Religious Figures in Art

A collection of engravings and etchings depicting religious themes, including saints, martyrdom, and human-animal interaction in historical styles.

Etching by Remoldus Eynhoudt depicting Saint Sebastian, created between 1630 and 1680, showing the saint tied and pierced by arrows, emphasizing martyrdom.

Copper engraving by Johann Sadeler the Elder, dated 1570-1600, depicting Saint Roch, known for caring for plague victims, shown with a pilgrim's staff and a dog.

Etching by Remoldus Eynhoudt depicting Saint Sebastian, created between 1630 and 1680, showing the saint tied and pierced by arrows, emphasizing martyrdom.

A copper engraving and etching by Edmé Jeaurat, created in 1736, depicting an ass carrying remaining goods, showing human-animal interaction and labor scene.

Copper engraving and etching by Justus Sadeler created between 1572 and 1620 depicting Saint Sebastian, showing human figure, martyrdom, and religious symbolism in late 16th- and early 17th-century style.

Etching by Lodovico Mattioli depicting the Holy Family's flight into Egypt, created between 1680 and 1740, showing figures, landscape, and gestures in a devotional context.

An etching by Antoine de Marcenay de Ghuy titled 'The Fixed Love', created in 1763, depicting a romantic or allegorical scene.

Copper engraving by Maarten van Heemskerck, created between 1554 and 1555, depicting the Queen of Sheba visiting King Solomon with attendants and presenting gifts.

Copper engraving and etching by Jacques Chéreau the Younger depicting the Holy Family, created between 1705 and 1776, representing 18th-century French religious engraving.

An etching by Lambert Antoine Claessens depicting the biblical scene of Isaac blessing Jacob, produced between 1829 and 1834, focusing on gesture and attire.

Copper engraving by Cornelis Cort depicting a representation of the Lord, created in 1568. The work shows religious figures, symbolic gestures, and detailed composition.

Etching by Salvator Rosa depicting Jason confronting the dragon, created between 1660 and 1665, illustrating a mythological scene from classical legend.

Copper engraving by Maarten van Heemskerck from 1554-1555 depicting the anointing of Solomon, showing figures, gestures, and religious ceremony.

Copper engraving by Jan Collaert the Younger depicting the Passion, death, and resurrection of Jesus, created between 1584 and 1587.

Copper engraving and etching frontispiece by Bernard Picart illustrating voyages of Corneille Brown to Muscovy, Persia, and Western India, created after 1711 using dotting technique.

A copper engraving and etching by Pierre Daret created between 1640 and 1668 showing the Holy Family resting during the Flight into Egypt, executed in fine 17th-century French baroque style.

Etching by Giulio Carpioni depicting the Holy Family, created between 1640 and 1678, illustrating Christian religious figures and iconography.

Copper engraving by Willem van Swanenburg representing the allegory of Vanity, created after 1608.

Copper engraving by Cornelis Cort from 1567 showing a biblical scene with the phrase 'Do not touch me,' depicting figures, gestures, and interior or exterior setting.

Copper engraving and etching by Nicolas Delaunay around 1778 depicting a happy household scene.

Woodcut by Maarten van Heemskerck, circa 1550, depicting Tobit's blindness from the biblical story with figures in a narrative scene.

Francesco di Michele Leoncini's 1622 etching 'The Return of the Holy Family from Egypt' depicts the biblical scene of the Holy Family's return, showcasing his engraving skills and religious themes.

Engraving by Thomas Macklin representing Fame and Victory, completed in 1779, highlighting allegorical figures.

Edmé Jeaurat's 1734 copper engraving and etching depicts music and dance, highlighting performers, musical instruments, movement, and compositional arrangement in a classical style.

Sibille from Erythrae; Eritraea; Paintings in the Sixtin Chapel. The Sibrille of Erythrae with book and naked figures. One of the sibilles of Michelangelo's ceiling painting. Numbered at the bottom right: 29. The print is part of an album.

Copper engraving by Jan Collaert the Younger depicting the Passion, death, and resurrection of Jesus, created between 1584 and 1587.

An etching by Wenzel Hollar from 1646 depicting Ceres and Stellio in a mythological scene.

Etching by Edmé Jeaurat from 1710-1738 depicting Calliope, the Muse of epic poetry, showing classical iconography and symbolic artistic elements.

Etching by Jacob Gole depicting a man holding a chalice, created between 1680 and 1724.

Copper engraving by Maarten van Heemskerck from 1554-1555 depicting Solomon's judgment, showing figures, gestures, and judicial or biblical context.

Etching by Giovanni Battista Franco showing Pan teaching Daphnis to play the pan flute, created between 1530 and 1561, illustrating mythological subjects and musical instruction.

Etching by an unknown artist depicting the resurrection of Lazarus, created between 1628 and 1720, showing the biblical miracle through detailed engraving.

