Religious Engravings and Scenes

A collection of historical etchings depicting religious figures, such as priests, nuns, and biblical scenes, presented with intricate details and somber tones.

The last communion of Sint-Hieronymus, Antoine Maurin, After Domenichino, c. 1825 - 1852 print Paris paper the Last Communion of St. Jerome: he is attended and supported by younger priests, one of whom is about to administer the sacrament; usually St. Paula is present

A priest and a group of nuns 1823 Barthélemy Joseph Fulcran Roger. A priest and a group of nuns. Barthélemy Joseph Fulcran Roger (French, Lodève 1767-1841 Saulx-lès-Chartreux). 1823. Etching and engraving. Prints

Interior with a woman reading the Bible, Jan Caspar Philips, 1736 - 1775 print Interior with a woman who, sitting at a table, reads the Bible. She looks at a richly decorated ciborium. In the background against the wall panels with Christian performances. Amsterdam paper etching / engraving reading the Bible or other religious books. ciborium

King and queen sitting on the throne ..

Maria as a young woman, adorned by angels in the presence of Joachim and Anna, François de Meersman, after Gaspar de Crayer, 1840 - 1905 print Belgium paper. engraving / etching devout Mary together with her parents; angels, and perhaps God the Father present

Copper engraving by Schelte Adamsz. Bolswert created between 1604 and 1659 depicting the Holy Family with Saint Anna, showing figures, gestures, and religious symbolism.

The assignment in the Temple, Helmlehner, 1657 drawing paper. ink. chalk pen / brush Simeon, holding the Christ-child, sings his canticle: 'Nunc dimittis'

. Interior with a woman who reads sitting at a table, the Bible. She looks at a richly decorated ciborie. In the background against the wall panels with Christian performances.

The last communion of Sint-Hieronymus, Antoine Maurin, After Domenichino, c. 1825 - 1852 print Paris paper the Last Communion of St. Jerome: he is attended and supported by younger priests, one of whom is about to administer the sacrament; usually St. Paula is present

Copper engraving by Étienne Fessard depicting the Holy Family with Karl Borromäus, including infant Jesus, Mary, Joseph, and religious symbols in 18th-century style.

Scipio en Hasdrubal aan de maaltijd.The army leaders scipio and hasdrubal are together to the meal at the King of Syphax. The king urges them to make peace.

The Birth of St. Benedict. Brizio, Francesco, approximately 1574-1623. 1667 - 1700. Giovannini, Giacomo-Maria, 1667-1717. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Copper engraving by Jan Witdoeck depicting the Holy Family with John the Baptist as a child and St. Elisabeth, produced between 1635 and 1650.

Copper engraving by Cornelis van Caukercken depicting the Pouring of the Holy Spirit, created between 1640 and 1680.

A copper engraving by Antonio Lafreri from 1565 depicting the Holy Family, including Mary, Joseph, and the infant Jesus in a devotional composition.

Copper engraving by Jacob Matham created in 1607 depicting Maria with the child, St. Elisabeth, and the young John, showing religious figures, gestures, and devotional composition.

Christ and the adulterous woman. Christ and the adulterous woman. Interior or court of a temple where Christ is between priests and Pharisees. For him a young crying woman kneel, who holds a handkerchief against her face. Bottom left in the margin a coat of arms on a sprig with leaves.

Vestal virgins at an altar for Goddess Vesta, Pieter Hendrik Jonxis, after Jean Raoux, 1784 print A fire burns on a stone altar in honor of the goddess Vesta. Around the altar are and kneels Vestal virgins. One of them draps a flower wreath around a vase. A statue in the background. Paris paper engraving / etching Vestal virgin(s). altar ~ Roman religion

Copper engraving by Schelte Adamsz. Bolswert depicting Mary with St. Anna teaching, created between 1630 and 1659, showing the figures in a religious instructional scene.

Christ appears to his mother; The little passion; Passio Christi AB Alberto Durer Nurenbergensi Effigiata. The risen Christ greeting his mother Maria, who knew for a reader. Print is part of an album.

Copper engraving by the Wierix family from 1577 depicting a saint, showing detailed religious figure in 16th-century European style.

Marius in the house of Fannia. Fannia, a minturn woman who was previously convicted by Marius, offers him her hospitality while fleeing persecution.

Two biblical performances from 2 Sam. 11 and 12. Bathing Batseba spied by David, and the prophet Natan warns David. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 57.

