Religious Frescoes in Italy

Documentary images capturing medieval frescoes in various Italian churches, featuring saints and biblical scenes in rich colors and intricate details.

Lazio Viterbo Bagnaia Villa Lante44. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral2. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Alanno Madonna delle Grazie. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, frescos (16-17th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Nola Chiara1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vitorchiano Madonna di S. Nicola9. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tobias and his father offer gifts to angel Raphael. unknown c. 1550 Tapestry Dimensions: H 290 x W 372 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.364-12289. Within interior setting around table, angel Raphael receiving Tobit's 10 talents from Gabael (Tobit 10-13) (BRD) grape vines interspersed with playing putto, medallions with figural scenes in each corner The image in the Photo Study Collection (PSC) is printed from a c.19th-century negative that shows the tapestry with borders. The reproduction in the Junquera de Vega catalog, however, shows the tapestry without borders, a part of the lower left central field missing & shows a longer composition (apparently the image of the PSC does not show the right quarter of the panel as seen in the Junquera de Vega cat.). Junquera de Vega, Catalogo de Tapices, Vol.

The People's requests. Caron, Antoine (French, 1520/21-1599) (author of design) painter Maecht, Philipp de (Flemish, act. 1605-1652, d. bef.1655) (workshop) weaver c. 1610-1625 Tapestry Dimensions: H 14'10' x W 4' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: The Timken Art Gallery panels are from a set acquired by Duke Carlo Emanuele I of Savoy between 1615 & 1620. French & Co. purchased from Henry Symons, received 9/15/1927; sold to The Putman Foundation (Timken Art Gallery) 3/5/1965. United States, California, San Diego, Timken Art Gallery. Inscriptions: Weaver mark on right guard, bottom: ("F" resting within "M") Inscriptions: unidentified weaver mark on right guard, bottom: red carnation Man & woman read scroll held by man; heads of 4 figures behind them; in architectural setting with paved floor, 2 classical columns & entablature with frieze (UPR BRD) cartouche with the arms of Savoy; (LWR BRD) cartouche with monogram: A M (Anne o

Umbria Terni Terni S. Maria del Monumento3. Hutzel, Max 1960-1990 Exterior views: poorly preserved 14th-century church and cloister. Interior views include a romanesque chapel of the previous church. Most views are of the 15th-century frescoes: the Legend of the Golden Apple from the life of St. Clare, St. Leonard, St. Valentine, St. Anastasia, St. Jerome and the Madonna and Child. Object Notes: Hutzel photo campaign date: October 5, 1982. Hutzel developed two prints for 14 of his 18 negatives; hence, there are almost twice as many prints as there are negatives. The prints have been renumbered, but the original numbers that correspond to those in Hutzel's notes are found on those prints with the date 1982 penciled in on the bottom. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, The Annunciation, Printed from three blocks. Archangel Gabriel announces the birth of Christ to Mary, kneeling at a table with a book. Rays, the Holy Spirit and Christ with the cross enter through the window. Architectural ornamentation to the left and right of the scene., print, engraving, book illustration, prints, engravings, height 109 mm, width 142 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, papier, houtcut, Southern Netherlands

Emilia-Romagna Modena Nonantola Abbazia di Nonantola09. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Life of Thomas Becket, (1801).Artist: Joseph Strutt

Tuscany Siena Montalcino S. Agostino5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

relief outside the Supreme Court, London. The Court is the final court of appeal in the United Kingdom. Scenes on the frieze include King John handing the Magna Carta to the barons at Runnymede, the granting of the charter of Westminster Abbey, and the Duke of Northumberland offering the crown of England to Lady Jane Grey.

Abruzzo L'Aquila L'Aquila S. Silvestro2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, architectural sculpture, painting, fresco, baptismal font Nine exterior views, including 1320 facade. Views of interior both before and after 1968 restoration, many showing apse frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Engraving depicting a scene from the Byzantine Empire

The Habsburg Albrecht (16 August 1397) (27 October 1439) was Duke of Austria as Albrecht V and from 1438 onwards Roman-German King as well as King of Hungary, Croatia and Bohemia as Albrecht II, digitally restored reproduction of a 19th century original, original date not known

Umbria Perugia Foligno Palazzo Trinci5. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, Europe