Etching by Giuseppe Maria Roli depicting an allegorical personification of religion, created between 1665 and 1727, showing symbolic religious figures.

Etching and copper engraving by Gaspard Duchange from 1682-1757 depicting the muses Melpomène, Polymnie, and Erato, showing figures, gestures, and detailed composition.

Etching by Bernard Picart from 1693-1733 depicting a satirical representation, showing allegorical figures, gestures, and symbolic motifs.

Etching by Albrecht Dürer from 1579 depicting Saint Hubert, showing his figure, pose, gesture, and religious attributes in a devotional scene.

Copper engraving by Jacob Matham from 1610 depicting a portrait of Abraham Bloemaert. The artwork shows facial features, attire, and a formal pose in early 17th-century European style.

Peeter van Lisebetten's 17th-century etchings and copper engravings include 'Two Drinkers' and 'Moses with the Legal Boards', illustrating biblical and everyday scenes with detailed composition.

A 1679 copper engraving by the Sandrart family depicting Pan and Silenus reclining, showing mythological figures and symbolic elements.

Etching by Jan Pieter de Frey depicting Archangel Raphael leaving the family of Tobias, created in 1810.

Etching by the School of Fontainebleau from 1540-1580 depicting Caritas (charity), showing figures engaged in acts of giving and compassion in a detailed composition.

Copper engraving print by Claude Mellan between 1620 and 1688 depicting a woman with four angels on a rock as a title leaf, showing detailed figures, drapery, and composition.

Etching by Giovanni Andrea Sirani depicting Lucretia, created between 1630 and 1670, showing the historical figure in traditional Roman attire and dramatic posture.

Etching by Jean Baptiste Michel from 1767 depicting Henry Louis Lekain, illustrating French 18th-century portrait engraving techniques.

Etching by Girolamo Scarsello depicting the mythological figure Saturn, created between 1660 and 1680, showing the god with symbolic attributes in classical composition.

Copper engraving by Adamo Scultori dated 1547-1587 depicting prophets and sibyls from the Sistine Chapel, showing figures, gestures, and facial expressions.

Etching by François Bonnemer between 1655 and 1689 depicting the biblical scene of Moses and the burning bush with detailed linework.

Etching by M. Heylbrouk titled 'Rulingory', created between 1670 and 1716, illustrating 17th-18th century European printmaking and artistic composition.

Etching by Andrea Meldolla depicting Salvator Mundi with Saint Peter, created between 1515 and 1563.

Etching in punctuation manner by Alexandre Chaponnier between 1770 and 1830 titled 'Sleeping Amor', depicting a reclining Cupid figure in a serene pose.

Etching by Louis Elle depicting the allegorical representation of loyalty. Produced in 1654, it shows human figures, gestures, and symbolic elements.

Etching by Bernard Picart illustrating Biblis transformed into a fountain, created in 1734.

An etching by Christian Wilhelm Ernst Dietrich depicting the biblical scene of the return of the lost son, created in 1799.

Etching by an unknown engraver titled 'The Recluse,' created between 1720 and 1800, depicting a solitary figure in a quiet interior or landscape, reflecting 18th-century contemplative themes.

Etching by Giuseppe Maria Roli created between 1660 and 1727 depicting the burning thorn bush, illustrating seventeenth-century Italian religious narrative engraving.

Etching by Jacques Blanchard from 1620-1638 depicting Maria with child, showing figures, gestures, and religious iconography.

An etching by Christian Wilhelm Ernst Dietrich from 1786 depicting the Rest on the Flight into Egypt, showing Mary, Joseph, and the infant Christ in a landscape with gestures and clothing.

Etching by Louis Crépy produced between 1727 and 1754 titled 'The Flarete Storyteller,' depicting a narrative figure.

16th-century woodcut depicting Maria with the child and women, artist unknown, showing figures in religious composition.

An etching by Karel van Mander from 1570-1606 showing the mythological figure Ceres searching for her daughter Proserpine, in a classical landscape.

Copper engraving by Johann Sadeler the Elder depicting the temptation of Christ, produced in 1582.

Copper engraving and etching by Géraud Vidal from 1762-1801 depicting 'The Mistering Balançoire', showing figures on a swing and surrounding setting.

Etching by Lodovico Lana depicting St. Sebastian, created in 1622, showing the saint in traditional pose with arrows, in religious context.

Sitting man with child, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 54. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 54. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Copper engraving and etching by Antoine Masson from 1651-1700 depicting Madame Ellen Groinn in formal attire. The print demonstrates detailed linework and Baroque portrait conventions.

Etching by G. Texier, 1627-1825, depicting a portrait of Marcus Gheeraerts and genre scenes showing daily life activities.

Etching by Bernard Picart from 1734 depicting St. Roch and Mary in the sky, showing figures, gestures, and heavenly composition.