Emperor Justinian kisses the feet of the Pope, Reinier Vinkeles (I), 1806 print Amsterdam paper etching / engraving kissing the pope's feet. ruler, sovereign. insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Mocking of Christ, 1784 print Christ is blindfolded in a temple room with arch vault and with tied hands on the ground. He is beaten with sticks while a man watches. paper etching in Caiaphas' palace Christ is mocked by Jews (Matthew 26:67-68; Mark 14:65). torch. Religious functionaries ~ Jewish religion

Adoration by De Koningen, François Ragot, After Peter Paul Rubens, 1648 - 1670 print France paper engraving / snipping adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Lithograph by Johann Nepomuk Strixner depicting the temptation of Christ, showing Christ, the devil, and surrounding landscape and elements, created in 1831.

An etching by Johann Heinrich Schönfeld from 1655 depicting Saint Thomas Aquinas, created in pinnate etching technique.

Adoration of the child by two shepherds, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845 print Amsterdam paper steel engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Reformed removes bones from a monastery in Vienna, Reinier Vinkeles (I), After Jacobus Buys, 1784 print Reformed remove bones from a monastery in Vienna. At the top right: v.d.pl.ii. bottom right: page 36. Amsterdam paper etching / engraving (human) skull. grave, tomb. desecration of grave Vienna

Copper engraving of the Holy Family with the young John the Baptist by Nicolas Beatrizet, produced between 1530 and 1565.

Copper engraving by Paulus Pontius from 1629-1658 depicting Mary with the Christ child and Saint Francis Xavier, showing figures and symbolic elements.

Nikodemus in conversation with Christ at Nacht, Abraham de Blois, After Bernard Picart, 1728 print In a high departure with oil lamp on the ceiling in Christ in conversation with Nikodemus print maker: Amsterdampublisher: The Hague paper engraving Christ talking with Nicodemus at night (John 3:1-21)

Crowd tries to get a man from a ladder, Reinier Vinkeles (I), 1806 print On a square, a man climbs on a ladder towards a crucifix attached to a church. A crowd runs towards him and tries to bring him down. Amsterdam paper etching / engraving ladder. altarcross, crucifix. church (exterior)

Pope shares pilgrims signs to pilgrims to kisses his feet; Dining out of beads (...) holiness feet cushion; Religions.

Boy on a chair surrounded by girls, Reinier Vinkeles (I), 1809 print An interior with young girls around a boy in a priest's trail, standing on a chair. The print is part of an album. Haarlem paper etching / engraving growing up - AA - girl. human life divided into stages, e.g. three, four, seven, twelve stages (with NUMBER). preaching (in general)

Emperor Theodosius I raises its knees for Ambrosius. In 390 in a church, Emperor Knelt Theodosius I for Bishop Ambrosius to ask forgiveness for his sins. His crown lies on the floor for him. Three others kneel behind Theodosius.

Lord kneels for the franval. .

A copper engraving and etching by François de Poilly the Elder created between 1640 and 1693 depicting the Holy Family with young John, showing figures and religious composition.

Calling of Matthew. Christ walks past the toll house and matts, that gets up from his chair. Illustration of the Bible text mat. 9: 9. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Presentation in the Temple, Johann Sadeler (I), After Maerten de Vos, 1580 print The interior of a temple. The Christ child is placed on a table for the high priest. Joseph and Maria stand in front of the table. In addition to Maria on the ground a basket with two pigeons that serve as a sacrifice. The print has a Latin Bible quotation as a caption and is the seventh print of a twelve -part series about the birth and the first years of Christ. Cologne paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Calling Matthew, Charles Geoffroy, after Johann Friedrich Overbeck, c. 1850 print Paris paper calling of Matthew (Levi), the tax-collector (usually with money lying on the table and people paying taxes) (Matthew 9:9; Mark 2:14; Luke 5:27-28)

Sick for the Indian God Shiva (Ixora), W. Tringham, After Bernard Picart, 1781 print A sick person is brought to a portable for the image of the Indian God Shiva (Ixora). On the print the deity is referred to as Ixora, which is Ishvara or Shiva. Amsterdam paper etching / engraving worship and devotion (in general) ~ Hinduism, Buddhism, Jainism. Shiva, god of fertility of nature

Pope Julius II throws Peter's keys in the Tiber. Pope Julius II, nicknamed 'il terribile', states that the keys of Peter are worthless and throws them in the Tiber. He adds that Paul's sword is useful.

