Religious Figures in Mourning

This cluster features various depictions of solemn religious figures, primarily women, adorned in robes with hands crossed or clasped in prayer, conveying a mood of contemplation and grief.

Saint Mary Magdalene in profile to the left. Mary Magdalene wears a veil around her head and is praying. In front of her is an open book and on a table is a crucifix, Mary Magdalene in prayer, print maker: Louis Bernard Coclers, anonymous, unknown, 1756 - 1817, paper, etching, h 105 mm × w 85 mm

Mourning Mary; Christ, Mary and the twelve apostles. The grieving Mary with her hands crossed in front of her chest. The print is part of an album.

Holy Brigitta van Sweden, Crispijn van de Passe (I), 1602 print The Holy Brigitta of Sweden with a cross and opened book in the hands. In the landscape behind her, men with building materials lug around a church building and dig into the ground. The show is caught in an oval frame with an edge writing in Latin. In the margin a four -line caption in Latin. Print from a series with famous women. Cologne paper engraving the foundress of the Order of Bri(d)gettines, the widow Bridget (Birgitta) of Sweden; possible attributes: band over veil with five red spots, book, candle, heart with cross, inkhorn, pilgrim's hat, staff, wallet. St. Brigit (one of the nine worthiest women)

Wszyscy Święci w MNK Bonnart, Robert (1652 post 1729)

Genovefa of Paris, saints.

Virgin Mary. Maria has folded her hands in prayer. In the margin a two-legged caption in Latin.

Elisabeth, Landgränin von Thuringia, saints.

The blessed Mary of Brittany. Line engraving.

Mary of the Incarnation.

Portrait of Hildegard; Hildegardis; History of churches and ketting (...) up to the year Onses Heeren 1688. Portrait of Hildegard from a series of portraits in history of churches and ketting of the start of the new testaments to the year Onses Heeren 1688 from Godfried Arnold (1701) .

Elisabeth, Landgränin von Thuringia, saints.

Klara of Assisi, saints.

Portrait of Hildegard, Romeyn de Hooghe, 1701 print Portrait of Hildegard from a series of portraits in the history of the churches and Ketteren from the beginning of the new Testament until the year Onses Lord 1688 of Godfried Arnold (1701). Netherlands paper etching / engraving

B.V. Maria Mater Jesu, Print made by Elias Nessenthaler, 1664-1714, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 13 5/16 × 9 1/4 inches (33.8 × 23.5 cm) and Plate: 10 × 7 3/16 inches (25.4 × 18.3 cm), Cartouche, Christianity, flowers, Gospels, halo, religious and mythological subject, saint, veil

Saint Barbara with Tower, Sciled Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower

H. Clara; S. Clara; Saints. The Saint Clara, to the left, with a Monstrans. Print from a series of fifteen prints with images of saints.

Photo production of (presumably) a print representative Mary with folded hands, c. 1860 - c. 1900 photograph Part of photo album with recordings of sights in Italian cities and artworks. photographic support albumen print Madonna: i.e. Mary with the Christ-child

S. Hilaire, évêque (St. Hilary, Bishop), May 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Hilaire, évêque (St. Hilary, Bishop), May 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Ermelindis of Brabant, saints.

Katharina of Alexandrien, saints.

Catharina van Alexandria.Catharina of Alexandria with Rad, Palm Branch and Book.

Maria with upward look in Ovaal, Anonymous, After Charles Le Brun, 1673 - 1738 print publisher: ParisFrance paper engraving upright figures of Mary without the Christ-child

Umbria Terni Terni S. Maria Assunta, Duomo6. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the

Saint Barbara with tower; Sancta Barbara.

Italy, Schiaminossi, Raffaello, Il sacrato collegio apostolico, Christ, Mary and the twelve apostles, Maria Mater Dei, Maria, verso - stamped, Bust of Mary. She has her hands folded and looks down. Around her head a circular nimbus. Title in bottom margin., print, prent, prints, prenten, height 505 mm, width 375 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, plaattoon, Work conception, after own design by

Photo production of (presumably) a print of Maria with folded hands; Roma. Mater amabilis. Sassoferrato. Part of photo album with recordings of sights in Italian cities and works of art.

The H. Barbara; Mirror of honorability; Speculum Pudicitiae. The H. Barbara, standing, from the front, the head to the left. A palm branch in her hands. In the background her beheading. The fifth print of a seventeen-part series with female saints.

Virgin Maria, Hieronymus Wierix, 1563 - Before 1619 print The Virgin Mary, her hands crossed pious in front of her chest. In the margin a caption in Latin. Antwerp paper engraving Mary (without the Christ-child)

Bliżej Kultury unknown

La Vierge de douleurs Jean Morin French. La Vierge de douleurs 369265

Saint Barbara; S. Barbara; Sacred virgins.Title and Name Day in the undermarge.

