Religious Figures in Fine Arts

A collection of historical artworks depicting religious figures in various poses, featuring classical styles and deep colors, evoking a serene and contemplative mood.

Moses, Somer (Someren), Hendrick van (1607-1656)

Abruzzo, L'Aquila, Sulmona, S. Maria della Tomba, Italy, 20th century, photo, photography, Europe

Jacopo Tintoretto: Saint Mark

fine arts, Rubens, Peter Paul (1577 - 1640), painting, ""Saint Joachim"", Liechtenstein Collestion, Vaduz,

Luis Tristán / 'Saint Peter of Alcantara', Early 17th century, Spanish School, Oil on canvas, 169 cm x 111 cm, P03078. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: LUIS TRISTAN.

Pedro Pablo Rubens / 'Saint James the Elder', 1610-1612, Flemish School, Oil on panel, 108 cm x 83 cm, P01648. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Raphael, La Vallée, Simon de, John the Baptist in the Wilderness, print, album sheet, prints, height mm, width mm, 1680 - 1730, print maker, printmaker, paper, papier, etching, etchings, engraving, engraving (printing process), 1483-04-07 - 1520-04-07

Moses, Somer (Someren), Hendrick van (1607-1656)

Grieved Christ, by Mantegna Andrea, 15th Century, 1493, oil on canvas, cm 55 x 43

Peter IV, the Ceremonious. ca. 1427. It was part of the ceiling decoration from the Council hall, which made up a set of 15 portraits of the Kings of Aragon. Tempera on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia. Proc: SPAIN. Valencia. City Hall.

Cristóbal García Salmerón (1603-1673) / 'San Pedro', S. XVII, Oil on canvas, 107 cm x 140 cm, P005429. Museum: Museo del Prado, Madrid, España.

Saint Peter by Simone Martini, c. 14th century. Tempera and gold on panel. Thyssen Museum. Madrid. Spain.

José de Ribera / 'Saint Simon', 1630-1635, Spanish School, Oil on canvas, 107 cm x 91 cm, P01091. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Antwerp, Galle, Theodoor, Straet, Jan van der, Cornelis (I), Icones Prophetarum Veteris Testamenti, Habakuk, The prophet Habakuk, in oval with Latin inscription. The prophet has his eyes turned upwards., print, prent, prints, height 179 mm, width 138 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1613 - 1613, paper, papier, engraving, engraving (printing process), 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Print made by Bernard Lens, 1659-1725, British, Ecce Homo, undated. Mezzotint on medium, slightly textured, cream laid paper.

Lazio Roma Rome S. Ignazio di Loyola11. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

RETRATO DEL CARDENAL CISNEROS (1436-1517). Location: CONVENTO DE LAS JUANAS. Alcalá de Henares. MADRID. SPAIN. CARDENAL CISNEROS (1436-1517). FRANCISCO JIMÉNEZ DE CISNEROS (1436-1517).

San Andrés / St Andrew. Date/Period: Ca. 1620-1630. Painting. Oil on canvas. Height: 125 cm (49.2 in); Width: 100 cm (39.3 in). Author: Francisco Herrera the Elder.

Saint John the Baptist; Saint Lucy. Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: Each 63 x 26 3/8 in. (160 x 67 cm).These two panels are from an enormous, double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502, it was completed after his death by Perugino. The altarpiece had the form of a Roman triumphal arch, with large scenes flanked by Perugino's standing saints, which are notable for the subdued coloring and subtle treatment of light. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

Jeremiah. Chromolithograph by Storch and Kramer after C. Mariannecci after Michelangelo.

Bartholomew El Greco (1541-1614 Greek)

Study of Two Heads by Peter Paul Rubens; Oil on wood; circa 1609

Paolo Veronese (and workshop) / 'San Jerónimo meditando', ca. 1585, Spanish School, Canvas, 93 cm x 77 cm, P07074. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Italy, Monogrammist NDB, Monogrammist NB (Italy), Head of Christ, verso - stamped, print, prints, height 342 mm, width 250 mm, Italian, print maker, printmaker, 1600 - 1699, 17th century, paper, chiaroscuro woodcut, Northern Netherlandish, Southern Netherlandish

Sculpture, Saint_Vincent cathedral, St. Malo, Ille_et_Vilaine, Brittany, France, Europe

Christ Handcuffed and Crowned with Thorns, print maker: Lambertus Antonius Claessens, (mentioned on object), after: Guido Reni, (mentioned on object), publisher: J. van Ledden Hulsebosch, (mentioned on object), print maker: Paris, publisher: Amsterdam, 1809, paper, etching, engraving, h 495 mm × w 385 mm