Christ with Martha and Maria, Dirk Jurriaan Sluyter, After Cornelis Kruseman, 1858 print Mary of Bethania is sitting at the feet of Christ and listens to his words. She has a scroll in her hands. Her sister Martha points out Christ to all the household work that must be done and accuses Mary of Laziness. Illustration of the Bible text Luc. 10:40. print maker: Amsterdampublisher: Haarlem paper etching / engraving Christ's answer to Martha who complains about Mary: 'Mary has chosen the good portion ...'

The Virgin Mary presenting Saint Francis of Assisi with the infant Christ. Etching by A.L. Romanet after A. Borel after Annibale Carracci, 1765/1790.

A copper engraving by Pieter de Jode II from 1600-1645 depicting Jesus giving Peter the keys of the kingdom of heaven, illustrating a biblical narrative.

Photo production of the painting De Madonna of Foligno by Rafaël, Anonymous, After Rafaël, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights and artworks in Rome. photographic support albumen print Madonna: i.e. Mary with the Christ-child

Copper engraving by Adriaen Lommelin depicting Christ washing the feet of his disciples, created between 1654 and 1673, showing figures in a biblical scene emphasizing humility and service.

"Sistine Madonna" by Raphael. Unknown, photographer about 1860-1880 A photograph of a reproduction of Raphael's "Sistine Madonna," also known as the Madonna di San Sisto. The painting depicts the Madonna holding the Christ Child and surrounded by Saint Sixtus, Saint Barbara, and cherubim. A description and title in Italian appear beneath the painting along with a coat of arms. (Verso, mount) lower left, pencil: "A24.32";

Esau sells his first cross law enamel blessed Jacob; Esau sells his first birth for a chip lins / eSAÜ vend Son Droit d'Ainesse à Jacobisaac Zegent Zyn son Jacob / Isaac Bénit Son Fils Jacob.two Biblical Performances from Gen. 25 and 27. Numbered at the bottom right: 14.

Copper engraving by Schelte Adamsz. Bolswert depicting Saint Barbara, created between 1727 and 1783, showing the saint with religious attributes in a devotional scene.

Adoration of the child by two shepherds, Henricus Wilhelmus Couwenberg, after Charles van Beveren, 1830 - 1845 print Amsterdam paper steel engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Etching by Matteo Piccioni depicting Saint Luke painting the Madonna, created between 1630 and 1671.

Adoration of the child by two shepherd girls ..

Maria gives the Christ child the breast (Maria Lactans). Interior with Maria sitting on a bed, breastning to the Christ child; At the foot of the bed a cradle.

Woman with a cross kneels for a man. In a room, a young woman kneel for a man. In her hand she has a wire to which a cross. Behind her is a man with a writing spring and a piece of paper in hand. In the background an old man in bed.

Couple kneels for the bishop of Emmeram; They took their names to emmeram, whom they fell on foot ...

Engraving by Claudine Bouzonnet-Stella between 1690 and 1697 showing Christ washing the feet of the disciples during the Last Supper.

Copper engraving and etching by Carlo Faucci between 1749 and 1784 depicting the Holy Family, including Mary, Joseph, and the infant Jesus.

Visit of the Queen of Seba / Widow of Sarefat. Two biblical performances. Upstairs King Solomon receives the Queen of Seba with open arms. Under the widow of Sarefat with her son in her house. She points to the oil jar and the game of flour, which does not run out. At the top right: pl. VI.

Copper engraving and etching by Cornelis Bloemaert, 1620-1692, showing Christ carrying the cross with Godfather and a saint present, highlighting figures, posture, and garments.

Group of women in a synagogue, Jean Baptiste Pierre Michiels, after Henri Leys (Baron), 1831 - 1890 print paper. engraving / etching the Synagogue (as building and place of worship ~ Jewish religion). adult woman (+ more than eight persons)

Christ as a teacher, Dirk Jurriaan Sluyter, After Valentijn Bing, 1846 print A young woman is sitting at the feet of Christ, holding her hand. He points her to the lamp hanging in the room. Perhaps an illustration of Math Bible. 5.15. Up and below the image in blind stamping the title and author of the work plus the impressum. Amsterdam paper etching / engraving a lit candle (or lamp) under a bushel (in a secret place, under a bed, or covered with a vessel) ~ proverbial saying of Christ (Matthew 5:15; Mark 4:21; Luke 8:16)

Last Supper. Christ and the twelve disciples at the table.

