Religious Figures in Art

Frescoes and paintings of saints and religious figures, featuring rich colors and elaborate garments, emphasizing their noble stances and serene expressions.

Santa Clara, 1325-1330, Giotto (1267-1337), fresco. Bardi Chapel, Basilica of the Holy Cross, Florence.

'St James the Great', 1475. Artist: Cosmè Tura

Santa Clara, 1325-1330, Giotto (1267-1337), fresco. Bardi Chapel, Basilica of the Holy Cross, Florence.

Solomon, by Giovanni Antonio da Pordenone (1483 or 1484-1539). Church of the Annunciation, St Anne's Chapel, Cortemaggiore, Italy.

Umbria Terni Narni S. Giovenale, Cathedral26. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Saint Nicholas of Bari, 1472. Carlo Crivelli (Italian, 1430/35-1495). Oil on wood panel; framed: 109 x 41 x 6 cm (42 15/16 x 16 1/8 x 2 3/8 in.); unframed: 96.2 x 32 cm (37 7/8 x 12 5/8 in.).

Margarete, Archdukefront of Austria.

Saint Jerome - Detail From A Polyptych Master of Roncaiette (15th C./Italian) Oil On Wood Panel Roncaiette Parish, Padua, Italy

Vincenzo Foppa (1430-1516). Italian painter. St. Theodore, 1470-1475. Tempera and oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy.

Umbria Perugia Foligno S. Maria in Campis5. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture (begun 1452) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tsar Ivan IV the Terrible by Vasnetsov, Viktor Mikhaylovich (1848-1926) / State Tretyakov Gallery, Moscow / Russian Painting of 19th cen. / 1897 / Russia / Oil on canvas / History / 247x132

Gerard David and Workshop, The Saint Anne Altarpiece Saint Nicholas (left panel), c 1500 1520 The Saint Anne Altarpiece: Saint Nicholas left panel

Artist: Taddeo di Bartolo, Italian, Siena, ca. 1362-ca.1422, SaintJerome, ca.1390, Tempera on panel, 56 × 36 cm (22 1/16 × 14 3/16in.), Made in Siena, Italy, Italian,Siena, 14thcentury, Paintings

Sardinia Sassari Castel Sardo Ancient walls; general views. Hutzel, Max 1960-1990 Post-medieval: General views Antiquities: Remains of ancient wall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'St James the Great'. Italy, Circa 1360. Dimensions: 123,5x47,5 cm. Museum: State Hermitage, St. Petersburg. Author: Nardo di Cione (follower of).

Abruzzo Teramo Campli S. Giovanni8. Hutzel, Max 1960-1990 Details of both the exterior and interior Medieval architecture of the church; interior photos show details of the Baroque paintings and Medieval Frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Francesco Petrarch (born 20 July 1304) (died 18 July 1374) was an Italian poet and historian. Detail of a fresco by Andrea di Bartolo di Bargilla (c. ...

Saint Valerian, left wing of a triptych. Dating: c. 1490 - c. 1500. Measurements: support: h 65.3 cm × w 23.3 cm; d 5 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the Brunswick Diptych (attributed to).

FERNANDO I EL CATOLICO Y EL PRINCIPE JUAN - 1492 - UNA DE LAS PUERTAS QUE CERRABAN EL CANCEL QUE PRECEDIA AL RETABLO DE LA CAPILLA DE LOS CORPORALES. Author: APARTE PEDRO DE. Location: COLEGIATA. Daroca. Saragossa Zaragoza. SPAIN. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO. PRINCIPE JUAN (1478-1497).