Holy Helena with the true cross in frame with ornaments, Nicolaes de Bruyn, 1581 - 1656 print Holy Helena standing with the true cross. Framing with curling ornaments and various animals such as dogs, rabbits and snakes. Two boys hold festons with fruit. At the top the curl work is flanked by two owls and other birds. paper engraving empress Helena, mother of Constantine the Great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails. animals (+ ornamental variants of animals)

Saint Martina; S. Martina Virgo Et Matyr; Sacred virgins.Title and Name Day in the undermarge.

Holy Martina, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints. hacking and thrusting weapons: sword. book

Heilige Teresa ; S. Teresia and Iesv .

Sabina of Rome, saints.

Saint Clara with Monstrans; S. Clara.

Holy Fabiola of Rome as a hermal; Sancta Fabiola; Kluizenaars; Sacra EREMUS ASCETRIARUM.Saint Fabiola or Rome as a Hermaw in Her Hermal Cell. On the verso is a Fragment of French text from the edition.

H. Rosa in a list of flowers, 1651 - 1711 print The holy Rosa van Lima with the Christ child in her arms, kneeling sitting in front of a small altar on which a crucifix between two candlesticks with burning candles. Putti hold a crown of thorns and roses above her head. A list of flowers around the show. paper engraving the Dominican Tertiary Rosa (Rose) of Lima; possible attributes: anchor, crown of thorns, crucifix, infant Christ (in her arms or on a bunch of roses), lily, (wreath of) roses. flowers ~ ornament

Maria to the materous mater, Bernard Picart, after Pedro Cornejo, 1723 print Maria as Mater Dolorosa. She holds one with seven swords pierced Hart that refers to the seven sorrows. In the cartouche a reference to the San Felipe Neri monastery in Sevilla. In the margin a two -way caption in Latin. Amsterdam paper etching / engraving Mary pierced by seven swords Sevilla

Saturated, heiliga.

Saint Dorothea with basket with fruit and flowers; S. Dorothea.

Portrait of the Holy Virgin Mary. Portrait of Maria, in oval. Under the portrait a Latin text of Saint Augustine.

Brigitta of Kildare, saints.

H. Brigitta from Sweden; S. Brigitta. The sacred brigitta of Sweden prays the rosary for a crucifix. She is wearing a hood and veil, a band over the forehead. In the margin a caption in Latin.

Maid from Venice; Fantesche; Habiti Antichi, ET Moderni di Tutto Il Mondo .... Woman in simple dedicated overlooking a big shawl that overlooked. Rosary and missal in the hands. In ornament edge.

Mother of God; Collette, Alexandre Desire (1814-1876), unknown, Wilcza Ski, Jan Kazimierz (1806-1885); 1845-1859 (1845-00-00-1859-00-00);

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale5. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Copper engraving from 1515-1599 illustrating compassion, emphasizing human kindness in a religious setting.

Holy Theodosia, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints. martyr(s) (often with palm-branches) - QQ - female martyr

Theresia of Avila kneels for the crucified Christ; AVT Pati, AVT Mori. The holy Theresia of Avila kneels on Golgota for the crucified Christ. She carries the habties of the Carmelites. In the margin its motto in Latin (tolerated or dying).

Franziska Romana, saints.

Saint Dorothea with basket with fruit and flowers, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the virgin martyr Dorothea of Caesarea; possible attributes: basket of roses and apples, child with basket of roses, garland of roses, roses in hand or lap

A figure of a young girl with her hands together in prayer. Lithograph by Louisa Corbaux.

The Virgin in prayer in an oval frame, after Reni ca. 1650-1704 Anonymous Copy in reverse of an engraving by Reni. Verso is not visible as print is laid to another sheet of paper.. The Virgin in prayer in an oval frame, after Reni 667895

Saint Clara with monstrance S. Clara (title on object), print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, publisher: Cornelis Galle (II), (mentioned on object), 1596 - 1659, paper, engraving, h 128 mm × w 91 mm

Praying Mary. Maria prays above an open book. A table is standing behind Maria. At the rear left a man and a woman embrace each other for a building. Right rear a shepherd with a herd of cows. Above a single-line text in Latin and under a two-legged text in Latin.

Juan Antonio Salvador Carmona (Engraver) / 'The Virgin Mary'. 1789 - 1795. Etching, Burin on laid paper. Museum: Museo del Prado, Madrid, España.

The Virgin Mary, dressed in a cloak, with rosary in her hair. One hand she holds to her breast, in her other she holds a scepter. In the margin a three-line Bible quotation from Highl. 7 in Latin, Mary, holding scepter, print maker: Wierix, (possibly), publisher: Michael Snijders, (mentioned on object), , Antwerp, 1610 - 1672, paper, engraving, h 141 mm × w 87 mm

Saint Lucia with dagger Sancta Lvcia (title on object), print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, publisher: Cornelis Galle (II), (mentioned on object), 1596 - 1659, paper, engraving, h 126 mm × w 92 mm

Maria worship the Christkind, Cornelis Galle (I), after Francesco Vanni, c. 1586 - c. 1610 print print maker: unknownpublisher: Siena paper engraving

Maria Magdalena a S. Josepho .

San Gregorio I el Magno (540-604), papa, uno de los cuatro padres de la iglesia latina. Grabado popular de 1870.