The Holy Family with Saint John and Saint Elizabeth 1620 Flanders. Etching and engraving in black on silk, satin weave . Lucas Emil Vorsterman

Judiciary in the fifteenth century, David van der Kellen (1827-1895), 1857 - 1864 print The judge sits in a high chair, a clerk for him. On the right on a stool is the prisoner. He has a rope around his neck that is held by a man. His hands are tied on his back. On the left, prisoners are led away. Haarlem paper magistracy, judges (+ verdict). magistracy, judges (+ other court officials). prisoner with hands bound

Christ disputes with men in the temple.

Gebhard, archbishop and elector of Cologne, gives up his dignity to marry the beloved Agnes Illustration No. 13 (from 18) to the publishing house Deutsche Monatschrift, published in 1795 1800 Chodowiecki, Daniel Nikolaus (1726 1801)

Crowd tries to get a man from a ladder. On a square, a man climbs on a ladder towards a crucifix attached to a church. A crowd runs to him and tries to get it down.

Priest discovers Lesser (small variant), Bernard Picart (workshop of), 1718 print The priest, his hands lifted, looks surprised and shocked at the desk in the church. He is accompanied by a man who is also shocked. Amsterdam paper etching / engraving hierarchy of jurisdiction ~ Roman Catholic church. lectern

The Mission in the Temple, draughtsman: Helmlehner, 1657, paper, pen, brush, h 312 mm × w 274 mm

The Holy Cecilia in ecstasy. Saint Cecilia is in ecstasy in a landscape, surrounded by the Holy Paul, John the Evangelist, the Saint Augustine and Mary Magdalene. Musical instruments are located at the feet of the Holy Cecilia. In her hands she holds a portative organ. She listens to singing angels on clouds.

Muslims leave the mosque, Léopold Flameng, After Mouchot, 1867 print Paris paper. etching temple, shrine ~ Islam, Mohammedanism

Inuit, anonymous, 1781 - 1791 print paper etching / engraving indigenous peoples of the arctic regions: Inuit

Germanicus at a sacrifice. Germanicus with a sacrifice with priests. On the left a bull decorated with a flower wreath.

In a church a woman descends into a grave. .

Helena and Keizer Constantijn with the cross, Nicolas Henri Tardieu, after Peter Paul Rubens, 1684 - 1749 print Paris paper etching / engraving empress Helena, mother of Constantine the Great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails - personal devotion of female saint. the Roman emperor Constantine the Great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross

Nuns in an interior with parrot, Nicolas de Launay (goldsmith), after J.M. Marillier, 1779 print France paper etching / engraving nun(s). ornamental birds: parrot

Balthasar Cossa appoints herself as a counterpart Johannes XXIII, Reinier Vinkeles (I), 1808 print On May 17, 1410, Balthasar Cossa appoints itself to the counterpart Johannes XXIII in the presence of many cardinals. He hangs himself around the papal cloak. Amsterdam paper etching / engraving cardinal. installation of a pope - PP - antipope

Christ in the house of Simon in Bethania (left part), Jean Pesne, After Nicolas Poussin, 1680 - 1694 print Sacrament of fine and reconciliation. publisher: ParisFrance paper etching confession; 'Confessione Sacramentale' (Ripa) ~ the third of the seven sacraments. Christ's feet are anointed by Mary (Magdalene). meal in Bethany (at the house of Simon the Leper) (Matthew 26:6-13; Mark 14:3-9; John 12:1-11). meal at the house of Simon the Pharisee (Luke 7:36-50)

Two angels lead a woman for Mary in heaven, Franciscus Andreas Durlet (attributed to), 1844 print Prayer card from Agnes Jeanne Durlet with an image of a woman led by two angels for Mary in heaven. Maria is wearing a crown and a staff with a Fleur-de-Lis. paper etching / letterpress printing (ascent into) heaven. the Virgin Mary. angels

Copper engraving by Pieter de Jode II (1620-1674) depicting the Virgin Mary with the Christ child, Johannesknaben, and St. Elisabeth, showing figures, gestures, and attire in 17th-century Europe.

