Religious Engravings of Christ and Saints

A collection of intricate engravings depicting Christ's suffering, worship of the Trinity, Madonna with child, and various saintly figures, framed by Latin inscriptions and ornate borders.

The holy church father Gregory of Nyssa beholds an angel sitting on the back of a demonic beast and restraining it with chains. Gregory stands on a pedestal. On the obverse the scene in which he and his deacon pray to God while they are chased by Roman soldiers. Print marked top center: II Part Pag. 213., St. Gregory of Nyssa, Church Father Gregory, Bishop of Neo-Cesareen Inde Woestyne, miraculously escaped his persecutors , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 176 mm

Christ in the wine press; Suffering from Christ. Christ with the cross in a wine press, the whole in cartouche and with four-line caption in Latin. This print is the title print in a series of performances of the accelerator.

Pius VI., Pope.

Worship of the holy trinity and the eight beats. The trinity is worshiped by people and angels. God the Father and Christ sit on a cloud, above them the pigeon of the Holy Spirit. Angels and Old Testament figures on the clouds. The central representation is framed by numbered scenes that depict the eight salvation speaks. Above: presentation of Christ in the Temple (No. 4) and Annunciation (no. 6). Left, from top to bottom: Stefanus stony (No. 8), David and Abigai (No. 7) and Moses' authority disputed by Mirjam and Aaron (No. 2). Right, from top to bottom: Tobit shows mercy (no. 5), Christ anointed by Maria Magdalena (no. 3) and Job hears the bad news of four messengers. The willow discussion in Latin is under every performance. Completely at the bottom of a cartouche a four-line inscription in Latin.

Mary with child on throne with Saint Dominicus and Saint Catharina van Siena, Antonio Tempesta, After Nicolas Beatrizet, 1590 print Mary sits on a throne with the Christ child on her lap. Both hold a rosary in their hand. In front of the throne, the Holy Dominicus and Saint Catharina van Siena and other clergymen kneel. The show is surrounded by a border with fifteen small representations from the lives of Christ and Mary, each with a caption in Latin on a banderole. In the middle of a coat of arms and assignment in Latin. print maker: Italyafter print by: Italypublisher: RomeItalyRome paper etching the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. Dominic(us) Guzman of Calerueja, founder of the Order of Preachers (or Dominican (Black) Friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star. Madonna a

The animal of Christ in a shrine with six other performances from the life of Christ. Gothic shrine with six performances in circles, surrounded representation with Maria with sword in Heart, lying dead Christ. Six performances in circles are: crucifixion, burial, presentation in the temple, flight to Egypt, twelve-year-old Christ in the temple and cross. On the pedestal of shrine is text. Two weapons hang left and right. Right: Coat of arms of Delft. Left: Coat of arms of other city.

. After the rebellion, Christ appears as a gardener to Mary Magdalene. She has been kneeling on the left before Christ in a lush garden. An angel in the background. The performance is caught in an oval frame with a peripheral panel. Print from a series with the passion of Christ.

The holy church father Gregory of Nyssa beholds an angel sitting on the back of a demonic beast and restraining it with chains. Gregory stands on a pedestal. On the obverse the scene in which he and his deacon pray to God while they are chased by Roman soldiers. Print marked top center: II Part Pag. 213., St. Gregory of Nyssa, Church Father Gregory, Bishop of Neo-Cesareen Inde Woestyne, miraculously escaped his persecutors , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 176 mm

H. Basilius van Caesarea, kerkvader; Basilius, Bisschop van Cesarëen in Cappadociën. Zyn gedrag omtrend de Armen.The sacred church father Basil from Caesarea, standing on a base. On the front the scene in which Basilius performs food to the poor. PRENT In the mid top labeled: III. PART PAG. 311.