Francisco Pacheco / 'Saint Catherine', ca. 1608, Spanish School, Oil on panel, 103,5 cm x 43,5 cm, P01023. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Bust of a Pharisee, frontal. The head is turned to the right. In the margin are two lines of text in French, Pharisee Le Pharisien , print maker: Christian Forssell, (mentioned on object), intermediary draughtsman: A. Liernur, (mentioned on object), after: Valentin, (mentioned on object), 1787 - 1852, paper, engraving, h 300 mm × w 228 mm

Apostole Paul by Guercino, Oil on canvas, 1640s, Baroque, 1591-1666, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 111, 5x99

El Greco (and workshop) / 'Saint Paul', 1608-1614, Spanish School, Oil on canvas, 72 cm x 55 cm, P02892. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAN PABLO.

Saint Jerome. Date/Period: 1590 - 1620. Oil on canvasCategory:Unsupported object|oil on canvas. Canvas. Height: 630 mm (24.80 in); Width: 530 mm (20.86 in). Author: GUIDO RENI.

Vincenzo Foppa (1430-1516). Italian painter. St. Theodore, 1470-1475. Tempera and oil on wooden panel. Pinacoteca Castello Sforzesco, Milan, Italy. Author: Vincenzo Foppa (ca. 1430-1516). Italian painter.

Crying apostole by Guercino, Oil on canvas, Baroque, 1591-1666, Ukraine, Odessa, Museum of Western and Eastern Art,

Face of Christ on St. Veronica's Cloth. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: plate: 16 15/16 x 12 3/8 in. (43 x 31.5 cm)sheet: 18 1/8 x 13 11/16 in. (46 x 34.8 cm). Date: 1649. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Tuscania Cathedral9. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Persian King Ahasuerus by Rembrandt van Rhijn, oil on canvas, 1665, 1606-1669, Russia, St Petersburg, State Hermitage, 127x116

Diogenes in the barrel; 2. PO. XVII century (1650-00-00-1700-00-00);Diogenes from Synopa (philosopher - Ca 413 a. C. - Ca 323 a. C.), Diogenes from Synopa (philosopher - Ca 413 a. C. - Ca 323 a. C.) - iconography, barrels, philosophers, book ( attribute), portraits, men's portraits, purchase (provenance)

Saint Philip (Saint Philippe) James Tissot (French, 1836-1902). Saint Philip (Saint Philippe), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/8 x 6 5/16 in. (28.3 x 16 cm). European Art 1886-1894

Basilicata Matera Matera S. Francesco d'Assisi7. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Ventaroli S. Maria in Foro Claudio3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Galle, Philips, Wierix, Hieronymus, H. Franciscus van Assisi, verso right - stamped, Saint Franciscus of Assisi, in habit, at a rock. In his hands he holds a crucifix. The representation is set in an oval frame in which a Bible quotation from Gal. 6 in Latin., print, prints, height 192 mm, width 146 mm, Southern Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1563 - 1612, paper, engraving, engraving (printing process), Work conception, 1537 - 1612-03-29, after a design by, Publication (Event), Publication, publisher

Study Head of a Bearded Man. Frans Floris; Netherlandish, 1519/20-1570. Date: 1550-1580. Dimensions: 18 5/16 × 13 1/4 in. (46.5 × 33.6 cm). Oil on panel. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Saint John theEvangelist. Artist: Lippo Memmi, Italian, Siena, active ca. 1317-ca. 1350 Artist, workshop of: Simone Martini, Italian, ca. 1284-1344

Silversmith's art, Italy, 15th century. Silver altar of the Baptistery of San Giovanni, begun 1367. Detail: Michelozzo di Bartolomeo (1396-1474), statue of Saint John the Baptist.

Self-Portrait ca. 1647 Salvator Rosa Italian One of the most fascinating and complex personalities in seventeenth-century Italy, Salvator Rosa was an accomplished painter, printmaker, poet, and actor. Here he shows himself inscribing a skull with the Greek words: Behold, whither, eventually.” The wreath of cypress is an emblem of mourning, while on the table is a book by the Roman stoic philosopher Seneca. According to the inscription, the picture was a gift to Rosa’s friend Giovanni Battista Ricciardi (1624-1686), a brilliant man of letters from Pisa.. Self-Portrait 437508

Head of an Old Man. Date/Period: Ca. 1525. Painting. Oil on wood. Height: 440 mm (17.32 in); Width: 345 mm (13.58 in). Author: Quinten Metsys.

