Religious Figures in Art

Depictions of saints and religious characters in various artistic styles, often showcasing elaborate drapery and symbolic elements.

Saint Paul by Carracci, Annibale (1560-1609) Museu Nacional d'Art de Catalunya, Barcelona 1604-1607 Fresco 235x83,3 Italy, Bolognese School Baroque Bible Painting

John the Baptist. Dating: 1470 - 1497. Place: Florence. Measurements: h 105 cm × w 53 cm; d 6.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Francesco Botticini (attributed to).

SANTIAGO EL MAYOR - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: Iglesia de san Juan bautista. MARCHENA. Seville. SPAIN. Apóstol Santiago el Mayor.

Iago, fromOthello. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Study for 'The Star of Bethlehem', Sir Edward Coley Burne-Jones (Birmingham, England, 1833 - 1898) 1875-1899

Saint Paul by Carracci, Annibale (1560-1609) Museu Nacional d'Art de Catalunya, Barcelona 1604-1607 Fresco 235x83,3 Italy, Bolognese School Baroque Bible Painting

St Bartholomew. prints, engravings, works on paper

James the Greater James Tissot (1836-1902/French)

Angelus Ministrans. Dated: c. 1896. Dimensions: Overall: 25 x 13.3 cm (9 13/16 x 5 1/4 in.) overall: 35.6 x 27.9 cm (14 x 11 in.). Medium: brush and gold paint on wove paper prepared with black watercolor. Museum: National Gallery of Art, Washington DC. Author: Sir Edward Coley Burne-Jones.

Spanish school. Doctor of Law at the university of Salamanca. Doctor en leyes de la universidad de Salamanca. 1635. Oil on canvas (195,5x104,5). Boston (Massachussetts), Isabella Saint Garder museum. Author: FRANCISCO DE ZURBARAN. Location: MUSEO ISABELLA STEWARD GARDNER. BOSTON-MASSACHUSETTS.

Portrait of Beato Nicolas Albergati - 120x 64 cm - Panel painting. Author: FRANCISCO DE ZURBARAN. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Measured Drawing of Sculpture in Gymnasium at Ephesus, William Pars, 1742-1782, British, undated, Pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, beige laid paper mounted on thick, smooth, brown, wove paper, Sheet: 12 7/8 × 6 7/16 inches (32.7 × 16.4 cm) and Image: 12 5/8 × 6 1/8 inches (32.1 × 15.6 cm), architectural subject, figure study, robes, sculpture, Asia, Ege kiyilari, Ephesus, Izmir Ili, Turkey

Noah James J. Tissot (1836-1902/French) Jewish Museum, New York

GRABADO-MUCHACHA E HILANDERA DE VILLARREAL.

SAN SIMON - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: MARIENKIRCHE. CARMONA. Seville. SPAIN.

The four elements, Earth, Giovanni Antonio Pellegrini, 1718

Rhine, Rembrandt van, Beggar with outstretched left arm, verso lower left, print, prints, RHL 1631, upper left, height 63 mm, width 41 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1631 - 1631, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Dagger Sheath with a Lady Holding a Pink Above top portion with lady only. 1501 - 1600. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. The Virgin Mary, from the upper half of central pannel of the Ghent Altarpiece. Detail of the cloak. Flemish art. Oil on wood.

St. Martin. Edward Burne-Jones (1833-1898). Coloured Chalks. Dated 1880. 189.5 x 58.5cm.

Israhel van Meckenem after Master E.S. (German, c. 1445 - 1503), Saint Bartholomew, c. 1470-1480, engraving

'St Catherine of Alexandria'. The Netherlands. The Netherlands, 1480-1490s. Dimensions: 20,4x8,6 cm. Museum: State Hermitage, St. Petersburg. Author: Master of The St. Hippolytus Triptych ( ).

Saint Dorothy.

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. The folded arms of St Catherine of Alexandria (on the right side of the throne) dress: garment gold pink red brown hues: shades.

SAN JUAN BAUTISTA. Author: JUAN DE FLANDES (1465-1519). Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. SAN JUAN BAUTISTA (8 AC / 27 DC).

