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Religious Historical Art

A collection of images depicting religious subjects, featuring Baroque and Renaissance styles with dramatic figures, architectural elements, and solemn expressions.

Abruzzo, L'Aquila, Sulmona, S. Francesco della Scarpa, Italy, 20th century, photo, photography, Europe
Abruzzo, L'Aquila, Sulmona, S. Francesco della Scarpa, Italy, 20th century, photo, photography, Europe
311 assets in this story
6145-59164163
Lazio Roma Rome S. Ignazio di Loyola88. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc
4409-17557614
The Circumcision. Stefano Pozzi; Italian, 1699-1768. Date: 1755-1770. Dimensions: 69 7/8 x 46 1/8 in. (177.5 x 117.2 cm). Oil on canvas. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.
6145-45522174
Bliżej Kultury unknown
1899-18793070
Bernardino Genga (1620-1690) was a scholar of Classical medical texts, editing several works of Hippocrates. He also had a great interest in the preparation of anatomical specimens as well as the anatomy of ancient Greek and Roman sculpture. These interests led to his work at the French Academy in Rome, where he taught anatomy to artists. 'Anatomia per Uso et Intelligenza del Disegno' consists of 59 copperplate engravings of text and illustrations printed on one side only. After the engraved title is a plate with allegorical emblems of death. Of the illustrated plates, the first 23 deal with osteology and myology drawn from Genga's anatomical preparations. The remainder consists of representations of antique statues viewed from different angles. An English translation of the work appeared in London in 1723 under the title: 'Anatomy Improved'.
6145-59160232
Lazio Roma Rome Gesu6. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-42918272
Friedrich I. Barbarossa, Roman-German Kaiser (1122-1190) Kaiser Friedrich I is on the Reichstag to Regensburg on 17.09.1156 Duke Heinrich II. Jasomirgott in the presence of several princes with the Duchy of Austria. Heliogravure after dome painting by Karl von Blaas in the glory hall of the army history museum in Vienna.
6145-59130788
Campania Caserta Caserta Palazzo Reale92. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-59187683
Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche91. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4443-20304544
Sterne, Voyage sentimental
6145-59196186
Abruzzo L'Aquila L'Aquila Collegiate complex (S. Bernardino, Oratory)4. Hutzel, Max 1960-1990 Several views of entire oratory (once a refectory); detailed views of the frescoes by Paolo Cardone. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
6145-52960588
Jan van Eyck. Hubert van Eyck. Lamb of God Open: Singing Angels, Detail: Heads
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