Religious Engravings and Etchings

Copper engravings depicting religious scenes, figures, and narratives prevalent in European devotional art from the 16th to 17th centuries.

CREANT OF MARIA, HSD monogrammist, 1574 print This print is part of an album. paper engraving coronation of Mary by one or more angels

This 16th-17th century copper engraving and etching by Hans Rottenhammer depicts the Assumption of Mary, showing figures, gestures, and religious context in European devotional art.

Copper engraving by Karel van Mallery depicting Mary with the Christ Child and Saint Anna, created between 1591 and 1635, showing figures in a devotional religious scene.

Copper engraving by Gilles Rousselet from 1620-1686 depicting 'Behold the Man', showing Christ presented to the public, focusing on religious narrative.

Copper engraving by François Ragot showing the vision of Saint Ignatius, created between 1630 and 1670.

CREANT OF MARIA, HSD monogrammist, 1574 print This print is part of an album. paper engraving coronation of Mary by one or more angels

Etching by Flaminio Torri from 1640-1661 depicting Mary with the child in glory, accompanied by Saints Francis and Hieronymus, showing religious figures and detailed composition.

This lithograph by Jacopo da Ponte, created between 1801 and 1832, depicts Mary with the child and a saint, showing figures, gestures, and devotional context in European art style.

Copper engraving and etching by Charles Simonneau depicting Saint Maria with the infant Jesus on a cradle, created between 1690 and 1728, showing devotional imagery and maternal symbolism.

Holy Agnes. Holy Agnes. Part of a series of 24 performances of female martyrs (Martyrological). The performances are equipped with edges with flowers and animals.

"Copper engraving and etching by Nicolas Dorigny from 1702 depicting the Trinity, showing the three divine figures, symbolic elements, and compositional arrangement."

Copper engraving by Anthonis van Dyck depicting the Holy Family with Saint Anna, created in the 17th century, showing religious figures in a devotional composition.

Copper engraving by Nicolas Pitau created in 1659 depicting Maria holding the Christ Child, illustrating seventeenth-century religious portraiture.

Copper engraving by Johann Sadeler the Elder illustrating the Triumph of the Cross, highlighting Christ's crucifixion and symbolic victory, produced between 1570 and 1600.

Lazio Roma Rome S. Ignazio di Loyola90. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Lambertus, bishop of Maastricht, Theodoor Schaepkens, 1825 - 1883 print The Holy Lambert, bishop of Maastricht, and two monks kneel for a crucifix. paper etching monk(s), friar(s). crucifix ~ personal devotion. Lambert(us), martyr bishop of Maastricht and patron of Liège; possible attributes: arrow, bear, cloth with flames, lance, nobleman under crozier, rationale, sword, two armed men under feet

Maria with a child on Moon moon, Vespasiano Strada, c. 1592 - 1613 print print maker: Italyafter own design by: Italypublisher: Rome paper etching Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla)

Etching and aquatint by an unknown artist depicting the Madonna, created between 1780 and 1840 as a book illustration, showing the Virgin Mary in devotional pose.

Copper engraving by Nicolaes Lauwers circa 1665 depicting Saint Albertus Drepanita, showing figure, habit, and symbolic attributes.

Copper engraving by the Wierix family from 1570-1620 depicting a Pietà with two angels, showing figures, gestures, and sacred elements.

Dissatisfied angels; The Disaffected Spirits. A group of five angels, two sitting and three standing.

Bootless Mary Magdalene. The Saint Mary Magdalene with a opened book. On the left a putto with the ointment pot and right a crucifix.

Copper engraving by Hieronymus Wierix, created between 1550 and 1650, showing the Madonna in devotional pose, with drapery, symbolic attributes, and detailed composition.

Copper engraving by Hieronymus Wierix, created between 1573 and 1619, depicting the Madonna standing on a crescent moon, holding the infant Jesus, with drapery details and symbolic elements.

Woodcut by Leonhard Beck depicting the saints Arnolphus and Ludwicus from the Sipp, created between the early 16th and 18th centuries.

S. Magliore, évêque (St. Maglorius, Bishop), October 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Magliore, évêque (St. Maglorius, Bishop), October 24th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

S. Mansuet, évêque (St. Mansuetus, Bishop), September 3rd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Mansuet, évêque (St. Mansuetus, Bishop), September 3rd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

A copper engraving by Gilles Rousselet between 1620 and 1686 portraying Christ with an emphasis on tenderness and devotion.