Aaron James J. Tissot (1836-1902/French) Watercolor on paper Jewish Museum, New York

Woman with Luit, Johannes Josephus Aarts, 1881 - 1934 print Standing woman in dress with a lute in her left hand. paper lute, and special forms of lute, e.g.: theorbo. musician

PICO, Jos_ (17th century). 'Conseller Quart' (Councillor fourth) of the 'Consell de Cent' (Council of One Hundred). Government of the city of Barcelona. 1692. Painting. SPAIN. CATALONIA. Barcelona. Barcelona City History Museum.

Roeping van Mattheus.Design for a painting.

Artist: Nardo di Cione, Italian, ca. 1320-1365/1366, SaintPeter, ca.1355-60, Tempera on panel, picture surface: 88.3 × 32 cm (34 3/4 × 12 5/8 in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Maid. Draughtsman: Isaac Israels (mentioned on object). Dating: 1875 - 1934. Measurements: h 670 mm × w 219 mm. Museum: Rijksmuseum, Amsterdam.

ESPARTERO , EL. MANUEL GARCIA CUESTA. MATADOR DE TOROS ESPAÑOL . SEVILLA 1865 - 1894. OLEO DE DANIEL VAZQUEZ DIAZ , AÑO 1937. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Vrancke van der Stockt / 'Tríptico de la Redención: la moneda del César (Jesús y un apóstol)', 1455-1460, Flemish School, Oil on panel, 195 cm x 77 cm, P01890. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Last roses; Last Roses ..

Antique Statue of a Priestess, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and sepia wash on off white laid paper, Figure shown walking toward right while holding something in his left hand., Italy, ca. 1820, figures, Drawing, Drawing

The Repentant Magdalene 1886-1894 James Tissot (1839-1902 French) Gouache Brooklyn Museum, New York, USA

Emilia-Romagna Ravenna Bagnacavallo Museo Civico3. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Aquatint by Maria Catharina Prestel depicting a forest scene with trees, undergrowth, human figures, and 18th-century natural environment.

Spanish school. Saint Anthelme - panel. San Antelmo - tabla. 1,20X0,64. Painting from the charterhouse of Our Lady of the Defension (Jerez de la frontera). Cadiz, archeology and Fine Arts museum. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Portrait of Kazimierz Wize (1870-1950). Boznańska, Olga (1865-1940), painter

Portrait of a Chinese Gentleman George Chinnery (1774-1852 British)

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Preliminary study for Othello(?), Watercolor, gouache, White wove, 51.2 × 27.9 cm (20 3/16 × 11in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Saints John the Baptist and Bernardo degli Uberti, Sarto, Andrea del, 1528.

El Greco Workshop. Saint Peter. Oil on canvas 1607-1613. Detail. From the former Chapel of Doña Isabel de Oballe, in the church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo). Author: El Greco Workshop. 17th century.

Pantalone (Commedia Dell'Arte) 2001 Leslie Xuereb (b.1959/French)

STRIGEL, Bernhard (1460-1528). Portrait of Conrad Rehlinger. 1517. On the other panel there is a representation of the eight children of the sculptor. Renaissance art. Oil on wood. GERMANY. BAVARIA. Munich. Alte Pinakothek (Old Pinacotheca).

Dancing Muse, Mantegna, Andrea del, 1497

Joshua in the Sanctuary James J. Tissot (1836-1902/ French) Jewish Museum, New York

Costume design for the theatre play Egyptian Nights by A. Pushkin by Ryndin, Vadim Fyodorovich (1902-1974) A. Pushkin Memorial Museum, St. Petersburg 1934 Gouache and tempera on paper 52,5x34,5 Russia Theatrical scenic painting Opera, Ballet, Thea

Artist, attributed to: Lippo d Andrea, Italian, Florence, ca. 1370-before 1451, Saint Louis of Toulouse and Saint Clara, ca. 1420-30, Tempera on panel, 66.8 × 29.4 cm (26 5/16 × 11 9/16 in.), Made in Florence, Italy, Italian, Florence, 15th century, Paintings

Illustration of a 19th century Sumatran native; Dutch East Indies 1880

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: 84 3/4 x 42 3/4 in. (215.3 x 108.6 cm). Date: 1876, reworked 1885.Whistler's portrait of the great Victorian actor Henry Irving (1838-1895) recalls Diego Velázquez's court portraits in its format, pose, and restricted palette of black, white, silvery grays, and golden ochers. Whistler had been impressed by Irving's 1876 appearance in the role of the grandfather of Philip IV, Velázquez's patron, in Alfred Lord Tennyson's verse play Queen Mary Tudor. Discussing Whistler's canvas in 1907, the actress Ellen Terry suggested the associations with Velázquez that the actor and the artist might have had in mind in emulating the Spanish master's style. She observed that Irving, "in his dress without much colour (from the common point of view), his long grey legs, and his Velasquez-like attitudes, looked like the kind of thing which Wh

Dean, detail from Sign of Aries, scene from Month of March, ca 1470, by Francesco del Cossa (ca 1435-1477), fresco, east wall, Hall of the Months, Palazzo Schifanoia (Palace of Joy), Ferrara, Emilia-Romagna. Italy, 15th century.

