Religious Engravings Of Saints

A collection of copper engravings depicting religious figures and scenes, highlighting intricate details, gestures, and symbolism from the 17th to 18th centuries.

Copper engraving by Jérôme David from 1622 showing Maria with a child alongside Saints Peter and Paul, depicting religious figures and iconography.

Copper engraving depicting Saint Aloysius Gonzaga, showing a religious figure with robes and symbolic attributes, created in the 17th century.

Copper engraving by Francois Spierre depicting the Holy Trinity and the Assumption of Mary in the sky, dated 1650-1699.

Copper engraving by Stephanus Picart between 1651 and 1721 depicting the Adoration of the Kings, showing figures, gifts, gestures, and religious symbolism.

Copper engraving and etching by Jean Haussard between 1695 and 1749 depicting the Presentation in the Temple and the Purification of Mary.

Etching by Bernard Picart from 1734 depicting the Annunciation to Mary, showing figures, angel, and architectural background.

Copper engraving depicting the Ascension of Christ by an unknown engraver, created between 1560 and 1577. The scene shows Christ rising with disciples observing.

Copper engraving by Jan van der Straet depicting the proclamation to the shepherds, created around 1589, illustrating late 16th-century European religious art and New Testament scenes.

Copper engravings by Jacob Matham depicting Mary with the Christ child, accompanied by two angels and alternatively shown on a crescent moon, created in 1599 and 1607.

Etching by Ludwig Sommerau showing the sermon of Paul in Athens, created in 1778, illustrating biblical teaching and figures in a classical setting.

Copper engraving by Jérôme David from 1622 showing Maria with a child alongside Saints Peter and Paul, depicting religious figures and iconography.

Copper engraving by Robert Nanteuil from 1645 depicting the biblical scene of the Holy Family resting during the flight to Egypt, showing figures, landscape, and drapery.

Copper engraving by Pieter de Jode depicting the penitent Mary Magdalene, showing her in a devotional posture with symbolic objects of repentance from the late 16th to early 17th century.

Copper engraving by Julius Goltz depicting Christ walking with the disciples on the road to Emmaus, showing figures, gestures, clothing, and background details, created between 1575 and 1595.

Copper engraving by Cornelis Galle the Elder around 1614 depicting the Last Supper and Christ on the cross, showing figures, gestures, and composition.

Etching by Willem Panneels depicting the Adoration of the Shepherds and the Adoration of the Kings, showing biblical figures, gifts, and stable, created around 1630.

Copper engraving and etching by Claude Drevet depicting Christ on the cross, created between 1710 and 1781, illustrating the crucifixion scene.

Woodcut by Hans Baldung Grien from late 15th to mid-16th century showing Christ on the cross with Mary and John the Evangelist, a religious depiction with Gothic influence.

Copper engraving and etching depicting Saint Dominic receiving a rosary from the Virgin Mary, showing both figures with religious attributes, created in the 17th century.

Etching by Bernard Picart from 1734 depicting various biblical scenes, showing figures, gestures, narrative events, and religious symbolism in detailed compositions.

A 17th-century etching by Dominique Vivant Denon illustrating various scenes from the life of Jesus.

Copper engraving by Nicolas Lastmann showing Christ on the Mount of Olives, produced around 1608, representing a biblical scene from the Passion narrative.

Etching by Cornelis Schut showing a portrait of Mary with the Christ child surrounded by angels, 1615-1655.

Copper engraving and etching by Raphael Sadeler the Elder from 1580-1632 depicting Christ accepting the cross, illustrating the Passion with detailed figures and 16th- and 17th-century religious iconography.

Copper engraving by Raphael Sadeler the Elder showing the coronation of Mary by Christ, alongside the martyrdom of St. Lawrence, created 1580-1632.

Photo production of a painting, representing the coronation of Emperor Charlemagne, Anonymous, After Friedrich Kaulbach, c. 1875 - c. 1880 photograph photographic support albumen print coronation of a ruler. the Holy Roman emperor Charlemagne; possible attributes: crown, model of church, orb, sceptre, sword

Copper engraving by an unknown engraver depicting Christ on the Mount of Olives, created between 1567 and 1588, illustrating the biblical scene of Christ praying before the Passion.