Man and Woman with candle in the doorway, Carl Gottlieb Guttenberg, After Sigmund Freudenberger, 1753 - 1790 print paper etching open door. candle. night. dog. horse

Copper engraving by an unknown monogrammist from the second half of the 16th century depicting Leda with the swan, showing figures, gestures, and interaction.

Etching by Miguel de Sorelló depicting the Presentation in the Temple, created between 1720 and 1765.

Etching by Hubertus Quellinus from 1665 depicting a female personification of a city holding a key, accompanied by a lion, executed in Baroque engraving style.

Etchings and copper engravings by Pierre Maleuvre depicting a bedroom interior with a sleeping woman, created between 1760 and 1812, showing furniture, textile details, and a domestic setting.

Copper engraving and etching by Philipp Galle depicting Sibylla Lybyca, showing figure, posture, gesture, clothing, head, hands, and symbolic elements, produced between 1550 and 1612.

A copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting Narcissus observing his reflection in water with figures, natural elements, and classical composition.

Copper engraving and etching by Louis Dennel between 1770 and 1811 depicting the 'Vertu' disk.

Etching by Giuseppe Maria Roli depicting the personification of Caritas, created between 1665 and 1727, showing an allegorical figure representing charity.

Woodcut by Maarten van Heemskerck depicting an angel leaving Tobias, created around 1550, showing two human figures in a narrative scene.

Copper engraving and etching by Nicolas Joseph Voyez l'âiné between 1762 and 1806 depicting Clio, the Greek muse of history, often shown with scrolls or books.

Seated man, John B. Skippe, After Michelangelo, 1781 print Sitting man on a block, half naked, arm and torso turned to the right. Part of an album with 26 pasted Clair-Obscur Houtcuts to Italian artists from the sixteenth century. paper. ink sitting figure

Copper engraving by Bartolomäus Spranger depicting Pieter Bruegel (Petrus Breughel ex ambivaritis), created in 1606.

Diana an Endymion. .

Copper engraving and etching by Pieter Schenk depicting Venus and Adonis, created between 1676 and 1711, showing mythological figures in a classical narrative scene.

Copper engraving and etching by Charles François Silvestre from 1685-1738 depicting Abraham's victim, showing biblical scene and figures.

Etching by David Teniers the Younger from 1625-1690 showing domestic and village house scenes with figures engaging in everyday activities, architectural elements, and rural surroundings.

James Hoggs 1787 etching in punctuation manner, titled 'The Duchess at the Masquerade,' shows a portrait scene of a noble figure in costume.

Etching by Bernhard Rode depicting a satire scene, showing figures, gestures, symbolic elements, and narrative composition, created between 1745 and 1759.

Copper engraving by Hendrick Goltzius depicting Saint Jerome in a wasteland, created in 1596.

Copper engraving by Antonie Wierix II depicting a saint, produced between 1573 and 1619, demonstrating detailed line work and Flemish religious engraving style of the late 16th and early 17th centuries.

Etching and copper engraving by Edme Bovinet depicting a violin player in front of a house, produced between 1803 and 1809, showing figure, violin, house, posture, and environment.

Sitting woman with two children, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 55. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 55. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching by Nicolas de Larmessin III depicting an afternoon scene, created in 1741.

An etching by Jan Pieter de Frey showing figures of farmers, produced between 1790 and 1834, highlighting rural life and traditional attire.

Lithograph by Hyacinthe-Louis Victor Aubry-Lecomte, created in 1825, depicting a family in an unhappy situation.

An etching by Werner van den Valckert from 1610-1620 depicting an allegory of transience, illustrating the impermanence of earthly things.

Etching by Stefano Mulinari from 1760-1796 depicting Perseus, Athena, and Hermes, showing mythological figures in dynamic poses with drapery and symbolic attributes.

"Copper engraving by Hendrick Goltzius from 1580 depicting Moses, David, Solomon, and three prophets, highlighting figures, composition, and detailed line work."

Photo production of the left panel of The Martyrdom of Laurence Saunders at Coventry by Charles West Cope, Leonida Caldi, After Charles West Cope (II), c. 1853 - in or before c. 1858 photograph photographic support albumen print adult woman. infant, baby ~ the ages of man

Etching by Domenico Peruzzini from 1642 depicting the biblical scene of Christ being tempted, including gestures, expressions, and surrounding landscape.

Poetry by Arsène Houssaye 1847-48 Jules-Jacques Veyrassat. Poetry by Arsène Houssaye. After Faustin Besson (French, Dôle 1821-1882 Dôle). 1847-48. Etching. Prints

Copper engraving by Hendrick Goltzius depicting Icarus, created in 1588. The print illustrates the mythological figure falling from the sky with wings.

Copper engraving and etching by Jacques Grignon depicting Charles VII, King of France, created between 1650 and 1689, showing French 17th-century royal portrait engraving.

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