Copper engraving and etching by Raphael Sadeler the Younger from 1613 depicting the glorification of Mary as Queen of Heaven, showing angels, religious figures, and heavenly iconography in 17th-century European style.

Etching by Johann Adam von Bartsch from 1787 depicting Saints Aloysius Gonzaga and Catherine of Siena with halos, religious garments, and devotional gestures.

Copper engraving by Schelte Adamsz. Bolswert from 1623-1633 depicting Saint Ignatius of Loyola, showing figure, gestures, attire, and religious symbolism.

Album n � 4; Stained glass project for Granville; Window has two travelers: Nativity Gsell-Laurent workshop. Album n � 4; Stained glass project for Granville; Two span window: Nativity. Pencil.

Copper engraving and etching by Auguste Gaspard Louis Boucher Desnoyers depicting the Madonna of Foligno, created around 1810, illustrating religious 19th-century French engraving.

Copper engraving by Grégoire Huret from 1636 depicting the Virgin Mary, showing religious iconography and devotional imagery.

Anthonis van Dyck engraved 'Holy Maria' between 1620 and 1668, depicting the Virgin Mary with symbolic religious attributes in copper engraving format.

Saint Paul accompanied by two female saints with angels above ca. 1729 Paul Ponce Antoine Robert-de-Seri. Saint Paul accompanied by two female saints with angels above. Paul Ponce Antoine Robert-de-Seri (French, 1686-1733). ca. 1729. Etching and aquatint in green ink. Prints

Girolamo Mazzola Bedoli: The Immaculate Conception. Pinakothek, Parma. .

Copper engraving by Claude Mellan from 1624-1636 depicting Saint Francis of Paola receiving angels, showing figure, gestures, and celestial elements.

The Saviour Sic Deus Dilexit Mundum. Dolci, Carlo, 1616-1686. 1801 - 1833. Morghen, Raffaello, 1761-1833. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Etching by Claude Vignon depicting the miracles of Christ, created between 1613 and 1670, illustrating biblical events with multiple figures.

Girl with old monk with Harp, Frederik Hendrik Weissenbruch, after Ary Scheffer, 1847 - 1865 print A girl is sitting next to a monk sitting next to a harp. The Hague paper harp. girl (child between toddler and youth). monk(s), friar(s)

Tabernakel with painting by Fra Angelico in the Galleria degli Uffizi in Florence, representing Mary with child between saints, c. 1875 - c. 1900 photograph Uffizi Gallery cardboard. photographic support albumen print Madonna: i.e. Mary with the Christ-child. saints. tabernacle ~ altar Uffizi Gallery

Appearance of Maria with the Christ child to Saint Dominic, Joseph Meganck, 1817 - 1891 print Christ gives a rosary to Dominicus. paper etching Dominic(us) Guzman of Calerueja, founder of the Order of Preachers (or Dominican (Black) Friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star. the Virgin Mary (or the infant Christ in her lap) hands over a rosary to St. Dominic, who kneels before her; usually St. Catharine of Siena is also present

Apostel Andreas, Ferdinand Ruscheweyh, after Rafaël, after Marcantonio Raimondi, 1827 print paper etching the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll. the twelve apostles (as a group), usually with books or scrolls (not in biblical context)

Copper engraving and etching by Pieter de Bailliu depicting female saints, created between 1620 and 1684.

Copper engraving by Egbert van Panderen depicting the Holy Family with two angels, created between 1595 and 1637. The print shows Mary, Joseph, and Jesus with angelic figures in a religious scene.

H. Ursula, Claude between, 1608 - 1688 print paper engraving / etching the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship

Copper engraving by Charles Simonneau depicting the Holy Family, created between 1690 and 1728, showing Mary, Joseph, and infant Jesus in a devotional scene.

Wszyscy Święci w MNK Zajkowski, Andrzej (1851 1914), Krudowski, Franciszek (1860 1945)

Maria with child in the clouds. Maria with the Christ child sitting on a cloud party. Above two cherubs. A line Latin text in the undermarge.

Copper engraving by Claude Mellan from 1643 depicting Anne of Austria with her sons Louis XIV and Philippe of Orléans in front of Mary and the infant Jesus, forming a historical allegorical scene.

Copper engraving by Jacob Matham created between 1602 and 1613 depicting the Holy Trinity, showing religious figures, symbolic gestures, and devotional composition.