Lazio Roma Subiaco S. Francesco4. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Corciano santuario della Madonna del Soccorso1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima Museo Civico1. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Giuliano. Hutzel, Max 1960-1990 Exterior views of 12th century church include: bell tower, and relief sculpture in main portal jambs (6th century spolia). Interior views: nave, arcade capitals (10th century), apse frescoes of the Madonna, Christ and various saints (1442), and fresco fragments on the aisle and arcade walls. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante26. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christus als Salvator Mundi, Master of Delft (attributed to), 1503 Leaf printed with six blocks. Presentation in the middle shows Christ as Salvator Mundi, standing in an architectural accompaniment. There are five ornamental Frisians around this with biblical representations, birds, animals and plants. Low Countries paper 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Bliżej Kultury Żukowski, Michał (1705 1777)

Marches Ancona Fabriano Pinacoteca Comunale8. Hutzel, Max 1960-1990 Medieval: Painted crucifix. Post-medieval: Paintings on panel and canvas, including cassone; sculpture in wood (14th century German). General Notes: Two prints, nos. 29 and 39, are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Maria Assunta. Hutzel, Max 1960-1990 Medieval: Early Romanesque architecture and architectural sculpture (12th century, c. 1180); throne with carved lions Post-medieval: Frescoes (15th century); baptismal font German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vertumnus, disguised as gardener, wooing Pomona. Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) weaver c. 1550-1560 Tapestry Dimensions: H 422 x W 500 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Spain, Madrid, Palacio Real de Madrid, accno. A. 360-12137. Inscriptions: Inscription in upper border: LECTVRV HIC POMA PVTARES Related Works: Panels in set: GCPA 0236973-0236975

Umbria Terni Ferentillo S. Maria3. Hutzel, Max 1960-1990 General views of town and basilica-style church, with its tall, pointed campanile. The church has a plain facade. Interior has slightly pointed arches and a wooden ceiling. There are few paintings. One large fresco depicts a series of female martyrs. Paintings appear to have been done from late Medieval to Renaissance. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sardinia Sassari Castel Sardo Cathedral2. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture, built in late Gothic style; architectural sculpture; choir stalls; sculpture; paintings on canvas and panel; altarpiece; fresco; pulpit; tomb monuments; baptismal font; sacred objects German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Figure of Arithmetic with Pythagoras (one of a pair) late 18th-mid-19th century possibly British. Figure of Arithmetic with Pythagoras (one of a pair) 198871

Marches Macerata Visso S. Maria, Collegiate Church4. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Court of a Roman emperor. unknown c. 1500-1525 Tapestry Dimensions: H 9'6" x W 11' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscription on banner: SPQR Emperor flanked by 4 groups of courtiers; banner on poles above emperor (BRD) garland with flowers Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number

Lazio Latina Cori S. Oliva52. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia66. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Maes, Joseph, Saint Salvator's Cathedral, Retable, XVIth century, Altarpiece made of oak, depicting the family tree of Saint Anne, in the Saint Salvator's Cathedral in Bruges, Belgium, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, RETABLE en bois, recto - printed, RETABLES. - PL. 5., JJvY, height 231 mm, width 341 mm, photographer, 1882 - 1887, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception

Umbria Perugia Norcia S. Giovanni8. Hutzel, Max 1960-1990 Exterior views of facade, flanks, and two portals; interior views of altars, ceiling, sculpture, crucifix, paintings, and ciborium. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Gregorio Magno5. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Marches Macerata Tolentino S. Nicola da Tolentino3. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Monkeys climbing columns. Vredeman de Vries, Hans (Netherlandish (before 1600) - North Netherlands, 1527-ca.1604) (cartoon creator, attr.) painter c. 1550-1560 Tapestry Dimensions: H 350 x W 255 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A. 238-6500. 2 monkeys climb columns of central arbor among motifs of flowers, fruits, vases & birds (BRD) garlands of flowers interspersed with allegorical figures; (UPR BRD) unidentified female figure in center; (LWR BRD) figure of Sorrow La Melancolia in center; (L BRD) (from top to bottom) Venus (Aphrodite), Minerva (Athena) & Juno (Hera); (R BRD) (from top to bottom) Jupiter (Zeus), Ceres (Demeter) & Mars (Ares) Junquera de Vega, Catalogo de Tapices, Vol. I (1986), 214-224, series 30, no. 5

