriniend of the sky in the Tirier (latter p.33, white 39). Burin, 1678. 3 Mounted de Paris, small palace.

Ascension of Maria, Carlo Maratta, 1635 - 1713 print Maria, sitting on clouds, is taken to heaven by angels. Rome paper etching the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Opstanding, Jacques Callot, 1621 - 1635 print Christ, a staff with a vane in hand, floats above his grave. A number of soldiers are shocked. Under the performance a caption in Latin. print maker: Nancypublisher: Paris paper etching Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Christ as a salvator mundi; Ite in MVNDVM Univers VM (...); Christ, the twelve apostles and the Holy Paul. Christ, standing in the middle of clouds, the right hand in a blessing gesture, a rich qualk in the left hand. Under the show three lines of Latin text. This print is part of a series of 14 prints, each consisting of an image for feet from an apostle, Christ or Paul with typical attributes and a caption in Latin.

Saint Mary of Egypt as a hermal; S. Maria Aegyptiaca; Kluizenaars; Sacra Eremus Ascetriarum.

Triumphal trip of Christ with figures from the old and New Testament (fifth part), Nicolas de Larmessin (I), 1687 - 1694 print publisher: ParisFrance paper engraving / etching triumphs (allegorical and symbolic). Doctors (Fathers) of the Church. Christ

Antwerp, Galle, Philips, Netherlands, Straet, Jan van der, Angels showing the sudarium, verso bottom center - stamped, Two weeping angels hold up the sudarium (veronica cloth) with the face of Christ. An angel kneels below. On either side of this angel lie the instruments of the passion. In the background the three crosses and the tomb of Christ. Under the angel a one-line caption in Latin from Isa. 53., print, prints, height 249 mm, width 182 mm, print maker, printmaker, 1570 - 1612, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

A drawing by Adam Friedrich Oeser illustrating the sacrifice of Isaac, executed with gray-brown brush on a lead handle.

Saint Mary (the Blessed Virgin) with Saint Ignatius of Loyola () and other saints and figures. Engraving.

Albrecht Dürer, The Passion: Christ on the Mount of Olives, 1508, engraving on paper.

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