Etching by Raffaello Schiaminossi depicting the Virgin Mary, created between 1606 and 1607. The print shows her figure with religious symbolism in detailed composition.

Wszyscy Święci w MNK Strachowski, Bartłomiej (1693 1759)

Saint Catharina.

Elisabeth, Landgränin von Thuringia, saints.

The Sudarium of Saint Veronica Hans Burgkmair German. The Sudarium of Saint Veronica 430779

Portrait of king Sigismund III Vasa in coronation attire, according to oil painting from a church in Częstochowa. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Saint Mary (the Blessed Virgin). Line engraving by F. de Poilly after G. Reni.

H. Yeah, Lucas Kilian, Katter Mathand Gamedom, 1629 print Text in Latin in the frame. paper engraving the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Holy Agnes as martyrs with lamb between the flames; S. Agnes ..

Treurende Maria, Gerard Edelinck, after Philippe de Champaigne, 1666 - 1707 print Maria, crying and with folded hands, sits against the bottom of the cross of Christ. There are passion tools at her feet: a pipeline, nails and the crown of thorns. A city wall in the background. Under the show a Latin verse of two times two lines. print maker: Parisafter painting by: ParisFrance paper engraving Mary weeping. Mary with the instruments of the Passion

H. Theresia van Ávila, Claude between, 1661 print France paper engraving the foundress of the reformed (Discalced) Carmelites, T(h)eres(i)a of Avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow)

The coronation of the Virgin. Coloured drawing by F. Rosaspina, c. 1830, after I. di P. Francucci.

Elisabeth, Landgränin von Thuringia, saints.

Annunciation (Virgin Maria), Hieronymus Wierix, after Jan van der Straet, 1598 - 1602 print Maria holds an open book in her hands. Above her, the Holy Spirit floats in the form of a pigeon. The performance is caught in an ornamental frame with cherubies and is surrounded by four frameworks with text in Latin. Antwerp paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation). half-length figures of Mary and the angel ~ Annunciation

Lithograph by Johann Nepomuk Strixner from 1834 depicting John the Baptist, showing figure, gesture, attire, and symbolic elements such as a cross or lamb.

Saint Mary (the Blessed Virgin). Stipple engraving by W. Roffe after J. Ruskin after G.G. Cimabue.

Mary of the Incarnation.

Christ presenting the Sacred Heart. Process print.

Cajetanus from Thiene, Saint.

Katharina von Siena, saints.

Saint Mary (the Blessed Virgin). Engraving by C.P.A. Carey after B.E. Murillo.

Holy Ursula, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship

Marcellina of Milan, saints.

Kunigunde The Holy, Roman-German Empress.

Saint Mary (the Blessed Virgin). Etching after Raphael.

The Confession, Print made by Isaac Beckett, 1652/3-1719, British, after Marcellus Laroon the Elder, 1653-1702, Dutch, active in Britain (from ca. 1660), between 1681 and 1688, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 1/2 × 8 1/16 inches (26.6 × 20.5 cm) and Image: 10 1/16 x 7 7/8 inches (25.5 x 20 cm), bowl (vessel), chair, cloak, commentary, confession, cross (object), crucifix, curls, genre subject, gesture, hands, interior, kneeling, listening, man, masturbation, monk, painting (visual work), parody, pattern (design element), pointing, praying, religious and mythological subject, rope, satire, smiling, water, woman

. The Cimmeric Sibille is at a table on which a sloping book is located. She looks at heaven where the Christ child appears. In the margin a caption in Latin. Print from a series with sibilles.

Wszyscy Święci w MNK unknown

Saint Margaret of Scotland (1045-1093). Known as Margaret of Wessex and Queen Margaret of Scotland. English princes. Engraving by Capuz. Ano Cristiano, 1852.

Photo production of (presumably) a print of a reading holy woman with crown. Part of album with pictures of sights and landscapes in England and of art.

Bliżej Kultury unknown

Cimmeric Sibille, Crispijn van de Passe (II), After Crispijn van de Passe (I), 1615 print The Cimmerian Sibille is at a table on which is an open book. She looks at heaven where the Christ child appears. In the margin a caption in Latin. Print from a series with Sibillen. Utrecht paper engraving sibyls (with NAME). Christ-child (with attributes)

Saint Thomas the Apostle. Lithograph by J. Linnell, 1850-51, after Fra Giovanni da Fiesole (Fra Angelico).

Maria at the passion tools, Lucas Vorsterman (I), After Gerard Seghers, 1619 - 1675 print Antwerp paper engraving Mary with the instruments of the Passion

St. Scholastica Gilles Rousselet French. St. Scholastica 385169

Virgin Mary; Imagini Gentilissime delle Dodici Sibille (...). Maria raises her eyes to heaven and folds her hands. The show is caught in a medallion with a peripheral in Latin. Under the show a six-line caption in Latin. Around a framework with flowers. Print is part of an album.

Vignette, The Virgin, Wood engraving on paper, Half-figure; praying, turned to left., France, ca. 1845, Print, Print

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