Holy Virgin of Monferrato, Justus Sadeler (Possible), 1610 print In the middle of an architectural structure with four Corinthian columns, the H. Virgin of Monferrato, with the Christ child in her arms. Two angels hold a crown over her head. She is flanked by St. Augustine (left) and St. Eusebius (right). Upstairs in a fronton God the Father. Left and right in the upper corner of medallions with miracles from the H. Virgin of Monferrato. Venice paper engraving male saints (with NAME). Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen. Madonna: Mary standing (or half-length), Christ-child close to her bosom. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe

Saint Irenaeus of Lyons, Church Father, Jan Luyken, Zacharias Chatelain (II)

Christ hands out Kronen, Hieronymus Wierix, 1611 - Before 1619 print Christ hands out crowns of flowers. He is accompanied by Mary in her role as human intercourse. The show is caught in a frame of beads. In every corner a medallion with scenes of people who suffer and want to alleviate their pain by Mary. In the cartouche at the bottom men, including a pope and a emperor, kneel and ask for help from Mary. The print has a top in Latin. Antwerp paper engraving Mary devotion. Madonna (or Mary without Christ-child) as patroness or protectress, e.g. of a confraternity or lay order

Copper engraving by Hendrick Goltzius from 1586 depicting a religious scene focusing on women, showing gestures, figures, and devotional context.

Christ appears as a gardener to Maria Magdalena, Crispijn van de Passe (I), 1600 print After the rebellious, Christ appears as a gardener to Maria Magdalena. She is kneeling left before Christ in a lush garden. An angel in the background. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

H. Cyrillus van Jerusalem, church teacher, Jan Luyken, After Jan Goeree, 1698 print The holy church teacher Cyrillus van Jerusalem, standing on a pedestal. On the front the scene in which a shining cross surrounded by a rainbow in the air above Jerusalem has appeared. Print in the middle of it marked: III. Share p. 441. Amsterdam paper etching / engraving male saints (CYRIL OF JERUSALEM). appearances

. Christ rises from his grave. Around him a cloud with cherubs. The soldiers who are scared and flights around the grave. In standing oval with ornament. The twelfth print of a thirteen-part series of ornament prints about the passion of Christ.

ALTAR DE LA IGLESIA DE SAN JUAN DE LA PALMA - GRABADO - 1808 (SEVILLA). Author: MARTIN JOSE MARIA. Location: PRIVATE COLLECTION. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY. VIRGEN DE LAS MARAVILLAS. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

Apostle Barnabas, Jan Luyken, Zacharias Chatelain (II), François Halma

Moving of Christ; Christ in the pilatus's house mocked. Christ sat, the hands bound, two warfts are beaten with sticks. A third is kneeling before Christ and mocked him. In the background Pilatus and soldiers. Under the show a four-line caption in Latin (matte. 27). The whole is surrounded by an edge frame on which the passion instruments.

Netherlands, Master II with skull, The Lamentation of Christ in a shrine with six other scenes from the life of Christ, verso lower left - stamped, Gothic shrine with six scenes in circles, surrounded by a scene with Mary with sword in her heart mourning the lying dead Christ. Six scenes in circles are: Crucifixion, Entombment, Presentation in the Temple, Flight into Egypt, Twelve-year-old Christ in the Temple and Carrying of the Cross. Text on the pedestal of the shrine. Two coats of arms hang on the left and right. Right: coat of arms of Delft. Left: coat of arms of another city., print, prints, height 132 mm, width 95 mm, print maker, printmaker, 1507 - 1507, first quarter 16th century, paper, ink, engraving, engraving (printing process), pen

Sheet with two sibylls and two scenes from the passion story.; Sibyllen. From series of seven sheets. Print, printed from several blocks, forms one whole through ornamental picture frame. Above the thorn core, at the top right of Christ on the cross. At the bottom left of the Sibylle from Delphi with spindle crown and accompanying text, the bottom right of the Sibylle of the HELLSPONT with cross and accompanying text. In set-up personification of moderation (temperancia) and gluttony (gula).

H. Ireneus van Lyon, church father. The sacred church father Ireneus from Lyon stands with an open book in his hands. In addition to him, an angel supports a sword that has been put into a bishop's mushroom. Ireneüs is on a base where his decapitation has been displayed on the front.