Apollo and Marsyas 1710-1730 Italy. Marble . Domenico Antonio Vaccaro

Lazio Roma Rome S. Maria in Via Lata. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco, stucco coffers Object Notes: Although entirely Baroque, the church is located on the site of an ancient church dating before the 11th century. Pietro da Cortona executed the facade in 1662, showing the influence of Borromini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore63. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo97. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Viterbo Viterbo S. Maria della Verita, Cloister37. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Umbria Terni Narni Palazzo del Podesta1. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima Museo Civico4. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

View of the work for the construction of a new Willemsbrug over the Stadsbuitengracht in Utrecht; In the background the Mariaplaats.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory2. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Poggibonsi S. Lucchese72. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale8. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Sao Bento Railway Station, Azulejos, Wall Tiles, Murals, Estacao Sao Bento, Porto, Portugal, Europe

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio5. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

The Education of the Virgin mid-16th century, with later additions Jean II Pénicaud French. The Education of the Virgin 198798

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche3. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile13. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Plaque ca. 1750-60 Meissen Manufactory German. Plaque. German, Meissen. ca. 1750-60. Hard-paste porcelain. Ceramics-Porcelain

Four portraits, of Judocus Vyts, Lord of Pomele, his wife Isabelle de Borlunt, with their patron saints prints, chromolithographs, works on paper

Decoration of the hall of the Town Hall of Arpajon, vintage engraving. Decoration of the hall of the Town Hall of Arpajon, vintage engraved illustration. Magasin Pittoresque 1873. Copyright: xZoonar.com/PatrickxGuenettex 10679595

Lazio Roma Rome Ss. Cosma e Damiano2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, mosaics, fresco painting. Views of Basilica and chapels. Post-medieval: Painting, fresco painting, stucco, architecture, architectural sculpture, sculpture, woodworking. Object Notes: Along the via dei Fori Imperiali, entrance to church which Pope Felice IV (for whom it was called "Basilica of the Blessed Felicis") obtained in 527 as counsel-hall of the Foro della Pace, now remembered as the setting of the Biblioteca Pacis. Renovated in 1632 by design of Arrigucci. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images a

Madonna and Child Enthroned with Saints. Artist: Workshop of Bernardo Daddi (Italian, Florence () ca. 1290-1348 Florence). Dimensions: Overall 13 1/4 x 8 1/2 in. (33.7 x 21.6 cm); painted surface 13 x 8 1/8 in. (33 x 20.6 cm). Museum: Metropolitan Museum of Art, New York, USA.

Mercury (Hermes) orders Calypso to release Ulysses. Jordaens, Jacob (Flemish, 1593-1678) (author of design) painter c. 1640-1660 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Mercury banquets at cave of Calypso (UPR BRD) winged mask flanked by putti-inhabited festoons; (LWR BRD) mask flanked by swans & mermaids, acanthus scroll; (L & R BRD) Mercury half-figures emerging from dolphin-based volutes ornamented with festoons Related Works: Panels in set: GCPA 0236941-0236945

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

Napoli Chiesa S. Angelo a Nilo Tomba di Brancaccio. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870-1890 Detail of a tomb monument, showing three figures with a coffin resting on their shoulders. (Verso) center left, in pencil: "+1427" underlined, sideways

The Annunciation. Artist: Workshop of Fra Filippo Lippi (Italian, Florence ca. 1406-1469 Spoleto). Dimensions: 15 7/8 x 27 1/2 in. (40.3 x 69.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Rome S. Pudenziana9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Image of a painted organ shower from the Jacobikerk belonging to the collection of the Centraal Museum (Agnietenstraat 1) in Utrecht.

Ascension aerostat Mrs. Wise, of Biggin Knight and Captain Vicente Lunardi, June 20, 1785, vintage engraving. Ascension aerostat Mrs. Wise, of Biggin Knight and Captain Vicente Lunardi, June 20, 1785, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673299

Saint Peter. Culture: Italian. Dimensions: L. 11 3/4 x W. 7 inches (29.8 x 17.8 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory7. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Last Supper (Ultima Cena) Pseudo-Jacopino di Francesco (Italian, Bolognese School, ca. 1325-1350/60). The Last Supper (Ultima Cena), ca. 1325-1330. Tempera and tooled gold on poplar panel, 7 11/16 x 14 in. (19.5 x 35.5 cm). European Art ca. 1325-1330

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Te atua (The God), from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 231 × 202 mm (image/primary/secondary support). Second-state impression laid down on first-state impressionWood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome S. Croce in Gerusalemme41. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

14th century altarpiece, Barcelona cathedral, Spain. Europe. Old XIX century engraved illustration from La Ilustracion Española y Americana 1894

Abruzzo Aquila Rocca di Cambio S. Lucia, Abbey church. Hutzel, Max 1960-1990 All exterior views of this 13th c. church stored in Medieval. Views in Hutzel collection are of interior frescoes (14th c.). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale2. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Ceremony in the Sanctuary of Isis, Herculaneum fresco. Roman Italy.