Priest assesses sacrificial animals, Bernard Romain Julien, After Landseer, c. 1842 print Paris paper Offering; "Offerta overo offering" (bank). Monk (s), Friar (s)

Copper engraving and etching by Giovanni Vitalba from 1781 depicting the Annunciation to Mary, showing the angel Gabriel, Mary, and architectural elements in a religious composition.

Descent from the Cross, by Mabuse. Caldesi & Montecchi (British, active 1850s)

Christ in the house of Marta and Maria, Anonymous, after Ambrosius Francken (I), 1585 print With caption in Latin (Luc. 10). On the set -up sheet is a handwritten French translation of the caption. Christ visiting the house of Marta and Maria. Maria is sitting at the feet of Christ and listens to him. Marta, with poultry under her arm, complains to Christ, because Mary does not help her with the household. Antwerp paper engraving Christ in the house of Martha and Mary (Luke 10:38-42)

Senture representation of two angels. .

Lithograph by Johann Nepomuk Strixner from 1829 depicting Saints Agnes, Bartholomew, and Caecilia, showing religious figures and symbolic attributes.

This 1613 copper engraving by Jacob Matham depicts St. Cecilia with her martyrdom shown in the background, highlighting religious narrative and detailed engraving work.

Christ as a twelve -year -old in the temple, Cornelis Galle (II), c. 1640 - c. 1678 print Mary and Joseph see Christ in the temple in the temple with the scribes. Part of a Prentalbum with nineteen devotional prints on parchment. parchment (animal material). montage: paper engraving Christ found by his parents

Zittende Mary Met Christthropeckind (Seat of Wisdom), 1660 print Maria sits on a throne. There is an open book on the knee of the Christ child. Christ makes the blessing gesture. This print is part of an album. paper etching / engraving 'Seat of wisdom'

Interior of a church during the sermon, Ernst Buschmann, after Henri Leys (Baron), 1824 - 1853 print paper etching interior of church. preaching (in general)

Balthasar Cossa appoints himself to counterpart Johannes XXIII. On May 17, 1410, Balthasar Cossa appoints himself to counterpart John XXIII in the presence of many cardinals. He surrounds himself the papal cloak.

Husband at his adverse woman; The tenderly man. A man is at the open coffin, in which his deceased woman lies. He does not bear the servants into her in her wedding dress, because he loves that. If he remares the dress can be used again. He had never promised her to remember before dying his wife.

Two women with a child pray in a chapel, Auguste Danse, 1864 print paper etching / engraving (private) prayer; 'ORATION', 'Prayers', 'Prayers to God' (Ripa)

Caution points to coat of arms with the fall, Jan Caspar Philips, 1758 print Caution (prudentia) points to a coat of arms on which the fall has been presented. In the foreground three putti with a sheet of paper on which the sacrifice of Abraham is depicted. One of them points to a piercing stable on which the crucifixion. On the right in the foreground an open Bible. Amsterdam paper etching / engraving Prudentia (Prudence) as Roman personification. Eve offers the fruit to Adam. the sacrifice of Isaac (Genesis 22). the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). the Bible as a book

Christ in conversation with the Samaritan woman, Philippus Velijn, 1797 - 1836 print Christ asks the Samaritan woman who comes to draw water to give him something to drink (John 4: 7). Netherlands paper etching Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug

Bridal couple leaves the church, Martin Sylvestre Baptiste, 1833 print This print is part of a cover with six prints. print maker: Parisafter own design by: Parisprinter: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper married couple of unequal age. bride and groom in wedding-dress Marsh

Monument for the third century festival of reform, 1517-1817, Anonymous, 1817 print Monument for the third century festival of reform, 1517-1817. Allegorical representation with on the left the entrance to a temple against which medallions with portraits of church reformers are hung. Central at the top of the portrait of Martin Luther, in the middle Calvin. In the door of the temple is the religion that the envy and the defamation are, also the steadfastness and hope. On the left, a crowned woman relaxing letters and other pamphlets (including from Rousseau) in the fire of hell. For the temple, virtues pointed as faith and hope the believers in the direction of the temple. In the background scenes from the Bible. The print includes a separate explanation. Netherlands paper etching / engraving Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). Monument, statue. Faith, 'Faith'; "Fed ',' Fede Catholic ',' Feddre Christ

A lithograph by Johann Nepomuk Strixner from 1823 depicting the Pouring of the Holy Spirit, showing figures with symbolic gestures and rays of light.

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