The Resurrection of Christ, 1512, Albrecht Altdorfer, German, c. 1480-1538, 9 × 7 1/16 in. (22.86 × 17.94 cm) (image, sheet), Woodcut, Germany, 16th century, It is dawn. Angels have pulled aside the sarcophagus lid, and nowframed by clouds and a heavenly aureoleChrist hovers above his empty tomb. Soldiers in fanciful armor surround the tomb: some sleeping, some just roused, and others actively attempting to understand the miracle before them.

Maria with child and the H. Norbert. Maria with child and angels appear on Saint Norbert. The image is surrounded by the Saints James, Joseph, Giselbert and Wilhelmus and two allegorical representations of the Vita Assets and Vita Contemplativa.

Maria and John the Evangelist and Sebastiaan and Rochus worship the Sacred Heart with Christ on the Cross, Lucas Cranach (I), 1505 print Mary and John the Evangelist and the Saints Sebastiaan and Rochus Kneelen with their gaze facing up. They worship the Sacred Heart with Christ on the cross, depicted on a shield held by four putti. Blood tricks are shown on the right half of the crowned heart. Under the cross an empty curly text band that was filled in with text in a later state. In the background in the landscape is a large building behind a city wall. At the bottom left a shield with the Elector Weapon of Saxony, below the Ducal Weapon. In the margin under the print, the names of the saints shown are mentioned. Germany paper the Sacred Heart. the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk. male saints (with NAME). the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Christ on the cross surrounded by scenes of crucified martyrs, Antonie Wierix (II), 1565 - Before 1604 print Maria and John mourn with the crucified Christ. Images of crucified male saints can be seen on either side of this central performance. At the top of God the Father, in the midst of angels with crowns for the martyrs. At the bottom of three scenes from the passion of Christ, from left to right: Christ in the court of Getsemane, the scam of Christ and the Doornenkroning. In the margin an assignment in Latin. Antwerp paper engraving God the Father (+ angel(s)). violent death by crucifixion. crucified Christ with Mary and John on either side of the cross; Holy Rood. Christ's prayer in the Garden of Gethsemane during the night. flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Church Father Origenes, Jan Luyken, Zacharias Chatelain (II), Jan Goeree

Christ on the Cross before 1604 After Antonius Wierix, II Netherlandish. Christ on the Cross 426209

The holy church father Irene of Lyon stands with an opened book in his hands. Beside him, an angel rests on a sword tucked into a bishop's mitre. Ireneus stands on a pedestal where his beheading is depicted on the front. Print marked top center: II. Part Pag: 202., Saint Irene of Lyon, Church Father Ireneus, Bishop of Lions. By order of Zeverus, there cruelly slain , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 171 mm

Apostle Barnabas, Jan Luyken, After Jan Goeree, 1698 print The Apostle Barnabas pointing to an angel who advocates a book. Barnabas is on a pedestal. On the front the scene in which the Apostles Paul and Barnabas are honored by the people in Lystra as gods. Print in the middle of it marked: ii part: page: 70. Amsterdam paper etching / engraving the apostle and martyr Barnabas of Cyprus, first bishop of Milan; possible attributes: Matthew's gospel, stones. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Paul and Barnabas at Lystra

The holy church teacher Cyril of Jerusalem, standing on a pedestal. On the obverse the scene in which a luminous cross surrounded by a rainbow has appeared in the sky over Jerusalem. Print marked top center: III. Part Pag. 441., St. Cyril of Jerusalem, church teacher Cyril, Bishop of Jerusalem, Wonder Teeken t'zynen tyde over Jeruzalem gesien , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 268 mm × w 167 mm

Christ and Nicodemus, Jan Luyken, 1688 print Christ speaks with Nicodemus at candlelight. Left and right of this central performance six scenes with references to Bible verses, with captions. At the top, the hope and faith flank a cartouche with the image of a kneeling man in prayer. paper etching Christ talking with Nicodemus at night (John 3:1-21). one person praying. Fides (faith) as Roman personification. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Christ in Getemane; History of Leyden and dying our Heeren Jesus Christ. Christ prays in the court of Getemane. An angel appears from heaven. On the left sleep Peter, Johannes and Jacobus. Right Golgota with the three crosses. The show has been caught in an ornamental frame with medallions. On the corners the four evangelists and in the other medallions scenes from the passion of Christ.