Saint Theodore by Vincenzo Foppa (ca. 1427- ca. 1515/Italian) Tempera on Wood, (circa1427- circa 1515), Italy, Milan, Castello Sforzesco, Pinacoteca Civica

Umbria Perugia Bevagna S. Agostino6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church28. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Marches Macerata Matelica Museo Piersanti2. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lamego, Portugal, Museum of Lamego, painting of Christian Saint Gregory by Andre Reinoso

Tomás Giner / 'Saint Vincent, Deacon and Martyr', 1462-1466, Spanish School, Mixed media on panel, 185 cm x 117 cm, P01334. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Initial I: A Martyr Saint; Lippo Vanni, Italian, active about 1340 - about 1375; Siena, Italy, Tuscany, Europe; third quarter of 14th century; Tempera colors, gold leaf, and ink on parchment; Leaf: 30.2 x 11.5 cm (11 7/8 x 4 1/2 in.)

'Apotheosis of Saint Francis', 17th century, 155 x 105 cm. Author: ANNIBALE CARRACCI (1560-1609). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN FRANCISCO DE ASIS.

Lazio Roma Nazzano S. Antimo6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Anthony Abbot (left) and a martyr. Painting by the Master of the Misericord (active c1355-c1390). Oil on wood. Private collection

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra12. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Nocera Inferiore S. Antonio4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Pale Eremo di S. Maria Giacobbe0. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco wall decoration. This structure was partly sculpted out of the rocks on the hillside and its interior is completely covered with frescoes dating from the 14th and 15th centuries. Above the main altar is a representation of S. Maria Giacobbe, by Lattanzio di Nicolo (1507). Object Notes: 2 sets of prints: earlier set does not have any negatives. Most prints from the second set are duplicates of the first. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, cit

Golovin, Alexander Yakovlevich (1863-1930) State Russian Museum, St. Petersburg 1912 211x139,5 Tempera, Gouache, pastell, gold and silver on canvas Russian End of 19th - Early 20th cen. Russia Opera, Ballet, Theatre

Lazio Roma Subiaco S. Francesco1. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint James Major; 1472 Tempera and gold on panel Carlo Crivelli Italian; Venetian; circa 1430/35-1495

ORACION EN EL HUERTO-RELIEVE POLICROMADO. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

Portrait of the Emperor Charles IV, founder of the first central European university and built the Cathedral of Karlstein. Painted by the imperial court painter, Theodoric. Dated 14th Century

Joan Mates / Altarpiece of Sant Jaume de Vallespinosa, 1406-1410, Temple on wood. Museum: Museu Diocesà de Tarragona.

Preliminary study for the First Bossche Wall: Emperor Frederick Barbarossa, draughtsman: Antoon Derkinderen, 1869 - 1925, paper, brush, h 395 mm × w 296 mm

Tuscany Siena Asciano Museo di Arte Sacra1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antoni Viladomat / 'San Olegario curando a un joven', 1730-1740, 31,6 x 24,2 cm., Tinta a la aguada y mina de carbón sobre papel. Museu Nacional d'Art de Catalunya.

Schwechten Franz (1841-1924), Capella Palatina, Palermo (04.04.1903): Wall painting, detail. Pencil, ink watercolor, gold heighted on paper on cardboard, 42.5 x 24.6 cm (including scan edges) Schwechten Franz (1841-1924): Capella Palatina, Palermo

Saint Peter. Date/Period: From 1604 until 1607. Mural painting. Fresco transferred to canvas. Height: 2,350 mm (92.51 in); Width: 825 mm (32.48 in). Author: Annibale Carracci.

Tuscany Siena Poggibonsi S. Lucchese83. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Anguillara Sabazia S. Francesco20. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Campania Salerno Cava dei Tirreni Museo07. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Leonessa S. Pietro1. Hutzel, Max 1960-1990 Medieval: Exterior views of architecture, and architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes (15th century), wall painting (17th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panels from an organ case in the church of Saint Vitus in Naarden.These ten figures adorned the medieval organ in the church of Saint Vitus in Naarden. Each figure holds a weapon and a coat of arms on a strap. Some are dressed as knights with a breastplate and a helmet, others as princes or noblemen. They may represent the Counts of Holland. All the shields would have originally been painted.