Tuscany Grosseto Roccalbegna SS. Pietro e Paolo. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (13th century) and architectural sculpture; wooden crucifix; stoup. Post-medieval: Fresco; paintings on canvas and panel; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo35. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Narcissus at the Fountain. After a miniature from the 14th century manuscript Romance of the Rose. From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

Christoforo Landino. Formulario di lettere et di orationi volgari. Florence: Antonio di Bartolommeo Miscomini, 1488. The subject of this woodcut, 'The Master and His Seven Students,' was a common motif used in Italy to illustrate educational or scientific books.

Abruzzo L'Aquila Fossa Convent of S. Angelo d'Ocre3. Hutzel, Max 1960-1990 The convent was built in 1242 for the Benedictines and enlarged in the 15th century by the Franciscans. Prints include exterior or general views of convent and surrounding countryside, interior hallways showing vaulting, portal frames and lunettes decorated with frescoes, courtyard and frescoed ceiling. Other fresco decoration includes 'The Last Supper'. Five more photos are being put with this monument which are identified by Hutzel as being the Convento di S. Angelo d'Ocre. They show a modest exterior and an interior in the late Renaissance or early Baroque style. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medi

Church of Santa Maria La Mayor -18th century, Tile of the Holy Family, Pilas, Seville province, Region of Andalusia, Spain, Europe.

Great Exhibition of 1851 - Prize Medals (£50 each) - N. 104. (3) - Mr. Hancock, 1850. 'Her Majesty's Commissioners for promoting the Exhibition of 1851...having decided on giving three bronze medals, of different sizes and designs, as prizes to exhibitors, and having, by public advertisement...invited the artists of all countries to compete for the designs for the reverses of such medals, announce...their intention to give a reward of £100 for each of the three designs which should be accepted, and a reward of £50 for each of the best three designs that should not be accepted, a

Umbria Terni Amelia S. Maria delle Cinque (ad quinque fontes)4. Hutzel, Max 1960-1990 Medieval: Church 13th century, facade & portal 15th century. Post-medieval: Apse remodeled, late baroque Object Notes: Church is built on site on which St. Francis is said to have preached in 1213 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila Rocca di Cambio S. Lucia, Abbey church6. Hutzel, Max 1960-1990 All exterior views of this 13th c. church stored in Medieval. Views in Hutzel collection are of interior frescoes (14th c.). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Last Honors to Counts Egmont and Hoorne, reduction (Les derniers honneurs rendus aux Comtes d'Egmont et d'Hornes, réduction) Louis Gallait (Belgian, 1810-1887). The Last Honors to Counts Egmont and Hoorne, reduction (Les derniers honneurs rendus aux Comtes d'Egmont et d'Hornes, réduction), 1859. Oil on panel, 13 3/4 x 20 in. (34.9 x 50.8 cm). As Belgium reveled in its newfound independence, won in 1830, painters such as Louis Gallait recalled historical events that characterized the long struggle for selfrule, including the martyrdom of Counts Egmont and Hoorne. These sixteenth-century Flemish noblemen dutifully served their king, Philip II of Spain, as soldiers and diplomats. Though devout Catholics, Egmont and Hoorne urged Philip to recognize the religious freedoms of Protestants, a position that branded the two as rebels and led to their arrest and beheading. Their murders galvanized resistance to Spanish rule in the Low Countries (present-day Belgium and the Netherlands). In t

Jan van Scorel

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia49. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ESCENA DEL QUIJOTE - SIGLO XX - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION.

Bookbinding. Culture: British. Dimensions: L. 3 3/8 x W. 2 1/8 inches (8.6 x 5.4 cm). Date: ca. 1643. Museum: Metropolitan Museum of Art, New York, USA.

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