Religious Figures in Art

Engravings of key religious figures like St. Peter and St. Paul, depicted with traditional attributes, showcasing detailed lines and classical themes.

Young drinker, Anonymous, Johannes Pietersz. Berendrecht, 1590 - 1610

St. Peter. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Young drinker, Anonymous, Johannes Pietersz. Berendrecht, 1590 - 1610

Apostel Paul, Meester FVB, 1475 - 1500 print Apostle with book and sword Low Countries paper engraving the apostle Paul of Tarsus; possible attributes: book, scroll, sword

De jonge drinker, anonymous, after Hendrick Goltzius, 1590 - 1610 print A young man sits on a bench by a vine, a glass on the lips and a second glass in his hand, a book, an hourglass and a torn money grant on the ground by his feet. Under the performance four lines of Dutch text, in which people warn about the consequences of excessive drinking: you lose time, money and health. Netherlands (possibly) paper engraving drinking. drunkard. hourglass

Hans Sebald Beham (1500-1550). "The twelve apostles: Saint Bartholomé, n ° 6. (Hollstein (Volume 3, page 34); Bartsch 48)". Chisel. 1545. Museum of Fine Arts of the city of Paris, Petit Palais. 123048-22 Chisel, 16th 16th XVI 16th 16th 16 Center

Personification of greed, represented like a women's figure with many cash fairs.

Peter Peter Met Sleutels, Marcantonio Raimondi, after Rafaël, 1517 - 1527 print paper engraving the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

St. Paul standing under an overgrown arch, his left foot poised upon a rock, his right hand grasping a scroll, from a series of full-length figures of Christ and the Twelve Apostles. Artist: Lambert Suavius (Netherlandish, ca. 1510-by 1576). Dimensions: sheet: 7 13/16 x 3 5/8 in. (19.8 x 9.2 cm). Series/Portfolio: Christ and the Twelve Apostles. Date: 1545. Museum: Metropolitan Museum of Art, New York, USA.

St. Paul, from Apostles. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 90 × 44 mm (plate); 91 × 46 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Hans Sebald Beham (1500-1550). "The twelve apostles: Saint Judas Thaddée, n ° 10. (Hollstein (Volume 3, page 34); Bartsch 52)". Chisel. 1545. Museum of Fine Arts of the city of Paris, Petit Palais. 123048-26 Chisel, 16th 16th XVI 16th 16th 16 Center

H. Mattias, Jerome Wierix, after Maerten of you, 1578 print Saint Mattias stands, with one foot on a stone, between two columns in an architectural accompaniment. In one hand he holds an open book, in his other a hellaard. In the background a face on a river and a hilly landscape. In the context at the bottom of a two -way caption in Latin. paper engraving the apostle and martyr Matthias; possible attributes: axe, book, cross, halberd, scroll, sword. column, pillar ~ architecture

St. Peter, plate 1 from The Twelve Apostles. Sebald Beham; German, 1500-1550. Date: 1545-1546. Dimensions: 44 x 29 mm (image/plate); 305 x 240 mm (sheet). Engraving in black on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Hans Sebald Beham.

Boucherat, Comte de Compans, Louis.

Italy, Schiaminossi, Raffaello, Prophaetarum, Prophets, Micheas propheta, Prophet Micha, verso sheet - stamped, The prophet Micha standing and holding a banderole with both hands. On the right in the background a landscape. Title in the bottom margin and numbered lower left: 6., print, prent, prints, prenten, height 194 mm, width 132 mm, Italian, 1572 - 1622, print maker, printmaker, 1609 - 1609, paper, papier, etching, etchings, Work conception, after own design by

Copper engraving print 'Jasobus is Acortor' by Meister FVB, circa 1480-1500, showing the figure with detailed posture, drapery, and religious iconography.

Hans Baldung Grien, Saint James the Great, 1519 Saint James the Great

Italy, Schiaminossi, Raffaello, Sibillaru decem, Ten Sibyls, Sibylla Cumaea, Sibyl of Cumae, verso sheet - stamped, The Sibyl of Cumae standing with a banderole in her hand. On the right a view of a landscape. Title and a line of Latin text in the bottom margin. Numbered lower left: I., print, prent, prints, prenten, height 193 mm, width 134 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1609, paper, papier, etching, etchings, Work conception, after own design by

After Baccio Baldini, Delphian Sibyl, early 15th century Delphian Sibyl

Copper engraving by Meister i e depicting the second of the foolish virgins, created around 1500, showing biblical figure in traditional composition.