Lazio Roma Anguillara Sabazia S. Francesco03. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Artemisia. Date/Period: 1498. Panel. Height: 87.80 mm (3.45 in); Width: 46.30 mm (1.82 in). Author: Master of Griselda.

Simone Martini (h.1284-1344). Italian painter of the Sienese school. Saint Louis of Toulouse crowning Robert of Anjou, king of Naples, 1317. In the predella, scenes of the saint's life. Museum of Capodimonte. Naples. Italy.

Saint Nicolas of Bari. Dimensions: Overall: 45.8 x 29.4 cm (18 1/16 x 11 9/16 in.) support: 54 x 36 cm (21 1/4 x 14 3/16 in.). Medium: pen and brown ink with brown wash and white heightening over graphite on blue paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Cesare Aretusi.

Tuscany Siena Colle di Val d'Elsa S. Francesco2. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture; funerary monuments. Post-medieval: Architecture; fresco; architectural sculpture; paintings on canvas Object Notes: Hutzel photo campaign for this monument is undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Stroncone S. Francesco1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna at the Fountain, by Jan van Eyck, 1439, Royal Museum of Fine Arts, Antwerp, Belgium, Europe

Saint Ambrose in His Study. Culture: North Spanish. Dimensions: Overall: 36 1/4 x 28 3/8 x 11 3/4 in. (92.1 x 72.1 x 29.8 cm)Relief only: 27 x 27 1/4 x 11 3/4 in. (68.6 x 69.2 x 29.8 cm)Base: 9 1/4 x 28 3/8 x 10 7/8 in. (23.5 x 72.1 x 27.6 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Lazio Roma Nazzano S. Antimo9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Jerome, left panel of the Cervara Altarpiece, 1506-1510, by Gerard David (ca 1460-1523), panel, 152.5x64 cm.

VINCENTE, Simon (17th century). Saint Lawrence. 1687. Baroque art. Oil on canvas. SPAIN. CASTILE-LA MANCHA. Toledo. Holy Cross Museum.

Saint Bernardino of Siena by Provost (Provoost), Jan (1465-1529) / Museo del Prado, Madrid / c. 1510 / The Netherlands / Oil on wood / Bible / 123x45 / Early Netherlandish Art

Saint Barbara left wing exterior. Dated: c. 1480/1490. Dimensions: overall: 66 x 23.5 cm (26 x 9 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Master of the Starck Triptych.

Basilicata Matera Matera Duomo81. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Altarpiece of Saint Peter of Terrassa, by Lluis Borrassa, around 1411-1413. Size: 106 x 70 cm. Detail depicting the martyrdom of the saint. Executioner. Monumental church complex of Sant Pere, Terrassa, province of Barcelona, Catalonia, Spain.

Salvator Mundi in a Landscape c. 1510-30 Oil on panel by Master of the Mansi Magdalene

Requiem. Fernand Khnopff (1858-1921). Pencil, Charcoal And Watercolour On Paper, 1907.

God the Father with Four Angels and the Dove of the Holy Spirit Giovanni Francesco da Rimini (Italian, ca. 1420-1470). God the Father with Four Angels and the Dove of the Holy Spirit, ca. 1460. Tempera and gold on panel, 18 1/4 in. (46.4 cm). The artist, born and trained in Padua, reveals his Northern Italian origin in his intensely linear style, focused in particular on the decorative qualities of Gods curling hair and beard. This circular panel, or tondo, was part of a larger multi-panel work, and was most likely placed above an Annunciation, the scene representing the Virgin at the moment the angel Gabriel announces that she will conceive. Here, God the Father releases the dove of the Holy Spirit, often depicted above Annunciations. The panel shows the characteristic fifteenth-century tension between the traditional flat gold ground, against which figures are compressed, and the three-dimensional space suggested by the flying dove, which is rendered in perfect perspective. Europea

Campania Napoli Naples S. Lorenzo Maggiore138. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

SANTIAGO APOSTOL PEREGRINO CON DONANTES A LOS PIES-ESCULTURA EN AZABACHE. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN. APOSTOL SANTIAGO PEREGRINO. Apóstol Santiago el Mayor.