Bust of an old man en profil perdu" (apostle?). Kessler, Johann Martin Benjamin (1760 - 1823), painter

Polyptych. Annunciating Angel, Redeemer, Virgin Annunciate, St. Peter, St. John the Baptist and St. Paul, by Lotto Lorenzo, 16th Century, 1525, oil on canvas, 75 x 35 cm (lateral upper board) - 135 x 70 cm (central boards) - 118 x 57 cm (lateral lower boards)

Half-length portrait of an apostle with folded hands. 1618. (Anton Van Dyck; 1599 Antwerp London-1641)

Marcantonio Memmo (11 November 1536 to 31 October 1615), also Marc'Antonio Memmo, was, if one follows the state-controlled historiography of the Republic of Venice, its 91st Doge. He reigned from 24 July 1612 until his death, Historical, digitally restored reproduction from a 19th century original

Saint Ambrose. Wolffort, Artus (1581-1641), painter

Library of the Krasińskich Ordinance (Warsaw - 1844-1944) - collection, Józef (Saint), Fragment

St Paul, 1861-62. Artist: Edward Burne-Jones

Mercury by Gherardi, Cristofano (1508-1556) / Palazzo Vecchio, Florence / 1556-1557 / Italy, Florentine School / Fresco / Mythology, Allegory and Literature / 250x100 / Renaissance

St James the Apostle, dismembered part of an altarpiece, 1355-1360, by Andrea Vanni (ca 1332-1414), tempera on canvas, 100x52 cm.

SAN ANDRES. Author: JUAN DE FLANDES (1465-1519). Location: MUSEO DE BELLAS ARTES-PALACIO ABARCA. SALAMANCA. SPAIN.

Art work in Bosc-Renoult en Ouche village church, France.

La sainte Face couronnee d'epines, (grand format). Artist: Jean Morin (French, Paris ca. 1605-1650 Paris); After Philippe de Champaigne (French, Brussels 1602-1674 Paris). Dimensions: sheet: 20 x 13 3/4 in. (50.8 x 35 cm)image: 16 15/16 x 12 1/2 in. (43 x 31.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Dyck, Anthony van, Antwerp, Vorsterman, Lucas (II), H. Franciscus van Assissi, verso lower left - stamped, print, prent, prints, height 282 mm, width 195 mm, South Dutch, 1624-05-27, print maker, printmaker, 1651 - 1652, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09

CABEZA DE ANCIANO. Author: QUENTIN MATSYS. Location: FUNDACION CAMBO. Barcelona. SPAIN.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo51. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Saint James the Pilgrim. School of Ulm (Germany). Circle of Bartholomaus Zeitblom. 1480-1500. Detail. Grease tempera on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain.

SAN JUAN EVANGELISTA - HACIA 1608 - OLEO/TABLA - 99 x 45 cm - NP 1024 - MANIERISMO ESPAÑOL. Author: FRANCISCO PACHECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Saint Bartholomew ca. 1317-19 Workshop of Simone Martini Italian Six other panels from the series are known. All were owned by the German painter and collector Johann Anton Ramboux in the nineteenth century, and they formed either the predella or a row of figures above the main panels of an altarpiece. The saints were originally painted on one panels are original, but have been painted an anomalous brown). The figures are based on cartoons prepared by Simone in the 1320s, but the execution was certainly entrusted to assistants. The panels have suffered from past cleanings.. Saint Bartholomew. Workshop of Simone Martini (Italian, Siena, active by 1315-died 1344 Avignon). ca. 1317-19. Tempera on wood, gold ground. Paintings

San Agustín. Museum: MUSEU NACIONAL D'ARTE ANTIGA / LISBOA / PORTUGAL. Author: PIERO DELLA FRANCESCA.

Portrait painting by Leonidas, king of Sparta. Photo reproduction of a print to a fragment of the painting Léonidas aux thermopyles from Jacques-Louis David

Haman in Disgrace/ Rembrandt/ c.1667/68

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra1. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sir Peter Paul Rubens and Studio, Head of One of the Three Kings Melchior, The Assyrian King, c 1618 Head of One of the Three Kings: Melchior, The Assyrian King

Old Man. Date: 17th century. oil on canvas. Museum: Smithsonian American Art Museum.

Jaume Huguet (1412-1492). Catalan painter. Predella of the hight altarpiece of Church of Ripoll Monastery, 1455. "Melchizedek, king of Salem and priest of El Elyon". Episcopal Museum of Vic. Catalonia, Spain.

Saint Dominic penitent. Santo Domingo penitente. Toledo, House-museum of El Greco. Author: LUIS TRISTAN (1585-1624). Location: CASA MUSEO DEL GRECO-COLECCION. Toledo. SPAIN. SANTO DOMINGO DE GUZMÁN (1170-1221).