St. Anthony. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1470-1475. Dimensions: 160 × 94 mm. Engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Pippin of the younger, King of the Franks.

Israhel van Meckenem after Martin Schongauer, Saint Lawrence, c 1480 1490 Saint Lawrence

Jacques Callot (1592-1635). "The beggars, the beggar having just received charity. Twenty-third number of a suite of 25 pieces" (Lieure 501, Meaume 707). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99603-29 Etching, engraving

Bartholomew. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Personification of the sense Taste. A woman eats fruit from the fruit basket placed before her on the table., Taste Smaeck (title on object) Five Senses (series title), print maker: anonymous, Abraham van Diepenbeeck, publisher: Michel Haye, (mentioned on object), print maker: Low Countries, Southern Netherlands, publisher: Southern Netherlands, 1600 - 1676, paper, engraving, h 141 mm × w 97 mm

Saint Simon. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Master F. P. after Parmigianino.

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, The Seven Deadly Sins, Avarice (Avaritia), verso lower left - stamped, Personification of avarice, depicted as a female figure with many purses., print, prints, height 323 mm, width 168 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1593, paper, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, writer

Personification of the melancholic temperament, Johann Gottfried Thelott, after Johann Gottfried Haid, 1745 print Personification of the melancholic temperament, surrounded by a rocaille framing. In a ruin landscape is a man with a book and a money bag. His mouth is covered, there is a bird on his head. Publishing number 40. Augsburg paper etching / engraving melancholic temperament. standing figure. landscape with ruins

Nicolas Bonnart (French, 1636 - 1718). Scaramouche, ca. 1680-1690. From Five Characters from the Commedia dell'Arte. Etching on laid paper. Plate: 263 mm x 186 mm (10.35 in. x 7.32 in.) (dimensions are approximate).

The Sibyl of Cumae standing with a banderole in hand. On the right a view through to a landscape. Title and one line of Latin text in lower margin. Numbered lower left: I., Sibyl of Cumae Sibylla Cumaea Ten Sibyls (series title) Sibillaru decem (series title), print maker: Raffaello Schiaminossi, Raffaello Schiaminossi, Italy, 1606 - 1609, paper, etching, h 189 mm - w 128 mm

Friedrich, Duke of Bohemia.

Béla III., King of Hungary.

Gambacorta, Pietro.

Saint Matthew, a small sack in his left hand, from the series 'Piccoli Santi' (Small Saints) ca. 1500-1527 Marcantonio Raimondi Italian. Saint Matthew, a small sack in his left hand, from the series 'Piccoli Santi' (Small Saints) 342548

The Several Habits of English Women, from the Nobility to the Country Women as they are in these times: The Woman with a Mannish Hat and Flowered Petticoat, 1640. Wenceslaus Hollar (Bohemian, 1607-1677). Etching;

Portret van Willem I, prins van Oranje.Portrait of Willem I. He stands behind a table with a dress and holds a command stove. There are helmet and the gloves of his armor on the table. His coat of arms lies on the ground. A battle in the background. In the undermaster his name.

St. Lawrence ca. 1435-1491 Martin Schongauer German. St. Lawrence 367019

S. Maria Magdalena. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Antonie Wierix.

Portrait of Pope Paulus IV 1530-66 Nicolas Beatrizet. Portrait of Pope Paulus IV. Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). 1530-66. Engraving. Prints

Montmorency, Henri Comte de Damville, Duke of.

Neufville de Villeroy, Camille de.

Madruzzi, Hildebrand Freiherr.

Bliżej Kultury Winkler, Johann Christoph (1701 1770)

Provoost; The PROPOSZ OF THE ARTHOLLEREY. .

Dancing couple, Heinrich Aldegrever, 1551 print Man, dancing before the woman, holds her hand, his left leg off the ground. From a series of eight prints with dancing wedding guests. Germany paper engraving dancing at wedding feast. one pair dancing; man and woman dancing as a couple

Sousa, Gonçalo Mendes.

Saint Cecilia with musical instruments; S CICEL.