Graf monument for Johannes Schelhammer, François van Bleyswijck, after Johannes Hannart, 1730 - 1736 print Grave monument or epitaph for German theologian Johannes Schelhammer in the Evangelisch Lutheran Church on the Lutheran Burgwal in The Hague. A record with Latin inscription in memory of him is the center of an architectural accompaniment. This is crowned with a medallion on which the symbol of Christ's suffering is depicted: a pelican feeds her boy with her own blood. Two mourning women flank a portrait of Schelhammer. paper etching epitaph. 'pleurants' Lutheran church

Relic holder in the form of medallion with the resurrection of Christ, Lucas Cranach (I), 1509 - 1549 print Relic holder in the form of a medallion with the resurrection of Christ. The edge is decorated with ornaments and precious stones. There is an eye on the top of the object. On the verso of this book illustration there are fragments of images of two reliquary holders and a fragment of a caption in German text with this liturgical vascular work. Wittenberg paper Resurrection of Christ

Church hall of the Lutheran church in Haarlem; Title page for a single Stigtellyke and Sorrowful Lutheran Church - Charts, Haarlem / Amsterdam, 1718. The interior of the Lutheran Church in Haarlem during a service. At the top of a portrait in oval of Johannes Hermannus Manné, book translator. Down a sitting woman with two angels.

H. Gregorius van Nazianze de Jongere, church father, Jan Luyken, after Jan Goeree, 1698 print The Holy Church Father Gregorius of Nazianze the young person, standing on a pedestal. On the front the scene in which he visits his friend Basilius van Caesarea in hermit. Print in the middle of it marked: III. Part. P. 369. Amsterdam paper etching / engraving the monk and bishop Gregory of Nazianzus, also called the Theologian; possible attributes: book, scroll. Basil the Great (Basilius Magnus), bishop of Caesarea; possible attributes: dove, (column of) fire. anchorite, hermit

. The praying Christ and the sleeping apostles in the garden of Getsemane. An angel comes comfort him. In standing oval with ornament. In the foreground Judas enters Getsemane with the soldiers. The second print of a thirteen-part series of ornament prints about the passion of Christ.

The Last Judgment, from The Fall and Salvation of Mankind Through the Life and Passion of Christ ca. 1513 Albrecht Altdorfer German. The Last Judgment, from The Fall and Salvation of Mankind Through the Life and Passion of Christ 429659

The holy church father Clemens of Alexandria listening to an angel reading him a text. Clemens stands on a pedestal where on the front is depicted his teaching in the School of Alexandria, St. Clement of Alexandria, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 277 mm × w 173 mm

Theology; The sciences, proposed by women.theology with a Flaming Sword. Left and right or her is a goat. From Series or 6 sheets.

Twist between the church fathers about the Holy Sacrament. The church fathers are in a church space and discuss the issue of the Holy Sacrament of the Eucharist. On the altar is a monstrans with a host, above the Holy Spirit floats in the form of a pigeon. In heaven the sky of heaven meets about the case. Christ is in the middle, on either side Mary and John the Baptist, behind him figures from the Bible. God the Father and the Engel Choir float above the clouds. The print is part of an album.

Depicts 'Christ on the Ölberg' from the Passion of Christ series by Lucas Cranach the Elder, created as a woodcut and type print in 1509, showing Jesus praying in the garden with disciples.

Altar with Christ in Wolken, Anonymous, After Johann Jakob Schübler, in or after 1724 print An altar with two columns on either side. There are two candlesticks on the altar, putto -hinged on the left and right. Above that Christ with jets of jets surrounded by clouds, with a globe in his hand. The altar is crowned with winged puthoofdes, a snake and a pelican with youngsters. A five -line German text in the lower margin. Augsburg paper etching / engraving altar. Christ as adult. cupids: 'amores', 'amoretti', 'putti'. symbols of Christ ~ animals

H. Pantenus van Alexandrië, kerkvader; Pantenus Catechist t'Alexandriën, Syn Schoolampt oeffenende.Saint Church Father Pantus from Alexandria with a book in his hands. An angel is also with a book for him. Pantus is on a base where his teaching in the school of Alexandria has been shown on the front. PRENT In the mid top marked: II Part Page: 227.