The truth. Enamelled terracotta bas-relief by della Robbia. Del Ceppo hospital, Pistoia. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle 1871. Le Tour du Monde 1879

Mary Magdalene 1540-1550 Brescia. Oil on canvas . Moretto da Brescia

Lucas (the Elder) Cranach (Kronach, 1472 - Weimar, 1553). Saint Anne with the Duchess Barbara of Saxony as Donor (Interior right wing) (ca. 1514). Oil on panel. 85 x 30.6 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

A girl looking at a cherry tree., 1801 - 1900. Woodcuts., Paper / Sheet 12 x 5 1/2 in. (30.5 x 14 cm)

Emblem of Marianne, goddess of liberty, adopted as a symbol of the First French Republic, Michelle Busutill, cathedral museum, Mdina, Republic of Malta, Europe.

A Youth Leaning Against a Tree Among Roses ca. 1588 Nicholas Hilliard (ca..1547-1619 British) Watercolor on vellum Victoria & Albert Museum, London, England

Incense by Khnopff, Fernand (1858-1921) / Musee d'Orsay, Paris / 1898 / Belgium / Oil on canvas / Mythology, Allegory and Literature / 86x50 / Symbolism

Border, Dufour et Leroy, Block-printed and flocked on handmade paper, Vertical rectangle. Portion of a frieze with simulated carved architectural moldings across bottom. Above, portion of two floral wreaths through which passes white satin drapery shaded in greys and green. The top edge of the drapery has been cut out., Paris, France, 1810-15, Wallcoverings, Border

Portrait of Doedt van Holdinga, 1570-1646, Anonymous, 1598

The arnolfini portrait, jan van eyck, 1434

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Angel musicians. Upper left panel of the opened polyptych. Detail at the bottom. Flemish art. Oil on wood.

King of the Carolingian dynasty, so-called second race. From an illuminated manuscript in the Bilbliotheque Royale. Roi de la seconde race (MSBR). Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

SAN PEDRO URBINA ARZOBISPO DE SEVILLA - SIGLO XVII - 2,85x1,52 - BARROCO ESPAÑOL. Author: BARTOLOME ESTEBAN MURILLO. Location: PRIVATE COLLECTION.

¡CONSULTAR DISPONIBILIDAD! - PEREGRINO. Author: JUAN CORREA DE VIVAR. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Countess de Castiglione as the Queen of Etruria. Artist: Pierre-Louis Pierson (French, 1822-1913) , et al; Painted and retouched by Marck. Dimensions: Window: 7 1/2 × 5 1/2 in. (19 × 14 cm)Image: 4 in. × 2 13/16 in. (10.2 × 7.2 cm). Person in Photograph: Person in photograph Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: before 1865. Museum: Metropolitan Museum of Art, New York, USA.

FIGURA DE MUJER - 1926 - OLEO/MADERA. Author: SALVADOR DALI. Location: TEATRO-MUSEO DALI / FUNDACION GALA DALI. Figueras. GERONA. SPAIN.

Santa Rita - (Bulto). Dated: c. 1938. Dimensions: overall: 36.8 x 29.1 cm (14 1/2 x 11 7/16 in.) Original IAD Object: Approximately 13"high. Medium: watercolor, colored pencil, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Majel G. Claflin.

Nanki-Poo, 1926. Charles De Sousy Ricketts (d. 1931)

Cat scratching at an Amphora, Veronese, Paolo Caliari, 1563.

CODICE TRUJILLO DEL PERU - TOMO II E 33 - INDIA CHIVITA - ACUARELA - SIGLO XVIII. Author: MARTINEZ COMPAÑON BALTASAR. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Hell, Song XVIII) by Franz von Bayros, detail

Portrait of a Man. Date/Period: 1526. Painting. Oil on canvas. Height: 201 cm (79.1 in); Width: 92.2 cm (36.2 in). Author: MORETTO DA BRESCIA.