Christ on the Cross in the Vilnius Cathedral. Oleszczyński, Antoni (1794-1879), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher, Czechowicz, Szymon (1689-1775), painter

H. Machus, Alexander Voet (1), after Cornelis Schut (1), 1628 - 1689 print Saint Mutius at the stake. Antwerp parchment (animal material) engraving male saints (MUTIIUS)

Copper engraving by Schelte Adamsz. Bolswert depicting Saint Teresa asking for Bernardino de Mendoza, created between 1630 and 1659, showing two religious figures in interaction.

Bidprent, G. Soons, 1942 print Prayer card with text on the back. Hair paper printing one person praying Netherlands

Otto I, King of Greece.

H. Peter de Regalado, Klaber brothers (Possibly), c. 1710 - c. 1780 print Peter de Regalado is sitting with his hands folded in front of his hermit's cabin. There is a crucifix in front of him. In the background a church and a monastery. Augsburg paper etching / engraving saints. anchorite, hermit. crucifix ~ personal devotion. cherubs, i.e. children's heads with wings. abbey, monastery, convent ~ Roman Catholic church. fruits and vegetables ~ ornament

Frygische Sibille, 1615 print The Frygian Sibille looks up where Christ appears on a cloud as a victor. He holds a banner with a cross on his hand and lets his foot rest on a globe. He is accompanied by angels with trumpets. Under the performance a caption in Latin. This print is part of an album. paper engraving sibyls. 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

A copper engraving by Cornelis Galle the Elder depicting Christ as Salvator Mundi with Mary the Holy Virgin, created between 1596 and 1650, illustrating religious figures and Christian iconography.

Copper engraving and etching by Albrecht Dürer depicting the Virgin holding the swaddled Christ child, created between 1520 and 1596.

Copper engraving by Ludwig Krug depicting the Madonna in Glory, sheet cut to the edging line, created in the first third of the 16th century, showing Madonna, angels, and religious iconography.

Worship of Mary by a pope, a martyr and a spiritual; Worship of Maria by Pope Bonifatius VIII, Saint Boniface and the Holy Francis; Worship of Mary by Pope Bonifatius VIII, the Holy Crispinus and the Holy Francis; Paintings and sculptures in Rome. A pope, a martyr and a spiritual (identified as Pope Boniface VIII, the Saint Crispinus or Saint Boniface, and the Saint Francis) worship Maria who is sitting on a cloud with the Christ child on a cloud. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print).

Woodcut on parchment depicting Christ on the cross with Maria and Johannes by Monogrammist GZ, created in 1521, showing religious figures and detailed composition.

Resurrection Azarz; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Ascension of Christ, 1660 print Christ stands on a cloud. The eleven apostles and Maria watch from the ground. This print is part of an album. paper etching Christ ascends into heaven; apostles (and Mary) beneath

Study sheet depicting the Holy Family in a field, drawn in graphite with white highlights on lilac-gray primed paper, showing figures, gestures, and composition details.

Detail of the Ursula shrine of Hans Memling; La Vierge et l'enfant; Bruges. Chassee Ursule. .

Christ on the cross, under the Cross of St. Maria Magdalena (IEZUS AMOR Meus Crucifixus Est); unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1780-1810 (1780-00-00-1810-00-00);

Fifteen mysteries of the rosary, Adriaen Collaert, 1570 - 1618 print The throne Mary with the Christ child. Around a wreath of Vijtien roses. Each of the roses has a representation of a passage from the gospel, the fifteen faith secrets that one must remember when praying a rosary. The print has a Latin caption Antwerp paper engraving 'Marianum', Madonna in aureole or mandorla (surrounded by the rosary), Mary in the Glory. the (fifteen) secrets of the rosary

Vinzenz by Paul, Saint.

Lorenz Froelich (1820-1908), Illustration til "The Lord's Prayer", 1863

Copper engraving by Pierre Daret depicting the Savior of the world, showing Christ in a religious scene emphasizing his role in Christian theology.

An etching by Johann Adam von Bartsch in crayon manner and aquatint showing two men kneeling in rear view, depicting posture, garments, and religious or ceremonial context, created in 1787.

Image reproduction: Józef Buchbinder (1839-1909), Our Lady of the Rosary; Z: "Wędrowiec" 1906, No. 14 (April 14), p. 270; Wanderer (Warsaw; magazine; 1863-1906); 1906 (1906-00-00-1906-00-00);

William Blake, Job's Sons and Daughters Overwhelmed by Satan, 1825, engraving on chine collé on cream wove paper.