Silver Statuette of St. James the Less, from the Wittenberg Reliquaries. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 4 3/4 × 2 1/8 in. (12 × 5.4 cm). Series/Portfolio: Wittenberg Reliquaries; Hortulus Animae. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury unknown

Leiden, Seversz, Jan, Netherlands, Leyden, Lucas van, hertoech puppijn van brabant, Portrait of Duke Pepin of Brabant, verso lower left - stamped, Sheet from book. Duke Pepin of Brabant with banderole with his name., print, book illustration, prints, height 94 mm, width 83 mm, Northern Netherlands, 1494-06 - 1533-08, print maker, printmaker, 1513 - 1517, first quarter 16th century, paper, woodcut, Publication (Event), Publication, publisher

David and Batseba. Paleist garden with Batseba washing her feet and David who spell her from the roof of his palace. The print is part of an album.

Gad, from The Twelve Sons of Jacob”, set of 12 prints after van Mander. Engraver: Jacques de Gheyn II, Dutch, 1565-1629 After: Karel van Mander III, Dutch, 1608-1670

Vatican City, Clement VIII, Italy, Vaccari, Andrea, Vanni, Francesco, Saints' Lives, Life of Saint Francis of Assisi, verso - stamped, Saint Francis of Assisi standing with a cross in his hands. Around this representation sixteen smaller representations with scenes from the life of Francis., print, prints, height 493 mm, width 378 mm, print maker, printmaker, 1604 - 1604, paper, engraving, engraving (printing process), etching, plate tone, Work conception, Italian, 1563 - 1610-10-26, after a design by, Publication (Event), Publication, Italian - 1627, publisher, 1536 - 1605, granter of privilege

St. Bartholomew, from the cycle: The Twelve Apostles. Beham, Sebald (1500-1550), graphic artist

Master of the Miracles of Mariazell, Marggraff Hainrich in Marhern , c 1503 Marggraff Hainrich in Marhern ...

Apollo (from the Tarocchi, series D: Apollo and the Muses, #20), before 1467. Master of the E-Series Tarocchi (Italian, 15th century). Engraving hand-colored with gold;

After Albrecht Dürer, The Man of Sorrows Seated, 1568, etching on paper.

Madonna and Child at a Fountain. Dated: 1501. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master MZ.

Woman at a river; House moss; Genre scenes. A woman with a river stands on the head a hat and around the arm a basket. The print is part of a series of 32 prints with genre scenes.

Nuremberg, Solis, Virgil, Military figures standing in landscapes, Harquebusier, verso - handwritten in brown ink, print, prints, verso - stamped, 146, height 131 mm, width 86 mm, height 19 mm, width 84 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

Koning Darius, anonymous, 1585 print King Darius of Persia standing with a scepter and sword in his hands. In the background you can see how Darius was chosen King of Persia. His horse is the first to eat at sunrise. Above the show a three -litigal text in Latin. paper engraving Darius is chosen king of Persia; his horse is the first to neigh at sunrise. (story of) Darius, king of Persia - portrait of person from classical history

Manardi, Giovanni Stecher: Stimmer, Tobiasprinter: Waldkirch, Konrad vonverleger: Waldkirch, Konrad from print: Basel publisher: Basel

Terpsichore, Crispijn van de Passe (I), 1589 - 1611 print Landscape with Terpsichore, the muse of the singing and dance, which plays the lute. In the background Orpheus who plays De Lier and enchants the animals with his music. Fifth print from a series with muses. Cologne paper engraving Terpsichore (one of the Muses); 'Terpsicore' (Ripa). Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted

Roem, Noach van der Meer (II), After Jacobus Buys, 1778 - 1785 print The personification of fame points to a monument with a poem. On the monument are the club and the lion skin of Hercules. On the left the hero attributes of Lauwerkrans, Zwaard, Helmet and Borstkuras. In the foreground are the praise portrait and a book with laurel wreath. Amsterdam paper etching Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). attributes of Hercules. crowning with laurel (+ variant)

A physician studies urine in a urinal he holds above his head. On the table in front of him are the basket belonging to the urinal and a belly flask. Next to it is a spoon. In the background a bookcase. At the bottom of the print a poem on medicine in Dutch and French., The Pisces Gazer, print maker: Elisabeth Marie Simons, (mentioned on object), after: Willem van Mieris, (mentioned on object), Brussels, (possibly), 1760 - 1834, paper, etching, engraving, h 362 mm × w 268 mm