De Doge Van de Heilige Benedictus, Jacquot Callot, After Birthday, 1608 - 1611 print Benedict, supported by two clergymen, is opposed to a priest who leads a celebration of Eucharistic for him. Various martyrs and Maria watch from heaven. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print. Rome paper engraving death of St. Benedict: standing (sometimes before the open tomb of St. Scholastica), supported by monks or angels

"Woodcut and type print by Lucas Cranach the Elder circa 1513 depicting the heavenly ladder of St. Bonaventura, showing angels, figures, and symbolic religious elements."

Apostel Filippus.The apostle Philip makes a blessing gesture above an angel being baptized. Philip is on a base where the baptism of the Chamberlaning has been displayed on the front.

Theology, Etienne Delaune, 1528 - 1583 print Theology with a flaming sword. Left and right of her is a goat. From series of 6 magazines. France (possibly) paper engraving

Society of Christ, 1560 - 1600 print At the bottom of soldiers who bind rods. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Shaded background. Netherlands (possibly) paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Scourging Christ; Passio Verbeticae Quae Redeptio Christ (...). Down soldiers who bind rods. From series of 14 ovals with grotesken in which scenes are depicted by the passion. Shaded background.

Christ Bearing the Cross (recto) and Decorative Border (verso) from Das Leiden Jesu Christi, plate three from Woodcuts from Books of the XVI Century 1515 Germany. Woodcut on paper . Hans Leonhard Schäuffelein

Punishment of evil; Passing through Pharaoh and his army by the Red Sea; Punitio Tirannorum; Allegories of the Christian faith. Allegory with central representation of the passage of the Pharaoh and his army by the Red Sea with a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. Two Latin lines in margin under show.

Title page with the Last Judgment and the works of Mercy, Philips Galle, 1577 print Title page of a series of prints of the works of mercy (consisting of this title page and seven numbered prints). In middle management the last judgment. Above Ovaal Cartouche with the title of the series. Left and right of it texts from Matthew 25. Left and right of the main performance Ornamented edge with trophies that refer to the seven works of mercy: Bread and fruit refer to the food for the hungry, wine and jabies to drinks for the thirsty, items of clothing to the Dresses of the nudes, money pouches and chains with ditches to visiting the prisoners, bottles and kitchen utensils to visiting the sick, and a pilgrim hat and musical instruments to the house innovation. At the bottom in the middle a skull and other attributes that belong to the burial of the dead. Under the performance four lines of Latin. paper engraving the (seven) Acts of Mercy. Last Judgement

H. Epiphanius of Salamis, Church Father, Jan Luyken, Zacharias Chatelain (II)

The trinity.

Emblem with spiritual and man who pray to God and the saints with their request to live in virtue, Anonymous, After Boëtius Adamsz. Bolswert, after Hendrik Aertssens (II), 1649 print A spiritual kneels in prayer with the passion tools of Christ, a man next to him also kneels in prayer and tramples the devil. They turn to God who can be in heaven and the saints who can preach. The virtues that prescribe meditation are shown on seven shields and which should pursue people during his life: faith, hope, love, justice, moderation, strength and caution. paper engraving the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion. 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues. the life of man

Christ child standing on monogram; Worship of the Christ child. The Christ child makes a blessing gesture and is on the IHS monogram. The performance is caught in an oval frame with a peripheral panel. In the corners the bust portraits of four Jesuits: Ignatius of Loyola (top left), Francis Xavier (top right), Aloysius Gonzaga (bottom left) and Stanislaus Kostka (bottom right). In the margin a two-legged caption with an assignment in Latin.