From the books vanf. Gelasii Haber, Joseph Morl, c. 1650 - 1735 print Bishop with the Holy Heart. paper engraving archbishop, bishop, etc. (Roman Catholic). the Sacred Heart

This 1633 copper engraving by Nicolaes de Bruyn depicts Christ on the Mount of Olives, focusing on the biblical narrative, detailed figures, and landscape composition.

Assignment of Maria in De Tempel, Lodewijk Schelfhout, 1932 print Maria is offered by her mother Anna to a priest as a temple virgin. He receives her with open arms. paper drypoint dedication (or presentation) of Mary in the temple: she ascends the steps and is received by the high priest

Collection of paintings of Biblical performances, some of which are in decorated list, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype picture, painting. frame of painting, etc.. series of scenes from the life of Christ Florence

Woodcut by Leonhard Beck depicting Saint Stephanus from the Sipp series related to Emperor Maximilian I, created on wooden stick in 1516.

S. Thomas de Aquino (Saint Thomas Aquina) ZAKAD LITOGRAFICZNY: BENZIGER (Bracia)

Bliżej Kultury unknown

Photo production of Ascension of Maria by Peter Paul Rubens, Anonymous, After Peter Paul Rubens, 1850 - 1900 cabinet photograph Onze-Lieve-Vrouwekathedral cardboard. photographic support albumen print apotheosis (or ascension) of individuals. Mary (without the Christ-child)

Lithograph by Johann Nepomuk Strixner depicting Saint Helena Day, created in 1827.

Hemelvaart van Maria; Vita Deiparae Virginis Mariae; Leven van de maagd Maria.Maria is taken to heaven on the Moansyphel. Christ grabs her hand. Above him the Holy Spirit as a pigeon and God the Father. They are surrounded by angels on the clouds. In the margin a six-line caption, in two columns, in Latin. The print is part of an album.

Ascension of Maria; Life and the passion of Christ and of the Virgin Mary. The Virgin Mary floats in the air and is led to heaven by musicing angels. Under her on the earth the empty grave. The print has a Latin Bible quote as a caption and is the fourteenth print of a fifteenthous series about the life of Christ and the Virgin Mary.

S. Apre, évêque de Toul (St. Aper (Aprus), Bishop of Toul), September 15th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Apre, évêque de Toul (St. Aper (Aprus), Bishop of Toul), September 15th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Woman with a lantern in a man with a turban, Philippus Velijn, 1822 print A female figure surrounded in a light robe and with a lantern in her hand appears to a man, sitting on the edge of a bed with a turban on his head. He has lifted his hand of fright. Bottom right: bl. 65. Netherlands paper etching head-gear: turban. lantern. materialization, appearance of spirit or ghost

Praying on the altar's stepts, historic steel engraving from 1860

Neurenberger Madonna, c. 1875 - c. 1900 photograph Europe cardboard. photographic support the Virgin Mary. piece of sculpture, reproduction of a piece of sculpture Europe

H. Clara in Gebed, Claude between, 1667 print paper engraving the virgin and foundress of the Order of Minoresses (or Poor Clares), Clare of Assisi; possible attributes: book, cross, flaming horn, lily, monstrance, palm-branch, pastoral staff, rosary

Worship of Christ, Lodewijk Schelfhout, 1931 print Maria, Joseph and a donkey worship the Christ child in the manger. Joseph is wearing a bundle of branches on his back. paper drypoint adoration of the Christ-child by Mary and Joseph. ass, donkey

Kyrie eleison ceremony at the holy mass of the Catholic Church. Old XIX century engraving illustration. Old 1852 Epithalamion. Collection of exercises prayers and trades

S. Ambroise (St. Ambrose), April 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Ambroise (St. Ambrose), April 4th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Etching by Barthélemi Weiss created between 1750 and 1820 showing the Holy Family, including Mary with the Christ child.

Copper engraving by François de Poilly the Elder between 1640 and 1693 depicting the apostle John on Patmos, showing the figure, drapery, and compositional details.

Maria, saints.

Copper engraving by Gerard Seghers depicting Ecce Homo and the crown of thorns, showing Christ, facial expressions, gestures, and instruments of suffering in 17th-century religious art.

Photo production of a painting by Saint Antonius of Padua with the child of Bartolomé Murillo, Emilio Beauchy (attributed to), after Bartolomé Esteban Murillo, 1880 - 1905 photograph This photo is part of an album. Sevilla paper albumen print visions of St. Antony of Padua Sevilla

Woman with veil mourns at Graftombe with urn, Johannes Christiaan Bendorp, 1822 print print maker: Netherlandspublisher: Rotterdam paper etching grave, tomb. mourning the dead

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