AMBROSIO OBISPO DE MILAN 339/97- PADRE DE LA IGLESIA. Author: LUCA DELLA ROBBIA (1400-1482). Location: INTERIOR. Florenz. ITALIA. SAINT AMBROSE.

VIDA Y MARTIRIO DE SANTA CATALINA - POLIPTICO EN TABLA - DETALLE DERECHO - CABALLERO DONANTE Y SAN JUAN - SIGLO XVI - 120 x 36 cm - NP 2685. Author: ANONIMO FLAMENCO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Russia, Moscow, StTretyakov Gallery Moscow, Bruni Fyodor (Fedelio Giovanni) (1801-1875), St Mark Evangelist, Late1850s, Brush and watercolor pen and ink on paper

Engaged molding on a polyptych panel ca. 1345-55 Italian, Siena Philip Lehman acquired this "Saint Mary Magdelene" and 1975.1.15b, "Saint Peter", within two years of each other, in 1916 and 1918. By then, the tops had already been altered and the replacements interpreted in different ways. The triangular gables remian on four other panels from the same polyptych in the Pinacoteca Nazionale, Siena. The "Saint John the Baptist" in Siena, along with the two Lehman panels, formed the right side of the altarpiece, and the Siena "Saint Catherine of Alexandria", "Saint Paul", and "Saint John the Evangelist", the left side. The central panel has not been identified. The seven-lobed lancet arch on this panel and 1975.1.15b, a more complicated design than on 1975.1.10b, creates a sense of depth.. Engaged molding on a polyptych panel. Italian, Siena. ca. 1345-55. Poplar. Gilt; deep brown-orange bole.. Frames

Marches Macerata Castelsantangelo sul Nera S. Stefano5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Farfa (environs) Abbey of S. Martino3. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Empedocles leans out of the window to observe cosmic processes, by Luca Signorelli, fresco in the Chapel of San Brizio or Capella Nuova or Cappella di San Brizio, Orvieto Cathedral or Cattedrale di Santa Maria Assunta or Cathedral of the Assumption, Orvieto, Terni Province, Umbria, Italy, Europe

Prophet from a Throne of Solomon. Culture: French or South Netherlandish. Dimensions: Overall: 9 x 4 1/2 in. (22.9 x 11.4 cm). Date: ca. 1390-1410.Uncommonly refined and gemlike in its painterly finesse, this stained-glass fragment with a prophet is related stylistically to the work of André Beauneveu (1335-1401/3), a gifted sculptor, painter, and illuminator from the South Lowlands, who was employed by King Charles V of France; Louis de Mle, comte de Flandres; Philippe le Hardi, duc de Bourgogne; and Jean, duc de Berry, among others. A close parallel to the figure style--particularly to the treatment of the hair and facial features--may be seen in the prophets depicted in the psalter of Jean, duc de Berry (Bibliothèque Nationale de France, ms. Français 13091), illuminated by Beauneveu about 1386 in either Paris or Bourges. A more striking comparison can be made to the limestone standing prophet wearing an apronlike mantle, probably executed by Beauneveu himself shortly after 1392 fo

Lazio Roma Rome S. Pudenziana6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Spanish school. Saint Benoit. San Benito. 1526. Sculpture belonging to the altarpiece of Saint Benoit. Valladolid, national sculpture museum. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN.

'Brother Francisco Zumel', ca. 1633, Oil on canvas, 204 x 122 cm. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN. FRAY FRANCISCO ZUMEL.

BENEDICT XIII. Antipope, born Pedro de Luna. Polychromous carving in Flemish-Spanish style. Antipope Pedro de Luna. 16th c. Sculpture on wood. SPAIN. CATALONIA. Barcelona. Frederic Mares Museum.