Christ heals a paralyzed man; Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. Christ heals a paralyzed man that has been lowered through the roof. Part of the print series about the life of Christ: Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. In PrentalBum with two series of 34 and 25 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving by Cornelis Cort from 1570 showing Mary in the temple, including figures, gestures, and architectural and religious elements.

Copper engraving and etching by Bernard Picart from 1723 showing treatment of the sick and death rituals among indigenous people, depicting figures, gestures, ceremonial practices, and cultural objects.

Copper engraving by Cornelis Galle the Elder from 1596-1650 depicting the Adoration of the Magi, showing figures, gifts, gestures, and biblical scene.

Copper engraving and etching by Jan Punt depicting a Christian-allegorical representation, created between 1717 and 1779, showing religious symbols, figures, and compositional elements.

Photo production from a print to a painting, representing the Annunciation, Anonymous, After Master of the Lyversberg Passie, c. 1859 - in or before 1869 photomechanical print paper the Annunciation: Mary kneeling

Etching by Georg Kaspar Prenner from 1720-1766 depicting the Holy Family, including Mary, Joseph, and infant Jesus, with surrounding figures and a domestic or religious setting.

Copper engraving and etching depicting St. Augustine as a holy monk, created by Philipp Kilian in the 17th century.

Copper engraving by Jan van der Straet depicting the Passion, death, and resurrection of Jesus. Produced between 1580 and 1587, it shows crucifixion, resurrection, biblical figures, and religious iconography.

Copper engraving by an unknown engraver from the 17th century depicting the presentation in the temple, showing religious figures in a detailed composition.

Copper engraving and etching by Raphael Sadeler the Elder showing Mary in the sky, illustrating heavenly figures, drapery, and devotional composition between 1570 and 1634.

Copper engraving by Pieter de Jode depicting scenes from the life of St. Katharina of Siena on a title page, created in 1597, illustrating religious narratives and late 16th-century European engraving techniques.

An etching by Pietro Antonio Martini from 1772-1775 showing the Holy Family with the infant Jesus, Mary, and Joseph, including symbolic elements representing the Lord.

Etching by Stefano della Bella depicting a man crossing flames surrounded by clergy and other figures, representing St. Antonius, produced between 1630 and 1664.

Photo production of a painting of Christ by Anthony Van Dyck, Edmond Fierlants, After Anthony Van Dyck, c. 1855 - in or before 1860 photograph photographic support albumen print Christ's body supported

Engraving and etching by Isaac Sarrabat depicting the resurrection of Christ, created between 1687 and 1705, showing detailed religious figures and composition.

A copper engraving print by Albrecht Dürer created around 1600, depicting the Virgin Mary on a gate holding the child Jesus, illustrating a religious scene with detailed figures.

Copper engraving by Cornelis Bloemaert depicting Maria Santissima of Trapani with the Christ Child and Saint Francis, created between 1620 and 1692, set in a devotional and religious scene.

Michael Willmann's etching depicts the Passion of Christ, showing Christ, the cross, surrounding figures, and elements of the narrative in religious illustration style.

Etching and copper engraving by Johann Adam von Bartsch from 1786-1802 depicting the Holy Family accompanied by an angel, showing figures, gestures, and setting.

Steel engraving by Josef von Führich from 1873 depicting a Passion scene from the Gospel of Luke, showing figures, gestures, and interactions in a biblical narrative context.

Photo production from a print to a painting, representing the Madonna of Saint Hiëronymus, Anonymous, After Correggio, c. 1882 - in or before 1887 photograph photographic support albumen print Madonna: i.e. Mary with the Christ-child

Copper engraving published by Philipp Galle depicting scenes from the actions of the apostles, created between 1575 and 1582, illustrating 16th-century European religious art and biblical narrative.

Copper engraving and etching by Johann Sadeler the Elder depicting the Resurrection of Christ and a monk's tomb, created between 1550 and 1600.