The holy church father Athanasius of Alexandria, standing on a pedestal. On the obverse a scene in which, as a boy, he blesses other children., Saint Athanasius of Alexandria, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 271 mm × w 170 mm

H. Polycarpus van Smyrna, Apostolic Father, Jan Luyken, After Jan Goeree, 1698 print Saint Apostolic Father Polycarpus of Smyrna writes in a book and looks at the angel who sits next to him with a burning torcher and bishops. Polycarpus is on a pedestal. On the front the scene in which he is stabbed to death at the stake because the fire does not want to digest him. Amsterdam paper etching / engraving male saints (with NAME). violent death ~ fire. violent death by sword

Copper engraving by Cornelis Galle the Elder showing Saint Norbert and Waltmann holding a monstrance, created between 1596 and 1650, illustrating a religious ceremony.

H. Stefanus, Jan Luyken, after Jan Goeree, 1698 print Saint Stefanus gives a mint to a begging woman with child. Stephen is standing on a pedestal where its stoning has been portrayed on the front. Print in the middle of it marked: IV part fol. 37. Amsterdam paper etching / engraving the deacon and (proto)martyr Stephen; possible attributes: censer, stones. the deacon and (proto)martyr Stephen; possible attributes: censer, stones - maltreatment of corpse of male saint

Coronation of mary; Life and the passion of Christ and of the Virgin Mary. The Virgin Mary kneeling on a cloud. She is crowned in heaven by God the Father and Christ. Above the crown the Holy Spirit as a pigeon. Cherubs fly around the threesome. The print has a Latin Bible quote as a caption and is the last print of a fifteenthous series about the life of Christ and the Virgin Mary.

H. Athanasius of Alexandria, church father, Jan Luyken, after Jan Goeree, 1698 print The Holy Church Father Athanasius of Alexandria, standing on a pedestal. On the front a scene in which he blessed other children as a boy. Amsterdam paper etching / engraving Athanasius the Great, bishop of Alexandria; possible attributes: book, heretic under feet, scroll. blessing (either of things or persons), e.g. by anointing

Double jar whose lid is awarded by a temple; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. There is a woman in the temple. Left and right above stand on a six-arm candlestick under a canopy, FAMA and Victoria respectively. Sheet from series of 9 sheets.

Worship of the seven-member beast; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. From the sea the seven-coupled crowned beast that is honored by the people. The second beast appears from behind a mountain in the form of a RAM. A four-line caption in Latin in the margin. Fifteenth prints from a series of twenty-four with the Revelation of John on Patmos.

Martyrologium Sanctarum Virginum (Female Martyr Saints), title plate from a series of 25plates. Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Unknown

Last Supper, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print The Last Supper in standing oval with ornament. In the foreground the betrayal of Judas. The first print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38). ornaments ~ art. Judas goes out to the chief priests, betrays Christ and receives the reward (Matthew 26:14-16; Mark 14:10-11; Luke 22:4-6)

Central to an oval list of Christ, with a globe in hand. Around the oval list seven medallions with biblical performances that represent the seven spiritual works of mercy. The print has a Latin caption.

Life of Saint Catharina van Siena, Anonymous, After Francesco Vanni, 1604 print The holy Catharina of Siena standing in a landscape with a crucifix with lilies in her hand. Stigmata are visible on her hands. Around this performance thirteen smaller performances with scenes from the life of Catharina. Assignment with coat of arms in the middle. after design by: Italypublisher: ItalyVaticaanstadItaly paper engraving / etching the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. St. Catherine of Siena, kneeling before a crucifix, or swooning into the arms of two nuns, receives the stigmata. St. Catherine of Siena receives the communion from Christ. the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmat

Wapenschild met kerkelijke attributen en wapentuig.Crowned coat of arms with a cross. Links church attributes, including a holy water vessel, songbook and incense vessel. Right weaponry.