Moving toy: Proverb from: Paper toys from the Biedermeier era

Portrait of Francis Datini, by Filippo Lippi (ca 1406-1469).

Lazio Roma Rome S. Cecilia in Trastevere8. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renai

Young boy, detail from the Marriage of the Virgin, 1623-1634, fresco by Isidoro Bianchi (1581-1662), after its restoration, Church of Santa Maria dei Ghirli, Campione d'Italia, Lombardy. Italy, 17th century.

Portrait of King Charles I by Sir Anthonis van Dyck, oil on canvas, 1638, 1599-1641, Russia, St. Petersburg, State Hermitage, 219x130

The Throne of Grace mid-15th century Italian, probably Florence This panel was probably part of an orphrey.. The Throne of Grace 212585

The Catacomb of Priscilla on the Via Salaria in Rome, Italy, is situated in what was a quarry in Roman times. This quarry was used for Christian burials from the late 2nd century through the 4th century. Some of the walls and ceilings display fine decorations illustrating Biblical scenes. Madonna and Child

Study for "Greek Girls Bathing". Dated: c. 1872. Dimensions: sheet (irregular): 19.69 × 13.65 cm (7 3/4 × 5 3/8 in.). Medium: oil on prepared wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

Monaguillo - 1896. Author: PABLO PICASSO (1881-1973). Location: MONASTERIO DE STA MARIA DE MONTSERRAT-MUSEO. MONTSERRAT. Barcelona. SPAIN.

Judas James Tissot (1836-1902/ French)

Painting on silk, Soldier embracing kisaeng. Sin Yun Bok. 18th cent. KOREA.

Studies of Two Men, James Bruce, 1730-1794, British, undated, Graphite on thick, moderately textured, cream wove paper, Sheet: 11 1/2 × 14 1/4 inches (29.2 × 36.2 cm)

A III 1902, museum/owner: SFF;, Fiorentino, Pier Francesco, name: Kneeling canine, 90.5x63x2, image area 78x51, painting, image number: 27474, terms of use: Museum image, Scan: Agfa t 5000+/PS6.0/AdobeRGB1998/06.2001an,

Stoning of St Stephen, detail from Stories of the passion of St Stephen, 1556, by Lattanzio Gambara (1530-1574), fresco in the apse half-dome of the Collegiate church of St Stephen, Vimercate, Lombardy, Italy, 11th-12th century.

Girl with a fan. Date: late 19th century

A Chinese, Questionable, Johann Hieronymus Delete Kohl -, publishing house

Victor Hugo (1802-1885). Chinese decor from Juliette Drouet's house in Guernsey, West Wall. Character on a black background. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 79110-5 Asian art, decorative arts, serious wood, Chinese cabinet, chinoiserie, decor, black background, Chinese character, polychrome, Chinese living room, 19th 19th 19th 19th 19th 19th century

Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Autore ignoto, Sant'Apollonia, secolo XVIII, olio su tela, proveniente da Sant'Agostino

French 17th century playing card. (1659)

Mosaic on the house facade, Glockenspielplatz in Graz, Styria, Austria

Autumn Vintage Festival, 1877. By: Sir Lawrence Alma Tadema

Elihu Vedder, Study for Greek Girls Bathing, c 1872 Study for Greek Girls Bathing

Portrait of Alof de Wignacourt, by Merisi Michelangelo known as Caravaggio, 1607 - 1608, 17th Century, oil on canvas. Italy: Tuscany: Florence: Palazzo Pitti: inv. Oggetti d'arte Pitti 1911 n.717. Detail. Knight of Malta white cross uniform black man

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Face of St Ansanus (on the left side of the throne) halo: aureole decoration flowers leaves gold brown hues: shades pink.

Ritratto di Filiberto I il cacciatore. Date/Period: 1700/1799. Painting. Oil painting. Width: 117 cm. Height: 202 cm. Author: UNKNOWN.

Ladies on a loge surmounted by a baldacchino and group of knights, by Antonio Pisano also known as Pisanello, 1442, 15th Century, fresco. Italy, Lombardy, Mantua, Ducal Palace. Detail. Half bust of the Lady on the right. Braids hair-style fresh complexion hair band black beige white dress: garment black background.

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