David. Artist: Lorenzo Monaco (Piero di Giovanni) (Italian, Florence () ca. 1370-1425 Florence ()). Dimensions: Arched top, 22 3/8 x 17 in. (56.8 x 43.2 cm). Date: ca. 1408-10.These four Old Testament prophets are among the masterpieces of this leading late Gothic Florentine painter. Each figure holds an identifying attribute and strikes a rhetorical pose. Moses holds the tablets of the Ten Commandments; Abraham's sacrifice of Isaac prefigures that of Christ; David, holding a cither, is considered a direct ancestor of Christ; and Noah's ark prefigures the Church. These intense figures have reminded scholars of the sculpture of Donatello and Ghiberti. Were they arranged single file or superimposed in pairs; did they form an altarpiece or serve some other function We can't say. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Pope Julius II, by Raphael, 1511, National Gallery, London, England, UK, GB, Europe

Giovanni Bellini, called Il Giambellino (1432-1516). Italian painter. The Saviour. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

Lazio Latina Valvisciolo SS. Pietro e Paolo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vogel, Bernard, inventor: Johann Kupezky, Kaikkivaltias, 1735, mezzotinto, graphics, plate width 25.5 cm, plate height 35 cm, leaf width 28.6 cm, leaf height 38.6 cm, image width 25.5 cm, image height 35 cm

Old man facing left; Dietrich, Christian Wilhelm Ernst (1712-1774); 18th century (1700-00-00-1799-00-00);Leszczyński, Stanisław (Fl. Ca 1900) - collection, beards, gift (provenance), headgear, men's portraits, portraits in oval, old man, mustache

Wood frame of Roman style (Cornice lignea di manifattura romana), 1650, 17th Century, carved and gilded wood

Clement VII, civilly Giulio de Medici (26 May 1478 to 25 September 1534) from the Medici family was Pope from 18 November 1523 until his death, Painting by Sebastiano del Piombo, Historic, digitally restored reproduction from an original of the tim.

Torquato Tasso 1544-1595, Italian poet of the Renaissance. From the book Gallery of Portraits, London 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Lazio Latina Valvisciolo SS. Pietro e Paolo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Moses with the Ten Commandments'. France, 1648. Dimensions: 91,5x74,5 cm. Museum: State Hermitage, St. Petersburg. Author: PHILIPPE DE CHAMPAIGNE.

Reading man; Scholars or philosophers. .

Homer (8th Century B.C.). Greek epic poet. Portrait in the Frontispiece and cover of the Complete Works. Volume First. The Iliad. Set in the Trojan War. Amsterdam, 1743. Colored engraving. Episcopal Library. Barcelona. Catalonia.

GUAS, JUAN. ARQUITECTO ESPAÑOL. ¿-1495. OLEO ANONIMO. INSTITUTO DE ESPAÑA. MADRID.

Austria, Vienna,, Portrait of the Ferrara Court Jester Gonella, 1442

The Tribute Money (After A Painting By Tiziano Vecelli (Titan) Artist Unknown Chromolithograph

Kohler, corner braw.

Venice, Senate of Venice, Piazzetta, Giovanni Battista, Pitteri, Giovanni Marco, Apostles, Sanctus Andreas, Apostle Andrew, verso - stamped, Numbered bottom right: II., print, prints, height 446 mm, width 345 mm, Italian, 1702-05-24 - 1786-08-04, print maker, printmaker, 1712 - 1786, paper, engraving, engraving (printing process), 1682-02-13 - 1754-04-29, after, after a painting by, grantor of privilege

Jesus Christ. Stipple engraving by A. Cardon, 1811, after C. Dolci.

Bishop Saint, by perhaps by Giovanni da Bologna, 14th Century, fresco. Italy: Veneto: Treviso: Santa Caterina church. Fragment yellow white blue red miter beard moustaches front view portrait face halo/aureole

JUANES, Juan de (1523-1579). The Saviour. 16th c. Renaissance art. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

WITIZA o VITIZA (m.710). Rey visigodo de Hispania (702-710). Asociado al trono (700) por su padre, Egica, su reinado personal comenzó en el 702. Convocó el XVIII Concilio de Toledo. Grabado.

The hl. Barbara. 1502. (Giovanni Antonio Boltraffio 1467 Milan Milan 1516)

'Ecstasy of Saint Francis of Paula', 18th century. Artist: Giovanni Battista Tiepolo

Self Portrait 1500 Albrecht Durer (1471-1528 German) Oil on wood Alte Pinakothek, Munich, Germany

Italy, Lazio, Rome, 'Bronze Statue Of Pope Innocent X Pamphili, Sculpted By Algardi (1645-1650) In The Palazzo Dei Conservatori On The Capitol'

National Museum of Ancient Art. St Francisco. Detail. 16 th century. Italy.

Cardinal Jean-Paul Laurens (1838-1921). Cardinal. Oil on canvas. 1874.

Saint John the Baptist, Gossaert, Jan, 1521.

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