Aanbidding van het Lam Gods, in or after 1629 - in or before 1646 print Kings and Prophets - the 24 elders from the Apocalypse - depict the text from the prophetic visions of John. Together with the heavenly hosts, they bring praise to God with harp playing and bowls full of smell of smell who sits on a throne and holds the book with the seven stamps. The symbolic figures of the four evangelists Johannes (Engel), Marcus (Leeuw), Lucas (beef) and Matthew (eagle) wear the music books. The chosen ones have palm branches in their hands and kneel in worship for the Lamb of God, which appears in a jet wreath, with the banner of the resurrection, on the Zion Mountain. The print is part of an album. paper letterpress printing lamb bearing cross or banner, 'Agnus Dei' ~ symbol of Christ. the vision of the Lamb and the book with the seven seals. printed edition of musical score. the four symbols of the evangelists, 'the apocalyptic beasts'. God the Father (as bearded old man) enthroned, usually

The house built on a rock, 1598 - 1604 print Series of ten (originally twelve) allegories of the Christian faith. Each of the allegories consists of a central performance surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin at the bottom two lines of Latin and the number 6. paper engraving house built upon a rock; house built upon sand ~ doctrine of Christ on love, etc. (Matthew 7:24-27; Luke 6:47-49)

Christ on the Cross before 1586 Antonius Wierix, II Netherlandish. Christ on the Cross 426207

Ivan VI (1740 1764) Russian tsar unknown

Moses studies the plan for Tabernakel, Jan Luyken, 1700 print A list of Moses in a tent. He studies the plan for the construction of the Tabernacle and the accompanying temple and shows the plan to some people around him. Around the list: workers at work (the Jewish people that the tabernacle produces). Amsterdam paper etching the making of the Tabernacle and its accessories ~ Exodus. Moses appoints Bezaleel, Aholiab and other craftsmen. handicrafts, craftsman at work

Revelation of the true nature of the Roman Church by the truth, 1597 - 1601 print Revelation of the true nature of the Roman church through the truth. Open and expired building of the Roman Church resting on four pillars in which a king the feet of the Pope, the Antichrist, coasts. A monk and a Jesuit brick on the walls. With explanatory inscriptions in Dutch in the performance. This includes a representation of the Reformed Church. Cartoon in the Roman church, approx. 1560. Northern Netherlands paper engraving Reformation (Roman Catholic Church vs. Protestantism). Antichrist. pope. kissing the pope's feet

Saint Mary (the Blessed Virgin). Engraving by V. Regnard after P. Berrettini Pietro da Cortona.

Last judgment in a roll work Framing, Virgilius Solis, 1568 print Nuremberg paper engraving scrollwork, strapwork ~ ornament. comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Saint Nicholas surrounded by Pausen.The Holy Nicolaas as a bishop with his staff in the left and a book with three gold balls on it in the right hand. There are four popus left and right of him. Above Nicolaas the throne Mary with child, flanked by two angels and four popus. Latin text in two columns in undermarge.

Christ and Nicodemus, Jan Luyken, 1688 print Christ speaks with Nicodemus at candlelight. Left and right of this central performance Six smaller scenes with references to Bible verses, with captions. At the top, the hope and faith flank a cartouche with the image of a kneeling man in prayer. Amsterdam paper etching Christ talking with Nicodemus at night (John 3:1-21). one person praying. Fides (faith) as Roman personification. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Rebecca and Eliezer at the well, Esau sells his birthright, Anonymous, 1615 - 1651

The Virgin, Star of the Sea at Caen, venerated by pilgrims and sick people. Woodcut.

Moses with the tables of the law. Moses with a staff and the dining of the law in setting, around ten scenes and texts from the Old Testament, to illustration of the Ten Commandments.

Ornament with the personnifications of faith and love and the arm of Pope Clemens XI; Various ecclesiastical objects; Disegni Diversi Inventati e DeLineeati da Giovanni Giardini da Forlì.numbered at the Top Left: No. 91.

Announcement of the birth of Christ to Mary; The annunciation; Annunciations from the Bible. The Annunciation to Mary. Fourth plate in a series of six. The fresh in the margin is attributed to Cornelius Schonaeus.

Elisabeth, Landgränin von Thuringia, saints.

Black ink drawing by Daniel Lindtmayer the Younger depicting the Last Sacrament, showing figures, gestures, and composition, dated circa 1580-1590.