Copper engraving by Tarocchimeister depicting the Doge, the chief magistrate of Venice, created before 1467.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, The Five Senses, T. Gesicht, Het Gezicht, verso - stamped, A man wearing glasses is sitting on a chair looking at an owl that is sitting on a stick in front of him. The print is part of a series of six prints depicting the five senses (unnumbered title print)., print, prints, height 122 mm, width 85 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1638 - 1665, paper, papier, engraving, engraving (printing process), Work conception, 1606 - 1647-06

Spranger, Bartholomew, Antwerp, Sadeler, Johann (I), Saint Francis (version 1), verso lower left - stamped, Saint Francis, a cross sign and a bible in his hand., print, prints, height 148 mm, width 107 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1578 - 1582, paper, papier, engraving, engraving (printing process), 1546-03-21 - 1611-08, intermediary draughtsman

Master MZ, Madonna and Child at a Fountain, 1501 Madonna and Child at a Fountain

Apostel Mattias Met Speer, Marco Dente, After Marcantonio Raimondi, After Rafaël, 1517 - 1527 print paper engraving the apostle and martyr Matthias; possible attributes: axe, book, cross, halberd, scroll, sword

. The woman points to the chip in the background with her right hand. In the medallion is the publisher's address. From a second edition of series of 6 sheets.

Friedel, his.

Copper engraving by Barthel Beham depicting Saint Barbara, showing figure, posture, and composition, dated 1520.

Standing Apostle. Dated: c. 1400. Dimensions: overall: 12 x 4.9 cm (4 3/4 x 1 15/16 in.). Medium: pen and brown ink with brown wash on prepared laid paper. Museum: National Gallery of Art, Washington DC. Author: Italian 15th Century (Umbrian).

Month

The Prophet Nahum, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is copied from Baccio Baldini's Prophet Nahum (TIB 2403.059).. The Prophet Nahum, from Prophets and Sibyls 625970

The cries of Paris: the broom merchant. (Title Title) | Ballais Silver. (Registered Title)

Crepin's Master n.d. After Claude Gillot French. Crepin's Master 337200

Minders, Conrad.

. In an oval frame decorated with ornaments a representation of an adult man in his study. He studies an armillarium and has a passer in hand. Through a doorway in the background, a man can be seen that an obelisk oplete. The print has a Latin and French caption.

Haeberlin, Leonhard .

Bliżej Kultury Sandrart, Joachim von (1606 1688), Falck, Jeremias (Ca 1610 1677)

Woman with a Ragebol, Jan Luyken, 1711 print Amsterdam paper etching picture, painting. cleaning (the house)

Dürer, Albrecht.

Running shepherdess. Draughtsman: Gesina ter Borch. Draughtsman: Gerard ter Borch (II) (rejected attribution). Dating: c. 1654. Place: Zwolle. Measurements: h 123 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

Carl, Johann Stecher: Schnitzer, Lukas (1631)

Schäffer, Johann Heinrich.

Lifted, Ludovico.

Fürstenberg, Ferdinand Freiherr Designer: Lebrun, Charlesign: Verdier, François (1651) Stecher: Edelinck, Gérard (1640)

Peter I The Great, Emperor of Russia.

Tassilo III., Duke of Bavaria.

Carpenter; Thinking man. A carpenter, sitting with a beam on his lap, his head supported by his left hand.

Roshes, gerard.

Copper engraving of Saint Bartholomew by Israhel van Meckenem, created in the late 15th century, featuring medieval religious iconography and detailed engraving work.

Portrait of S. Nicolaus Tolentinas

Amsterdam, Goeree, David, Willem (II), Luyken, Jan, Abraham looks out over the promised land of Canaan, verso - stamped, Abraham looks out over the promised land of Canaan (Gen. 13:14-15)., print, picture, book illustration, prints, pictures, diameter 45 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1700 - 1700, paper, papier, etching, etchings, Publication (Event), Publication, publisher

St. Matthias, 1545 - 1546, Engravings, approx. 1 3/4 x 1 1/8 in. (4.4 x 2.9 cm), Paper / Sheet approx. 5 x 3 1/2 in. (12.7 x 8.9 cm), Cream stock

Zot, Jan van de Velde (II), 1633 print A crazy with two, each to one side, pointing hands. Fifteenth print from a series of eighteen. Amsterdam paper etching / engraving fool, simpleton, numskull. index finger forwards, pointing, indicating - AA - both arms or hands

St Agnes Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

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