Saint Andrew. Date/Period: 1426. Painting. Tempera and gold leaf on panel. Height: 524 mm (20.62 in); Width: 321 mm (12.63 in). Author: MASACCIO.

Joan Grau / Roser altarpiece, 1642, Sant Pere Màrtir church, Dominican convent, Manresa. Museum: MUSEO COMARCAL DE MANRESA.

Accademia carrara art gallery: saint jerome, giorgio schiavone, 1458, bergamo, Italy

Mark and Paul, Durer, Albrecht, 1510.

Andreu Sala / San Francisco Javier yaciente, retablo de San Paciano de Barcelona de la Catedral de Barcelona, madera, c. 1687.

MARTêNEZ COMPAîN Y BUJANDA, Baltasar Jaime (1735-1797). Trujillo del Perœ en el siglo XVIII. 1782 - 1785. Vol. 1. Portraits of bishops from the Archdiocese of Trujillo. Watercolour. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Palacio Real Library.

Saint Catherine. 15th-16th century. 79x27 cm. Madrid, Prado museum. Spain. Author: MAESTRO DE FRANCFORT. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

SAN FRANCISCO - SIGLO XVII - BARROCO ESPAÑOL. Author: DIEGO VELAZQUEZ (1599-1660). Location: PRIVATE COLLECTION. MADRID. SPAIN. SAN FRANCISCO DE ASIS.

STA ANA (RELICARIO). Author: JUAN DE JUNI (1507-1577). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SANTA ANA MADRE DE LA VIRGEN MARIA.

Portrait of the Tsar Michail I Fyodorovich of Russia (1596-1645) by Russian master / State Russian Museum, St. Petersburg/ Last quarter of 17th cen./ Russia/ Oil on canvas/ Old Russian Art/ 83,5x71/ Portrait

Saint Lucy, c. 1410, Benedetto di Bindo Zoppo, Italian, (Siena), active 1410 - 1417, 49 x 15 x 3/8 in. (124.46 x 38.1 x 0.95 cm) (panel), Tempera on panel, Italy, 15th century

Ferdinand III of Castile, (1199-1252). King of Castile from 1217 and King of León from 1230. Engraving from a drawing of Villaamil on a Murillo canvas.

Part of the window with the representation of Apelles, designed by Stalins and Janssens; Design Apelles. This is one of four images that together present the window designed by Stalins and Janssens with Apelles as a personification of painting. P.J.H. In 1882 Cuypers wrote a competition for designing stained glass windows for the front hall of the Rijksmuseum. He invited six artists to participate and send a test window with Apelles. Five of them gave it to this: W.F. Dixon, H.J.J. Geuer, F. Nicolas and the Tyrolean glass malerei und Cathedralenglashuette. Dixon finally got the assignment. His window was placed. The four deletions are stored in the Rijksmuseum.

Pieta / Niccolo di Pietro Gerini

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and dry tempera. Italy. Lombardy. Mantua. Ducal Palace. North wall or the chimney wall. The Court. Detail of face of the Ferrara ambassador red hat head gear/headdress gold face

Saint Simon. Dated: c. 1315/1320. Dimensions: painted surface: 26.2 x 19.7 cm (10 5/16 x 7 3/4 in.) overall: 30.7 x 23.5 cm (12 1/16 x 9 1/4 in.) framed: 44.4 x 60 cm (17 1/2 x 23 5/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Simone Martini.

Jules-Elie Delaunay (1828-1891). The written law. Oil on canvas, 1881. Museum of Fine Arts of the city of Paris, Petit Palais. Female allegory, standing, common law, in the foot, sketch, woman, allegorical figure, portrait, 19th 19th 19th 19th 19th 19th century

Recanati (Italia, Marche - provincia di Macerata), Musei Civici di Villa Colleredo Mels. Lorenzo Lotto, Polittico di San Domanico, 1506-8, olio su tavola. Pannello inferiore laterale sinistro, San Flaviano

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