Annunciation. Maria sitting behind a table in a room, reading in a book. A Archangel Gabriel, seen on the back, comes into the room from the right. Above the head of Maria, the Holy Spirit floats in the form of a pigeon.

This copper engraving by Coenradus Lauwers, created around 1638, depicts the four evangelists, emphasizing their attributes and detailed portraiture in a religious context.

Sadeler, Johann (I), Gheeraerts, Marcus (I), Antwerp, The four most important Christian holidays, Omnes Sancti, All Saints' Day depiction: All Saints' Day, verso lower left - stamped, All saints of Christianity kneel before the enthroned God the Father. Above the frame an angel carrying the cross. An ornamental frame with six scenes from the parables of Christ., print, prints, height 290 mm, width 223 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, papier, engraving, engraving (printing process), Work conception, after a design by, English, 1520 - 1590, Publication (Event), Publication, publisher

De Hellevaart and the resurrection of Christ, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around two show. On the left Christ in Hell with devil and three people, on the right Christ stepping out of grave, two soldiers sleeping against tomb. paper 'descendit ad inferna, tertia die resurrexit a mortuis' ~ articles of faith. Christ arrives at the entrance of hell and breaks the door(s). Resurrection of Christ

. Christ is stripped of his clothing by soldiers on Golgota. In standing oval with ornament. In the foreground the well is dug in which the cross will stand. The ninth print of a thirteen-part series of ornament prints about the passion of Christ.

Christ on the cross; Devotion Prints. Christ with thorns crown on the cross. Mary Magdalene knees at the foot of the Cross. The performance is framed with 14 round cartouches with Christian iconography.

The Angel Gives Saint John the Book to Eat, from the Apocalypse n.d. Jean Duvet French. The Angel Gives Saint John the Book to Eat, from the Apocalypse 386206

Title print for a series with scenes from the life and wonders of Saina's Saint Catharina; Scenes from the life and miracles of Saina's Saint Catharina; Vita Mors Gesta, et Miracula Quaedam Selecta B. Catherinae Senensis (...). Title print with various bishops, all writing in a book. In the middle a frame with the bust portrait of Catharina van Siena. She is wearing a veil and adores a crucifix. The Stigmata van Christ can be seen in her hands. Among the frame a coat of arms with this in a framework a reference to the marriage of Christine van Lorraine and Ferdinando I de 'Medici. In the margin a six-line caption in Latin. First print from a series of twelve with the life and miracles of Siena H. Catharina.

Jacob's return in Canaan; The history of Jacob. Ornament for satellure edge. Jacob and his family moving on donkeys, recurring to Canaan. With text in Latin in cartouche under the show.

Allegory of Faith, Jacob Folkema, 1702 - 1767 print The personification of faith (fides) is on a cross with a cross and an open Bible, her foot is on a snake. Above her head, a flame fuels, symbol of divine inspiration. Faith points to a triangular stone that stands next to her on the ground on which the all -seeing eye shines. At the top of the performance, two portrait medallions from Karel II and Jacobus II are depicted. Left and right of this are eight medallions on which figures are tortured in different ways. paper etching Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. the all-seeing eye, triangle with eye ~ symbol of God the Father. torture

Allegory on good governance, Johann Caspar Dooms, after Franciscus de Bruyn, 1650 print The title plate is held up by a man with the letter Y on his hat. Mars and Minerva keep a laurel wreath above title, while the kneeling Mercury points to it. Prague paper engraving Minerva as patroness. specific aspects, allegorical aspects of Mercury; Mercury as patron. specific aspects, allegorical aspects of Mars; Mars as patron. double-headed eagle. IHS ('Iesus Hominum Salvator') ~ symbol of Christ. crowning with laurel. attributes of Minerva: owl. Aegis: shield with Gorgon's head (attribute of Minerva). caduceus (staff with two snakes, attribute of Mercury). fowl (cock, hen, chicken, etc.). protective weapons: shield

Gregor, saint of the gland.

Albertus Siculus, holy.

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