A copper engraving by Aegidius Sadeler the Younger depicting the Holy Family, created between 1590 and 1629, illustrating Christ, Mary, and Joseph together in a religious scene.

Copper engraving by Antonie Wierix II depicting Christ on the Mount of Olives, produced between 1575 and 1604, dated 1582.

Photo production of a painting, representing the resurrection of Christ, Anonymous, After Ernst Deger, c. 1875 - c. 1880 photograph photographic support albumen print Resurrection of Christ

Copper engraving by Johann Sadeler depicting Maria in front of the cross, with the Moon Madonna, showing figures, gestures, drapery, and background, created between 1575 and 1600.

Copper engraving and etching, created after 1575, depicting the Holy Family with Mary, Joseph, and the child Jesus, showing figures and religious iconography.

Pieter de Jode participated in a copper engraving in 1597 showing scenes from St. Katharina von Siena's life, depicting figures, gestures, and religious events in devotional composition.

Paulus Flee from Damascus, Anonymous, After Maerten de Vos, 1654 print Paul is lowered by his students in a basket over the city wall to prevent persecution by the Jews. Nummered in the bottom left: XII. At the bottom of the margin a two -way caption in Latin. Part of a series of twelve performances of the actions of the apostles. Part of an album with mainly Christian performances. paper engraving disciples let Paul down the wall of the city in a basket

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the parable of the big sacrament, created between 1558 and 1559, showing narrative and religious symbolism.

Copper engraving and etching by Philipp Galle depicting Mary Magdalene anointing the feet of Jesus, created between 1550 and 1612, illustrating 16th-century religious narrative and biblical scenes.

Etching by Jan Georg van Vliet, 1631, depicting Saint Hieronymus seated in a cave, with religious symbols and a contemplative posture.

Etching by Willem Panneels depicting the Holy Family, Holy Agnes, and Saint Cäcilia, showing religious figures and symbolic elements, created around 1630.

Photo production of a painting, representing the Madonna of the Magnificat, Anonymous, After Sandro Botticelli, c. 1878 - in or before 1888 photograph photographic support albumen print Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). Mary magnifying the Lord ('Magnificat')

Etching by François Perrier showing St. Augustine kneeling before the Virgin Mary holding the Christ child, highlighting a religious devotional scene.

Copper engraving by Johann Sadeler the Elder depicting a saint, created between 1570 and 1600, showing the saint in religious attire with detailed linework.

Etching by Nikolaus van Hoy depicting Jesus speaking to the Samaritan, produced between 1641 and 1679, illustrating a biblical interaction.

Copper engraving by Cornelis Cort, created in 1573, depicting a monk holding a lily and a book with detailed attire and attributes.

Etching by Bernard Picart depicting multiple biblical scenes, showing gestures, expressions, figures, clothing, and 18th-century religious composition.

Photo production from a print to the painting The Church Porch by John Absolon, Godfrey Wordsworth Turner, After Anonymous, After John Absolon, c. 1866 - in or before 1871 photomechanical print paper print, e.g.: engraving, etching, lithograph. couple entering the church ~ marriage

Reproduction of a painting of the crossing by Fra Angelico, Emile Aubry, After Fra Angelico, c. 1880 - in or before 1885 photomechanical print Brussels paper collotype descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Copper engraving by Jan Wierix depicting Christ on the cross, produced in 1564 and between 1573-1619.

Copper engraving by Hieronymus Wierix depicting the Madonna with saints, created between 1573 and 1619, illustrating 16th- and early 17th-century European religious art and Christian iconography.

An etching by Marcantonio Bellavia from 1668-1670 showing a hermit in prayer and St. Francis of Assisi in meditation, illustrating religious devotion.

A 1627 copper engraving by Claude Mellan depicting Saint Franz of Paola in meditation, showing the saint seated in contemplative pose with detailed engraving work.

This copper engraving by Boëtius Adamsz. Bolswert, produced between 1595 and 1633, depicts Maria Magdalena, Saint Barbara, and Saint Katharina, focusing on religious iconography and detailed figure representation.

Woodcut by Hartmann Schedel from the 'World Chronicle' of 1493, depicting the alleged ritual murder of Simon von Trento and Hans Böhm's sermon at Niklashausen in the Taubertal.

Copper engraving and etching by François Verdier depicting the Circumcision of Jesus, showing the ritual performed according to Jewish tradition.

An etching by François Chauveau, created between 1630 and 1676, depicting the Holy Trinity, showing God the Father, the Son, and the Holy Spirit in a religious composition.

An etching by Christian Wilhelm Ernst Dietrich from 1804 depicting a baptism in a chamber, showing figures, gestures, and ceremonial details.

Copper engraving and etching by Crispin van de Passe from 1584-1637 depicting Saint Agnes with a cross and a demon, showing detailed 16th- and 17th-century religious figures and iconography.

Copper engraving by Adriaen Collaert depicting the Passion, death, and resurrection of Jesus, created between 1580 and 1587.

Copper engraving by Cornelis Cort from 1569 depicting the resurrection of Christ, showing figures, gestures, and tomb setting in a biblical scene.

Copper engraving by Johann Sadeler the Elder depicting Samuel anointing David while King Saul aims an arrow at David playing the harp, created in 1586.

Copper engraving by Cornelis Bloemaert depicting the Pentecost miracle, created between 1620 and 1692.

Copper engraving by Cornelis Galle the Elder, created between 1596 and 1650, depicting saints and members of the Augustinian Order with gestures, drapery, and symbolic attributes in devotional composition.

Copper engraving by Claude Mellan from 1620-1688 showing the proclamation to Mary with the child and rosary, based on Federico Barrocci, including figures and religious symbols.

Woodcut from the late 15th century depicting the Savior of the World, showing religious figures and Christian iconography.

Copper engraving and etching by Gerard Edelinck depicting a saint surrounded by angels on clouds, created between 1660 and 1707, showing religious figures in a devotional composition.

This woodcut (1530-1553) depicts the stigmatization of St. Francis with a title sheet including a coat of arms, illustrating religious iconography and early 16th-century European print techniques.

Copper engravings published by Theodor Galle showing the title pages of Don Francisco de Boria's verse works and Balthasar Cordiers 'The Works of St. Denis Areopagites', depicting figures, text, and decorative elements, produced in 1633 and 1663.

A woodcut created after 1511 by Albrecht Dürer depicting Saint Christoph carrying the child Jesus on his back and the Holy Trinity represented in the Mercy Chair, illustrating religious iconography.

Copper engraving by Adriaen Collaert depicting the life, passion, and resurrection of Jesus Christ, including the Annunciation to Mary, created around 1598. The work shows biblical figures, events, and detailed composition.

Copper engraving depicting Maria Lactans, created by Philippe Thomassin in 1588, showing the Virgin Mary nursing the infant Jesus in a religious scene.

Prophet Jeremiah; Ireemias; Paintings in the Sixtin Chapel. The prophet Jeremiah sitting. Left and right of the prophet are small figures. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 32. The print is part of an album.

Copper engraving and etching by Philipp Galle depicting three Christian figures standing, showing attire, gestures, and 16th-century religious context.

This etching depicts Saint Hieronymus with religious symbols, attire, and gestures, created in the mid-16th to 17th century.

Copper engraving by Philipp Galle showing Passion scenes of Christ, produced between 1580 and 1587, illustrating moments from the crucifixion story.

Copper engraving by Cornelis Cort from 1567 depicting the death of the Virgin Mary, showing figures around her bed, mourning gestures, and interior setting.

Etching by Bernard Picart from 1734 depicting Christ in a spring setting, showing figure, gestures, attire, and surrounding landscape with detailed religious symbolism.

This copper engraving by Jacob de Gheyn II, created between 1591 and 1592, depicts the apostle Judas, emphasizing detailed representation and religious context.

Copper engraving and etching by Bernard Picart depicting the Pope at the Holy Gate with nobility lodges in front, created in 1721.

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